Psychoanalysis and the antinomies of an archaeologist: Andrea Carandini, the ruins of Rome, and the writing of history

2021 ◽  
pp. 095269512098059
Author(s):  
Tom McCaskie

Freud’s fascination with the ruins of ancient Rome was an element in the formation and development of psychology. This article concerns the intersection of psychoanalysis with archaeology and history in the study of that city. Its substantive content is an analysis of the life and career of Andrea Carandini, the best-known Roman archaeologist of the past 40 years. He has said and written much about his changing views of himself and about what he is trying to do in his approach to the recuperation of the Roman past. His scholarly publications and autobiographical testimonies are at the core of this article. After an early commitment to Marxism that ended in disenchantment and a crisis in his personal life, Carandini spent a decade undergoing psychoanalysis with the Chilean-born expatriate Ignacio Matte-Blanco. The latter gained a following as a theorist who built upon Freud’s ideas about the unconscious by producing a set of mathematically inspired concepts concerning the workings of temporality in human history in which emotional intuition took priority over the rational(izing) logic of empiricism. Much influenced by his psychoanalyst, Carandini developed a highly personal approach to the writing of archaeology and history. These writings are explored here in terms of Roman historiography, and in the wider arena of formulations of how the past is to be addressed and written about.

2013 ◽  
Vol 16 (1) ◽  
pp. 6-15 ◽  
Author(s):  
Allan Abbass ◽  
Joel M. Town ◽  
Ellen Driessen

Based on over forty years of videotaped case-based research, Habib Davanloo of McGill University, Canada, discovered some of the core ingredients that can enable direct and rapid access to the unconscious in resistant3 patients, patients with func-tional disorders, and patients with fragile character structure. We will describe here some of the main research findings that culminated in his description of a central therapeutic process involved in the intensive short-term dynamic psychotherapy (ISTDP) model. We will also describe the evolution of the technique over the past thirty years and summarize the empirical base for Davanloo’s ISTDP.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Carlos Cortez Minchillo

This article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 and soon migrated to China, where he lived among other Russian émigrés in the town of Harbin. In 1953, after a failed attempt to go to the United States, he and his mother arrived in Brazil, where he lived–unnoticed by local writers and artists–for almost forty years. A central issue in Pereliéchin's personal life, homosexuality gradually became the core theme of his work. Through the idea of "existential left-handedness," Pereliéchin challenged heteronormativity, especially by refuting what Lee Edelman has called "reproductive futurity." I argue that Pereliéchin's alternative way of tackling the past and future stems from the intersectionality of his experiences as a gay man and an émigré.


2004 ◽  
Vol 34 (136) ◽  
pp. 339-356
Author(s):  
Tobias Wölfle ◽  
Oliver Schöller

Under the term “Hilfe zur Arbeit” (aid for work) the federal law of social welfare subsumes all kinds of labour disciplining instruments. First, the paper shows the historical connection of welfare and labour disciplining mechanisms in the context of different periods within capitalist development. In a second step, against the background of historical experiences, we will analyse the trends of “Hilfe zur Arbeit” during the past two decades. It will be shown that by the rise of unemployment, the impact of labour disciplining aspects of “Hilfe zur Arbeit” has increased both on the federal and on the municipal level. For this reason the leverage of the liberal paradigm would take place even in the core of social rights.


2014 ◽  
Vol 7 (2) ◽  
pp. 136-151 ◽  
Author(s):  
Sung-Ae Lee

To displace a character in time is to depict a character who becomes acutely conscious of his or her status as other, as she or he strives to comprehend and interact with a culture whose mentality is both familiar and different in obvious and subtle ways. Two main types of time travel pose a philosophical distinction between visiting the past with knowledge of the future and trying to inhabit the future with past cultural knowledge, but in either case the unpredictable impact a time traveller may have on another society is always a prominent theme. At the core of Japanese time travel narratives is a contrast between self-interested and eudaimonic life styles as these are reflected by the time traveller's activities. Eudaimonia is a ‘flourishing life’, a life focused on what is valuable for human beings and the grounding of that value in altruistic concern for others. In a study of multimodal narratives belonging to two sets – adaptations of Tsutsui Yasutaka's young adult novella The Girl Who Leapt Through Time and Yamazaki Mari's manga series Thermae Romae – this article examines how time travel narratives in anime and live action film affirm that eudaimonic living is always a core value to be nurtured.


Author(s):  
Nguyen Van Dung ◽  
Giang Khac Binh

As developing programs is the core in fostering knowledge on ethnic work for cadres and civil servants under Decision No. 402/QD-TTg dated 14/3/2016 of the Prime Minister, it is urgent to build training program on ethnic minority affairs for 04 target groups in the political system from central to local by 2020 with a vision to 2030. The article highlighted basic issues of practical basis to design training program of ethnic minority affairs in the past years; suggested solutions to build the training programs in integration and globalization period.


2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.


Author(s):  
Pasi Heikkurinen

This article investigates human–nature relations in the light of the recent call for degrowth, a radical reduction of matter–energy throughput in over-producing and over-consuming cultures. It outlines a culturally sensitive response to a (conceived) paradox where humans embedded in nature experience alienation and estrangement from it. The article finds that if nature has a core, then the experienced distance makes sense. To describe the core of nature, three temporal lenses are employed: the core of nature as ‘the past’, ‘the future’, and ‘the present’. It is proposed that while the degrowth movement should be inclusive of temporal perspectives, the lens of the present should be emphasised to balance out the prevailing romanticism and futurism in the theory and practice of degrowth.


Author(s):  
G.S. Prygin

We study the problems of time consciousness from the standpoint of philosophy, physics and psychology; it is argued that such a sequence in the analysis of the problem allows us to reveal the actual psychological aspect of the problem of the objectivity of the consciousness of time, which is the goal of the study. Both the philosophical concepts of the time consciousness of I. Kant, E. Husserl and F. Brentano, and the physical theories of the study of time (quantum physics, cosmology, the physics of non-equilibrium processes) are analyzed. It has been established that in philosophical theories, the concepts: consciousness, memory, perception, representation, and others do not have clear definitions and can change their meaning depending on the context. It is emphasized that in physical and human sciences time is investigated, as a rule, in connection with the concept of “space”. It is shown that when analyzing the problem of the consciousness of time, one should first decide on the concept of “reality”, which allows us to remove contradictions in the understanding of time in various physical theories. It is concluded that the existence of both objective and subjective time can only be spoken when we operate with concepts; outside of this the concept of “time” has meaning only when a person is considered as part of society. It is shown that in relation to the collective and personal unconscious, the temporal modes of the "past", "present" and "future" do not make sense, since "the whole diversity of everything" is represented in the unconscious field simultaneously and extra-spatially.


2020 ◽  
Vol 20 ◽  
Author(s):  
Helen Shiphrah Vethakanraj ◽  
Niveditha Chandrasekaran ◽  
Ashok Kumar Sekar

: Acid ceramidase (AC), the key enzyme of the ceramide metabolic pathway hydrolyzes pro-apoptotic ceramide to sphingosine, which by the action of sphingosine-1-kinase is metabolized to mitogenic sphingosine-1-phosphate. The intracellular level of AC determines ceramide/sphingosine-1-phosphate rheostat which in turn decides the cell fate. The upregulated AC expression during cancerous condition acts as a “double-edged sword” by converting pro-apoptotic ceramide to anti-apoptotic sphingosine-1-phosphate, wherein on one end, the level of ceramide is decreased and on the other end, the level of sphingosine-1-phosphate is increased, thus altogether aggravating the cancer progression. In addition, cancer cells with upregulated AC expression exhibited increased cell proliferation, metastasis, chemoresistance, radioresistance and numerous strategies were developed in the past to effectively target the enzyme. Gene silencing and pharmacological inhibition of AC sensitized the resistant cells to chemo/radiotherapy thereby promoting cell death. The core objective of this review is to explore AC mediated tumour progression and the potential role of AC inhibitors in various cancer cell lines/models.


Author(s):  
Shushma Malik

This chapter explores how Wilde uses ‘historic sense’ (the intuition of a learned historian and the antecedent of historical criticism) as a tool with which to analyse the past, particularly the criminal emperors of ancient Rome. In his essay ‘Pen, Pencil, and Poison’, Wilde claims that ‘true historical sense’ in relation to the past allows us to ignore the crimes of Nero and Tiberius, and instead to recognize and appreciate them as artists. His decadent reading of the past is undermined, however, when we compare this version of historically guided intuition with his definition of the phrase in other works. By examining ‘Pen, Pencil, and Poison’ alongside The Picture of Dorian Gray and ‘Epistola: In Carcere et Vinculis’, we can see how Wilde manipulates his readings of the criminal emperors of Rome in order to fit his own changing relationship with Decadence and the (im)morality of crime.


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