scholarly journals The Regional Recitations of al-Jazūlī’s Dalāʾil al-Ḫayrāt as Reflected in Its Manuscript Tradition

2021 ◽  
Vol 12 (3-4) ◽  
pp. 372-395
Author(s):  
Marijn van Putten

Abstract Muḥammad al-Jazūlī’s Dalāʾil al-Ḫayrāt is one of the most popular and widespread Islamic prayer books in the Sunni Islamic world; consequently, most library collections around the world have many copies of this manuscript. Despite its prolific written form, it is its recitation that should probably be considered the most prominent expression of the text. This paper undertakes a careful analysis of the vocalization and orthoepic signs added to three vocalized copies of 18th-century Dalāʾil al-Ḫayrāt manuscripts from Mali, the Maghreb, and Turkey. It reveals that they each have distinct recitation styles with their own phonological and morphological features, distinct from the rules applied in Classical Arabic prose text. Moreover, it is shown that these recitation styles clearly draw upon the rules of local Quranic reading traditions, while not entirely assimilating to them, thus giving a distinct local orthoepic flavour to the manner in which this text was recited.

Author(s):  
Harith Qahtan Abdullah

Our Islamic world passes a critical period representing on factional, racial and sectarian struggle especially in the Middle East, which affects the Islamic identification union. The world passes a new era of civilization formation, and what these a new formation which affects to the Islamic civilization especially in Syria, Iraq, Yemen, and Lebanon. The sectarian struggle led to heavy sectarian alliances from Arab Gulf states and Turkey from one side and Iran states and its alliances in the other side. The Sunni and Shia struggle are weaken the World Islamic civilization and it is competitive among other world civilization.


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


Neophilologus ◽  
2021 ◽  
Author(s):  
Natalie Jones

AbstractThis article examines the iconographic programme of the Last Judgement scene depicted in Christ III. A notable feature of the poem’s detailed visual programme is the way in which it provides the audience with a single, panoramic vision that encompasses the divergent perspectives of the blessed and the damned. It is on account of this dual perspective that the poem, through its precise use of language and imagery, presents the audience with a bifocal vision of Christ as King of Kings and Judge of the World, in keeping with the words of Revelation 19:16. A detailed analysis of the poem’s imagery, however, suggests that its portrait of Christ as Judge is not only informed by scripture and exegetical sources, but is also indebted to contemporary visual imagery, particularly the depiction of Christ as Majestas Domini, or Christ in Majesty. As a result, and by approaching the poem’s imagery from an iconological perspective, it is argued that the poet of Christ III had a detailed knowledge of contemporary Christological motifs. Furthermore, a careful analysis of the language used to describe the Judgement scene, and particularly the depiction of Christ as Judge, suggests that the poet intentionally seeks to evoke a range of specific visual images in the mind of his audience in order to amplify the poem’s instructive and penitential aims.


Antiquity ◽  
2002 ◽  
Vol 76 (291) ◽  
pp. 218-223 ◽  
Author(s):  
Corinne Roughley ◽  
Andrew Sherratt ◽  
Colin Shell

The megalithic monuments of Carnac, Brittany, in the Département of the Morbihan, are amongst the most farnous in France. indeed in the world. This region has not only the densest conccntration of such sites in Europe but also retained its importance as a centre of monument-building from the late 5th to the :jrd millennium FK:, giving it a unique significance in the study of Neolithic landscapes (Sherratt 1990; 1998). Its menhirs, stone alignments, and megalithic tombs have attracted the attention of scholars since the 18th century, and there is thus an unusually full record, both written and pictorial, of the nature of these monuments as they were perceived over 300 years.


Arabica ◽  
2021 ◽  
Vol 68 (1) ◽  
pp. 1-35
Author(s):  
Naser Dumairieh

Abstract The Ḥiǧāz in the 11th/17th century has long been considered the center of a “revival” movement in ḥadīṯ studies. This assumption has spread widely among scholars of the 11th-/17th- and 12th-/18th-century Islamic world based on the fact that the isnāds of many major ḥadīṯ scholars from almost all parts of the Islamic world from the 11th/17th century onward return to a group of scholars in the Ḥiǧāz. The scholarly group that is assumed to have played a critical role in the flourishing of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz is called the al-Ḥaramayn circle or network. However, to date, there have been no studies that investigate what was actually happening in that century concerning ḥadīṯ studies. Examining the actual ḥadīṯ studies of one of the scholars at the core of al-Ḥaramayn circle, i.e. Ibrāhīm b. Ḥasan al-Kūrānī, will unpack the main interest of Ḥiǧāzī scholars in ḥadīṯ literature, reveal previously unstudied aspects of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz, correct some unexamined assumptions, and situate the ḥadīṯ efforts of scholars of the 11th/17th-century Ḥiǧāz within a general framework of developments within ḥadīṯ studies.


2020 ◽  
Vol 38 (6) ◽  
pp. 1139-1147
Author(s):  
Chiara Bertolin ◽  
Fernando Domínguez-Castro ◽  
Lavinia de Ferri

Abstract. Aurora observations are an uncommon phenomenon at low and mid latitudes that, at the end of the 18th century, were not well known and understood. Low and mid geomagnetic latitude aurora observations provide information about episodes of intense solar storms associated with flares and outstanding coronal mass ejection (CME) and about the variation of the geomagnetic field. However, for many observers at mid and low latitudes, the features of a northern light were unknown, so they could easily report it as a phenomenon without explanation. In this work, we found that an earlier mid geomagnetic latitude aurora was observed in Beauséjour, close to Béziers (43∘19′ N, 3∘13′ E), France, by the abbot François Rozier. He was a meticulous botanist, doctor and agronomist with a special interest in atmospheric phenomena. On 15 August 1780, from 19:55 to 20:07 (Universal Time), François Rozier observed a “phosphoric cloud”. A careful analysis of the report indicates that he was reporting an auroral event. The recovery of auroral events at low and mid latitude during the 1780s is very useful for shedding light on solar activity during this period because there are few records of sunspot observations.


2017 ◽  
Vol 6 (1) ◽  
pp. 9-16
Author(s):  
Kawanishi Takao

Abstract John Wesley (1703-91)is known as the founder of Methodism in his time of Oxford University’s Scholar. However, about his Methodical religious theory, he got more spiritual and important influence from other continents not only Oxford in Great Britain but also Europe and America. Through Wesley’s experience and awakening in those continents, Methodism became the new religion with Revival by the spiritual power of “Holy Grail”. By this research using Multidisciplinary approach about the study of Legend of Holy Grail’s Knight, - from King Arthur and Knights of the Round Table in the Medieval Period, and in 18th century Wesley, who went to America in the way on ship where he met the Moravian Church group also called Herrnhut having root of Pietisms, got important impression in his life. After this awakening, he went to meet Herrnhut supervisor Zinzendorf (1700-60) in Germany who had root of a noble house in the Holy Roman Empire, - and to Legend of Holy Grail’s Knight Opera “Parsifal” by Richard Wagner at Bayreuth near Herrnhut’s land in the 19th century, Wesley’s Methodism is able to reach new states with the legend, such as the historical meaning of Christianity not only Protestantism but also Catholicism. I wish to point out Wesley’s Methodism has very close to Legend of Holy Grail’s Knight. In addition, after the circulation in America, in the late 19th century Methodism spread toward Africa, and Asian Continents. Especially in Japan, by Methodist Episcopal Church South, Methodism landed in the Kansai-area such international port city Kobe. Methodist missionary Walter Russel Lambuth (1854-1921) who entered into Japan founded English schools to do his missionary works. Afterward, one of them became Kwansei-Gakuin University in Kobe. Moreover, Lambuth such as Parsifal with Wesley’s theories went around the world to spread Methodism with the Spirit’s the Legend of Holy Grail’s Knight as World Citizen.


Author(s):  
Y. Yin

<p><strong>Abstract.</strong> In 17&amp;ndash;18<sup>th</sup> century, the spread of the image of the Qing Imperial Garden witnessed the cross-cultural exchanges and promoted the development of English Landscape Garden style. The reciprocal ‘far away foreign land’ between Chinese and British cultures and the influence of historical context had caused the discrepant view of European on Chinese gardens. This project focuses on the differences of cultural heritage values found in the two kinds of gardens: from the design of space and structure, poems and paintings representing designers' concepts, humanities factors, design conception, gardening elements and etc. Which hopes to fill up the gaps of relevant studies and stress the importance of documentation for gardens between the East and West. There are three aspects to illustrate the inner differences under the surface similarities between the two kinds of gardens. Firstly, the distortion and discontinuity through out the introduction and translation.This research attempts to cross-examine such an argument through an investigation into the journey to the West by the carrier of Chinese Imperial garden ideas. Then the meaning of ‘views of nature’ in the English Landscape Garden was inconsistent with the Chinese concept of ‘natural state of the world’. Thirdly, the differences of historical background, culture and values between the Qing Imperial Garden and the English Landscape Garden. All in all, this research could well invite a more factually-based understanding of the Sino-English architectural interactions as well as the Chinese contributions to the world architecture.</p>


Author(s):  
Anees Banu

When it comes to preventing unauthorised access to, destruction of, or inspection of confidential data, information security has always been a major factor. Multimedia information is now used in every field throughout the world. The confidential information that is used in these areas must be kept secure. There are a variety of methods for keeping data secure. One of these is steganography, which is concealing information within other data into a format that the cover information remains unchanged. Cryptography, an encryption process that scrambles data into a written form that is sometimes referred to as a hash, is an auxiliary approach for securing information. Steganography and cryptography each have their own set of benefits and drawbacks. Even though both technologies give security, it is usually a good practise to combine Cryptographic algorithms to create additional layers of security. When cryptographic with steganography are combined, a multi-layer security paradigm is created. The proposed work's main goal is to add an additional layer of protection by using cryptography and steganography to encrypt and embed secret data conveyed across an insecure channel.


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