Book review: Paul Ibbotson, What it takes to talk: Exploring developmental cognitive linguistics (Cognitive linguistic research 64)

2021 ◽  
pp. 014272372110233
Author(s):  
Maija Surakka
Author(s):  
Raymond W. Gibbs, Jr

An important reason for the tremendous interest in metaphor over the past 20 years stems from cognitive linguistic research. Cognitive linguists embrace the idea that metaphor is not merely a part of language, but reflects a fundamental part of the way people think, reason, and imagine. A large number of empirical studies in cognitive linguistics have, in different ways, supported this claim. My aim in this paper is to describe the empirical foundations for cognitive linguistic work on metaphor, acknowledge various skeptical reactions to this work, and respond to some of these questions/criticisms. I also outline several challenges that cognitive linguists should try to address in future work on metaphor in language, thought, and culture.


Lege Artis ◽  
2017 ◽  
Vol 2 (2) ◽  
pp. 392-444
Author(s):  
Svitlana Virotchenko

Abstract The study of space and motion in space as well as its further verbalization remains one of the topical issues of present-day linguistic research, though motion in personal space still needs a more detailed analysis. This paper analyzes English verbalization of movement in communicative space from a cognitive linguistic perspective. It aims at revealing specific features of the constructions under study by applying such a theoretical tool of cognitive linguistics as image schemas.


2018 ◽  
Vol 16 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Marta Dynel

Abstract This article is meant to give a state-of-the-art picture of cognitive linguistic studies on humour. Cognitive linguistics has had an immense impact on the development of humour research and, importantly, humour theory over the past few decades. On the one hand, linguists, philosophers and psychologists working in the field of humour research have put forward proposals to explain the cognitive processes underlying specifically humour production and reception (e.g. the incongruity-resolution framework and its refinements). On the other hand, humour research has drawn on theories and concepts advanced in contemporary cognitive linguistics taken as a whole (e.g. mental spaces, conceptual blending, salience or conceptual metaphor). The different notions and approaches originating in these strands of research are in various ways interwoven in order to give new insights into the cognitive workings of humour.


2014 ◽  
Vol 1 (2) ◽  
pp. 155-170 ◽  
Author(s):  
Xu Wen ◽  
Kun Yang ◽  
Fangtao Kuang

As a new paradigm of linguistics, Cognitive Linguistics has made great achievements over the past 30 years or so. In order to make the latest trends of Cognitive Linguistic research known, this paper presents the outstanding achievements and prominent characteristics of Cognitive Linguistics in various dimensions. In contrast to some other linguistic theories, Cognitive Linguistics has more conspicuous advantages in its theories and other aspects. Cognitive linguistics can offer not only an account of linguistic phenomena but also that of a wide variety of social and cultural phenomena. Therefore, Cognitive Linguistics is not only a school of linguistics but a cognitive social science or a cognitive semiotics, which has lots of implications for various fields or disciplines in the age of big data.


2015 ◽  
Vol 15 (1) ◽  
pp. 97
Author(s):  
Mª Asunción Barreras Gómez

<p>This paper will approach two of Nabokov’s poems from the perspective of embodied realism in Cognitive Linguistics. We will shed light on the reasons why we believe that Nabokov makes use of the DIVIDED SELF metaphor in his poetry. In the analysis of the poems we will explain how the Subject is understood in the author’s life in exile whereas the Self is understood in the author’s feelings of anguish and longing for his Russian past. Finally, we will also explain how Nabokov’s use of the DIVIDED SELF metaphor thematically structures both poems.</p>


Author(s):  
Berit Ingebrethsen

It is not easy to express abstract concepts, such as time and society, in a drawing. The subject of this article is rooted in the educational issue of visually expressing themes represented by abstract concepts. However, it is possible to find means and devices to express such ideas. This article shows how metaphors can be used to express such ideas visually. Cognitive linguistic research argues that metaphors are crucial in the verbal communication of abstract concepts. This article also attempts to show that metaphors are important in visual communication. The cognitive linguistic metaphor theory of George Lakoff and Mark Johnson is used here to investigate how metaphors are used to construct meaning in the drawings of cartoonist and illustrator Finn Graff and artist Saul Steinberg. The article presents a few examples of how visual devices structure the abstract concept of time. It then proceeds to explain how symbols function as metonymies and provides an overview of the different types of metaphors and how they are used to express meaning in drawings. The article concludes by attempting to provide new insights regarding the use of visual metaphors.


2003 ◽  
Vol 32 (4) ◽  
pp. 596-599
Author(s):  
Chienjer Charles Lin

This is the first textbook on metaphor to appear after the cognitive linguistic revolution of metaphorical research launched two decades ago by Lakoff & Johnson with their pioneering work, Metaphors we live by. Much scholarship has since been devoted to this paradigm of research. Twenty years have passed, and Kövecses takes this as a good time to summarize the development of the field. Writing a textbook on metaphor certainly reflects the maturation of the study of metaphor within the cognitive linguistic tradition. Targeted readers are undergraduate and graduate students with interests in metaphor and cognitive linguistics. Experienced researchers may also find this book helpful in motivating new ideas.


2014 ◽  
Vol 25 (2) ◽  
pp. 313-340 ◽  
Author(s):  
Mario Brdar ◽  
Rita Brdar-Szabó

AbstractIn a recent paper published in this journal, Laura Janda makes a number of claims about metonymy, specifically about metonymy in word-formation as part of grammar. In a nutshell, what she says is that suffixed nouns such as Russian saxarnica (from saxar ‘sugar’) ‘sugar bowl’, Czech břicháč (from břicho ‘belly’) ‘person with a large belly’, or Norwegian baker ‘baker’, are metonymic extensions from saxar ‘sugar’, břicho ‘belly’, and bake ‘bake’, respectively. It is our contention that this claim about metonymy being involved in word-formation phenomena such as suffixation is misconceived and leads to an overuse of the term ‘metonymy’. We first comment on Janda's views on cognitive linguistic research on metonymy in grammar and word-formation, and then evaluate the evidence that she provides to support her central claim – from some general claims about metonymy and grammar to the way she identifies metonymy in word-formation. Finally, we point out a series of problems ensuing from the concept of word-formation metonymy. The analytical parts of Janda's article are in our view a more or less traditional cross-linguistic inventory of suffixation patterns that do not exhibit metonymy as such. However, some genuine metonymies that crop up among her examples are glossed over. In other words, we claim that her analysis ignores metonymies where they appear and postulates metonymies where they do not exist.


Author(s):  
Javier Herrero Ruiz

Abstract Over the last few years there has been a rapprochement between Cognitive Linguistics and semantic theories of humour based on the notion of script or frame. By drawing on Ritchie’s version of the theory of frame-shifting (2005) and reviewing the cognitive linguistic account of humour, we shall demonstrate how the interpretation of jokes containing a metaphor or a metonymy involves two cognitive-pragmatic tasks: the completion of the metaphorical/metonymic mapping that results in a new frame, and the resolution of the joke’s incongruity via a contrast with the surrounding frames of the joke. We also develop a classification of frame shifts according to their ontological structure (non-metaphorical/metonymic shifts and shifts based on metaphorical and/or metonymic reasoning) and the degree of the interpreter’s inferential activity (conceptual filling out and metaphor/metonymy replacement). In doing so, we attempt to identify some of the defining features of humorous metaphors and metonymies, as well as other phenomena that may also characterise jokes.


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