scholarly journals A COGNITIVE STUDY OF METAPHOR TRANSLATION IN “TRAVELLING FAR AWAY FROM MT. JINGMEN”

2020 ◽  
Vol 4 (2) ◽  
Author(s):  
Shanshan Huang ◽  
Feng Wang
Keyword(s):  
Tang Dynasty ◽  
Conceptual Metaphor ◽  
Schema Theory ◽  
Conceptual Metaphor Theory ◽  
Metaphor Theory ◽  
English Translations ◽  
The Tang Dynasty ◽  
Li Bai ◽  
Image Schema ◽  
Cognitive Study

<p>“<em>Travelling Far Away from Mt. Jingmen</em>” (渡荆门送别) is written by Li Bai, a famous poet of the Tang Dynasty, on his way out of Sichuan. As a masterpiece of Li Bai’s poetry, the poem is full of imagination, making people unconsciously indulge in it. Since half lines of the poem are related to metaphors, this paper makes a detailed study of the metaphors in the poem and their English translations based on Conceptual Metaphor Theory and Image Schema Theory, and points out some characteristics of metaphor translation in the poem.</p><p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0666/a.php" alt="Hit counter" /></p>

scholarly journals Metaphor in Mark Forster's Album LIEBE S/W

2021 ◽  
Vol 4 (2) ◽  
pp. 1998-2012
Author(s):  
Muhammad Reza
Keyword(s):  
Semantic Analysis ◽  
Conceptual Metaphor ◽  
Schema Theory ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Metaphor Theory ◽  
Cognitive Semantic ◽  
Characteristic Theory ◽  
Song Lyrics ◽  
Image Schema

This study is a cognitive semantic analysis of the conceptual metaphor of the song lyrics in Mark Forster's album Liebe S/W. The method used is descriptive qualitative. The theories used are the conceptual metaphor theory (CMT) by Lakoff&Johnson (2003) as the main theory and image schema theory by Croft & Cruse (2004). The data sources in this study were taken from the lyrics of 14 German songs from the album Liebe S/W (2019) by Mark Forster. This study was carried out for the purpose of describing the characteristics of the metaphors, the types of conceptual metaphors and image schemes contained in the song lyrics in the album. Mark Forster's cognition as a singer-songwriter on the album can be seen with this study through a conceptual metaphor approach. Based on the results of the research, it is found as many as 52 data containing metaphorical expressions. Based on the analysis in accordance with Saeed's theory as a metaphor characteristic theory, it shows that there are 13 data with abstraction,15 data with conventionality, 9 data with systematicity, and 15 data with asymmetry. The ontological metaphors is the most dominant in the album. Data analysis using the Lakoff&Johnson theory shows that the conceptual metaphors are found as many as 32 ontological metaphors, 15 orientational metaphors, and 5 structural metaphors. The image schemes found are 20 containers, 4 multiplicities, 4 existences, 5 identites, 12 spaces and 1 scale. Some patterns were found based on theories, 1) metaphors with the characteristics of abstraction and asymmetry have ontological, orientational and structural conceptual metaphors with all types of image schemes. 2) metaphors with conventional characteristics only have ontological conceptual metaphor type with some image schemes, except multiplicity. 3) metaphors with systematic characteristics have ontological and orientation conceptual metaphors with image schemes, except identity and scale.

scholarly journals The Role of the “Path” and the “Container” Image Schemas in Political Discourse in Kenya

2019 ◽  
Vol 1 (2) ◽  
pp. p123
Author(s):  
Dr. Raphael Francis Otieno
Keyword(s):  
Political Discourse ◽  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Schema Theory ◽  
Target Domain ◽  
Conceptual Metaphor Theory ◽  
Image Schemas ◽  
Metaphor Theory ◽  
Image Schema

The study of conceptual interaction has attracted the attention of many scholars in Cognitive Linguistics. Primarily, the analysis has focused on the role of image-schemas in the construction of metaphors. This study explores the PATH and the CONTAINER image-schemas and the role they play in conceptual formation of metaphors in political discourse in Kenya. The study presents the PATH and its subsidiary image schemas of Verticality, Process and Force-Motion and the CONTAINER image-schema and the subsidiary image-schemas of Excess and In-Out. The analysis reveals that both the PATH and the CONTAINER image-schemas structure the relationship between the source domains (journey and container) and the target domain (politics) by activating subsidiary image-schemas in metaphors of politics in Kenya. The study further reveals that image-schemas provide the axiological value (positive or negative) of metaphorical expressions in political discourse. A positive political environment is a key ingredient for green growth and knowledge economy. The study contributes to the field of metaphor in political discourse by examining the politicians’ conceptualization of politics as a journey, which consists of four structural elements (a source, a destination, contiguous locations which connect the source and the destination and a direction) and as a container, which consists of an interior, an exterior and a boundary. The study used the Conceptual Metaphor Theory (CMT) as a tool to establish conceptual metaphors used during the 2005 Draft Constitution referendum campaigns in Kenya and the Image-Schema Theory to account for the presence of image-schemas in political discourse in Kenya. Lakoff and Johnson’s (1980) Conceptual Metaphor Theory is the locus classicus of the image schema theory.

Defamiliarization of Spatial Metaphors for Voice in the Work of Herta Müller

Poetics Today ◽  
2020 ◽  
Vol 41 (4) ◽  
pp. 641-668
Author(s):  
Pavlo Shopin
Keyword(s):  
Conceptual Metaphor ◽  
Spatial Language ◽  
Conceptual Metaphor Theory ◽  
Acoustic Image ◽  
Cultural Phenomenon ◽  
Sensory Experiences ◽  
Spatial Metaphors ◽  
Metaphor Theory ◽  
Image Schema ◽  
Ground Organization

In this article, the author analyzes spatial metaphors for voice in the work of Herta Müller. His analysis shows how she evokes spatial experience to convey her vision of voice. Drawing on conceptual metaphor theory and Viktor Shklovsky’s concept of defamiliarization, the author argues that Müller defamiliarizes conventional spatial language used to make sense of voice. She encourages her readers to recognize the figurative meaning of such language and invites them to build new and original associations between space and voice. The analysis focuses on verticality, figure-ground organization, motion, and container image schema as source domains for voice. The author’s research demonstrates that voice is associated with different sensory experiences and does not exist as a purely acoustic image. He claims that metaphorical conceptualization helps understand voice because the latter has different meanings depending on the context and is a complex physical, linguistic, and cultural phenomenon. The article concludes that Müller both relies on and defamiliarizes the tentative yet motivated association between space and voice.

scholarly journals A Cognitive Study of Metaphors in the Glorious Qur’an: From a Linguistic to a Conceptual Approach

2019 ◽  
Author(s):  
AWEJ-tls for Translation &amp; Literary Studies ◽  
Mashael AlAjmi
Keyword(s):  
Conceptual Metaphor ◽  
Abstract Concept ◽  
Abstract Concepts ◽  
Target Domain ◽  
Conceptual Approach ◽  
Conceptual Metaphor Theory ◽  
Theoretical Contribution ◽  
Arabic Linguistics ◽  
Metaphor Theory ◽  
Cognitive Study

The current study investigates the use of conceptual metaphors in the glorious Qur’an, focusing on four abstract concepts represented in the Qur’an through metaphors. These concepts are REWARD, HUMILITY, HYPOCRISY, and ARROGANCE, which recur in many positions in the Qur’an. The researcher takes up selected Qur’anic verses that carry these abstract concepts and analyzes them at two levels: linguistic and conceptual. The study’s main theoretical contribution is to show how a linguistic approach can be transformed into a conceptual one and how this enriches our understanding of abstraction. The linguistic analysis of the verses is supported by translations of Qur’anic meanings, interpretation of the verses, and cultivating the use of Arabic and English dictionaries. To perform the cognitive analysis, the researcher uses Lakoff and Johnson’s Conceptual Metaphor Theory (CMT), which examines metaphor from two domains: the target domain, which is the abstract concept to be explained and the source domain, which is the mental mapping that helps us understand that abstract concept. The study finds that metaphors in the Qur’an are meant to be understood not only linguistically but conceptually too. It concludes by emphasizing the significance of a conceptual approach to the study of metaphor in the Qur’an not only for conceptual metaphor theory but also for the interpretation of the Qur’an and for Arabic linguistics.

scholarly journals A Cognitive Study of Anger Metaphors in English and Kurdish

2021 ◽  
Vol 8 (1) ◽  
pp. 28-47
Author(s):  
Khalid Ali Abdullah
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Conceptual Metaphor ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Metaphor Theory ◽  
Human Emotions ◽  
Cognitive Study ◽  
Different Cultures ◽  
The Way

       This article is a comparative study of anger metaphors in English and Kurdish from a cognitive linguistic perspective. Based on the Conceptual Metaphor Theory (CMT), the paper makes a comparative analysis of the conceptual metaphors of anger in English and Kurdish. The two languages are geographically and culturally unrelated. The study aims to find out similar and dissimilar points related to the way anger is conceptualized in English and Kurdish to show the universality and specificity of the different cultures. Also, the article looks for the causes of these differences and similarities so as to help people further understand the conceptualization of anger as one of the basic human emotions.

scholarly journals A STUDY OF SADNESS METAPHOR IN LI BAI’S POETRY AND ITS ENGLISH TRANSLATION FROM THE PERSPECTIVE OF IMAGE SCHEMA

2020 ◽  
Vol 1 (2) ◽  
Author(s):  
Huang Shanshan ◽  
Wang Feng
Keyword(s):  
English Translation ◽  
Tang Dynasty ◽  
Cognitive Linguistics ◽  
Effective Strategies ◽  
Great Poet ◽  
The Tang Dynasty ◽  
Li Bai ◽  
Image Schema ◽  
Object Of Study ◽  
The Relationship

<p>Li Bai, a great poet in the Tang Dynasty, is known for his romantic poetic style, but sadness metaphor is not rare in his poems. Therefore, this paper takes sadness metaphor in Li’s poetry as the object of study to explore its metaphorical meanings from the perspective of cognitive linguistics. From that, we can find that image schema is frequently used as the source domain to describe the abstract sadness. Based on this, the authors focus on the relationship between sadness metaphor and image schema and then discuss the English translation of sadness metaphor, trying to find out the characteristics and effective strategies of translating sadness metaphor in Li Bai’s poems.</p><p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0693/a.php" alt="Hit counter" /></p>

scholarly journals Conceptual Metaphor of Anger Emotion in Grunge Musician’s Song Lyrics

2020 ◽  
Vol 2 (1) ◽  
pp. 36
Author(s):  
Gema Febriansyah
Keyword(s):  
Qualitative Method ◽  
Conceptual Metaphor ◽  
Cognitive Semantics ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Metaphor Theory ◽  
Song Lyrics ◽  
Image Schema ◽  
Rolling Stones ◽  
Concept Theory

This journal is entitled “Conceptual Metaphor of Anger Emotion in Grunge Musician’s Song Lyrics”. The objective of this study is to analyze and describe conceptual metaphors of anger emotion that Grunge Musicians used in their song lyrics and to analyze and describe the image schema formed in conceptual metaphor of anger emotion. The data are taken from the lyrics of grunge musicians based on the Rolling stones magazine about the best grunge musicians all the time. The research uses a qualitative method since the data collected are in the form of words rather than numbers and it is conducted based on the conceptual metaphor theory and emotion concept theory from cognitive semantics study. The result of this research shows that the conceptual metaphor of anger emotion mostly used by grunge musicians are ANGER IS FIRE, ANGER IS AN OPPENENT IN A STRUGGLE, ANGER IS A NATURAL FORCE, and ANGER IS A HOT FLUID IN CONTAINER. The image schema that found in conceptual metaphor of anger emotion is FORCE SCHEMA and CONTAINMENT SCHEMA.

scholarly journals Speak Louder Than the Ballot: A Cognitive Study to Election Abstention Metaphors

k ta ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 69-76
Author(s):  
Muhammad Adam
Keyword(s):  
Cultural Context ◽  
Political Discourse ◽  
Conceptual Metaphor ◽  
Mental Image ◽  
Conceptual Metaphor Theory ◽  
Essential Components ◽  
Metaphor Theory ◽  
Foreign Media ◽  
Media Reports ◽  
Cognitive Study

There have been few studies that highlight the use of metaphor in political discourse and election, but none of those studies focus on the election abstention –known in Indonesia as Golput phenomena- and the discussion of the intertwined components in metaphor. This research aims to investigate various metaphor components in the metaphorical description used to describe the abstention during the Indonesian election 2019 within the Conceptual Metaphor Theory (Lakoff and Johnson, 1980). Kovecses (2003) highlighted components of metaphor are also used to examine the essential components of conceptual metaphor in the use. The sources of data were from five foreign media reports that discuss the Indonesian issue of election abstention. The result shows there few essential components that can be revealed behind a metaphor such as the importance of mental image, cultural context, and highlighted elements in metaphor that contribute to the metaphorical function and interpretation

Semasiological corpus-based approach to identifying conceptual metaphor (SCAICM)

2015 ◽  
Vol 2 (1) ◽  
pp. 116-128
Author(s):  
Mohammad Ali Al-Saggaf ◽  
Mohamad Subakir Mohd Yasin ◽  
Imran Ho-Abdullah
Keyword(s):  
Quantitative Analysis ◽  
Conceptual Metaphor ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Starting Point ◽  
Metaphor Theory ◽  
English Translations ◽  
Methodological Problems ◽  
Corpus Tools

This paper is an attempt to develop a new mechanism for semasiologically identifying conceptual metaphors in a particular discourse (SCAICM). Based on Lakoff and Johnson’s (1980) conceptual metaphor theory (CMT)’ and aided with corpus tools, the proposed method complements previously suggested mechanisms by Jaekel (1995, 1997, 2002), Steen (1999, 2007, 2010), Deignan (1999, 2008) and Stefanowitsch (2006). This mechanism attempts to suggest solutions to methodological problems associated with the previous mechanisms, such as the starting point, overlooking instances of potential metaphors, neglecting stretches of words, and covering larger corpora. The proposed method is assumed to account for all and every instance of potential conceptual metaphor in corpora under investigation and it combines qualitative with quantitative analysis interchangeably. The method is implemented to ongoing PhD research addressing conceptual metaphors in selected English translations of the Noble Qur’an (ETNQs).

Metaphor, Cognition, Culture

2018 ◽  
Author(s):  
Zoltán Kövecses
Keyword(s):  
Conceptual Metaphor ◽  
The Other ◽  
Conceptual Metaphor Theory ◽  
Conceptual Metaphors ◽  
Culture And Cognition ◽  
Metaphor Theory ◽  
The One ◽  
Cultural Reality ◽  
Metaphor And Metonymy

The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.

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