scholarly journals TWO HUNDRED FACES OF A VAMPIRE: LORD RUTHVEN’S INFLUENCE ON VAMPIRE CULTURE

Abusões ◽  
2019 ◽  
Vol 9 (9) ◽  
Author(s):  
Francisco Javier Sánchez-Verdejo Pérez ◽  
Alexander Meireles da Silva

Being born in the same monstruous night that witnessed the rise of Frankenstein monster, the vampire Lord Ruthven celebrates in 2019 two hundred years influencing vampire culture. As it happens in literature, John William Polidori’s creature spread his curse through the centuries creating attractive, aristocrat, sexually ambiguous and immoral male and female vampires. From Victorian penny dreadfuls, novellas and novels such as Varney, the Vampire, Carmilla and Dracula, to present novel as Interview with the Vampire, the short story “The Vampyre” established the character who walk among human beings as a predator who chooses his prey. Ruthven was directly shaped on Lord Byron personality and, similar to the famous English poet, was an elegant figure of high culture and refined manners who hid a wild, libertine, profoundly narcissist nature and irascible behaviour, traits that paradoxically became Byron and his literary counterpart, delightfully fascinating beings. Reflecting the Romantic esthetic of its time, Polidori’s short story instituted the vampire as a rebel beyond bourgeois social norms. Lord Ruthven was an undead and, threfore, was not bound to the concepts that rule the living ones. In this way, the vampire appeal to humanity hidden desires related to the anguish of death, to the perspective of the transcendence and to the fear of the consequences of this act abandoning human nature. These elements help understanding the cultural impact John William Polidori’s creation keep on exercising two hundred years after 1819 through “The Vampyre”. 

Author(s):  
Alan L. Mittleman

Using the motif of the image of God as an organizing principle, this chapter shows how Jewish sources address such issues as mind/body dualism, body and soul, the relation of human nature to animal nature, sexuality, birth and death, vulnerability and dependence, and violence and evil as well as selfhood and the relations among rationality, emotion, desire, and imagination. Classical Jewish thought assumes and propagates dichotomies: human beings are bodies and souls, male and female; a little lower than the angels, but not much higher than the animals; descended from a common father and mother, yet divided into nations and races; biologically the same, though unique in their individuality; and a part of nature, yet possessing a power to remake both nature and themselves. Underlying the dichotomies is a basic Jewish commitment. Human beings are made in the image of God, and therefore possess intrinsic and undeniable worth. The idea of an image of God has an ethical function. It integrates human nature into personhood and gives persons an ethical orientation.


Philosophy ◽  
1981 ◽  
Vol 56 (217) ◽  
pp. 303-312
Author(s):  
Christine Battersby

To discover David Hume's views on women it is necessary to bring together remarks scattered somewhat sparsely throughout his philosophical and historical writings. Although the titles of Hume's major works might suggest that he was describing the understanding and nature of all human beings, both male and female, in none of the works do we find a specific section devoted to an analysis of sexual differences in these two respects. There is a tidy chapter on female morality in A Treatise of Human Nature, but nothing comparable for female nature as such (T, 570–573). This omission does not, however, imply that Hume thought that biological differences had no concomitants in character and understanding. Neither, despite Hume's bantering remark that an essay on a ‘Subject so little to be understood as Women’ would be ‘unintelligible’, does this neglect imply that Hume was uncertain about these attendant differences (L, i, 45). Hume's exclusion of such a section seems to stem only from his desire to stress human uniformity, not from any lack of recognition of human variety. Because of the absence of any systematic treatment of the subject by Hume, it is necessary to proceed cautiously in interpreting his remarks on women. There is a further reason for caution in that Hume offers ‘jests and pleasantries’ as well as more serious comments on this subject; Hume, on occasions, gallantly woos his so-called ‘favourites’, his female readers, and when he does so sincerity is gallantly put aside.


2017 ◽  
Vol 4 (1) ◽  
pp. 66 ◽  
Author(s):  
Sitti Aida Azis

The purpose of research is to describe the values of local wisdom short story "Panggil Aku Aisyah" written by Thamrin Paelori. This research is in the form of qualitative descriptive that is expose and submit data objectively the values of local wisdom. The data in the study are: mutual respect (sipakatau), reminding each other (sipakainge), mutual respect (sipakalebbi). The data source is short story "Panggil Aku Aisyah" by Thamrin Paelori, first print. Based on the research results revealed that, respect for each other (sipakatau), is the human nature, which is looking at human beings not in terms of culture, race, religion and social status, remind each other (Sipakainge), is a mutual nature remind. Born as a human being is inseparable from a mistake and an oversight. Thus human beings should remind each other that no human being is perfectly born even though man is God's most perfect and deficient creation that will perfect man. Mutual respect (Sipakalebbi), reminds that humans are full of deficiencies and advantages, and need others, therefore, if there deficiency not be a measure and still see that humans there are advantages


2021 ◽  
Vol 9 (3) ◽  
pp. 21-27
Author(s):  
Keya Chakraborty ◽  
Subrina Islam

This study aims to show the fictional and philosophical engagement of Aldous Huxley and Somerset Maugham in unveiling human behavior in relation to capital. Huxley in his sarcastic essay Selected Snobberies has described the nature, utility, types and sources of snobbish attitude in people. Most often snobbery stems out from an individual’s socio-economic situation and his consumerist nature. In the short story The Ant and the Grasshopper, Somerset Maugham has deconstructed the age old story of Aesop that is universally used worldwide to teach children the basic morality and work ethics. He reveals the peculiar desire of human beings to indulge in consumption in contrast with learned behavior of self-denial. This study focuses on the degenerative tendency that is outgrown in human nature through the analysis of George Ramsay from Maugham’s The Ant and the Grasshopper. In addition, this study analyses the changing nature of the idealistic tenets pertaining to the changing mode of time and situation. The binary existence of ethical tenets and the allurement of the consumerist world leads to question the value of its palpability, its effect on making people happy or snobbish. Now the fundamental question is how far a human being is capable of learning self-denial. Considering the reality of truth as not one and universal but multifaceted as Chakraborty (2020) claims, both Huxley and Maugham in these two literary pieces are interestingly inquisitive of the modernist ethics and redefine the means of success.


Author(s):  
Alan L. Mittleman

This chapter moves into the political and economic aspects of human nature. Given scarcity and interdependence, what sense has Judaism made of the material well-being necessary for human flourishing? What are Jewish attitudes toward prosperity, market relations, labor, and leisure? What has Judaism had to say about the political dimensions of human nature? If all humans are made in the image of God, what does that original equality imply for political order, authority, and justice? In what kinds of systems can human beings best flourish? It argues that Jewish tradition shows that we act in conformity with our nature when we elevate, improve, and sanctify it. As co-creators of the world with God, we are not just the sport of our biochemistry. We are persons who can select and choose among the traits that comprise our very own natures, cultivating some and weeding out others.


Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Danson Sylvester Kahyana

The article examines how selected works in Uganda’s first anthology of prison-authored work, As I Stood Dead before the World: Creative Writing from Luzira Prison (2018), handle one of the issues of paramount importance to inmates and their families: the possibility that convictions in courts of law are not foolproof since judicial officers are human beings and therefore susceptible to error. Drawing from four examples: two poems (Jackson O’s “Letter to Aber” and Sebuuma Gadafi’s “Twenty-Years”), one short story (Rachael Pearl Orishaba’s “A Secret”), and one short play (Jennifer Janette’s “What If It Wasn’t Kato?”), I show how different inmates imagine situations where judicial officers (prosecutors and magistrates/judges) make errors of judgement that see innocent people convicted of crimes they did not commit. The article closely reads the four selected pieces with the objective of investigating how creative writers can help judicial officers realise how important it is to turn every proverbial stone before a conviction is made.


2016 ◽  
Vol 2016 (1) ◽  
pp. 83-100
Author(s):  
Daniel Strassberg

The insight that human beings are prone to deceive themselves is part of our everyday knowledge of human nature. Even so, if deceiving someone means to deliberately misrepresent something to him, it is difficult to understand how it is possible to deceive yourself. This paper tries to address this difficulty by means of a narrative approach. Self-deception is conceived as a change of the narrative context by means of which the same fact appears in a different light. On these grounds, depending on whether the self-deceiver adopts an ironic attitude to his self-deception or not, it is also possible to distinguish between a morally inexcusable self-deception and a morally indifferent one.


2021 ◽  
Vol 39 (3) ◽  
pp. 283-292
Author(s):  
Hazel K. Bell
Keyword(s):  

Was the English poet Lord Byron an indexer? Hazel Bell examines the index in the 1926 edition of The poetical works of Lord Byron, which is written in a provocative style that reinforces the opinions expressed in the notes that accompany Byron’s poetry. Sadly, the indexer is not named. Whether or not it was written by the poet himself, it is a fascinating index that has sadly been omitted from a later edition.


2018 ◽  
Vol 22 (1) ◽  
pp. 31-49
Author(s):  
Paul Kucharski

My aim in this essay is to advance the state of scholarly discussion on the harms of genocide. The most obvious harms inflicted by every genocide are readily evident: the physical harm inflicted upon the victims of genocide and the moral harm that the perpetrators of genocide inflict upon themselves. Instead, I will focus on a kind of harm inflicted upon those who are neither victims nor perpetrators, on those who are outside observers, so to speak. My thesis will be that when a whole community or culture is eliminated, or even deeply wounded, the world loses an avenue for insight into the human condition. My argument is as follows. In order to understand human nature, and that which promotes its flourishing, we must certainly study individual human beings. But since human beings as rational and linguistic animals are in part constituted by the communities in which they live, the study of human nature should also involve the study of communities and cultures—both those that are well ordered and those that are not. No one community or culture has expressed all that can be said about the human way of existing and flourishing. And given that the unity and wholeness of human nature can only be glimpsed in a variety of communities and cultures, then part of the harm of genocide consists in the removal of a valuable avenue for human beings to better understand themselves.


2016 ◽  
Vol 4 (1) ◽  
pp. 81
Author(s):  
Léonard KOUSSOUHON ◽  
Fortuné AGBACHI

<p>This paper is an attempt to examine the way male and female participants perform gender in 03 novels, <em>Everything Good Will Come</em> (2006), <em>Swallow</em> (2010) and <em>A Bit of Difference</em> (2013), by a contemporary Nigerian writer called Sefi Atta. The study draws on Gender Performative Theory as developed by the feminist Butler (1990/1999). This theory considers gender identities as being socially constructed. The study highlights the multiple ways in which male and female participants perform gender according to established social norms in the selected novels. Regarding the existing social norms in Nigeria, the findings by scholars like Fakeye, George and Owoyemi (2012), Mejiuni and Awolowo (2006), Bourey et al (2012), Gbadebo, Kehinde and Adedeji (2012), Okunola and Ojo (2012) exude that men are traditionally portrayed as career people, assertive, powerful and active, independent and violent while women are stereotypically depicted as housewives, submissive, powerless and passive, dependent and non-violent (or victims). Based on the above dichotomies between men and women, the study unveils the ideology that underpins gender performances in the novels.</p>


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