Heavenly Bodies

Author(s):  
Peter Wothers

We don’t know for sure where the names of the longest-known elements come from, but a connection was made early on between the most ancient metals and bodies visible in the heavens. Figure 1 shows an engraving from a seventeenth-century text with the title ‘The Seven Metals’ (translated from the Latin). It isn’t immediately obvious how the image is meant to depict seven metals until we explore the connections between alchemy and astronomy. However strange such associations seem to us now, we shall see that new elements named in the eighteenth, nineteenth, twentieth, and twenty-first centuries have had astronomical origins. We can’t properly understand why some of the more recent elements were named as they were without first understanding these earlier historical connections. As we look into the night sky, the distant stars remain in their same relative positions and seem to move gracefully together through the heavens. Of course, we now know that it is the spinning Earth that gives this illusion of movement. The imaginations of our ancestors joined the bright dots to pick out fanciful patterns such as the Dragon, the Dolphin, or the Great Bear—the latter being more often known today (with rather less imagination) as the Big Dipper, the Plough, or even the Big Saucepan. But, while these patterns, the constellations, remained unchanging over time, there were seven objects, or ‘heavenly bodies’, that seemed to move across the skies with a life of their own. They were given the name ‘planet’, which derives from the Greek word for ‘wanderer’ (‘planetes asteres’, ‘πλάνητες ἀστέρες’, meaning ‘wandering stars’). These seven bodies were the Sun, the Moon, Mercury, Venus, Mars, Jupiter, and Saturn, all of which were documented by the Babylonians over three thousand years ago. Until the sixteenth century, the most commonly held view was that the Earth was at the centre of the Universe and that the seven bodies revolved around the Earth, with the relative orbits shown schematically in Figure 2.

1960 ◽  
Vol 13 (4) ◽  
pp. 365-382
Author(s):  
Harold Spencer Jones

This year the Royal Society celebrates the third centenary of its foundation. In this paper Sir Harold Spencer Jones, the late Astronomer Royal, who was the Institute's first President, describes the early years of the Society and shows how closely some of its work was related to navigation.For some two thousand years, until well into the seventeenth century, the writings of the ancient Greek philosophers, and in particular those of Aristotle, were regarded as the supreme fountain of wisdom and the source of all knowledge. The break with the Aristotelian dogma may be said to have started with the publication by Copernicus in 1543 of his De Revolutionibus Orbium Coelestium whereby the Earth was displaced from proud position as the centre of the Universe, fixed and immovable, and asserted to be not only rotating around an axis but also to be merely one of a system of planets revolving around the Sun as a centre. Copernicus had refrained for thirty years from publishing his theory as he knew that it would be received with ridicule, not merely because it was not in accordance with Aristotelian dogma but also because it would be held to be against the Scriptures. The Copernican theory met, in fact, with widespread opposition and more than a century elapsed before it came to be generally accepted; for long it was regarded as merely a convenient mathematical representation of the motions of the planets without any true physical basis.


On Purpose ◽  
2019 ◽  
pp. 42-60
Author(s):  
Michael Ruse

This chapter discusses the Scientific Revolution that is dated from the publication of Nicolaus Copernicus's On the Revolutions of the Heavenly Spheres in 1543, the work that put the sun rather than the earth at the center of the universe to Isaac Newton's Mathematical Principles of Natural Philosophy in 1687, the work that gave the causal underpinnings of the whole system as developed over the previous one hundred and fifty years. Historian Rupert Hall put his finger precisely on the real change that occurred in the revolution. It was not so much the physical theories, although these were massive and important. It was rather a change of metaphors or models—from that of an organism to that of a machine. By the sixteenth century, machines were becoming ever more common and ever more sophisticated. It was natural therefore for people to start thinking of the world—the universe—as a machine, especially since some of the most elaborate of the new machines were astronomical clocks that had the planets and the sun and moon moving through the heavens, not by human force but by predestined contraptions. In a word, by clockwork!


2000 ◽  
Vol 17 (2) ◽  
pp. 194-206 ◽  
Author(s):  
John Dunlop

AbstractChildren who visited Auckland Observatory and Stardome Planetarium in 1998 were surveyed on their ideas about the Earth, the Moon and the Sun. Widespread misconceptions similar to those found in other studies were revealed, however the single teaching session had an impact on children's ideas comparable to that of much longer interventions. Several ideas not reported previously were expressed. For example, two children drew a figure eight orbit for the Earth; circling the Sun during the day, and the Moon at night. Only one child of the 67 surveyed proposed the notion of day and night being caused by the Sun orbiting the Earth. This is in contrast to many other studies. A drawing based pre-post survey proved to be a convenient and powerful tool for revealing changing patterns in children's thinking. The literature surveyed indicated levels of misconceptions about astronomy among teachers and other adults that were nearly as great as those of the children being taught. It would seem a strategic move to provide teachers with sufficient training if they are required to teach astronomy at every level, as has happened with the New Zealand science curriculum. A comparison between different question types suggests that multiple-choice questions may underestimate the knowledge of younger children by over 300% when compared with interview responses. A drawing based question in this study generated up to 41% more correct responses than a multiple-choice question on the same topic.


2020 ◽  
pp. 279-298
Author(s):  
Emma Gee

This chapter brings us from Plato to a second-century CE reception of his dialogues, in the work of Plutarch. It concentrates on one dialogue of Plutarch, the De facie in orbe lunae (On the Face in the Moon’s Disc). In the myth that concludes this dialogue, the speaker, Sulla, references Homer’s Elysium from Odyssey 4. But Sulla lifts the Homeric Elysium from “the ends of the earth,” up a level, so that it is situated in the moon. This sets the scene for the rest of Plutarch’s eschatological myth, in which Elysium is repositioned as part of an ascending world-system. Cosmos in Plutarch is the theater for soul. Soul and cosmos in Plutarch are bound up in a sequence of functional interrelationships. Plutarch’s tripartite cosmos functions like the human entity and in fact is the physical area of operation in the life and death of the human entity. There is a truly intertwined relationship between the tripartite human entity and the tripartite cosmos: a three-stage cosmos gives a three-stage cycle of death to life and back, from the sun to the moon to the earth, over and over again. Plutarch’s whole cosmos takes on the role of an afterlife landscape. The De facie gives us the clearest instance we’ve yet seen of the phenomenon of psychic harmonization, in which the soul is entirely integrated with the universe.


1971 ◽  
Vol 10 (2) ◽  
pp. 47-82 ◽  
Author(s):  
Barbara J. Shapiro

In the course of the debate over Puritan contributions to the scientific movement it sometimes has been asserted, and even more often assumed, that the English universities of the sixteenth and seventeenth centuries were either unsympathetic towards or even hostile to the “new philosophy,” and that scientific studies had no place within their confines. Proponents of this position acknowledge one major exception to the scientific hiatus at Oxford and Cambridge, that of the Wadham group organized by John Wilkins in the 1650s which was the precursor of the Royal Society. However, the exception itself is said to result from Puritan intervention in the universities, and the dissolution of the group to follow from the demise of the Puritan regime.It will be the purpose of this paper to examine the state of the sciences in Oxford and Cambridge prior to, during, and after the Interregnum in order to suggest that universities had shown a continuous interest in science, that Puritan intervention did not significantly alter the pattern of scientific concerns and that the existence of the Wadham group of the 1650s does little to lend support to the notion of a connection between Puritanism and the development of science.The evidence for science in the universities before the Puritan Revolution is necessarily incomplete and scattered as is much of our knowledge of university life in that period. It might be best to begin with the work of Mark Curtis and F. R. Johnson who have already shown that the traditional framework of studies permitted the introduction of new ideas. By 1610 Oxford men had been disputing about such topics as the Copernican thesis, the infinity of the universe, the plurality of worlds, the habitability of the moon, and the earth as a magnet in formal university exercises.


Philosophy ◽  
1953 ◽  
Vol 28 (106) ◽  
pp. 195-206
Author(s):  
Viscount Samuel

When man emerged from the millions of years of evolution in the Early and Late Stone-ages he had shed his ape-like characters; he was erect, large-brained, and he had become an agriculturist and a craftsman. He must have wondered—as we wonder still—at the sun, the moon and the stars, the land and the sea, the thunder and lightning, at his own birth, and growth and death. Endowed with intuition and reason, and with curiosity, he must have concluded— as we conclude—that all this did not explain itself. There must have existed, and still exist, Something Else, that he could not perceive and did not understand. Endowed also with imagination, he peopled the earth and the sky with spirits—gods and demigods, ghosts and fairies, demons and angels. There followed beliefs in direct communication from this other world, through dream or trance, ecstasy or intuition; sometimes an individual assurance of personal contact and inspiration. So religion came to be: in the form, first of animism, then of mythology, finally of monotheism.


Author(s):  
David Fisher

There are eight columns in the Periodic Table. The eighth column is comprised of the rare gases, so-called because they are the rarest elements on earth. They are also called the inert or noble gases because, like nobility, they do no work. They are colorless, odorless, invisible gases which do not react with anything, and were thought to be unimportant until the early 1960s. Starting in that era, David Fisher has spent roughly fifty years doing research on these gases, publishing nearly a hundred papers in the scientific journals, applying them to problems in geophysics and cosmochemistry, and learning how other scientists have utilized them to change our ideas about the universe, the sun, and our own planet. Much Ado about (Practically) Nothing will cover this spectrum of ideas, interspersed with the author's own work which will serve to introduce each gas and the important work others have done with them. The rare gases have participated in a wide range of scientific advances-even revolutions-but no book has ever recorded the entire story. Fisher will range from the intricacies of the atomic nucleus and the tiniest of elementary particles, the neutrino, to the energy source of the stars; from the age of the earth to its future energies; from life on Mars to cancer here on earth. A whole panoply that has never before been told as an entity.


Among the celestial bodies the sun is certainly the first which should attract our notice. It is a fountain of light that illuminates the world! it is the cause of that heat which main­tains the productive power of nature, and makes the earth a fit habitation for man! it is the central body of the planetary system; and what renders a knowledge of its nature still more interesting to us is, that the numberless stars which compose the universe, appear, by the strictest analogy, to be similar bodies. Their innate light is so intense, that it reaches the eye of the observer from the remotest regions of space, and forcibly claims his notice. Now, if we are convinced that an inquiry into the nature and properties of the sun is highly worthy of our notice, we may also with great satisfaction reflect on the considerable progress that has already been made in our knowledge of this eminent body. It would require a long detail to enumerate all the various discoveries which have been made on this subject; I shall, therefore, content myself with giving only the most capital of them.


Author(s):  
Татьяна Юрьевна Сем

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.


Numen ◽  
2001 ◽  
Vol 48 (4) ◽  
pp. 381-416 ◽  
Author(s):  
Nanno Marinatos

AbstractIn vain have scholars tried to produce a coherent geographical picture of Odysseus' travels. It is argued here that Odysseus makes a cosmic journey at the edges of the earth (perata ges), a phrase used in the text to describe several lands that the hero visits. The cosmic journey was a genre current in the East Mediterranean region in the Iron Age. It was modeled on the Egyptian the journey of the sun god who travels twelve hours in the darkness of the underworld and twelve hours in the sky. Evidence of similar concepts in the Near East is provided by a Babylonian circular map (now in the British Museum) as well as by Phoenician circular bowls. Gilgamesh seems to perform a cosmic journey. As well, Early Greek cosmology utilizes the concept of a circular cosmos. Odysseus' journey spans the two cosmic junctures of the universe: East, where Circe resides, and West, where Calypso lives. Another polar axis is the underworld and the island of the sun.


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