Three-fold Thinking on the Sinicization of Christianity

2015 ◽  
Vol 75 (5) ◽  
pp. 385-394
Author(s):  
Zhang Zhigang

Abstract This essay investigates the concept of »Sinicization of Christianity« from an »academic« standpoint, the goal being to discuss more objectively and rationally how Christianity may be able to meld into Chinese culture, the Chinese nation, and in particular, contemporary Chinese society. The investigation is presented in three parts: a comparison between the histories of Christianity in China and Korea, a study of the ecological situation of religions in contemporary China, and new developments in international research on interreligious dialogue. The article concludes that social practice should be the main criterion for testing religious faith, and that, based on China’s current conditions, the best course for the Sinicization of Christianity is to make positive and important contributions to continued reform and opening-up of Chinese society and to its development and progress.

Author(s):  
Charles W. Hayford

In the early 21st century, Christianity in China is a diverse, growing, and small but resilient force. Estimates vary, but one informed report speculates that the number of Christians is perhaps 5 percent of the population, in any case giving China one of the largest Christian populations in the world. Historically, like Buddhism in earlier times and Marxism in the 20th century, both of which also came from outside China, Christianity has become Chinese in many forms: as doctrine and theology, as institutions, as communities, and as spiritual experience. In the 16th century, the Jesuit missionary Matteo Ricci argued for a Sino-Christian synthesis based on the natural theology that God had placed in Confucian classics as well as the Bible. After the emperor proscribed Christianity and expelled foreign missions in 1724, Catholic village communities grew by melding Christianity into local Chinese religions. In the century after the Opium Wars of the 1840s, Protestant and Catholic missionaries and Chinese Christians established a network of churches, seminaries, schools, universities, hospitals, and publishing houses, which all made key contributions to the emerging Chinese nation. At the same time, independent Chinese evangelicals attracted large followings based on their own readings of the Bible. After 1949 the new People’s Republic of China once again expelled foreign missions and campaigned to suppress or control all religions except officially sanctioned groups. Yet the number of Christians still rose, mainly in the countryside. When the post-1978 reforms brought a loss of faith in Marxism and a spiritual crisis, Catholic and mainline Protestant churches thrived, as did “underground churches,” but the fastest growing groups were independent evangelicals and Pentecostals, again especially in the countryside. In short, over the centuries there have been many and often competing Chinese Christianities. For many millions, Christianity was a spiritual experience and daily practice which gave meaning to life. Doubters saw Christianity as a foreign religion incompatible with Chinese culture, while China’s rulers, both before and after the 1949 revolution, assumed that it was their responsibility to regulate all religions, especially ones they saw as foreign. Nationalists charged that Christianity entered China by what they called imperialist “gunboat diplomacy,” accused converts of being “rice Christians,” and charged that “one more Christian is one less Chinese.” In recent decades, perhaps no other field in Chinese studies has changed more than the study of Christianity. The earliest scholars, often missionaries or their sympathizers, wrote reverentially of struggles to create a Chinese church and plant the seeds of Christianity. Recent scholarship centers on Chinese Christianities as independent and authentic entities, not as versions of western Christianity; on missions as part of Chinese society; on grassroots communities that practice Christianity as a Chinese folk or popular religion; on Christianities which enlarge rather than replace Chinese identities; and on lived experience as much as on orthodoxy and doctrine.


Author(s):  
Lily Chumley

This chapter begins with an oral history of the Central Academy of Fine Arts, describing how the school changed over the course of gaigekaifang. Gaigekaifang is often referred to in English as “reform” (gaige), putting the stress on the structural adjustments that fomented change, while kaifang roughly means “opening up.” This institutional history is given a broader social context through interpretations of three art exhibitions commemorating the thirtieth anniversary of reform and opening up in 2008. These exhibitions offer perspectives on the legacies of socialism and the novelties of reform that are variously aligned with or critical of official state narratives, showing how contemporary Chinese dreamworlds contest with one another.


2019 ◽  
Vol 07 (04) ◽  
pp. 1950014
Author(s):  
Jiahua PAN

China’s ecological environment construction has undergone three phases, i.e. the agriculture-based development phase with low productivity not long after the founding of the People’s Republic of China (P.R.C.), the industrial development phase after the adoption of reform and opening-up policy, and the phase toward ecological civilization, each of which has its own features, challenges, responsive measures and achievements. From the year 1949 to the adoption of reform and opening up policy, the Chinese society was characterized by farming culture on the whole, facing problems such as frequent natural disasters, shortage in food production and low urbanization level. To jump out of the Malthusian Trap, the founders of the P.R.C. led people to prevent floods by water control, water conservancy projects and reclamation of wasteland, which alleviated but did not solve the problems because China still suffered poverty and backwardness, and failed to shake off the Malthusian Curse. After the adoption of the reform and opening-up policy, the rapid progress in industrialization and urbanization has liberated farmers from land and greatly improved labor productivity; meanwhile, some lands were released from farmers’ hand, which not only made the value of land resources much higher but also enabled land rehabilitation and ecological self-restoration. Although rapid industrialization and urbanization enormously boosted productive forces and accumulated immense amount of material wealth, but since the beginning of the 21st century, China’s development has been drawn near to the ecological red line, environmental threshold and resources upper limit of industrial development, constantly challenged by sustainable development. After 2010, China has initiated the transformation to ecological civilization, featuring ecological protection, pollution control and resource conservation, aiming to promote the harmonious development between man and nature.


Author(s):  
Chuang Dai

This article is dedicated to examination of the phenomenon of contemporary Chinese art, its essential specificity within the framework of tradition and in the conditions of globalization. For achieving the set goal, the author applies the method of historical-cultural analysis in combination with the elements of structural-semiotic analysis of contemporary art in China of the late XX century. For historical and social reasons, contemporary art became a substantial part of the works of Chinese artists only after the “Reform and Opening-Up” in the 1980s. China was able to preserve tremendous artistic heritage, thus the contemporary art resembles a fusion of the tradition and postmodernism. The scientific novelty of this work consists in shifting away from art discourse in studying artistic material and concentrating on philosophical perspective. The conclusion is drawn that since the 1980s until the present China undergoes a drastic period of transformation of art from traditional to contemporary. The works of that time reflect such themes as the alienation of a modern person from tradition, change in experience of world perception, conflict between modern politics and society.


2017 ◽  
Vol 7 (7) ◽  
pp. 558
Author(s):  
Songcun Zhang

Yu Opera China Women (some translated it into Our Company, pinyin: Xiāng Hún Nǚ) (2000) has been well received by audiences for its simple folk description, vivid characters, touching story lines, stunning stage backgrounds and exquisite stage performances. The opera describes a story of Xiangxiang and Huanhuan, mother-in-law and daughter-in-law, two generations of women in the reform and opening up years in the twentieth century in China. These Chinese women try to break the shackles of fate, with the strength to overcome hardships, work hard to gain wealth, and be brave to pursue true love, so it has a strong sense of feminism. However, rooted in the deep traditional Chinese culture, Xiangxiang and Huanhuan are always struggling between tradition and modernity, and they make difficult choices along with the awakening of women's consciousness.


2016 ◽  
Vol 2016 (1) ◽  
Author(s):  
Heiner Roetz

AbstractThe open society together with a pluralistic public sphere is a cornerstone of modernity and a necessary element of democracy. However, it has been maintained that the possibility of such a society depends on liberal convictions that are not applicable to non-Western cultures and also contradict the Confucian value orientation.The article argues that such an assumption is based on a number of problematic premises. There is no one-sided dependence of the socio-political system on culture, and the contemporary Chinese society is much too diverse to be dominated by Confucian values. Moreover, China’s cultural history and also Confucianism can be brought into the debate in yet another way than as a negative factor inhibiting and restricting an open society. There is textual evidence that forms of open society existed already in ancient China. Though they were not always supported by the elite, China’s intellectual heritage offers enough points of reference in order to refute the claim that the open society is an alien element in Chinese culture.


2021 ◽  
Vol 5 (6) ◽  
pp. 92-95
Author(s):  
Dan Liu

With the current domestic reform and opening-up, China has increased the construction and development of social economy whereas Marx’s philosophy has become a key research topic for social research scholars. This article focuses on the basic principles of the widespread practice of Marxism in the Chinese society and conducts a brief analysis on its journey of popularization.


Author(s):  
Melinda Pirazzoli

This study will discuss Qiu Xiaolong’s ambivalent, yet powerful response to what Shu-Mei Shih defines as “suturing calls of Chineseness from China” (Shih 2011, 710). The first section of the study will concentrate on what one may define as Qiu’s ‘aesthetics of crime’ as well as his scathing critique to the contemporary Chinese society, “corrupt throughout” (Qiu 2006, 15). The second part will focus instead on Qiu’s homage to traditional Chinese culture. In particular, it will underscore his attempts to create what one may define a ‘trans-national narrative of qing’. Such an analysis will lead us to conclude that Qiu Xiaolong’s narratives are built in order to convey that “globalization straddles the negative pole of alien and the positive pole of English, reshuffling world population, concepts, and goods and services like iron filings” (Ma 2014, xi).


Author(s):  
AGHAVNI HARUTYUNYAN

People’s Republic of China (PRC) has achieved phenomenal economic growth and unprecedented development “miracle” in human history. From the middle of the first decade of this century China has become a significant player in the global economy, it has flourished into a formidable economy, ranked the second largest in the world, and stands as the largest, the fastest growing and the most heavily engaged in international business and investment. The sustained and rapid growth of China’s economy, since the late 1970s, initiated by Deng Xiaoping (8 March 1978 - 17 June 1983), driven by reform and opening-up policy, became one of the most important milestones of the global economy during the past quarter century. The reform and opening up has enabled China to complete the historic transformation from a semi-closed society into a fully open one. Today, the openness of Chinese society and its integration with the outside world have reached unprecedented levels. The consequence of integration into the global economy, economic development has made China into a major force and advocate of globalization. China has become the strategic center of the “global factory” that produces the commodities consumed globally, above all in the centers of global capitalism.


Over 100 entriesThe fourth volume of the Berkshire Dictionary of Chinese Biography covers the years 1979-2015, providing a riveting new way to understand twenty-first-century China and a personal look at the changes that have taken place since the Reform and Opening Up era started in 1979. One hundred key individuals from this period were selected by an international group of experts, and the stories were written by more than 70 authors in 14 countries. The authors map the paths taken by these individuals-some rocky, some meandering, some fateful-and in telling their stories give contemporary Chinese history a human face. The editors have included – with the advice of myriad experts around the world – not only the life stories of politicians and government officials, who play a crucial role in the development of the country, but the stories of cultural figures including film directors, activists, writers, and entrepreneurs from the mainland China, Hong Kong, and also from Taiwan.The "Greater China" that comes through in this volume has diverse ideas and identities. It is often contradictory, sometimes fractious, and always full of creative human complexity. Some of the lives rendered here are heroic. Some are tragic, and many are inspirational. Some figures come in for trenchant criticism, and others are celebrated with a sense of wonder and awe. Like previous volumes of the Berkshire Dictionary of Chinese Biography, this volume includes a range of appendices, including a pronunciation guide, a bibliography, and a timeline of key events.The work features a range of appendices, including a timeline of key events, a pronunciation guide, a bibliography, lists of rulers and other prominent people, and other supplemental materials for students of Chinese history and culture.


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