scholarly journals The Crisis of Brexit and Other Socio-Cultural Aspects of Silencing the Past through the Example of Anna Burns’ Milkman

Porównania ◽  
2021 ◽  
Vol 30 (3) ◽  
pp. 179-189
Author(s):  
Marta Frątczak-Dąbrowska ◽  
Joanna Jarząb-Napierała

The present article scrutinizes the phenomenon of a systemic silencing of the past visible in recent socio-political challenges caused by Brexit, especially in the case of the Irish border. Due to the comparative character of the paper, the attention is targeted at a symptomatic amnesia manifested on the British and Northern Irish sides. Postcolonial melancholia, to use Paul Gilroy’s term, facilitated by a systemic whitewashing of British imperial past, is contrasted here with Northern Irish postcolonial amnesia understood as a personal and institutionalised suppression of the difficult memory of colonisation and violence. In what follows, the paper aims to show how these two phenomena meet in the conflict of Brexit and how literature comments on the current political, social and cultural issues such as Brexit based on the example of Anna Burns’ novel Milkman (2018). The article discusses the silence which has surrounded the issue of the Irish Border in Brexit debates, as well as looks at the Northern Irish reluctance to talk about their past as an unsuccessful attempt to escape the demons of the past.

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Miftahul Jannah

<p align="center"><strong>Abstrak</strong></p><p>Tulisan dalam jurnal ini bertujuan untuk mengetahui proses runtuhnya Khilafah Turki Ustmani tanggal 3 maret 1924 dan dampaknya terhadap kehidupan umat Islam. Metode yang digunakan dalam penelitian ini adalah metode sejarah. Metode sejarah adalah prosedur sejarawan Untuk melukiskan kisah masa lampau berdasarkan jejak-jejak yang ditinggalkan pada masa lampau dengan langkah-langkah penulisan sejarah sebagai berikut: (1) heuristik, (2) kritik, (3) interpretasi dan (4) historiografi. Berdasarkan penelitian yang dilakukan maka dapat ditarik kesimpulan bahwa: Khilafah Turki Ustmani dihancurkan dengan cara menghapus sistem kekhilafahan dan menggantinya dengan sistem republik oleh seorang keturunan yahudi yaitu Mustafa Kemal Attatur. Selama 14 abad kaum muslimin hidup dalam pemerintahan Islam yang mana diterapkan hukum-hukum Islam dalam seluruh aspek kehidupan. Namun sayangnya hari itu tepatnya 3 maret 1924 secara resmi dengan bantuan Inggris, Mustafa Kemal Attaturk mengubah khilafah dengan sistem Repulik Turki dan sampai hari ini sistem tersebut masih berjalan. Runtuhnya khilafah menyebabkan munculnya persoalan kaum muslimin mulai dari kolonialisme, konflik di Negara dunia ketiga, persoalan ekonomi,politik dan sosial budaya.</p><p> </p><p><strong>Kata Kunci:</strong> Khilafah Turki Ustmani, 3 maret 1924</p><p> </p><p align="center"><strong><em>Abstract</em></strong></p><p><em>The writing in this journal aims to find out the process of the collapse of the Ottoman Caliphate on March 3, 1924 and its impact on the lives of Muslims. The method used in this study is the historical method. Historical method is the procedure of historians to describe the story of the past based on traces left in the past by the steps of historical writing as follows: (1) heuristics, (2) criticism, (3) interpretation and (4) historiography.</em></p><p><em>Based on the research conducted, it can be concluded that: the Ottoman Caliphate was destroyed by removing the Caliphate system and replacing it with a republic system by a descendant of the Jews namely Mustafa Kemal Attatur. For 14 centuries the Muslims lived in an Islamic government which applied Islamic laws in all aspects of life. But unfortunately that day to be exact 3 March 1924 officially with the help of Britain, Mustafa Kemal Attaturk changed the Caliphate with the system of the Republic of Turkey and to this day the system is still running. The collapse of the Caliphate caused the emergence of problems of the Muslims ranging from colonialism, conflict in third world countries, economic, political and socio-cultural issues</em><em>.</em></p><p><em> </em></p><strong><em>Keywords:</em></strong><em> the Caliphate of Turkish Ottoman, March 3, 1924</em>


2006 ◽  
Vol 14 (1) ◽  
pp. 33-48 ◽  
Author(s):  
R. C. VAN CAENEGEM

The unification of European law – if it is ever achieved – belongs to the future, but much of this present article will be devoted to the past. This makes me look like the ancient Roman king Janus, upon whom the god Saturn bestowed the gift of seeing the future as well as the past, which led to his famous representation, in his Roman temple, as a man with two faces. As a professional historian I am, of course, concerned with past centuries, but the future of Europe and European law concerns me as a citizen of the Old World.


1998 ◽  
Vol 20 (1) ◽  
pp. 115-116
Author(s):  
Dave Mosher

This volume charts the development of contrastive rhetoric (CR) over the past 30 years. Although CR has not attempted to identify developmental stages of L2 writers, it is essentially the study of transfer: the influence of L1 writing conventions and cultural and cognitive dimensions on L2 writing. Major strengths of this book are its critical review of the literature, concise definitions, and documentation of the progression of CR from narrow L2 text-based analyses to the inclusion of multiple approaches.


2019 ◽  
Vol 31 (3) ◽  
pp. 777-783
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić

The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural tradition emerged from the framework of the then socialist clothes, and it is called grandiose exoticism. The names of the first collections given by the historical figures of medieval Serbian history are a clear indication that it is possible to draw inspiration from the past, if it is professionally approached and adequately, by contemporary trends, the audience and the market. Joksimovic's individualism, apart from design, was also reflected in the way the collection itself was modeled through models and choreographies, and clearly once again showed his step ahead of time, while the social and political circumstances forced him to stay one step behind.


GEOgraphia ◽  
2018 ◽  
Vol 20 (42) ◽  
pp. 25
Author(s):  
Patrício Aureliano Silva Carneiro

Resumo: Um dos grandes desafios dos estudos históricos reside na incorporação e análise dos processos espaciais e dos elementos territoriais responsáveis por influenciar as temporalidades e os eventos e por modelar e organizar o espaço no passado. No presente artigo, procuramos salientar a importância dessa articulação, discorrendo sobre as inter-relações entre as categorias tempo e espaço, história e geografia. Com base em bibliografia anglo-saxônica, revisamos os aspectos conceituais da geografia histórica, a contribuição dos principais estudiosos e as novas tendências e desafios desse plano de abordagem.Palavras-chave: Geografia e história. Geografia histórica. Teoria e metodologia. THEORY AND TRENDS OF HISTORICAL GEOGRAPHYAbstract: One of the most significant challenges in the historical studies lies in the incorporation and analysis of spatial processes and territorial elements which influence temporality and events, as well as fashion and organize space in the past. The present article aims at emphasizing the importance of such relation as well as the connections between space and time, history and geography. Based on Anglo-Saxon bibliography, we review the conceptual aspects of historical geography, the most prominent authors’ contributions along with the new trends and challenges of this approach plan.Keywords: Geography and History. Historical Geography. Theory and Methodology. QUESTIONS THÉORIQUES ET TENDANCES DE LA GÉOGRAPHIE HISTORIQUERésumé: L’un des grands défis des études historiques, réside, dans l’incorporation et l’analyse des processus spatiaux et des éléments territoriaux responsables d’influencer les temporalités et les événements, et de modéliser et organiser l’espace dans le passé. Dans cet article, nous essayons de souligner l’importance de cette articulation, en discutant les interrelations entre le temps et l’espace, l’histoire et la géographie. Sur la base de la bibliographie anglo-saxonne, nous passons en revue les aspects conceptuels de la géographie historique, la contribution des principaux chercheurs et les nouvelles tendances et défis de ce plan d’approche.Mots-clés: Géographie et histoire. Géographie historique. Théorie et méthodologie.


2021 ◽  
pp. 160-182
Author(s):  
Jasna Mikić

Abstract. The present article explores the use of grammatical forms in job advertisements published over the past 60 years (1958, 1978, 1998 and 2018). A historical examination of the use of gender forms in employment is based on analysis of job advertisements published in the Slovenian language, and the particular socioeconomic context. The results show that the frequency of use of the masculine, feminine and neutral forms has not drastically altered over the decades. In general, feminine and neutral forms were used less frequently, and the masculine grammatical form consistently dominates. In 2018, the latter was seemingly ‘neutralised’ by adding the abbreviation M/F


2007 ◽  
Vol 40 (1-2) ◽  
pp. 51-60
Author(s):  
Sandro Jung

Despite the claims for simplicity of language that Wordsworth articulated in the early years of his literary career, especially in the "Preface" to Lyrical Ballads-his pronounced difference from earlier (Neoclassical) poets, poetic practice, and the forms of poetry of the Augustans-he could not escape what Waiter Jackson Bate long ago termed the "burden of the past". Wordsworth's indebtedness to his literary forbears is not only ideational but formal as well. The present article aims to examine Wordsworth's "Tintern Abbey" and relate it to the tradition of the hymnal ode used so masterfully by William Collins in the mid-century, at the same time reconsidering the generic conceptualisation of the poem as an ode in all but name which in its structure and essence re-evokes mid-century hymnal odes but which is contextualised within Wordsworth's notion of emotional immediacy and simplicity.


2021 ◽  
Vol 30 (2) ◽  
pp. 139-155
Author(s):  
Michelle Charalambous

Samuel Beckett's interest in the experience of memory and the central role the body plays in the re-experience of the past has been most evident since the time he composed Krapp's Last Tape (1958), one of his most famous memory plays where the body can actually ‘touch’ its voice of memory. In this context, the present article provides a close reading of two of Beckett's late works for the theatre, namely That Time (1976) and Ohio Impromptu (1981), where the author once again addresses the relationship between the body and memory. Unlike his earlier drama, however, in That Time and Ohio Impromptu Beckett creates a ‘distance’, as it were, between memory and the body on stage by presenting the former as a narrative and by reducing the latter to an isolated part or by restricting it to limited movements. Looking closely at this ‘distance’ in these late plays, the article underlines that the body does not lose its authority or remains passive in its re-experience of the past. Rather – the article argues – the body essentially plays a determining role in these stripped-down forms as is shown in its ability to ‘interrupt’ and somatically punctuate the fixity of the narrative form memory takes in these works.


Author(s):  
Maria Helena Roxo Beltran ◽  
Vera Cecilia Machline

Studies on history of science are increasingly emphasizing the important role that, since ancient times, images have had in the processes of shaping concepts, as well as registering and transmitting knowledge about nature and the arts. In the past years, we have developed at Center Simão Mathias of Studies on the History of Science (CESIMA) inquiries devoted to the analysis of images as forms of registering and transmitting knowledge about nature and the arts – that is to say, as documents pertaining to the history of science. These inquiries are grounded on the assumption that all images derive from the interaction between the artistic technique used in their manufacture and the concept intended to be expressed by them. This study enabled us to analyze distinct roles that images have had in different fields of knowledge at various ages. Some of the results obtained so far are summarized in the present article.


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