Scholar and Mentor: Vladimir Stasov and the Promotion of Russian Needlecrafts

2019 ◽  
Vol 46 (4) ◽  
pp. 292-304
Author(s):  
K. Andrea Rusnock

Abstract Vladimir Stasov, well-known as a champion of Russian art and music, proved equally forceful as an advocate for Russian needlework. Yet this key component of his scholarship has been relegated to secondary status; remedying this neglect is the aim of this article. Stasov’s well-known publication, Russkii narodnyi ornament (1872), has traditionally been discussed as a treatise on ornament, however its main emphasis was needlework and it needs to be analyzed as such. Further, Stasov influenced others to take up the cause of Russian national needle art, in particular Sofia Davydova whose tome on Russian lace, Russkoe kruzhevo i russkie kruzhevnitsy (1886), made a major contribution to Russian art and culture. Stasov’s scholarship and promotion of needlework needs to be thoroughly understood in order to have a more complete understanding of Russian material culture and this article is a starting point toward that goal.

Author(s):  
Hüseyin Kazan

Health is a most common topic discussed in women magazine ranking from fashion to beauty, sexuality to art and culture. Biological health, mental health, fertility and sexual health are the most common topics which are given wide coverage. Whether this news, having quantitatively audience, is qualitatively health news is the primarily problem. The most of the news deals with particular subject such as medical selling, aesthetic advertisement and prototypes imposed on popular life. A large number of news reaching the audience read for health purposes cannot go beyond triggering the consumption culture. That is the starting point of this study. The study limited to 52 issues of Cosmopolitan Turkey published between June 2014- September 2018 analyses Dr. Cosmo, which falls into the health news category. In this study, content analysis is used to examine to what extent the news qualitatively and quantitatively contributes to medicine journalism. At the end of the study, it is found that the most of the health news is published on the purposes of commercial concerns, consolidates aesthetic perception and generally stuck between certain topics.


Author(s):  
Kathy Lavezzo

This chapter examines the unstable geography of Christian and Jew during the Anglo-Saxon period through an analysis of Bede's Latin exegetical work On the Temple (ca. 729–731) and in Cynewulf's Old English poem Elene. It takes as its starting point how Bede and Cynewulf tackle a material long associated with Jewish materialism, stone, in comparison with Christian materialism and descibes their accounts of the sepulchral Jew as well as the stony nature of Jews. It also considers how Bede and Cynewulf construct Christianity by asserting its alterity and opposition to an idea of Jewish carnality that draws on and modifies Pauline supersession. The chapter concludes with an assessment of how Bede's and Cynewulf's charged engagements with supersession and “Jewish” places contribute both to our understanding of Anglo-Saxon material culture and to the important role that ideas of the Jew played in such materialisms.


Author(s):  
Desislava Paneva-Marinova ◽  
Radoslav Pavlov

This chapter presents solutions for personalized observation and enhanced learning experience in digital libraries (DLs) by special smart educational nooks. Main factors related to the DLs user experience and content usability issues are considered. During the user experience design, the users' needs, goals, preferences, and interests have been carefully studied and have become the starting point for the new DLs functionality development. This chapter demonstrates several educational nooks or their components, such as learning tools in a digital library for fashion objects, a smart learning corner in an iconographical art digital library, an ontology of learning analysis method, and some educational games for art and culture in which authors are co-developers.


2018 ◽  
Vol 373 (1753) ◽  
pp. 20180253 ◽  
Author(s):  
Alan Penn ◽  
J. Scott Turner

The search for general common principles that unify disciplines is a longstanding challenge for interdisciplinary research. Architecture has always been an interdisciplinary pursuit, combining engineering, art and culture. The rise of biomimetic architecture adds to the interdisciplinary span. We discuss the similarities and differences among human and animal societies in how architecture influences their collective behaviour. We argue that the emergence of a fully biomimetic architecture involves breaking down what we call ‘pernicious dualities’ that have permeated our discourse for decades, artificial divisions between species, between organism and environment, between genotype and phenotype, and in the case of architecture, the supposed duality between the built environment and its builders. We suggest that niche construction theory may serve as a starting point for unifying our thinking across disciplines, taxa and spatial scales. This article is part of the theme issue ‘Interdisciplinary approaches for uncovering the impacts of architecture on collective behaviour’.


Terminology ◽  
2002 ◽  
Vol 8 (2) ◽  
pp. 245-281 ◽  
Author(s):  
George Vouros ◽  
Eugenia Eumeridou

Since concepts are the starting point of all terminological work, it follows that the development of a terminological base should place the main emphasis on the development of a conceptual system. The major objective of the PROMETHEUS project was the development of a generic ontological framework for the design of conceptual systems that would support searching, exploring and navigating multilingual terminological bases, at least for the European languages. Such a framework must provide the necessary semantic distinctions for structuring conceptual systems in specific domains in order to solve semantic problems inherent in linguistic ontologies and to provide a common ontological backbone for sharing and exploiting multilingual terminologies. The paper compares and reports on two well-established ontological frameworks for the development of multilingual resources for the European languages: EuroWordNet (EWN) and SIMPLE top ontologies. It investigates the correspondences between these frameworks, their underlying principles and their suitability to serve as organizational backbones in terminological knowledge bases. Finally, the paper concludes with a description of the implemenetation of the framework, which is based on the organizational principles underlying these multilingual resources.


Author(s):  
Pinar Cartier ◽  
Aysem G. Basar

  Designers see culture as a starting point for designing meaningful products that appeal to users. Culture has a dynamic structure that is constantly affected by social changes. This research examines how socio-cultural factors are perceived, analysed and transferred by design students.  The design process is aimed to identify the complex or challenging and on the contrary clearly understandable aspects. In the first stage of the research, the ideas of the established cultural images, culturally influential designs and designers who use culture as a starting point were determined through 24 industrial design students. The ideas of the students were asked about design and identity in a particular geographic area, they were also asked to explain their ideas about traditional forms and draw forms of them by sketches. The results are presented together with visual examples. The common points of how the culture-oriented design approach is used by designers in the product design process and the frequent mistakes, approaches and examples of projects in this process are revealed.   Keywords: Keywords: Industrial design, education, material culture, design  


2011 ◽  
pp. 465-480
Author(s):  
Selena Vitezovic

Technology studies have always been the most important focus of archaeology, as a science which analyzes human past through the study of material culture. To say that something is technological in archaeology, means to put the concept of technology in the centre of theoretical studies, and to study not only the form of the object, but also the entire sequence of technological factors, from raw material choice, mode of use, up to the reasons for abandonment. The concept of technology in anthropology and archaeology is based on the original meaning of the word ????? in ancient Greek, meaning the skill, i. e., to study how something is being done. Such a concept of technology as a skill or mode of doing something was for the first time outlined by the French anthropologist Marcel Mauss, whose starting point was that every technological statement was at the same time social or cultural statement and that technological choices have social foundations. Pierre Lemonnier further developed the anthropology of technology, focusing on the question of technological choices, as well as numerous other anthropologists. In archaeology, the most important contribution to the study of technology was the work of Andr? Leroi-Gourhan, who created the concept of cha?ne op?ratoire, as an analytical tool for studying the mode of creating, using and discarding an artefact, starting with raw material acquisition, mode of manufacture, final form, use (including caching, breaking and repairing) up to the final discarding. It is not only about reconstructing the algorithmic sequence of operations in creating one object, but it is a complex analysis of operational chain within one society which includes the analysis of technological choices. The analyses of technologies today include a variety of different approaches, most of them with emphasis on the cultural and social aspects of technology. The analysis of bone industry in the Early and Middle Neolithic in central Balkans (Starcevo culture), which included not only final objects, but also manufacture debris and semi-finished products, revealed a well developed industry, with a high level of technological knowledge on the properties of raw materials, skillful manufacture, well organized production, as well as possibility of a certain degree of specialization on the micro and macro level (within one settlement and within a group of settlements). Both raw material choices and manufacturing techniques, as well as the final forms, demonstrated a high standardization level. Also certain symbolic value was attributed to some raw materials, and there is a possibility that skill itself was valued. Further analyses of multiple technologies will help in reconstructing the organization of production, social and economic aspects in Neolithic societies, as well as the role of technology in everyday and ritual life.


2021 ◽  
Author(s):  
◽  
Reuben Schrader

<p>Objects, though the material stuff of curating, occupy a peripheral role in curatorial theory and practice. Art and museum curating both promote relational and ideological positions that centre on certain people, excluding less prominent participants and objects alike. Although all these groups have been examined at length for their discursive qualities, their active processes are still mostly unclear. Developments in material culture theory suggest the need for re-evaluation of the relationship between objects, curators, and audiences, based on these processes. This dissertation is an attempt to construct a concept of curating that begins with objects, the circumstances in which they take part, and the effects they have on the people around them. This investigation into the operations of people and things approaches the subject with an interdisciplinary eye, drawing upon art history, media studies, material culture studies, sociology, anthropology, and other fields. They are linked by a strongly qualitative methodology, which incorporates the researcher's own subjective experiences with a conceptual framework derived from Deleuze and Guattari and Bruno Latour. The use of a rhizomatic perspective based on movement, emergence, and opportunity opens up a series of alternative methodological and analytical approaches. With these tools, four creative works are examined and discussed as singular objects and guides to further generalisation. The research suggests a degree of complexity and potential within objects that is rarely considered. Peoples' interactions with objects mean they share in that potential, opening up the static and structured roles previously addressed. A series of curatorial practices are derived from these findings, expanding the definition of 'curator' by allowing for the exercise of distinct curatorial functions beyond the institution. This dissertation serves as a starting point for a democratic reconceptualisation of curating, based on processes rather than end points, involving the public as curatorial agents.</p>


2021 ◽  
Vol 12 (1) ◽  
pp. 5-24
Author(s):  
Kalissa Alexeyeff ◽  
Geir Henning Presterudstuen

In this introductory article we discuss what might be gained from examining more familiar areas of anthropological research such as cloth, dress or material culture through fashion as an analytical category and, in turn, how insights from Pacific clothing cultures can broaden understandings of fashion. Our aim is to unsettle the ethnographic gaze that is often brought to bear on non-western cultures of fashion, cloth, clothing, style and innovation. Fashion, as we conceive of it, spans from the physical production and design of garments and objects to everyday appearances, the desire to be ‘in vogue’ and the consumption of aesthetic objects that are considered popular. From this starting point we move analyses of fashion from the systemic to the experiential, reflecting ethnographic sensitivity to everyday embodied practice and the constant political and creative negotiation of values and norms that takes place in quotidian social relations. We situate these analyses in a region that is often perceived to be at the very edge of the world economy and invite further discussion about the relationship between fashion and the global flow of people, ideas and commodities.


lack a penis she has the joy (Jouissence) of her own embodied knowledge. In the same move 'the masculine' is relieved of the fear of castration, he need no longer define himself in relation to a mythical order. The perpetual, fearful repetition of masculist discourse can be replaced by fluid, multiple, contextual possibilities. We need to construct new desiring subjects in the ruins of the phallogocentrically enforced dualism. (Braidotti 1994b: 56) For archaeologists the potential of these new embodied subjectivities is enormous. In subversive moves we are freed to think in completely different ways as completely different knowing subjects, we are no longer fixed as masculine or feminine, in relation to reason and emotion, active or passive. In this new pre-phallocentric conceptual framework there are no dichotomous value structures in place, multiplicity and fluidity rule. When we identify ourselves as whole, complex agents, actively engaging with the social and cultural gendered categories we deny the confines of phallocentric opposition. The starting point for the project of sexual difference is the political will to assert the specificity of the lived female bodily experience . . . the project of sexual difference engages a will to reconnect the whole debate on difference to the bodily experience of women. (Braidotti 1994b: 140) I do not naively believe that simply by wishing the dichotomous structures away that they will disappear, but that we can disrupt the taken-for-granted nature of these phallocentric erections by asserting gendered locations which express multiplicity at the same time as asserting confident embodied knowledge. In this way the feminine will no longer be that which is lacking. As Judith Butler says: The feminine marks the limit of representability which would undo the pre-suppositions of representation itself. (Butler 1993b: 19) As academic archaeologists we are of course enmeshed in the symbols and meanings of the dominant masculist discourse, and in consequence we have 'known' ourselves and the world we live in relation to androcentric, phallocentric and heterosexual norms. If we are to tell radically different stories about the material culture with which we work we must make a terrifying leap into the interpretative spaces which are as yet largely inexpressible. We will use words which are already occupied by masculist meanings, and 'describe' social engagements in terms already dominated by the central, invasive phallus. We will in short be misunderstood. ACKNOWLEDGEMENTS

2016 ◽  
pp. 40-41

Sign in / Sign up

Export Citation Format

Share Document