scholarly journals Conceptual Metaphor of Anger Emotion in Grunge Musician’s Song Lyrics

2020 ◽  
Vol 2 (1) ◽  
pp. 36
Author(s):  
Gema Febriansyah
Keyword(s):  
Qualitative Method ◽  
Conceptual Metaphor ◽  
Cognitive Semantics ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Metaphor Theory ◽  
Song Lyrics ◽  
Image Schema ◽  
Rolling Stones ◽  
Concept Theory

This journal is entitled “Conceptual Metaphor of Anger Emotion in Grunge Musician’s Song Lyrics”. The objective of this study is to analyze and describe conceptual metaphors of anger emotion that Grunge Musicians used in their song lyrics and to analyze and describe the image schema formed in conceptual metaphor of anger emotion. The data are taken from the lyrics of grunge musicians based on the Rolling stones magazine about the best grunge musicians all the time. The research uses a qualitative method since the data collected are in the form of words rather than numbers and it is conducted based on the conceptual metaphor theory and emotion concept theory from cognitive semantics study. The result of this research shows that the conceptual metaphor of anger emotion mostly used by grunge musicians are ANGER IS FIRE, ANGER IS AN OPPENENT IN A STRUGGLE, ANGER IS A NATURAL FORCE, and ANGER IS A HOT FLUID IN CONTAINER. The image schema that found in conceptual metaphor of anger emotion is FORCE SCHEMA and CONTAINMENT SCHEMA.

scholarly journals Metaphor in Mark Forster's Album LIEBE S/W

2021 ◽  
Vol 4 (2) ◽  
pp. 1998-2012
Author(s):  
Muhammad Reza
Keyword(s):  
Semantic Analysis ◽  
Conceptual Metaphor ◽  
Schema Theory ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Metaphor Theory ◽  
Cognitive Semantic ◽  
Characteristic Theory ◽  
Song Lyrics ◽  
Image Schema

This study is a cognitive semantic analysis of the conceptual metaphor of the song lyrics in Mark Forster's album Liebe S/W. The method used is descriptive qualitative. The theories used are the conceptual metaphor theory (CMT) by Lakoff&Johnson (2003) as the main theory and image schema theory by Croft & Cruse (2004). The data sources in this study were taken from the lyrics of 14 German songs from the album Liebe S/W (2019) by Mark Forster. This study was carried out for the purpose of describing the characteristics of the metaphors, the types of conceptual metaphors and image schemes contained in the song lyrics in the album. Mark Forster's cognition as a singer-songwriter on the album can be seen with this study through a conceptual metaphor approach. Based on the results of the research, it is found as many as 52 data containing metaphorical expressions. Based on the analysis in accordance with Saeed's theory as a metaphor characteristic theory, it shows that there are 13 data with abstraction,15 data with conventionality, 9 data with systematicity, and 15 data with asymmetry. The ontological metaphors is the most dominant in the album. Data analysis using the Lakoff&Johnson theory shows that the conceptual metaphors are found as many as 32 ontological metaphors, 15 orientational metaphors, and 5 structural metaphors. The image schemes found are 20 containers, 4 multiplicities, 4 existences, 5 identites, 12 spaces and 1 scale. Some patterns were found based on theories, 1) metaphors with the characteristics of abstraction and asymmetry have ontological, orientational and structural conceptual metaphors with all types of image schemes. 2) metaphors with conventional characteristics only have ontological conceptual metaphor type with some image schemes, except multiplicity. 3) metaphors with systematic characteristics have ontological and orientation conceptual metaphors with image schemes, except identity and scale.

Metaphor, Cognition, Culture

2018 ◽  
Author(s):  
Zoltán Kövecses
Keyword(s):  
Conceptual Metaphor ◽  
The Other ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Culture And Cognition ◽  
Metaphor Theory ◽  
The One ◽  
Cultural Reality ◽  
Metaphor And Metonymy

The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.

Once Upon a Time in the Realm of Notions : The Conceptualisation of Novak Djokovic-Inspired Personality Shifts

2020 ◽  
pp. 1-23
Author(s):  
Nenad Blaženović ◽  
Emir Muhić
Keyword(s):  
Conceptual Metaphor ◽  
The Other ◽  
Tennis Player ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Bilingual Speakers ◽  
Metaphor Theory

An analysis was carried out with two interviews given by the tennis-player Novak Djokovic, one of which was in English and the other in his native Serbian. In both instances, Novak Djokovic used many conceptual metaphors throughout his speech, some of which were analysed in more detail. The main premise of the research was that people’s personalities change in accordance with language they speak at any given time and that they use different conceptual metaphors to describe the same events in different languages. The aim of the paper was to investigate whether personality shift in bilingual speakers can be observed through the speaker’s use of conceptual metaphors in different languages. Through the framework of conceptual metaphor theory, it was shown that Djokovic’s personality does change with the language he speaks. This change was shown through the conceptual metaphors, i.e., source and target domains that Djokovic used during the interviews. He does indeed use different source domains to conceptualise the same target domains in different languages.

scholarly journals Desire Under the Elms and The Emperor Jones is a picture of tragic- conflict by O'Neill in modern American drama

2020 ◽  
Vol 6 (1) ◽  
pp. 53-56
Author(s):  
Haider ibrahim Khalil ◽  
Abdullah Mohd Nawi ◽  
Ansam Ali Flefil
Keyword(s):  
Narrative Analysis ◽  
Qualitative Method ◽  
Conceptual Metaphor ◽  
Conceptual Metaphor Theory ◽  
American Drama ◽  
Metaphor Theory ◽  
Tragic Conflict

This paper aims to study The Desire Under the Elms and The Emperor Jones as the pictures of conflict. The dramatist, O’Neill attempts to reveal the metaphorical expressions in the selected plays. These metaphorical expressions lead to the tragedy in modern American drama. The researchers use the qualitative method, the narrative analysis as the storytelling techniques. This study uses the conceptual metaphor theory by Lakoff and Johnson (1980-1988) to justify the metaphorical expressions in the plays of O'Neill to tackle the characters, the actions and plot in the plays mentioned above.  

scholarly journals Conceptual Metaphor of Eliot’s Waste Land Versus Al-Sayyab’s Rain Song

2019 ◽  
Author(s):  
Mohamed Ayed Ibrahim Ayassrah ◽  
Mohd Nazri Latiff Azmi
Keyword(s):  
Conceptual Metaphor ◽  
Modern Poetry ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
The Waste Land ◽  
Waste Land ◽  
Metaphor Theory ◽  
Arabic And English ◽  
Logical Mapping ◽  
Modern Arabic

Of the rhetorical tools, metaphor still has insufficient interest, primarily as a crosscultural phenomenon though it is an attractive and vivid area, so it should be studied and highlighted (Suhadi, 2018) and (Barton, 2017). This comparative study investigated the conceptual metaphor in modern Arabic versus English poetry with reference to Al-Sayyab and T. S. Eliot as two poles of modern poetry in Arabic and English. This study tried to shed light on the frequency of the conceptual metaphors in Al-Sayyab’s The Rain Song versus Eliot’s The Waste Land. Besides, it aimed to explore the similarities and differences between the two poems in using the CMT orientational ’Up’ and ’Down’ strategy. However, to accomplish its aims, this study adopted Lakoff and Jonson’s Conceptual Metaphor Theory ’CMT’ (1980); this theory asserted that metaphor is an inborn mental system in which we understand a certain concept in terms of another by drawing a logical mapping between the source domain and the target one. Finally, the study found that modern poetry was wealthy of conceptual metaphors. It also discovered that The Rain Song involved 65.29% conceptual metaphors of its total lines, so it exceeded The Waste Land which comprised only 39.40%. Furthermore, the study revealed that the two poems were generally pessimistic in which the ’Down’ domain exceeded the ’Up’ one in each poem. Also, it detected that Eliot was more pessimistic than Al Sayyab who was more optimistic.

The structure of our concepts: A critical assessment of Conceptual Metaphor Theory as a theory of concepts

2019 ◽  
Vol 12 (1) ◽  
Author(s):  
Peer F. Bundgaard
Keyword(s):  
Meaning Making ◽  
Conceptual Metaphor ◽  
Abstract Concepts ◽  
Conceptual Metaphor Theory ◽  
Specific Domain ◽  
Conceptual Metaphors ◽  
Cross Domain ◽  
Metaphor Theory ◽  
George Lakoff ◽  
Experimental Findings

Abstract George Lakoff and Mark Johnson’s Conceptual Metaphor Theory is by and large a theory of what (abstract) concepts are, how they are structured, and how this structure is acquired — i.e., by mapping of structure from one more concrete or sensory-motor specific domain to another more abstract domain. Conceptual metaphors therefore rest on “cross-domain mappings.” The claims to the effect that our abstract concepts are metaphorically structured and that cross-domain mappings constitute one of the fundamental cognitive meaning-making processes are empirical and can therefore be put to the test. In this paper, I will critically assess Conceptual Metaphor Theory as a theory of concepts in light of recent experimental findings. Many such findings provide evidence for the psychological reality of cross-domain mappings, i.e., that structure activated in one domain actually can perform cognitive tasks carried out in another domain. They do not, however, support the claim that the structure of our (abstract) concepts is still metaphorical, as Lakoff and Johnson claim — that is to say, that our mind actually does perform cross-domain mappings when we process conventional conceptual metaphors such as “Death is Rest” or “Love is a Journey.” Two conclusions can be drawn from this: (1) it is necessary to distinguish between cross-domain mappings (which are psychologically real) and the metaphoric structure of our concepts (which is not, in the sense that such concepts do not any longer activate cross-domain mappings when processed); (2) Conceptual Metaphor Theory is not an adequate theory of concepts. I will therefore sketch another more viable theory of concepts where the structure of our concepts is defined as the full ecology of their situations of use, which includes the kind of situations (objects, agents, interactions) they apply to and the kind of emotional, cognitive, bodily, and behavioral responses they elicit. On this view, the contents of our concepts are to be considered as vague predicates, with vague extensions, which take on a specific form in their situation of use.

scholarly journals On the neo-Vedanta as reconceptualised by Vivekananda in his Complete Works: A cognitive linguistic analysis in light of Conceptual Metaphor Theory

Literator ◽  
2019 ◽  
Vol 40 (1) ◽  
Author(s):  
Suren Naicker
Keyword(s):  
Representative Sample ◽  
Conceptual Metaphor ◽  
Linguistic Analysis ◽  
Religious Discourse ◽  
Cognitive Semantics ◽  
Conceptual Metaphor Theory ◽  
Identification Procedure ◽  
Source Domain ◽  
Metaphorical Language ◽  
Metaphor Theory

This article investigates the use of metaphorical language in The Complete Works of Swami Vivekananda (henceforth CW). Vivekananda is one of the most important modern-day Hindu scholars because his interpretation of ancient Hindu scriptural lore has been very influential. Vivekananda’s influence was part of the motivation for choosing his CW as the empirical domain for the current study. AntConc software was used to mine Vivekananda’s CW for water-related terms, which seemed to have a predilection for metaphoricity. Which terms to search for specifically was determined after a manual reading of a sample from the CW. The data were then tagged using a convention inspired by the well-known Metaphor Identification Procedure – Vrije University (MIPVU). Then, a representative sample of the data was chosen, and the metaphors were mapped and analysed thematically. Five of these are referred to in this article, but special emphasis is placed on the theme of the Vedanta philosophy as the basis for neo-Hinduism, which has become synonymous with contemporary Hinduism, with Yoga as the practical wing, and Vedanta as the ideological basis for the practice; this aspect is expounded upon in more detail. The study’s main aim was therefore to investigate whether Hindu religious discourse uses metaphors to explain abstract religious concepts in a specific way, and indeed one of the main findings was the pervasiveness of water as a source domain. Hence, the key finding in this article is that neo-Hindu thought, as reconceptualised by Vivekananda, relies heavily on the water frame (as is convention in the field of Cognitive Semantics, conceptual domains are written in upper case, including hypothetical frames and conceptual metaphors), which is not as pervasive in other religio-philosophical traditions.

scholarly journals KONSEPTUALISASI METAFORA PADA LAGU COLDPLAY DALAM ALBUM “A HEAD FULL OF DREAMS”: KAJIAN SEMANTIK KOGNITIF (METAPHORICAL CONCEPTUALIZATION IN COLDPLAY ALBUM OF A HEAD FULL OF DREAMS: A COGNITIVE SEMANTICS STUDY)

2019 ◽  
Vol 17 (1) ◽  
pp. 13
Author(s):  
Anggie Restiani ◽  
Tajudin Nur
Keyword(s):  
Qualitative Method ◽  
Conceptual Metaphor ◽  
Cognitive Semantics ◽  
The Internet ◽  
Image Schemas ◽  
Song Lyrics

The article about metaphor is carried out using qualitative method. The data were taken from the internet on Coldplay’s lyrics from the album “A Head Full of Dreams”. Theories used in the study is on the metaphor, conceptual metaphor, types and forms of metaphors, and image schemas. It aims to find the types and image schemas of the metaphors on the data. The result shows that based on Lakoff and Johnson’s theory on metaphors there are 18 structural metaphors, 17 orientational metaphors, and 14 ontological metaphors. Based on Saeed’s theory of image schemas there are 12 image schemas of space, 8 image schemas of journey, and 6 image schemas of strength, while based on Cruse and Croft’s theory there are 11 image schemas of identity. From 12 song lyrics on the album, there are only 9 of them that contain metaphors.AbstrakPenelitian konspetualisasi metafora ini dilakukan dengan menggunakan metode kualitatif. Data penelitian diambil dari lirik lagu Coldplay dalam album “A Head Full of Dreams” dari situs internet. Teori yang digunakan adalah metafora, konseptualisasi metafora, bentuk dan jenis metafora, dan skema citra. Masalah yang dibahas adalah jenis metafora dan skema citra yang terdapat pada data. Hasil penelitian menunjukkan bahwa berdasarkan teori Lakoff dan Johnson tentang jenis-jenis metafora, ditemukan 18 metafora struktural, 17 metafora orientasional, dan 14 metafora ontologis. Berdasarkan hasil identifikasi skema citra dengan menggunakan teori Saeed, dalam data ditemukan 12 skema citra ruang, 8 skema citra perjalanan, dan 6 skema citra kekuatan, sedangkan berdasarkan skema citra menurut Cruse dan Croft terdapat 11 skema citra identitas. Dari 12 lagu yang terdapat dalam album “A Head Full of Dreams”, hanya ada 9 lagu yang mengandung unsur metafora.

scholarly journals Going Up Is Always Good: A Multimodal Analysis of Metaphors in a TV Ad with FILMIP, the Filmic Metaphor Identification Procedure

2020 ◽  
Vol 28 ◽  
pp. 177-189
Author(s):  
Lorena Bort-Mir
Keyword(s):  
Language Learning ◽  
Social Status ◽  
Conceptual Metaphor ◽  
Spatial Position ◽  
Conceptual Metaphor Theory ◽  
Identification Procedure ◽  
Conceptual Metaphors ◽  
Multimodal Analysis ◽  
Metaphor Theory ◽  
Tv Commercial

Conceptual Metaphor Theory developed by Lakoff & Johnson (1980) suggested that we use metaphors to evaluate and communicate in our various environments. Although metaphors encompass a large variety of taxonomies, orientational metaphors are those that rely on spatial position to map concepts into other ones, referring to a relation of valence and verticality. Stated by Kövecses (2010) conceptual metaphors such orientational ones draw ‘upward’ and ‘downward’ spatial positions in which ‘upward’ is usually referred to as having positive connotations, whereby their opposites, ‘downwards’, are understood as negative. This paper seeks to unveil how the orientational metaphor good is up is employed in a filmic narrative of a language learning application for technological devices named Babbel. The present analysis is developed under the application of FILMIP (Filmic Metaphor Identification Procedure, Bort-Mir 2019). In the analyzed narrative, the orientational metaphor good is up is represented in the Babbel TV commercial (2018) as a tool for persuading customers that the best way of escalating positions at work is by learning new languages. This analysis demonstrates how orientational metaphors in multimodal media emerge as a convenient device for marketing campaigns in the context of social status improvement.

scholarly journals A COGNITIVE STUDY OF METAPHOR TRANSLATION IN “TRAVELLING FAR AWAY FROM MT. JINGMEN”

2020 ◽  
Vol 4 (2) ◽  
Author(s):  
Shanshan Huang ◽  
Feng Wang
Keyword(s):  
Tang Dynasty ◽  
Conceptual Metaphor ◽  
Schema Theory ◽  
Conceptual Metaphor Theory ◽  
Metaphor Theory ◽  
English Translations ◽  
The Tang Dynasty ◽  
Li Bai ◽  
Image Schema ◽  
Cognitive Study

<p>“<em>Travelling Far Away from Mt. Jingmen</em>” (渡荆门送别) is written by Li Bai, a famous poet of the Tang Dynasty, on his way out of Sichuan. As a masterpiece of Li Bai’s poetry, the poem is full of imagination, making people unconsciously indulge in it. Since half lines of the poem are related to metaphors, this paper makes a detailed study of the metaphors in the poem and their English translations based on Conceptual Metaphor Theory and Image Schema Theory, and points out some characteristics of metaphor translation in the poem.</p><p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0666/a.php" alt="Hit counter" /></p>

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