scholarly journals O estado de exceção, antagonismo político e “combates” à corrupção

Author(s):  
Victor de Oliveira Pinto COELHO

The following work analyzes the problem of the state of exception with a focus on Brazil’s recent political situation. First, we highlight the citing of the theory of exception by conservative legal expert Carl Schmitt in the TRF-4 court, allowing the then-Judge Moro to escape punishment for having leaked the contents of a telephone call between President Dilma Rousseff and former President Lula. Second, we then use this as a basis to outline the relationship between recent legal activism, present in the so-called “war on corruption”, with a longer-term tension in law in liberal societies, that is the hiatus between legality and legitimacy. Third, and finally, we seek to reveal that the anti-corruption agenda acquired impetus by means of the politicization and polarization of the country as of 2013, particularly with the emergence in 2014 of the Operação Lava Jato [Operation Car Wash] and the prominence of Judge Sérgio Moro. Our hypothesis is that a political antagonism was configured as a political strategy, framing all social demands to have emerged in 2013 as an opposition to “corruption” and the “state”. As a theoretical-conceptual framework for the conceptualizing of political antagonism, we highlight the theoretical contribution of Ernesto Laclau and Chantal Mouffee and works pointing to the hypertrophy of Criminal Justice, with the central focus on of the figure of the enemy. Our method was bibliographical analysis and a qualitative selection of sources.

2017 ◽  
Vol 45 (1) ◽  
pp. 41-60 ◽  
Author(s):  
Olga Zeveleva

This article addresses the relationship between the concepts of national identity and biopolitics by examining a border-transit camp for repatriates, refugees, and asylum seekers in Germany. Current studies of detention spaces for migrants have drawn heavily on Agamben's reflection on the “camp” and “homo sacer,” where the camp is analyzed as a space in a permanent state of exception, in which the government exercises sovereign power over the refugee as the ultimate biopolitical subject. But what groups of people can end up at a camp, and does the government treat all groups in the same way? This article examines the German camp for repatriates, refugees, and asylum seekers as a space where the state's borders are demarcated and controlled through practices of bureaucratic and narrative differentiation among various groups of people. The author uses the concept of detention space to draw a theoretical link between national identity and biopolitics, and demonstrates how the sovereign's practices of control and differentiation at the camp construct German national identity through defining “nonmembers” of the state. The study draws on ethnographic fieldwork at the Friedland border transit camp and on a discourse analysis of texts produced at the camp or for the camp.


2016 ◽  
Vol 32 (3) ◽  
pp. 231-243 ◽  
Author(s):  
Ziad Adwan

In this article Ziad Adwan examines the relationship between the Opera House in Damascus and the Al-Assad dynasty. Hafez Al-Assad ordered the building of the Opera House but it remained unfinished at his death. His son Bashar opened it after three decades of construction. Leaving the institution unfinished was, it is argued here, due to uncertainty regarding its identity, place in the bureaucratic hierarchy, and meaning in a totalitarian regime. Theatre institutions were driven to take oppositional positions against one another, and the Opera House intensified the enmity. No theatres were built during the reign of Hafez Al-Assad, and while the Opera House was a hope for many Syrians, it also played a role in dividing them. Adwan concludes that the exceptional design features and location of the Opera House have marked its activities and that in relation to the Al-Assad dynasty it has become a critical focus in the Syrian war. Ziad Adwan is a theatre practitioner, who completed his PhD in Theatre Studies at Royal Holloway, University of London. He taught at the Higher Institute of Dramatic Arts in Damascus (2009–2013) and has acted in plays and films, as well as working as a director. He was the artistic director of Invisible Stories, a series of street theatre events in different places in Damascus. Adwan is currently affiliated with the Global Theatre Histories research project at Ludwig-Maximilian University in Munich.


Profanações ◽  
2018 ◽  
Vol 5 (1) ◽  
pp. 122
Author(s):  
Elijames Moraes dos Santos

Este artigo propõe analisar como as categorias do estado de exceção e da vida nua são dramatizados nos textos Antígona, de Sófocles, e Lavoura Arcaica, de Raduan Nassar. Para alcançar o objetivo estabelecido, consideramos os estudos sobre esses conceitos propostos no projeto Homo Sacer, de Giorgio Agamben (2007; 2014), entre outras fontes que respaldam este estudo. Seguindo a proposta agambeniana, enfatizamos a relação de soberania com o estado de exceção, culminando, muitas vezes na eliminação do vivente. Aspecto este que fica evidente no desenrolar das ações presentes em ambas as narrativas em análise.AbstractThis article proposes to analyze how the categories of the state of exception and bare life are dramatized in the texts Antigone, by Sophocles, and Ancient tillage¸ by Raduan Nassar. To reach the established objective, we consider the studies on these concepts proposed in the project Homo Sacer, by Giorgio Agamben (2007, 2014), among other sources that support this study. Following the Agambenian proposal, we emphasize the relationship of sovereignty with the state of exception, culminating, often in the elimination of the living. This aspect is evident in the unfolding of the actions present in both narratives under analysis.


Urban Studies ◽  
2016 ◽  
Vol 54 (5) ◽  
pp. 1108-1125 ◽  
Author(s):  
Ignacio Farías ◽  
Patricio Flores

The 2010 earthquake-tsunami in Chile did not just destroy cities and towns. It also revealed how the neoliberal decentralisation of the Chilean state initiated during the Pinochet dictatorship had radically diminished and fragmented territorial planning capacities, representing a major obstacle to the planning and management of the reconstruction process. In the face of this situation, exceptional reconstruction agencies were created, which engaged in the elaboration of master plans, suspending in practice – at least temporarily – existing planning authorities and instruments. These new institutional arrangements were also subject to a number of critiques, sparking moral controversies among different public actors about the contribution of these exceptional governmental agencies to the common good. Drawing on the Chilean example, this article proposes expanding the concept of the state of exception to include cases in which what is reconfigured is not the relationship between the State and the population, but the relationship between the state and its territory, so that exceptional powers can be applied upon a ‘bare land’ rather than a ‘bare life’. To the extent that this different state of exception does not reduce citizens to bodies to be protected and administered, it requires a moral rather than a technical justification.


Author(s):  
Oliver W. Lembcke

The core of Giorgio Agamben’s political theory is his analysis of the ambivalence of politics and its ill-fated relationship with law. The key figure of this relationship, the biopolitical product of it, is the homo sacer, a figure that dates back to ancient Roman law. For Agamben, the homo sacer is the perfect manifestation of the sovereign power that has created this figure by banning it as an outlaw who can be harmed or even killed with impunity—all in the name of law. Agamben’s political theory aims at revealing the inherent logic of the sovereign power and its effects in determining the legal subjects of law (inclusion) and, by the same token, in imposing the pending option of separating these very legal subjects (or parts of them) from the legal order (exclusion). According to Agamben, this “exclusionary inclusion” illustrates not only the logic of biopolitics but also the destructive power of sovereignty that has accumulated the capacity to “form life” at its own interest by binding politics and law together. Historically, this kind of sovereignty has ancient origins, but politically its real power has been unleashed in modern times. For Agamben, homo sacer has become the cipher of modern societies, regardless of the manifold differences between democratic and autocratic political systems; and for this reason, he has dubbed his central project in the field of political theory Homo Sacer. Agamben started his Homo Sacer project with his widely received study, programmatically of the same title, in 1995. Much of what he has written in the years after can be interpreted as elaborations of the impact and consequences of the juridification of politics that he despises so much. For him, contrary to modern constitutionalism’s understanding, juridification is not a process of civilizing the political order; it produces ready-made legal instruments at the disposal of any sovereign anytime. Therefore, according to Agamben, it is a myth, typically told by proponents of liberal democracy, that law has the power to constrain sovereignty; instead, it enables sovereignty. Against this background, it does not come as a surprise that Agamben connects with a wide range of critics of the liberal concept of democracy and tries to make use of their arguments for his own project. For instance, Agamben shares the concept of biopolitics with Foucault but understands it (unlike Foucault) as a general phenomenon of law and politics; moreover, he borrows from Carl Schmitt the theory of the state of exception while transforming it into a permanent structure turning all humans into potential homines sacri; and picks up on Hannah Arendt’s analysis of the concentration camps during the Nazi reign, stressing that the scope of sovereign power is almost unlimited, especially if it is based on an impersonal reign of arbitrariness and uncertainty that enable the production of forms of bare life that can hardly be called human anymore. Taken together, Agamben presents a radical critique of the history and development of the political orders from the Greek origins to modern-day democratic governance. Is there any reason for hope? In some of his studies after the State of Exception (original, 2003), Agamben picks up on this topic, at least indirectly. In The Kingdom and the Glory (2011), for instance, he deals with the industry of hope by discussing the distribution of labor within the holy trinity as the blueprint for the interplay between active, powerful parts of government (governing administration) and the passive, symbolic parts of it (ruling sovereigns). However, this interplay, with the help of “angels” (bureaucrats), produces only spectacular (but empty) glorification for the purpose of self-justification. The cure, if there is any, can only come from a radical detachment that liberates politics from law and, moreover, from any meaningful purpose, so that politics can become a form of pure means: a messianic form, inspired by Benjamin’s idea of divine violence, that has the power of a total rupture without being violent. Following Benjamin, Agamben envisions a “real” state of exception in which sovereignty becomes meaningless. Agamben’s Homo Sacer project has triggered various forms of criticism, which can be divided roughly into two lines of arguments. The first line is directed against the dark side of his theory that all individuals are captured in a seemingly never-ending state of exception. Critics have claimed that this perspective results mainly from Agamben’s strategy of concept stretching, starting with the concept of the state of exception itself. A second line of critique questions Agamben’s concept of politics beyond biopolitics. Because his argument is rather vague when it comes to the prospect of a future political process, it has been suspected that his ideas on the alternative options compared to the current disastrous state of affairs are ultimately apolitical ideas of the political, based on the nonpolitical myth of a fully reconciled society. Despite of these kinds of criticism Agamben has insisted that liberation from the ongoing process of biopolitics will not be brought about by revolutionary actions, but by subversive thinking. Agamben notes that in this messianic concept everything will be more or less the same—“just a little different” (Agamben, 2007b, p. 53). And the difference that he seems to mean is that the potentiality is not determined by the sovereign any longer, but by the individual.


Author(s):  
Horst Bredekamp

This chapter shows why Carl Schmitt’s philosophical theories retained their fascination and conceptual force for young intellectuals in postwar Germany. Publication of a letter Walter Benjamin had written to Schmitt in 1930, which revealed his esteem for Schmitt, was a catalyst for philosophers such as Jacob Taubes, who had distanced himself from Schmitt. Taubes’s research into the two men’s relationship helped to overcome the postwar construction of a clear-cut distinction between good and bad, shedding new light on the work of both philosophers and the intellectual atmosphere of the Weimar period. Benjamin’s and Schmitt’s works convey a strong mutual influence, especially throughout the 1930s, implicitly revealed in Benjamin’s appropriation of Schmitt’s concept of the “state of exception.” The appeal of Schmitt’s theory for Benjamin lay in its suggestive force about the roles of aesthetics and avant-garde.


2021 ◽  
Vol 3 (2) ◽  
pp. 338-358
Author(s):  
Igor Corrêa de Barros

O presente artigo tem por objetivo apresentar a relação entre biopolítica e nazismo à luz da obra de Michel Foucault e Giorgio Agamben. Para Foucault, o nazismo utilizou-se do racismo de Estado para proteger uma raça e legitimar a morte daqueles que representavam uma espécie de perigo biológico. Seguindo a mesma via, Agamben nos convida a refletir sobre os campos de concentração não como um fato histórico superado, mas como uma estrutura de poder que vem sendo cada vez mais utilizada nas democracias contemporâneas, marcada pela vigência do estado de exceção e produção da vida nua.Palavras-chave: Foucault.Agamben.Biopolítica. Campo. AbstractThis article aims to present the relationship between biopolitics and Nazism in the light of the work of Michel Foucault and Giorgio Agamben. According to Foucault, Nazism used state racism to protect a race and legitimize the death of those who represented a kind of biological danger. Following the same path, Agamben invites us to reflect on the concentration camps not as an outdated historical fact, but as a power structure which has been increasingly used in contemporary democracies, marked by the validity of the state of exception and production of bare life.Keywords: Foucault. Agamben. Biopolitics. Field. ORCID https://orcid.org/0000-0003-1386-955X


2018 ◽  
Vol 25 (47) ◽  
pp. 35
Author(s):  
Danigui Renigui Martins de Souza

O presente trabalho pretende apresentar algumas considerações acerca do Estado de exceção pensado por Agamben a partir do diálogo existente entre Walter Benjamin e Carl Schmitt. Para realizar tal tarefa teremos como referência basilar o capítulo “Gigantomachia intorno a un vuoto”, da obra Estado de exceção. No referido capítulo, Agamben nos revela a existência de um diálogo entre Schmitt e Benjamin que influenciou a criação do conceito de exceção em ambos. Porém, para Agamben, o conceito de exceção parece ser algo que ultrapassa a discussão realizada por Benjamin e Schmitt, revelando a estrutura jurídico-política do Ocidente.[The present work intends to show some considerations about the State of exception thought by Agamben from the existing dialogue between Walter Benjamin and Carl Schmitt. To carry out this task we will have as a reference the chapter "Gigantomachia intorno a un vuoto", from the book State of exception. In that chapter, Agamben reveals to us the existence of a dialogue between Schmitt and Benjamin that influenced the creation of the concept of exception for the both of them. However, for Agamben, the concept of exception seems to be something that goes beyond the discussion held by Benjamin and Schmitt, revealing the legal-political structure of the West.]


Profanações ◽  
2018 ◽  
Vol 5 (1) ◽  
pp. 65
Author(s):  
Lara Emanuele da Luz

Giorgio Agamben, filósofo italiano, apresenta um diagnóstico da modernidade bastante relevante para nosso tempo atual. Para ele, a biopolítica existe desde o nascimento do pensamento político Ocidental, e é ela que rege e captura a vida das pessoas pertencentes à polis. Para isso, é necessário que o Estado de exceção comece a tornar-se regra para que nele, tudo possa ser instaurado. Nestes termos, o presente artigo pretende apresentar, por um lado, o que é e quais as características do Estado de exceção para Agamben, ressaltando o diálogo deste com o Carl Schmitt, grande inspirador do filósofo italiano sobre o Estado de Exceção. Por outro lado, explicar-se-á de que modo a biopolítica e o campo de concentração nascem através desse, e suas principais características. Para isso, faz-se necessário passar por um percurso explicativo, analisando aspectos da biopolítica sob a perspectiva de Hannah Arendt e Michel Foucault, grandes inspiradores de Agamben neste aspecto.AbstractGiorgio Agamben, Italian philosopher, presents a diagnosis of modernity very relevant to our current time. For him, biopolitics has existed since the birth of Western political thought, and it’s it that rules and captures the lives of people belonging to the polis. For this, it’s necessary that the State of exception begins to become the rule so that everything can be established in it. However, this article intends to present, on the one hand, what’s and what the characteristics of the State of exception for Agamben, highlighting his dialogue with Carl Schmitt, great inspiration of the Italian philosopher on the State of Exception. On the other hand, it’ll be explained how the biopolitics and the concentration camp are born through this, and its main characteristics. For this, it’s necessary to go through an explanatory course, analyzing aspects of biopolitics from the perspective of Hannah Arendt and Michel Foucault, Agamben's great inspirers in this regard.


2019 ◽  
Vol 7 (1) ◽  
pp. 48
Author(s):  
Pablo Estévez

The movement of Zapatista rebellion in Chiapas, Mexico began in 1994, succeeding in generating a change in Mexican society by valuing indigenous liberation practices. However, a state of emergency is instituted in Zapatista territories according to laws that grant amnesty and regulate the legal vacuum. Certain Mexican artists such as Erick Beltrán, Gabriel Kuri, Abraham Cruzvillegas and Pablo Kubli, contribute critical reflections with works sustained in the context of pure violence of the State. The theoretical framework is constrained by the theories of Carl Schmitt, Walter Benjamin, Giorgio Agamben and Achille Mbembe, who contribute to the understanding of the state of exception that the State implements by modifying sovereignty and Human Rights. The method used in the article corresponds to the reception of literary texts. The artistic pieces that are integrated by Pablo Kubli represent the interdisciplinary contribution of the social sciences and the practice of art, with images, schemes and interventions that are argumentative reflections of the environment of globalized violence, and of social resistance to the paradigm of modification of autonomy in intervened regions. In addition, a comparative approach with states of emergency of globalized countries is proposed according to the events of September 11, 2001 in New York and March 11, 2004 in Madrid, among others. Starting from the Mexican experience and from global countries, the term of sovereignty is modified by the violence of the State over territories cut off by the permanence of the state of exception and restrictions on constitutional guarantees.


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