The poems ‘Ngoài Giấc Ngủ’ and ‘Hiện Ra’ were included in the book poetry collection—also titled Ngoài Giấc Ngủ—published in California, USA, in 1990 and featuring sixty-seven poems by Melbourne-based Nguyễn Tiên Hoàng, writing under the pen name, Thường Quán. In 1994 the Journal of Vietnamese Studies (Melbourne) published the poem ‘Ngoài Giấc Ngủ,’ together with a first English language version co-translation, titled ‘Beyond,’ by Ian Campbell and Tony Chu. An adaptation of the poem was sung in Vietnamese ngâm style by Thu Huong Huynh, as part of ‘A Spring Evening of Poetry, Translated Verse and Music’ held in 1995 in Sydney to mark 50 years of post-war migration to Australia. The English language version later appeared in 1996, with the original poem in Vietnamese, in a Sydney-based Vietnamese language newspaper, and in 2002 the English language translation appeared again in Sunlines: An Anthology of Poetry to Celebrate Australia’s Harmony in Diversity, edited by Anne Fairbairn (Canberra: Dept. of Immigration and Multicultural and Indigenous Affairs, 2002). Most recently the English language co-translation of the poem has appeared in Nguyễn Tiên Hoàng’s collection, Captive and Temporal, published by Vagabond Press (Sydney and Tokyo, 2017). The poem, ‘Ngoài Giấc Ngủ,’ now appears in its Vietnamese language original form (1990), and in an English language co-translation by Chu and Campbell which varies slightly from all previous translations. An English language version of the poem, ‘Hiện Ra,, has never been previously published and appears now in a co-translation as ‘Becoming Visible,’ together with the 1990 poem in its original Vietnamese language version.
Review of Contesting the global development of sustainable and inclusive education: Education reform and challenges of neoliberal globalization
