scholarly journals Conceptualization of motion in communicative space in English

Lege Artis ◽  
2017 ◽  
Vol 2 (2) ◽  
pp. 392-444
Author(s):  
Svitlana Virotchenko

Abstract The study of space and motion in space as well as its further verbalization remains one of the topical issues of present-day linguistic research, though motion in personal space still needs a more detailed analysis. This paper analyzes English verbalization of movement in communicative space from a cognitive linguistic perspective. It aims at revealing specific features of the constructions under study by applying such a theoretical tool of cognitive linguistics as image schemas.

Author(s):  
Raymond W. Gibbs, Jr

An important reason for the tremendous interest in metaphor over the past 20 years stems from cognitive linguistic research. Cognitive linguists embrace the idea that metaphor is not merely a part of language, but reflects a fundamental part of the way people think, reason, and imagine. A large number of empirical studies in cognitive linguistics have, in different ways, supported this claim. My aim in this paper is to describe the empirical foundations for cognitive linguistic work on metaphor, acknowledge various skeptical reactions to this work, and respond to some of these questions/criticisms. I also outline several challenges that cognitive linguists should try to address in future work on metaphor in language, thought, and culture.


2013 ◽  
Vol 11 (2) ◽  
pp. 417-432 ◽  
Author(s):  
Alan Cienki

Image schemas have been a fundamental construct in cognitive linguistics, providing grounds for psychological, philosophical, as well as linguistic research. Given the focus in cognitive linguistics on embodied experience as a fundamental basis for language structure and meaning, the employment of image schemas in the analysis of gesture with speech is a logical extension. However, given their level of abstraction, to what degree do image schemas provide a useful explanatory tool for researching the concrete, physically embodied details of gestures? This article considers the answer to this question and then turns to a more recent theoretical development that complements the picture by encompassing a different realm of cognitive and linguistic phenomena. This research, on ‘mimetic schemas’, is shown to have great potential for thinking about some known phenomena of gesture in a new way. Schema research on these different levels thus provides a useful means to analyze behavior in another modality involved in spoken language use, namely the visual.


2007 ◽  
Vol 36 (2) ◽  
Author(s):  
Ming-Yu Tseng

AbstractThis article aims to advance the study of “image schemas” by drawing on insights not only from cognitive linguistics but also from critical linguistics. It highlights five specific features possessed by “image schemas”: (1) their serving as a bridge between concrete, sensorimotor experience and abstract reasoning; (2) their being emergent patterns created and evoked when people engage in understanding language; (3) their function of superimposition (i. e. interactions among image schemas); (4) their insinuation of a plus-minus parameter (i. e. the tendency of the opposing parts of an image schema to be more positively or negatively valued); and (5) their static and dynamic nature. It will also briefly address how image schemas, metaphors and socio-cultural values are entwined. The critical-cognitive perspective calls for the view of “situated” image schemas in discourse. By way of illustration, I will analyze two Chinese Zen poems. The analysis will pay special attention to imageschematic patterns and their significance in the interface between discourse, cognition, and worldview.


2018 ◽  
Vol 16 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Marta Dynel

Abstract This article is meant to give a state-of-the-art picture of cognitive linguistic studies on humour. Cognitive linguistics has had an immense impact on the development of humour research and, importantly, humour theory over the past few decades. On the one hand, linguists, philosophers and psychologists working in the field of humour research have put forward proposals to explain the cognitive processes underlying specifically humour production and reception (e.g. the incongruity-resolution framework and its refinements). On the other hand, humour research has drawn on theories and concepts advanced in contemporary cognitive linguistics taken as a whole (e.g. mental spaces, conceptual blending, salience or conceptual metaphor). The different notions and approaches originating in these strands of research are in various ways interwoven in order to give new insights into the cognitive workings of humour.


2014 ◽  
Vol 1 (2) ◽  
pp. 155-170 ◽  
Author(s):  
Xu Wen ◽  
Kun Yang ◽  
Fangtao Kuang

As a new paradigm of linguistics, Cognitive Linguistics has made great achievements over the past 30 years or so. In order to make the latest trends of Cognitive Linguistic research known, this paper presents the outstanding achievements and prominent characteristics of Cognitive Linguistics in various dimensions. In contrast to some other linguistic theories, Cognitive Linguistics has more conspicuous advantages in its theories and other aspects. Cognitive linguistics can offer not only an account of linguistic phenomena but also that of a wide variety of social and cultural phenomena. Therefore, Cognitive Linguistics is not only a school of linguistics but a cognitive social science or a cognitive semiotics, which has lots of implications for various fields or disciplines in the age of big data.


2015 ◽  
Vol 15 (1) ◽  
pp. 97
Author(s):  
Mª Asunción Barreras Gómez

<p>This paper will approach two of Nabokov’s poems from the perspective of embodied realism in Cognitive Linguistics. We will shed light on the reasons why we believe that Nabokov makes use of the DIVIDED SELF metaphor in his poetry. In the analysis of the poems we will explain how the Subject is understood in the author’s life in exile whereas the Self is understood in the author’s feelings of anguish and longing for his Russian past. Finally, we will also explain how Nabokov’s use of the DIVIDED SELF metaphor thematically structures both poems.</p>


2020 ◽  
pp. 40-57
Author(s):  
M. V. Vlavatskaya

The article is devoted to the application of the method of complex semantic-syntagmatic analysis of collocations, or combinatorially determined lexical and phraseological units, characterized by structural-semantic integrity and having functional, idio-ethnic and other limitations. The relevance of the work is due to the importance of their study as universal units inherent in all natural languages. The purpose of the article is to substantiate the advisability of using the method of complex analysis of collocations and with its help to identify the semantic, functional, syntagmatic mechanisms of their formation, as well as to discover the universal and specific characteristics of these units. The method is developed in the framework of combinatorial lexicology, studying the linear relations of words and their combinatorial potential. The novelty of the study is in the development of a detailed analysis technique, with the help of which it will be possible to detect the mechanisms of formation of various collocations. The material for study was colour collocations, which are created by the adjective type. An algorithm for performing complex analysis is presented, and the procedure for its implementation is demonstrated. Particular attention is paid to the semantic and combinatorial-syntagmatic blocks as the most important aspects of the study of the compatibility of lexemes in the framework of the combinatorial science of words.


Author(s):  
Berit Ingebrethsen

It is not easy to express abstract concepts, such as time and society, in a drawing. The subject of this article is rooted in the educational issue of visually expressing themes represented by abstract concepts. However, it is possible to find means and devices to express such ideas. This article shows how metaphors can be used to express such ideas visually. Cognitive linguistic research argues that metaphors are crucial in the verbal communication of abstract concepts. This article also attempts to show that metaphors are important in visual communication. The cognitive linguistic metaphor theory of George Lakoff and Mark Johnson is used here to investigate how metaphors are used to construct meaning in the drawings of cartoonist and illustrator Finn Graff and artist Saul Steinberg. The article presents a few examples of how visual devices structure the abstract concept of time. It then proceeds to explain how symbols function as metonymies and provides an overview of the different types of metaphors and how they are used to express meaning in drawings. The article concludes by attempting to provide new insights regarding the use of visual metaphors.


2003 ◽  
Vol 32 (4) ◽  
pp. 596-599
Author(s):  
Chienjer Charles Lin

This is the first textbook on metaphor to appear after the cognitive linguistic revolution of metaphorical research launched two decades ago by Lakoff & Johnson with their pioneering work, Metaphors we live by. Much scholarship has since been devoted to this paradigm of research. Twenty years have passed, and Kövecses takes this as a good time to summarize the development of the field. Writing a textbook on metaphor certainly reflects the maturation of the study of metaphor within the cognitive linguistic tradition. Targeted readers are undergraduate and graduate students with interests in metaphor and cognitive linguistics. Experienced researchers may also find this book helpful in motivating new ideas.


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