Réaumur and the Science of the Arts

Author(s):  
Paola Bertucci

This chapter looks at the connections between natural history and the mechanical arts in the work of René Réaumur, a prominent member of the Académie des Sciences. It argues that his understanding of natural materials created connections among the natural world, the mechanical arts, and the world of industry and trade. For Réaumur, the history of the arts was strategic to the economic advancement of France because it would stimulate artisans to improve their techniques and promote technical literacy among entrepreneurs who owned manufactures. He conceived of the encyclopedia of the arts as an instrument that would enable the learned public to understand the true value of labor and to appreciate the actual cost of useful items.

2018 ◽  
pp. 187-232
Author(s):  
Alison E. Martin

This chapter is devoted to Humboldt’s last, great work Cosmos. This multi-volume ‘Sketch of a Physical Description of the World’ ranged encyclopaedically from the darkest corners of space to the smallest forms of terrestrial life, describing the larger systems at work in the natural world. But, as British reviewers were swift to query, where was God in Humboldt’s mapping of the universe? Appearing on the market in 1846, just a year after Robert Chambers’ controversial Vestiges of the Natural History of Creation, Humboldt’s Cosmos unavoidably underwent close scrutiny. Hitherto overlooked correspondence between Humboldt and Edward Sabine shows how the Sabines deliberately reoriented the second volume of the English translation for Longman/Murray explicitly to include references to the ‘Creator’ and thus restore Humboldt’s reputation. The fourth volume of the Longman edition on terrestrial magnetism – Edward Sabine’s specialism – included additions endorsed by Humboldt which made Sabine appear as co-writer alongside the great Prussian scientist, and Cosmos a more obviously ‘English’ product. Otté, who produced the rival translation for Bohn, was initially under pressure herself to generate ‘original’ work that differed from its rival, producing a version of a work that would remain central to scientific thought well up to the end of the nineteenth century.


Classics ◽  
2015 ◽  
Author(s):  
Aude Doody

Gaius Plinius Secundus or Pliny the Elder (b. 23/4–d. 79 ce) is famous for two things: his monumental Natural History (Historia naturalis), which describes the world in thirty-seven volumes, and his death in the eruption of Vesuvius, which was carefully described by his nephew, Pliny the Younger, in one of two letters about his uncle that have survived to us (Plin. Ep. 6.16). In the second of these letters, Pliny the Elder is described as a man who read insatiably and the author of a large number of lost works, including histories of the German Wars and of the later Julio-Claudian period, as well as a treatise on how to throw a javelin from a horse (Plin. Ep. 3.5). Born in Novum Comum in the Transpadane regions, Pliny the Elder served in Germany alongside the future emperor Titus, practiced law at Rome under Nero, and went on to a prominent career as an equestrian administrator under the Flavians, holding a series of important procuratorships, including that of Hispania Tarraconensis, and serving as commander of the fleet at Misenum. The Natural History is dedicated to Titus, and Pliny’s closeness to both Vespasian and Titus seems reflected in his political views in the work, most obviously in his animosity toward Nero and his court. The Natural History is a key document in the history of science and scholarship in Europe. In this encyclopedic text, Pliny gathers together and arranges data from his reading and from his experience to present an account of nature that has Roman concerns at its heart. Pliny is not particularly concerned with philosophical schools, though he is usually seen as influenced by Stoicism. Nature is knowable through a succession of itemized facts that he puts at the disposal of his readers, to encourage them to marvel at the wonderful and unexpected inventiveness of the natural world. The burden of his text can be seen as a moral or a political one: Pliny promotes a return to old Roman values and a renewed spirit of intellectual inquiry in the rhetorical passages of the text, and the work as a whole is dependent on, and produced in the service of, Roman imperial interests. The work is organized in thirty-seven volumes. The first contains the preface and—unusually—a list of the contents and sources for each of the ensuing volumes. The following thirty-six deal with the heavens (Book 2); geography (Books 3–6); humans and other living creatures (Books 7–11); plants (Books 12–19); medicines from plants (Books 20–27); medicines from living creatures (Books 28–32); and an account of metals, minerals, and gemstones and the art that has been produced from them (Books 33–37).


Apeiron ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
John D. Proios

Abstract Plato’s invention of the metaphor of carving the world by the joints (Phaedrus 265d–66c) gives him a privileged place in the history of natural kind theory in philosophy and science; he is often understood to present a paradigmatic but antiquated view of natural kinds as possessing eternal, immutable, necessary essences. Yet, I highlight that, as a point of distinction from contemporary views about natural kinds, Plato subscribes to an intelligent-design, teleological framework, in which the natural world is the product of craft and, as a result, is structured such that it is good for it to be that way. In Plato’s Philebus, the character Socrates introduces a method of inquiry whose articulation of natural kinds enables it to confer expert knowledge, such as literacy. My paper contributes to an understanding of Plato’s view of natural kinds by interpreting this method in light of Plato’s teleological conception of nature. I argue that a human inquirer who uses the method identifies kinds with relational essences within a system causally related to the production of some unique craft-object, such as writing. As a result, I recast Plato’s place in the history of philosophy, including Plato’s view of the relation between the kinds according to the natural and social sciences. Whereas some are inclined to separate natural from social kinds, Plato holds the unique view that all naturalness is a social feature of kinds reflecting the role of intelligent agency.


2021 ◽  
pp. 24-28
Author(s):  
Dimítri De Araújo Costa ◽  
Nuno Gomes ◽  
Harold Cantallo ◽  
Carlos Antunes

Society in general is distant from scientific culture, it is required to bring scientific knowledge closer to the population. In this context, an effective and attractive way for scientific dissemination is the establishment of natural history museums, which are institutions of knowledge, displaying the past. Natural history museums have the natural world as their object of study; and their collections may contain the most diverse types of materials (local and/or from various parts of the world), such as zoological, botanical, geological, archaeological, among others. Scientific collections are the largest and most important source of authoritative biodiversity data, contributing to studies of biodiversity composition, evolutionary (morphological and genetic), biogeographical, phenological, as well as geological. The materials present in these collections may serve for temporal comparison, being useful to produce predictive models. Likewise, they have a fundamental role in safeguarding type specimens, i.e. the first organisms identified to describe and name a new species. In addition, there is the component available to visitors in general, in order to raise public awareness on the preservation of the local fauna and flora and of other places in the world. In this way, the museums serve both the academic-scientific public and visitors who come to these sites for recreational purposes. It is intended to promote, in Vila Nova de Cerveira, the Natural History Museum of the Iberian Peninsula - NatMIP (“Museu de História Natural da Península Ibérica”), which intends to collect materials for scientific purposes, mainly Iberian.


Author(s):  
Ellen Lockhart

This book considers the history of aesthetics by taking into account not only theories of the arts but also the rich fabric of practices relating to the world of performing bodies onstage and the music that sounded alongside them and was made by them—the works of art, music, and theater that were conspicuously about art-objecthood. The introduction sketches the broader fashion for animated statues described in the book, asking what readers can hope to gain from a detailed account of this historical phenomenon that was situated at (or near) the emergence of modern aesthetic thought, as well as the birth of a musical canon.


Animals ◽  
2020 ◽  
Vol 10 (11) ◽  
pp. 2024
Author(s):  
Helen Parish

The pages of early modern natural histories expose the plasticity of the natural world, and the variegated nature of the encounter between human and animal in this period. Descriptions of the flora and fauna reflect this kind of negotiated encounter between the world that is seen, that which is heard about, and that which is constructed from the language of the sacred text of scripture. The natural histories of Greenland that form the basis of this analysis exemplify the complexity of human–animal encounters in this period, and the intersections that existed between natural and unnatural, written authority and personal testimony, and culture, belief, and ethnography in natural histories. They invite a more nuanced understanding of the ways in which animals and people interact in the making of culture, and demonstrate the contribution made by such texts to the study of animal encounters, cultures, and concepts. This article explores the intersection between natural history and the work of Christian mission in the eighteenth century, and the connections between personal encounter, ethnography, history, and oral and written tradition. The analysis demonstrates that European natural histories continued to be anthropocentric in content and tone, the product of what was believed, as much as what was seen.


Zootaxa ◽  
2006 ◽  
Vol 1325 (1) ◽  
pp. 3
Author(s):  
PETER JÄGER
Keyword(s):  

Anyone involved in research into the natural history of the Himalayas will certainly come across the publications of Jochen Martens or papers based on material collected by him. The same is true for the field of avian systematics and bioacoustics and for the taxonomy and systematics of harvestmen. On the occasion of the retirement of Prof. Dr Jochen Martens from the Johannes Gutenberg University in Mainz, Germany, his colleagues from all over the world would like to honour him with scientific contributions compiled in this commemorative publication.


1996 ◽  
Vol 110 (1) ◽  
pp. 52-56 ◽  
Author(s):  
Hidetoshi Haraguchi ◽  
Hitoshi Hentona ◽  
Hidekazu Tanaka ◽  
Atsushi Komatuzaki

AbstractPleomorphic adenoma arising in the external auditory canal is rare. We report the case of a 38-year-old man. To better grasp the clinical features and natural history of this uncommon tumour, we also reviewed the world wide literature and found 24 similar cases, which we analysed together with our own.


1993 ◽  
Vol 1 (3) ◽  
pp. 273-278
Author(s):  
David M. Wilson

At a time when nationalism grows more strident, the role of national museums assumes great importance. National museums encourage not only an understanding of national identity, but also patriotism. While this is natural, it has dangers in that the museum can be used politically to endorse racial and other charged emotions. The great international museums have provided an antidote to such tendencies by providing a universal view of the culture and natural history of the world from the earliest times. Because these museums have important material from other countries they are often attacked as odious relics of colonialism. Rather they should be seen as representative of internationalism and encouraged to collect as widely as possible—within the law. They should not be pressurized into returning material to its country of origin for narrow nationalistic purposes. National museums should themselves collect outside their own national boundaries so that countries can see themselves against the background of other cultures. As nationalism grows, internationalism must be stressed in national museums so that countries may understand each others' culture and points of view.


2005 ◽  
Author(s):  
Penny Olsen

Australia’s Wedge-tailed Eagle belongs to the family of eagles, which together span the world. Eagles are powerful predators, with exceptional powers of flight and sight. They may kill to survive, but they also sleep, play, enjoy a bath, make tender parents, and form lasting relationships. This book gives a comprehensive overview of Australia’s largest true eagle and one of the country’s few large predators and scavengers. First appearing in Aboriginal rock-paintings more than 5000 years ago, the Wedge-tailed Eagle was little more than a curiosity to the early European settlers. The book traces the subsequent changes in perception—from its branding as a vicious sheep killer to an iconic species worthy of conservation—and covers distribution, habitat, hunting, relationships, reproduction and chick development. A final section deals with threats to the existence of this magnificent bird. Winner of the 2006 Whitley Award for Best Natural History of an Iconic Species.


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