scholarly journals Local cultural contribution from Adapazarı People’s House: Sakarya Magazine and its contentAdapazarı Halkevi’nden yöresel kültüre bir katkı: Sakarya Dergisi ve içeriği

2017 ◽  
Vol 14 (4) ◽  
pp. 3535
Author(s):  
Kenan Olgun

Started on February 19, 1932, People’s Houses have an important place in the cultural leap, secularisation and modernization policies of the early Turkish Republic. Grounded on the reasons for being a tool for propaganda of the Republican People's Party (CHP) People Houses were abolished by the Democrat Party in 1951. One of these cultural institutions whose number were reached to 478 until the year 1951 in which they had closed, is Adapazarı People’s House which is opened in February 23, 1934.The Sakarya magazine is the Adapazarı People’s House magazine. Between March 1, 1943 and August 1943, 6 issues were published. The publications of the magazines are published in the regulations of the people's houses. Despite this, Adapazarı, the district, published Sakarya Magazine. The publication policy of Sakarya Magazine is to spread the principles of the CHP. Adapazari has named Sakarya as the magazine which also wants to be a province.The People’s Houses, which are came to be known as the institutions of culture and which is also a means of giving people the idea of being a nation and a citizen, began to publish journals in order to reveal their politics to the public. During the period of Atatürk , the journal of People’s House of Adapazarı which is called Sakarya, has been going on to be an important source for the history of Adapazarı. So, in the study, the first publishing of Sakarya, some problems during the publishing period, the subjects in the journal and closing of the journal have studied.Extended English abstract is in the end of PDF (TURKISH) file.ÖzetMüze ve Sergi şubesi hariç olmak üzere 23 Şubat 1934 tarihinde diğer şubeleri ile birlikte açılan Adapazarı Halkevi, Halkevlerinin kapatıldığı 1951 yılına kadar çok çeşitli alanlarda faaliyetlerde bulunmuştur. Bunlardan biri de dergi çıkarma görevi de olan Dil ve Edebiyat Şubesidir. Her ne kadar 1940 yönetmeliğinde dergi çıkartma görevi il merkezlerindeki halkevlerine verilmiş olsa da döneminde Kocaeli’ne bağlı bir ilçe olan Adapazarı da dergi çıkartma işinden geri kalmamıştır. Yöreden geçen nehirden adını alan Sakarya Dergisi, yayın hayatına 1 Mart 1943 tarihinde başlamıştır. Sakarya Dergisi, ancak 6 sayı yayınlanabilmiş, 1 Ağustos 1943 tarihli sayısıyla da yayın hayatı sona ermiştir.Adapazarı Halkevi dergisi Sakarya, Adapazarı’nın yerel tarihinde önemli bir kaynak olma özelliğini hâlâ korumaktadır. Bu çalışmada Sakarya dergisi ve içeriği elde mevcut olan 6 sayı üzerinden incelenecektir. Çalışmada Sakarya Dergisi’nin ortaya çıkışı, dergi çıkartma süreci ve sonrasında yaşanan sıkıntılar, dergide ele alınan konular ve derginin kapatılması ele alınmıştır.

Author(s):  
Simon A. Waldman ◽  
Emre Caliskan

After another election victory, but this time winning almost 52 per cent of the vote, Recep Tayyip Erdogan became the first popularly elected president in the history of the Turkish Republic. In his victory speech, Erdogan vowed to lead Turkey into a "new era of social reconciliation by leaving old disputes in the Old Turkey." He also called on the public to "mobilize our energy for New Turkey”. However, his polarizing rhetoric and steps towards an illiberal democracy may alienate many Turkish discontents, and unless wounds are healed Turkey risks being a weak and fragile state.


1996 ◽  
Vol 15 ◽  
pp. 95-118 ◽  
Author(s):  
Koray Çalışkan

The first labor code of the Turkish Republic was enacted in 1936 and became effective in 1937. The most significant feature of this code was the time taken by the Turkish Grand National Assembly (TGNA) to legislate it. Negotiations began in 1925 with discussions of the Service Code draft bill. In the course of fifteen years TGNA discussed five draft bills and in 1936 a final draft was accepted. Between then and 1950, when the Republican People's Party (RPP) lost the election to the Democrat Party (DP), the scope of the labor code was extended without any alteration in its ideological content.


2019 ◽  
pp. 167-175 ◽  
Author(s):  
Alper Tolga Bulut ◽  
Tevfik Murat Yildirim

How do politicians respond to the policy priorities of the public in developing democracies? Do policymakers take into account their electoral mandate during their tenure in parliament? How does the relationship between media and politics work in a country that has a history of authoritarianism? The Turkish Policy Agendas Project aims to answer questions similar to these by providing systematic institutional data. The project content codes various parliamentary activities such as parliamentary debates, oral and written questions, parliamentary bills and laws. It also includes budget data dating back to the founding of the Turkish Republic. This chapter explains the construction of the dataset from data collection to coding, describes its features, and provides examples of possible applications.


2019 ◽  
Vol 25 (2) ◽  
pp. 13-28
Author(s):  
Jolanta Załęczny

Women have always played an important, though not always fully perceived and properly exposed, role in the history of our nation. They were active participants in many significant events, engaged in armed struggle and took part in political and social life. They supported soldiers and political activists. This has given them an important place in the public consciousness. It is hard to imagine discussing any event today without taking into account the participation of women and the female perspective on the event. This also applies to Poland’s regaining of independence in 1918. It is worth looking at these events through the prism of not only famous writers, but also other women (among others: Zofia Romanowicz, Countess Maria Lubomirska), who, by taking part or observing, recorded them as written accounts.


2021 ◽  
pp. 149-161
Author(s):  
Ihor Stambol

The article analyzes the memoirs of the Warsaw Uprising of 1944, written by one of the most prominent Ukrainian bibliologists, librarians and bibliographers – Lev Ustymovych Bykowski (1895–1992), who also joined the librarianship of Czechoslovakia and Poland and served as director of the Warsaw Public Library in the most dramatic moments in the history of the Polish capital – the anti-Nazi uprising. Among the figures mentioned in the memoir are: Janina Peszynska (1887-1949) – head of the Arts department of the Public Library and an active participant in the Warsaw Uprising; Regina Tchaikovsky – daughter of famous writer Alexander Sventokhovsky; Professor Jerzy Kowalski (1893-1948) – classical philologist, writer, professor of Lviv and Wroclaw universities; writer Maria Dombrovska (1889-1960); Mayor of Warsaw Julian Kulski; Prince Victor Viktorovich Kochubey (1893-1953); former minister of UPR Stanislav Stempovsky – former minister of UPR and others. In the context of local lore, the events around the Warsaw Public Library and the situation on Marshalkowska, Koszykova, Poznanska, Emilia Plater, Goza, etc. are most noted. There is also a lot of evidence in the memoir of Warsaw’s cultural institutions and their condition after the uprising.


Author(s):  
Eve McPherson

Since the beginning of the twentieth century and the establishment of the modern Turkish Republic, the Islamic call to prayer in Turkey has occupied a controversial space, sonically and culturally. Early on, the new Republic attempted to “Turkicize” the call by legally mandating Turkish language recitation, a practice that was maintained for nearly twenty years despite strong popular opposition. Although this particular practice ended in 1950, the call to prayer has continued to engender controversy. One of the more recent debates has grown out of the practice of centralization. Call to prayer centralization refers to broadcasting one muezzin, or caller, from one mosque to other area mosques in an effort to diminish “cacophony” and regulate the sound quality, ostensibly to beautify the call and make it more clearly audible. Although the goals of the centralization program have been to improve the sound quality and distribution of the call, opponents of the program have voiced concerns. Such concerns include the loss of mosque “personalities” and the possible substitution of recordings for live recitation, an especially worrisome prospect in the context of a religious practice that considers live human recitation a direct conduit to the divine. This chapter examines the early twenty-first-century history of centralization and how its implementation fits into the continuing dialogue on the public declaration of faith in the context of a politically secular republic, thus contributing to studies on the use and mediation of public sonic space.


Author(s):  
Richard Sandell ◽  
Jocelyn Dodd ◽  
Ceri Jones

Because of the determined efforts of disability activists, public historians, and other scholars, the hidden history of disabled people is emerging in the public sphere. Although museums and other cultural institutions hold wide-ranging material in their collections that links to the lives of disabled people, its significance is often underresearched and poorly understood. Although disabled people desire greater visibility, like other groups who have been marginalized or misrepresented, they also want to be involved in the process and empowered to make decisions about their representation. Drawing on insights from research and experimental practice, we suggest that the idea of the “trading zone,” the creation of a space of exchange for collaborative and equitable dialogue, provides a way forward for disabled people to make their voices heard in the museum and for museum staff to confront and develop new ways of incorporating disability history into their collections and displays.


2019 ◽  
Vol 22 (4) ◽  
pp. 45-57
Author(s):  
Madina Karahan

Ahmad Bay Aghaoglu played a significant role as a public figure, publicist, politician, lawyer, scientist, and intellectual in the literary and public thoughts and the political life of the history of the 20th century of our country. His activity and works had a great impact on the public processes in Azerbaijan and Turkey, as well as Europe. In the activity of A.Aghaoglu, his literary and scientific works have an important place; i.e. he has also historical and literary essays in addition to his works dedicated to socialpolitical issues, which characterizes him as a critic, literary critic and culturologist. His addressing to literary and scientific issues as the occasion arises in many of his works, articles, letters and memoirs and opening discussions enables us to assess him as a critic, literary critic, historian and sociologist in the literary environment of Turkey. The Thesis studies the issues that Ahmad Bay Aghaoglu researched as a researcher, literary critic and historian, and the printed works covering these issues, and expresses an opinion.


2001 ◽  
Vol 33 (1) ◽  
pp. 91-114 ◽  
Author(s):  
Mustafa Türkeş

This article attempts to make a contribution to the intellectual history of the early Turkish Republic through an examination of Kadro, a monthly journal of political, economic, and social ideas, which was published in Turkey between 1932 and 1934.1 The Kadro movement took its name from the journal Kadro; the journal aspired to fulfill two self-appointed tasks: to develop an ideological framework in which to interpret the Turkish revolution that had created the republican regime led by President Mustafa Kemal Atatürk,2 and to suggest economic policies that, in accordance with this ideological framework, the regime should pursue in the future. Although Kadro clearly identified itself with the republican regime, and although its publication was sanctioned and encouraged by leaders of the Kemalist regime (the same political leadership that eventually forced Kadro to cease publication), it was not a simple emanation of the government or of the ruling Republican People's Party (RPP). Most of the journal's regular writers had “leftist” backgrounds that had, on occasion, brought them into collision with the republican authorities. Kadro's political loyalty to the regime was never in question, but within these limits, it exhibited a striking degree of intellectual independence.


1974 ◽  
Vol 8 (2) ◽  
pp. 203-210
Author(s):  
Earl ◽  
Ellen Harbert

In his influential study, Art and Life in America, Oliver W. Larkin describes the famous Armory Show of 1913 as an ‘explosion’ in the history of American art. Few would quarrel with this view; indeed, the author's choice of the noun does no more than proper justice to the sudden and powerful impact of the Armory event upon the American public. Certainly, at least with regard to a popular audience for art ‘explosion’ is an appropriate description. Unlike the public, on the other hand, the select group of artists represented by works in the Show itself proved that they were ready for that historic moment. They had practised and created, and over the years the biographical accounts of how they prepared themselves and their art have gradually filled an important place in the larger explanation of why the ‘explosion’ went off at all.


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