scholarly journals Representation of the concept of Love in Marina Tsvetaeva's epistolary and in the works of Russian philosophers

2021 ◽  
pp. 40-51
Author(s):  
E. V. Minaieva ◽  
Keyword(s):  
Maternal Care ◽  
Literary Texts ◽  
Internal Conflict ◽  
Marina Tsvetaeva ◽  
The World ◽  
Gender Characteristics ◽  
And Gender ◽  
Epistolary Texts ◽  
Female Picture ◽  
Gender Characteristic

The article highlights and examines several important gender characteristics of the concept of „love” based on the material of Marina Tsvetaeva's epistolary texts, namely: immensity, spontaneity, conflict of body and soul, pain, maternal care. The activity characteristic of the immensity in the letters of M. Tsvetaeva testifies to the high degree of the author's entry into the spiritual sphere. The gender characteristic of the immensity in Tsvetaeva's texts correspond to the features of female love described by the philosopher N. Berdyaev. The characteristic of spontaneity is manifested in the fact that Tsvetaeva perceives love as an element, an independent force that a person is not able to control. The gender characteristic of the conflict of soul and body was highlighted on the basis that Tsvetaeva was often in a state of internal conflict, soul and body came into confrontation. The gender characteristic of the conflict of soul and body is also based on the fact that Marina Tsvetaeva reproached men that they are largely interested not in the soul of a woman, but her body. The gender characteristic of pain is manifested in the fact that, despite the fact that the words „pain”, „suffering” usually has a negative connotation, a woman has a unique ability to penetrate through them into the very depths of the phenomena of the inner and surrounding worlds, as both Marina Tsvetaeva and Russian philosophers write about. Pain and suffering, therefore, take an active part in shaping a woman's worldview. The gender characteristic of maternal care is highlighted as active in Marina Tsvetaeva's epistolary, and the connection between the female picture of the world and this sign of the concept of Love was also recorded by Russian philosophers. The study showed that the conceptual analysis of literary texts makes it possible to reconstruct and correlate the metagender and gender characteristics of cultural constants, taking into account the idiosyncratic features of a particular author. The inclusion of the gender parameter in the linguistic consideration of concepts allows us to significantly expand the idea of language as a means of constructing a picture of the world, including an artistic one.

scholarly journals Gender Aspect of the Image of Altai in George Grebenstchikoff’s Works

2020 ◽  
pp. 210-218
Author(s):  
Viktoriya N. Karpukhina ◽  
Keyword(s):  
Gender Identity ◽  
Fairy Tale ◽  
Eternal Life ◽  
Literary Texts ◽  
Internal Space ◽  
Running Water ◽  
English Grammar ◽  
The World ◽  
Gender Characteristics ◽  
The Relationship

The paper considers gender characteristics of the image of Altai in fiction and publicistic texts by George Grebenstchikoff. The texts under consideration are Grebenstchikoff’s essays Altai Rus’, My Siberia, the fairy tale Khan-Altai in Russian and in English. The paper aims at revealing the relationship between the narrator and the locus of the texts in terms of the category of gender. Imagological characteristics of the image of Altai gender identity in Grebenstchikoff’s texts show the mixture of subjective, emotional, objective, philosophical and analytical narrative traditions in these texts about Altai. Gender identity of the image of Altai is connected to the traditional, patriarchal androcentric worldview, when the way of verbal expression is “controlled by the dominating group”, and the reality of the less influential groups is not represented. The masculine nature of Altai, the Mountain Spirit, is shown in the Altai folklore, which is connected to the embodiment of Altai in the images of White Burkhan and his friend Oyrot. Symbolically, this masculine embodiment of Altai exists in George Grebenstchikoff’s texts as the image of Khan-Altai, the reminiscence to the art and prosaic works of Grigory Choros-Gurkin. This masculine image of Khan-Altai is associated in Grebenstchikoff’s texts with the motifs of running water (a river, a spring) and a song glorifying Altai (a hymn of eternal life). Both the masculine KhanAltai himself as well as Khan-Oirot, the male embodiment of the river (Chulyshmanbogatyr), the shepherd, and the shaman Bakhsa are endowed with a voice, can sing and, thus, participate in the communication with the gods and forces of nature. In selftranslations (My Siberia, Khan-Altai) Grebenstchikoff uses the standard pronoun it while referring to Altai. In the patriarchal, androcentric worldview the masculine image of Khan-Altai is represented with the traditional cognitive metaphors as A MAN IS A WARRIOR, A MAN IS A CREATOR and A MAN IS A SINGER. The narrator in Grebenstchikoff’s texts describes the internal space of Altai semiosphere. Opposite to the “chaos”, strange and dangerous space, this “fairy tale”, “mysterious” semiosphere is separated from the outer world by the line of the Altai Mountains. In his publicistic texts, Grebenstchikoff’s narrator is expressly objective, transferring the folklore metaphor ALTAI – BOGATYR, firstly, with the help of represented speech, and then, with by direct citing from the Altai epic. In the fairy tale Khan-Altai, the narrator is extremely emotional and subjective: he speaks directly to Altai-Bogatyr [Giant Altai], which is related to gaining insight into the spiritual vertical as well as the narrator’s ascending to the female embodiment of Altai – its highest peak, Belukha. The reference to Belukha, the queen of Altai, is made in Grebenstchikoff’s texts with the help of the pronoun ona / Ona [she / She]. The same strategy is used in the self-translations into English: the author uses the pronoun she / She contrary to the rules of the English grammar. Masculine embodiment of Altai, Khan-Altai, is the reminiscent image in Grebenstchikoff’s texts. But the real embodiment of Altai is a strong archaic symbol of the Altai queen, “the queen of Asian mountains”, the Belukha, which creates the spiritual stairs of the world for the narrator and his follow-travelers. The writer follows there the traditions of Russian Romantic montanistics, reconsidered in the context of modernism. The masculine embodiment of the Altai image, Khan-Altai, turns out to be a “reminiscence image” in the reviewed Grebenstchikoff’s journalistic and literary texts. The true embodiment of Altai is the powerful archaic image-symbol of the queen of Altai, the “queen of the Asian mountains” Belukha, who creates for the narrator and his companions the “spiritual vertical” of the world.

scholarly journals POSTMODERN VISION OF THE WORLD IN MODERN LITERATURE

Keruen ◽  
2021 ◽  
Vol 71 (2) ◽  
Author(s):  
S.V. Ananyeva ◽  
Keyword(s):  
World View ◽  
Literary Texts ◽  
Gender Policy ◽  
The Past ◽  
Temporal Relationships ◽  
The World ◽  
Literary Process ◽  
The Media ◽  
Spatio Temporal ◽  
And Gender

The leading trends in the world literary process are summarized in the article based on the analysis of modern Kazakh, Belarusian and Finnish literature, which are characterized by new approaches to the interpretation of reality, reflecting the postmodern world view. Prose writers and poets build complex spatio-temporal relationships in literary texts, when pictures of the past replace the present, complementing and concretizing what has already happened. The transformation of the structure of the work of art, the chain of incredible coincidences and repetitions, the lyrical-autobiographical nature of the narrative, the metaphorical style, mythological imagery make it possible to fancifully interweave pictures of reality and fiction. The authors continue the experiment with the language and text, graphic design in different fonts, the inclusion of SMS messages, visuals, editing and clip series of images. A characteristic feature of the works is autobiography. The theme of family, childhood and gender policy is becoming a leading topic in modern Finnish and Belarusian literature. The literary text comes closer to the media text. Belarusian, Kazakh and Finnish literature are active participants in the world literary process. A postmodern vision of the world opens up new possibilities for creating characters of heroes and entering into dialogue thanks to new literary translations.

scholarly journals The readers of the National Library of Russia in XIX – beginning of XXI century

Bosniaca ◽  
2020 ◽  
Vol 25 (25) ◽  
pp. 78
Author(s):  
Anton Likhomanov ◽  
Kseniia Morozova
Keyword(s):  
Economic Factors ◽  
National Library ◽  
The World ◽  
Gender Characteristics ◽  
And Gender ◽  
Xix Century

This article explores the evolution of the audience of the National Library of Russia (NLR) from the beginning of the XIX century until the present day. The author demonstrates how political and economic factors influenced social and gender characteristics of readers of the NLR, increase in the amount of readers, strengthening of the role of the library as one of the largest cultural and information centers in the world--------------------------------------------------- Čitalačka publika Nacionalne biblioteke Rusije u 19. i početkom 21. stoljećaOvaj članak istražuje razvoj čitalačke publike Nacionalne biblioteke Rusije (NBR) od početka 19. stoljeća do danas. Autori pokazuju kako su politički i ekonomski činioci utjecali na socijalne i rodne karakteristike čitalačke publike NBR-a, povećanje broja čitatelja, jačanje uloge biblioteke kao jednog od najvećih kulturnih i informacijskih centara na svijetu.

A Correlational Study of Depression, Ruminative Thought Patterns, and Gender Characteristics

1999 ◽  
Author(s):  
Jessica L. Viergutz ◽  
Amy Hilburger ◽  
Paul Thomas ◽  
Laura Koberstein ◽  
Jill Spaak ◽  
...  
Keyword(s):  
Correlational Study ◽  
Thought Patterns ◽  
Gender Characteristics ◽  
And Gender

Does Literature Matter Today? Thoughts of the Outside

CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie
Keyword(s):  
Aesthetic Education ◽  
The Other ◽  
Human Values ◽  
Literary Texts ◽  
Lost Cause ◽  
Western Tradition ◽  
The World

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.

Boatmen, Wastrels, and Demons: Figures of Literature

CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 30-56 ◽  
Author(s):  
Simona Sawhney
Keyword(s):  
Social Studies ◽  
World Literature ◽  
Literary Texts ◽  
Sanskrit Text ◽  
Modern Democracy ◽  
Political Debates ◽  
The World ◽  
National Literatures

Engaging some of the questions opened by Ranjan Ghosh's and J. Hillis Miller's book Thinking Literature Across Continents (2016), this essay begins by returning to Aijaz Ahmad's earlier invocation of World Literature as a project that, like the proletariat itself, must stand in an antithetical relation to the capitalism that produced it. It asks: is there an essential link between a certain idea of literature and a figure of the world? If we try to broach this link through Derrida's enigmatic and repeated reflections on the secret – a secret ‘shared’ by both literature and democracy – how would we grasp Derrida's insistence on the ‘Latinity’ of literature? The groundlessness of reading that we confront most vividly in our encounter with fictional texts is both intensified, and in a way, clarified, by new readings and questions posed by the emergence of new reading publics. The essay contends that rather than being taught as representatives of national literatures, literary texts in ‘World Literature’ courses should be read as sites where serious historical and political debates are staged – debates which, while being local, are the bearers of universal significance. Such readings can only take place if World Literature strengthens its connections with the disciplines Miller calls, in the book, Social Studies. Paying particular attention to the Hindi writer Premchand's last story ‘Kafan’, and a brief section from the Sanskrit text the Natyashastra, it argues that struggles over representation, over the staging of minoritised figures, are integral to fiction and precede the thinking of modern democracy.

Text Prophetism

2017 ◽  
Vol 7 (1) ◽  
pp. 40
Author(s):  
Elvira Lumi ◽  
Lediona Lumi
Keyword(s):  
Key Words ◽  
Literary Texts ◽  
Modern World ◽  
Greek Mythology ◽  
Divine Inspiration ◽  
Religious Doctrine ◽  
The World ◽  
Poetic Text ◽  
Poetic Diction ◽  
Life On Earth

"Utterance universalism" as a phrase is unclear, but it is enough to include the term "prophetism". As a metaphysical concept, it refers to a text written with inspiration which confirms visions of a "divine inspiration", "poetic" - "legal", that contains trace, revelation or interpretation of the origin of the creation of the world and life on earth but it warns and prospects their future in the form of a projection, literary paradigm, religious doctrine and law. Prophetic texts reformulate "toll-telling" with messages, ideas, which put forth (lat. "Utters Forth" gr. "Forthteller") hidden facts from fiction and imagination. Prometheus, gr. Prometheus (/ prəmiθprə-mee-mo means "forethought") is a Titan in Greek mythology, best known as the deity in Greek mythology who was the creator of humanity and charity of its largest, who stole fire from the mount Olympus and gave it to the mankind. Prophetic texts derive from a range of artifacts and prophetic elements, as the creative magic or the miracle of literary texts, symbolism, musicality, rhythm, images, poetic rhetoric, valence of meaning of the text, code of poetic diction that refers to either a singer in a trance or a person inspired in delirium, who believes he is sent by his God with a message to tell about events and figures that have existed, or the imaginary ancient and modern world. Text Prophetism is a combination of artifacts and platonic idealism. Key words: text Prophetism, holy text, poetic text, law text, vision, image, figure

Gender Ideology and Fertility: Evidence for a Curvilinear Hypothesis

2020 ◽  
Author(s):  
Serena Stefani ◽  
Gabriele Prati
Keyword(s):  
Gender Ideology ◽  
Two Dimensions ◽  
Curvilinear Relationship ◽  
World Population ◽  
Fertility Rates ◽  
The World ◽  
And Gender ◽  
Using Data ◽  
National Analysis ◽  
The Relationship

Research on the relationship between fertility and gender ideology revealed inconsistent results. In the present study, we argue that inconsistencies may be due to the fact that such relationship may be nonlinear. We hypothesize a U- shaped relationship between two dimensions of gender ideology (i.e. primacy of breadwinner role and acceptance of male privilege) and fertility rates. We conducted a cross-national analysis of 60 countries using data from the World Values Survey as well as the World Population Prospects 2019. Controlling for gross domestic product, we found support for a U-shaped relationship between gender ideology and fertility. Higher levels of fertility rates were found at lower and especially higher levels of traditional gender ideology, while a medium level of gender ideology was associated with the lowest fertility rate. This curvilinear relationship is in agreement with the phase of the gender revolution in which the country is located. Traditional beliefs are linked to a complementary division of private versus public sphere between sexes, while egalitarian attitudes are associated with a more equitable division. Both conditions strengthen fertility. Instead, as in the transition phase, intermediate levels of gender ideology’s support are associated with an overload and a difficult reconciliation of the roles that women have to embody (i.e. working and nurturing) so reducing fertility. The present study has contributed to the literature by addressing the inconsistencies of prior research by demonstrating that the relationship between gender ideology and fertility rates is curvilinear rather than linear.

THE GENDER IMPLEMENTATION OF THE “POWER” FRAME IN SHAKESPEARE’S TRAGEDY “MACBETH”

2020 ◽  
Vol 6 (2) ◽  
pp. 19-36
Author(s):  
Ekaterina A. LOBANOVA
Keyword(s):  
Main Idea ◽  
Point Of View ◽  
Integrative Approach ◽  
Discursive Analysis ◽  
Historical Text ◽  
Gender Characteristics ◽  
And Gender ◽  
Linguistic Methods ◽  
Relationship Of ◽  
The Relationship

This article studies the cognitive features of the “power” frame and its gender implementation in the historical tragedy by W. Shakespeare “Macbeth”. Here, the author examines the concepts of “frame” and “gender” in linguistics, studying different approaches to their definition. The relevance of this work is determined by the close attention of the contemporary linguistics to these concepts, as well as their place in the contemporary academic paradigm. The academic affirmation of the “frame” and “gender” concepts designates a new step in understanding the ways and peculiarities of the language interaction, consciousness, and culture, and, consequently, it shows new aspects of the relationship of linguistics with other sciences. Nevertheless, the problems of both frame and gender are not yet fully understood. This study allows describing in detail the essence of the frame “power” and showing its meaning, use, and ways of its gender implementation in fiction, which explains the novelty of this article. The study’s methodology is based on the cognitive-discursive analysis of the text, as well as on an integrative approach to the discourse study, which combines methods of both cognitive and gender linguistics, as well as the discourse analysis. Common research methods were used along with private linguistic methods. The application of cognitive-discursive analysis has significantly increased the depth of understanding of the “power” frame that dominates Shakespeare’s historical tragedy. This historical text presents the central theme of political tragedy: the overthrow of the rightful ruler and the usurpation of power. The motive for the seizure of power forms a thematic core and is presented from the usurpers’ point of view. In this article, the author observes the gender shift and duality of the female and male beginnings: Shakespeare puts the female protagonist, hungry for power, among men, thus the images of Lady Macbeth and her husband come into conflict with the gender characteristics attributed to them. The play clearly traces the main idea of Machiavellianism: the goal justifies the means. The results conclude that the “power” frame is the leading one in Lady Macbeth’s monologue, thus setting one of the main themes of this tragedy.

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