7 Conclusion
As we conclude this examination of texts that use particular topologies of the past in their redeployment of the classical world, one of the more pressing questions might be why the combination of the classical world and this short list of spatial metaphors constitutes such an attractive matrix for the working out of concerns about citizenship, agency, suffering, and the place of the individual within the family. While the power and perdurability of classical mythology is clearly part of the allure of neoclassical settings and characters, it does not by itself completely explain the utility of these frameworks to our various authors’ projects. After all, a number of the authors with whom our work has engaged—including Rick Riordan, Tony Abbott, Alan Garner, Caroline Dale Snedeker, and N. M. Browne, among others—have shown similar interest in other kinds of mythological or historical settings, in some cases emphasizing the position of the classical as merely one segment of a vast interconnected web of myth/history. Nor is it possible to say that that the privileged place of the remnants of the classical world within the canon of the West by itself explains the reliance of authors over the past century upon its familiarity or prestige....