scholarly journals Class, Gender and the Representation of Peasant Women in Vietnamese Literature

MANUSYA ◽  
2003 ◽  
Vol 6 (3) ◽  
pp. 47-67
Author(s):  
Montira Rato
Keyword(s):  
Colonial Administration ◽  
Kinship System ◽  
Vietnamese Literature ◽  
Communist Government ◽  
Gender Based ◽  
Post War ◽  
Peasant Women ◽  
The Way ◽  
The Revolution

The paper seeks to explore how peasant women are portrayed in Vietnamese literature and tries to highlight that, throughout the development of Modem Vietnamese literature, the way in which peasant women are portrayed is closely related to political agendas and ideological struggles. It also proposes that the construction of peasant women in Vietnamese literature is not only gender- based, but also class-bound. In the period between 1930 and 1945, the victimisation of peasant women was used as a tool to criticise the colonial administration. In the 1945-75 period, literature took part in mobilising the force of peasant women in the building of a socialist nation. However, post-1975 literature reflected the failure of the Communist government and its Socialist ideology to eradicate the residue of the old values in the country side, including the patriarchal concepts and the kinship system. The post-war writers use the pictures of unhappy women in the remote villages to criticise and ridicule the rhetoric and promises of the revolution.

scholarly journals Định kiến xã hội - một vỉa hiện thực mới trong tiểu thuyết và truyện ngắn của Nam Cao trước Cách mạng

2021 ◽  
Vol 3 (6) ◽  
pp. 11-26
Author(s):  
Văn Tùng Nguyễn
Keyword(s):  
Short Stories ◽  
Research Methods ◽  
Literary Realism ◽  
Research Skills ◽  
Research Article ◽  
The World ◽  
Vietnamese Literature ◽  
Social Prejudice ◽  
The Way ◽  
The Revolution

The research article focuses on the question of social prejudice in the novels and short stories of Nam Cao before the Revolution. This survey clarifies the position of writer Nam Cao in the trend of literary realism in particular and contributes about the artistic ideas of Nam Cao to modern Vietnamese literature. The author uses the method of documentary research, methods of systematization, generalizations besides some research skills such as analysis, demonstration, comparison... Since then, the research article has clarified the manifestation of the problem of social prejudice through the world of iconography, the environment, the cause of social prejudice, the way of explaining social prejudice and some solutions of the writer.

The Unassailable Self: Freud's Image Among Post-war American Intellectuals

2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness
Keyword(s):  
World War Ii ◽  
Cold War ◽  
External Force ◽  
Sigmund Freud ◽  
Human Being ◽  
World War ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
The Way

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.

Musical Culture To-day: A Sociological Note

Tempo ◽  
1944 ◽  
pp. 104-107
Author(s):  
W. H. Mellers
Keyword(s):  
New Technique ◽  
Musical Culture ◽  
The Public ◽  
Look Back ◽  
Good Music ◽  
Adequate Provision ◽  
Post War ◽  
The Way

We are often told that there is to-day a promising efflorescence of musical culture in this country; that the public for ‘good’ music is growing rapidly; and that more adequate provision must be made for music in the post-war reconstructed world. Substantially I believe all this is true; but it does also seem to me that much potential cultural vitality may be wasted if these conclusions are accepted too easily, without enquiry into the premisses on which they are based. What do we mean by musical culture? What do we expect music to give us? The mere quantity of music played tells us nothing; we want to know what kind of relation the noise has to the society that produces it, we want to know what bearing it has on the way people live. If we look back a moment to consider some of the things that music has meant to people living before us, we shall soon see that our problems are peculiarly difficult, and that we may well need a virtually new technique to deal with them. A refusal to see our educational problems against the background of history will lead to confusion and incompetence in musical culture as in everything else.

A Socio-pragmatic Analysis of Taboo Language Using Animal Names in Facebook Messenger in the Jordanian Setting: A Gender-Based Study

2021 ◽  
Vol 13 (3) ◽  
pp. 411-430
Keyword(s):  
Gender Differences ◽  
University Students ◽  
Current Paper ◽  
Frequency Of Occurrence ◽  
Male And Female ◽  
Pragmatic Analysis ◽  
Taboo Words ◽  
Animal Names ◽  
Gender Based ◽  
The Way

The current paper aimed to investigate taboo language using animal names in Facebook Messenger in the Jordanian setting based on the context where it appeared. A total of (100) male and female university students answered a questionnaire devised to examine the way how students use taboo language. It was noticed that "pig" recorded the highest frequency of occurrence comprising (11.59) of the total number of the taboo words followed by "dog" and "bitch". Important differences were observed in the frequency and use of taboo words by male (68. 8 %) and female (32.2%) students. The study explained the reasons why such words were deemed taboo in the Jordanian setting taking into consideration the socio-cultural and religious norms of the society. The study also concluded that taboo language was used to express different themes such as humor, relaxation, anger and abuse. Keywords: Taboo Language, Gender Differences, Themes, Socio-Pragmatic, Facebook Messenger.

scholarly journals Religion in the Yugoslav conflicts: post-war perspectives

2006 ◽  
Vol 19 ◽  
pp. 256-275
Author(s):  
Christian Moe
Keyword(s):  
Moral Responsibility ◽  
Relevant Literature ◽  
Human Agency ◽  
Holy War ◽  
Religious Wars ◽  
Yugoslav Wars ◽  
Post War ◽  
Critical Notes ◽  
The Way

The wars that dissolved Yugoslavia – were they religious wars? Why are conflicts increasingly coded as religious, rather than as, for example, social or ethnic? What constitutes a ‘religious’ or ‘holy’ war. This article attempts an inventory of important cat­egories and hypotheses generated in the relevant literature so far, with a few critical notes along the way. The author considers the role assigned to religion in structural, cultural, and actor-oriented explanations of the Yugoslav wars. Structural and cultural explanations downplay the role of human agency and, hence, of moral responsibility; actor-oriented approaches focus on it.

scholarly journals B.S. Johnson’s Liberatic Cityscape in Albert Angelo

2020 ◽  
Vol 4 ◽  
pp. 99-110
Author(s):  
Katarzyna Biela
Keyword(s):  
Everyday Life ◽  
Literary Work ◽  
Visual Sensitivity ◽  
Material Object ◽  
Literary Genre ◽  
Crucial Aspect ◽  
Avant Garde ◽  
Post War ◽  
The Way

For Bryan Stanley Johnson, a British post-war avant-garde author, space was a crucial aspect of a literary work. Inspired by architects and film makers, he was convinced that “form follows function” (“Introduction” to Aren’t You Rather Young to Be Writing Your Memoirs) and exercised the book as a material object, thus anticipating liberature – a literary genre defined in 1999 by Zenon Fajfer and Katarzyna Bazarnik, which encompasses works whose authors purposefully fuse the content with the form. The goal of this paper is to analyse the cityscape theme in Johnson’s second novel, Albert Angelo (1964), in which London is presented as space that accompanies the character in his everyday life and becomes a witness of the formation of his identity. The protagonist is an architect by profession, so special attention is paid to his visual sensitivity and the way the cityscape is reflected in his memories. Furthermore, Johnson’s formal exploitation of the book as an object and its correspondence to the content is analysed with reference to the metaphor of “[t]he book as an architectural structure” discussed by Bazarnik in Liberature. A Book-bound Genre.

scholarly journals A Romanian Heroine of British Origin — Maria Rosetti

2019 ◽  
Vol 25 (2) ◽  
pp. 289-292
Author(s):  
Gabriela Mihăilă-Lică
Keyword(s):  
Crucial Role ◽  
Active Role ◽  
The Public ◽  
Unitary State ◽  
Public Consciousness ◽  
Revolution Of 1848 ◽  
The Way ◽  
The Revolution

Abstract The paper analyses the image of Maria Rosetti, the first female journalist in Romania, one of the personalities that played a crucial role for the outcome of the Revolution of 1848, and the way in which she remained in the public consciousness. Born in Guernsey, Scotland, the sister of the diplomat Effingham Grant and wife of the Romanian revolutionary Constantin Alexandru Rosetti “made the cause of Romania her own“. Despite being a foreigner, through everything she did, Maria Rosetti tried to help her adoptive country evolve and become a modern unitary state. Besides playing an active role in the escape of her husband and of other revolutionaries arrested by the Turks, she was also the mother of eight children (only four survived) in whom she instilled the most fervent patriotism. Last, but not least, the wife of C. A. Rosetti used her literary talent for pedagogical purposes in order to educate the younger generations according to the desiderata of a new Romanian society. Admired by her contemporaries and by her followers, her portrait was immortalized by C. D. Rosenthal in the famous painting “Revolutionary Romania”, becoming a symbol of the love and of the power of sacrifice for her country.

scholarly journals Munavvar qori’s “Memoirs”: An Uzbek Confession-Testimony from the Files of the Secret Police

Slovo ◽  
2017 ◽  
Vol The autobiographical... (Beyond the steppes of Central...) ◽  
Author(s):  
Adeeb KHALID
Keyword(s):  
English Translation ◽  
Secret Police ◽  
Political Activities ◽  
International Audience ◽  
Major Figure ◽  
The Way ◽  
The Revolution

International audience This a rticle explores t he s o-called “ Memoirs” o f M unavvar qori Abdurashidxon o’g’li (1878-1931), a major figure in the politics of Turkestanin the era of the revolution and an early victim of the OGPU. The autobiographical text is a series of pokazanija written while Munavvar qori was under arrest in which he describes his political activities since the revolution. The article analyses the way in which Munavvar qori presents himself—a combination limited confession with plausible denial or extenuation—and the way he deploys language. The article also presents lengthy excerpts in English translation. cette étude examine les prétendus « Mémoires » de Munavvar qori Abdurashidxon o’g’li (1878-1931), une figure d’importance dans l’histoirepolitique du Turkestan à l’ère révolutionnaire et une des premières victimes de l’OGPU. Le texte autobiographique comprend une série de pokazanija, écrits quand Munavvar qori était en état d’arrestation, et qui racontent ses activités depuis la révolution. L’étude analyse la manière avec laquelle on se présente – soit une combinaison de confession limitée et de démentis vraisemblables – et le langage qu’on y déploie. L’étude offre aussi des extraits du texte en traduction anglaise. В статье исследуется так называемые «Воспоминания» Мунаввар кори Абдурашидхонов (1878-1931 гг.), один из виднейших деятелейполитической жизни Туркестана в эпохи революции и один из ранних жертв ОГПУ. Автобиографический текст состоит из ряда показаний, написанные во время выключения автора, и в которых он запишет его деятельность в послереволюционной период. В данной статье анализируется способов, в которых Мунаввар кори представляет себя (между умеренным признанием вины и отдалением в вероятной мере из ее) и языка, котором он используется. Статья тоже содержат в себе длинных выдержки из текста на английском переводе.

A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction

2021 ◽  
Author(s):  
Maysaa Husam Jaber
Keyword(s):  
Twentieth Century ◽  
Gender Roles ◽  
Gender Schema ◽  
The Us ◽  
The 1950S ◽  
Post War ◽  
Noir Fiction ◽  
The Way

This article proposes that Charles Williams’s mid-twentieth-century noir fiction reshapes post-war representations of gender roles and paves the way for various renditions and developments of noir. Williams’s works are narratives of transgression meeting domesticity, crime meeting docility, and cunning meeting conformity; they portray a deadly recipe that comprises different, even conflicting ingredients of a fusion between domesticity, crime, and suspense. By examining the recurring figure of the criminal housewife in his work, especially Hell Hath No Fury (1953), this article argues that Williams brings forth a complex and subversive gender schema to trouble both the creed of domesticity popular in the 1950s and the stereotyping of the lethal seductress prevalent in noir fiction. By so doing, Williams’s noir not only brings the transgression of women to the fore but also displays a compelling picture of post-war gender roles in the US under McCarthyism.

‘For the life of him he could not remember’: Post-war Memory, Mourning and Masculinity Crisis in Katherine Mansfield’s ‘The Fly’

2016 ◽  
Author(s):  
Avishek Parui
Keyword(s):  
Short Story ◽  
Traumatic Memory ◽  
Politics Of Memory ◽  
War Memory ◽  
Post War ◽  
Masculinity Crisis ◽  
The Way

This article examines the entanglement between masculinity crisis and traumatic memory as described in Katherine Mansfield's short story ‘The Fly’. By exploring the way Mansfield depicts the figure of the ‘boss’ in the story as symbolic of the stubborn resistance against the natural organic order of time, the article investigates how such a memory project of preservation fails with all its masculinist hubris. Drawing on Pierre Janet’s notions of traumatic memory and narrative memory and on Freud’stheory of traumatic repetition and castration, the article attempts to locate the politics of memory in Mansfield’s story alongside the politics of masculinity that perversely equates male hysteria with performance and prestige.

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