Cultural Techniques and the Politics of Detail: Tom McCarthy’s Remainder and/as Media Theory

2018 ◽  
Vol 66 (2) ◽  
pp. 243-257
Author(s):  
Nicola Glaubitz

Abstract Tom McCarthy’s novels are informed by media theory, and this essay reads his novel Remainder not only with theory in order to highlight parallels to reflections on cultural techniques and sociotechnical networks but also tries to assess its relevance as theory. My essay will, first of all, introduce the media theoretical framework of cultural techniques and show how cultural techniques are described in Remainder. The parallel agendas of the novel and cultural techniques research, I argue, converge in a shared interest in materiality, practices, and the seemingly banal details of everyday life but put them into different perspectives. I will then read Remainder as a contribution to the theoretical debate on cultural techniques and suggest that the novel draws our attention to a politics of detail in theories of practices, the everyday, and cultural techniques.

Author(s):  
Iana E. ANDREEVA

This article examines the linguistic means of representing the category of everyday life in the novel by G. Sh. Yakhina “Zuleikha opens her eyes” and in its translation into Chinese. Recently, there has been an increasing interest in the anthropology of everyday life, a broad line of research into everyday life. Comparative study of linguistic units, which reveal the essence of everyday human existence, makes it possible to identify lacunar units that are difficult to translate fiction in the context of the Russian-Chinese language pair. The scientific novelty of the research is determined by the involvement in the analysis of linguistic methods of conveying the category of everyday life in the aspect of translating a Russian literary text into Chinese. The work used the methods of comparative, component, contextual analysis, the method of linguoculturological commenting. As a result of the study, the lexical-semantic, lexical-stylistic and grammatical lacunar units were identified, which demonstrate linguocultural barriers in the process of translating a text into Chinese. A comparative analysis of the texts was carried out in order to comprehend the lexical and grammatical transformations performed in the process of translation. As a result, the main ways of compensating for the lacunae of everyday life in Russian-Chinese translation were identified: transcription, tracing, descriptive translation, lexical-semantic replacement. In addition, it was found that the study of various options for depicting everyday life in a literary text not only makes it possible to identify lacunar units of everyday life, but also reveals the artistic and philosophical intention of the work.


2021 ◽  
Vol 3 (1) ◽  
pp. 78-92
Author(s):  
José Edilson Amorim

ResumoA partir de uma crônica de Bráulio Tavares, este artigo reflete sobre cenas da precariedade de ontem e de hoje. A primeira cena está em Lima Barreto, em Recordações do escrivão Isaías Caminha, ao referir a Revolta da Vacina no Rio de Janeiro do século XX, comparada às manifestações de 2013 e 2014 no país; a segunda é a espetacularização da mídia sobre as manifestações de rua em 2013 e 2014, e sobre o processo de impedimento do mandato presidencial de Dilma Rousseff em 2015; a terceira é uma cena da vida cotidiana de uma moça de Brasília em outubro de 2014. As três situações revelam o mundo da classe trabalhadora e seu desamparo em meio ao espetáculo midiático.Palavras-chave: Trabalho. Mídia. Política. Espetáculo. AbstractFrom a chronicle by Bráulio Tavares, this paper reflects about scenes of the precariousness of yesterday and today. The first scene is in Lima Barreto’s novel Recordações do escrivão Isaías Caminha (Memories of the scrivener Isaías Caminha), when referring to the Vaccine Revolt in the Rio de Janeiro of the 20th century, compared to the manifestations of 2013 and 2014 in Brazil; the second is about the media spectacularization of the street manifestations between 2013 e 2014 in Brazil, and also on Dilma Rousseff's impeachment process in 2015; the third one is from the everyday life of a girl from Brasília in October of 2014. All those three situations reveal the world of the working class and its helplessness in the face of the media spectacularization.Keywords: Work. Media. Politics. Spectacle.


Author(s):  
Anna S. Akimova ◽  

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.


Author(s):  
Simon Stjernholm

This chapter explores a willingness on behalf of certain Muslim preachers to move beyond traditional preaching styles and create material that fits well within current social media practices. Focusing on the media productions of two Muslim preachers in Sweden, the chapter analyses how they experiment with oratory genres and modes. Using self-imposed brevity and multimodal communication in a type of media production defined here as a ‘reminder’, these preachers try to exhort their audiences to consider matters felt to be of pressing religious nature. The examples illustrate attempts to expand the reach of Islamic religious discourses beyond mosque environments and into the everyday life of an audience, with the potential of achieving a different kind of rhetorical work than a regular lecture or sermon.


2016 ◽  
Vol 48 (3) ◽  
pp. 58-69 ◽  
Author(s):  
Susanne Foellmer

This article focuses on the idea of choreography as a possible medium of protest. Dealing with the media theory of Niklas Luhmann in the framework of social communication, and adopting Randy Martin's idea of an interrelation of (danced) movement and politics, the focus lies in the moments of migration of gestures from everyday life into art and then into the realm of politics. By analyzing the example of the IstanbulDuran Adamand the performance of choreographer Ehud Darash in Tel Aviv, I address the key question in which moments and what kind of formats choreography serves as a medium of protest by blurring the boundaries between everyday life, art, and politics.


2018 ◽  
Vol 74 (2) ◽  
pp. 398-411 ◽  
Author(s):  
Melissa G. Ocepek

Purpose The purpose of this paper is to argue that scholars in the information behavior (IB) field should embrace the theoretical framework of the everyday to explore a more holistic view of IB. Design/methodology/approach The paper describes the theory of the everyday and delineates four opportunities offered by scholars of the everyday. The paper concludes with three examples that highlight what a more everyday-focused everyday information behavior might look like. Findings The theory of the everyday provides a useful theoretical framework to ground research addressing the everyday world as well as useful concepts for analysis and research methodology. Originality/value The theoretical framework of the everyday contributes to IB research by providing a theoretical justification for work addressing everyday life as well as useful concepts for analysis. The paper also outlines the benefits of integrating methods influenced by institutional ethnography, a methodology previously used to address the nuances of the everyday world.


2021 ◽  
Vol 35 ◽  
pp. 205873842110443
Author(s):  
Katarzyna Napiórkowska-Baran ◽  
Tomasz Rosada ◽  
Ewa Więsik-Szewczyk ◽  
Marcin Ziętkiewicz ◽  
Aleksandra Matyja-Bednarczyk ◽  
...  

Introduction The COVID-19 pandemic has changed many aspects of everyday life. Patients with primary immunodeficiency (PID) are in a particularly difficult situation. The purpose of the present study was to contribute to the very limited research on the everyday aspects of functioning in PID patients during the COVID-19 pandemic. Methods The survey included 85 adult PID patients treated with immunoglobulin replacement therapy in four reference centers for immunology. Everyday functioning of the patients as well as their opinion concerning new solutions in medical care were analyzed. Results During the pandemic, the percentage of patients experiencing fear/anxiety has increased from 47% to 70%. The wide dissemination of information about the SARS-CoV-2 in the media has increased anxiety in 40% of the patients. Patients diagnosed with PID were most afraid of the exposure to contact with strangers, especially in public places. As many as 67 respondents (79%) considered the introduction of restrictions concerning social functioning as good. Only every fifth person learned about the pandemic from reliable sources. Eighty three percent of the patients receiving immunoglobulin substitution experienced less fear of SARS-CoV-2 infection. The patients positively evaluated the solutions related to the direct delivery of drugs to the place of residence in order to continue home IgRT therapy. Fifty three respondents (62.5%) believed that the possibility of a remote consultation was a very good solution. Conclusion It is necessary to increase educational activities concerning the pandemic provided by health care professionals, as patients obtain information mainly from the media and the Internet, which adversely affects the feeling of anxiety. The pandemic, in addition to the very negative impact on patients and the deterioration of their daily functioning, has made patients appreciate their life more, devote more time to family and friends, and do things they like.


Different traditional Iranian art forms can be known as a single semantic recreation in different forms. All of them imply some shared concepts which are a mix of Persian and Islamic beliefs. These arts have a symbolic tone and the artist speaks through their art using the appropriate allegorical tools. In this field, the Kerman carpet should be known as an excellent manifestation of symbols and mysterious designs that are eloquently implemented on the carpet. The purpose of this study is the anthropological analysis of the symbols, designs, and patterns used in the Kerman carpet as well as the analysis of the Kermanian people's beliefs based on those designs and symbols. The research method used here is the Qualitative type and in the form of ethnographic, and also the information are collected using interview-participation and documents. The theoretical framework of this study is based on Clifford Geertz’s Symbolic-Interpretive Anthropology Approach theory. The findings of this study show that the Kerman carpet alongside its beauty and charm includes meaningful designs and patterns and these designs and symbols are derived from the geographical-cultural and social area and are connected with the everyday life, traditions, and beliefs of the people of their area.


Adeptus ◽  
2017 ◽  
Author(s):  
Kalina Kukiełko-Rogozińska ◽  
Krzysztof Tomanek

Faces of war in the context of Marshall McLuhan's media theoryThe article shows how Marshall McLuhan’s media theory is used to analyze photographs taken with an iPhone. The reflections were inspired by the blog of the Canadian photographer Rita Leistner, who participated in the media project aimed at familiarizing American soldiers’ families and friends with everyday life of the military contingent in Afghanistan. Leistner, for the first time in her career, used a smartphone instead of professional photographic equipment. Her decision was motivated by the need to edit photographs easily and publish them quickly on the Internet. The result of her work was a blog, titled Looking for Marshall McLuhan in Afghanistan. To describe her photographs, Leistner uses selected concepts defined by McLuhan in the second half of the 20th century: probe, extension of man or figure-background dichotomy. In consequence, the technological face of war can be better understood by the viewers of the materials she prepared. Oblicza wojny w kontekście teorii mediów Marshalla McLuhanaW artykule przedstawiono sposób wykorzystania teorii mediów Marshalla McLuhana do analizy zdjęć wykonanych iPhone’em. Inspiracją do tych rozważań jest blog kanadyjskiej fotografki Rity Leistner, uczestniczki projektu medialnego, którego celem było zapoznanie rodzin i przyjaciół amerykańskich żołnierzy z codziennym życiem wojskowego kontyngentu w Afganistanie. Leistner, po raz pierwszy w karierze, używała smartfonu zamiast profesjonalnego sprzętu fotograficznego. Wynikało to z konieczności łatwego edytowania zdjęć i ich szybkiego umieszczania w internecie. Efektem tej pracy jest blog zatytułowany Looking for Marshall McLuhan in Afghanistan. Aby opisać swoje fotografie, Leistner użyła bowiem wybranych koncepcji sformułowanych przez kanadyjskiego myśliciela w drugiej połowie XX wieku: sondy, przedłużenia człowieka czy dychotomii figura/tło. Dzięki temu zabiegowi odbiorcy jej fotografii mogą lepiej zrozumieć technologiczny i medialny wymiar wojny.


2013 ◽  
Vol 17 (1) ◽  
pp. 144-162
Author(s):  
Yoni Van Den Eede ◽  

Critical theory of technology (CTT) and postphenomenology (PostPhen) complement each other finely. Yet whereas CTT runs the risk of negating the interwovenness of humans and technology, a problem partly resolved by PostPhen, PostPhen itself threatens to neglect its very own base, i.e., the condition of technology and society being first and foremost human endeavors. This paper suggests not to decry these two approaches but to add a third component in order to compensate for their deficiencies. That third partner consists of a new-fledged version of philosophical anthropology elaborated on the basis of the media theory of Marshall McLuhan. I am here mainly concerned with how such an approach can supplement CTT, which it does by offering an account of technological mediation that harbors not only a relational-ontological but also—in contrast with PostPhen—a substantivist-ontological aspect, and in addition a proper theory of technological blindness, much needed to make sense of perceptive biases and meaning-constituting activities in everyday life. I will illustrate these issues by way of what I dub ‘the Mailman Problem’: a sketch of a very mundane instance of “deworlding” that is, however, not perceived as such.


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