scholarly journals The Boom Interview

2016 ◽  
Vol 6 (1) ◽  
pp. 34-44
Author(s):  
Christopher Hawthorne
Keyword(s):  
Los Angeles ◽  
Urban Design ◽  
The United States ◽  
Public And Private ◽  
New Developments ◽  
Private Space ◽  
Los Angeles Times ◽  
Los Angeles River ◽  
The City ◽  
New Buildings

This interview with Los Angeles Times architecture critic Christopher Hawthorne was conducted by Boom editor Jon Christensen and Dana Cuff, a professor of architecture, urban design, and urban planning, and director of cityLAB at UCLA. Hawthrone is charged with covering new developments in architecture and urban design in Los Angeles and the United States, and thinking and writing about new buildings and how they might-or might not-change the way we live. More broadly, his subject is not just buildings, but the city itself, and how we understand it and ourselves. Hawthorne calls his big project “The Third Los Angeles.” Like no other critic in the land, Hawthorne has grasped the challenge of telling the story of a great city-its past, present, and future-while playing a prominent role in shaping the city's vision of itself, intellectually, creatively, and pragmatically. Hawthorne discusses the evolution of public and private space in Los Angeles, competing plans for the future of the Los Angeles River, freeways, housing, climate, and much more.

Implementing the performance-based seismic design for new reinforced concrete structures: Comparison among ASCE/SEI 41, TBI, and LATBSDC

2021 ◽  
pp. 875529302098196
Author(s):  
Siamak Sattar ◽  
Anne Hulsey ◽  
Garrett Hagen ◽  
Farzad Naeim ◽  
Steven McCabe
Keyword(s):  
Reinforced Concrete ◽  
Los Angeles ◽  
Seismic Design ◽  
Common Ground ◽  
Seismic Analysis ◽  
Tall Buildings ◽  
The United States ◽  
Analysis And Design ◽  
Performance Based Seismic Design ◽  
New Buildings

Performance-based seismic design (PBSD) has been recognized as a framework for designing new buildings in the United States in recent years. Various guidelines and standards have been developed to codify and document the implementation of PBSD, including “ Seismic Evaluation and Retrofit of Existing Buildings” (ASCE 41-17), the Tall Buildings Initiative’s Guidelines for Performance-Based Seismic Design of Tall Buildings (TBI Guidelines), and the Los Angeles Tall Buildings Structural Design Council’s An Alternative Procedure for Seismic Analysis and Design of Tall Buildings Located in the Los Angeles Region (LATBSDC Procedure). The main goal of these documents is to regularize the implementation of PBSD for practicing engineers. These documents were developed independently with experts from varying backgrounds and organizations and consequently have differences in several degrees from basic intent to the details of the implementation. As the main objective of PBSD is to ensure a specified building performance, these documents would be expected to provide similar recommendations for achieving a given performance objective for new buildings. This article provides a detailed comparison among each document’s implementation of PBSD for reinforced concrete buildings, with the goal of highlighting the differences among these documents and identifying provisions in which the designed building may achieve varied performance depending on the chosen standard/guideline. This comparison can help committees developing these documents to be aware of their differences, investigate the sources of their divergence, and bring these documents closer to common ground in future cycles.

Times, Tempos, and the Rhythm of Fast Fashion in Los Angeles and Seoul

2019 ◽  
pp. 269-282
Author(s):  
Christina H. Moon
Keyword(s):  
United States ◽  
Los Angeles ◽  
The United States ◽  
Material Object ◽  
Immigrant Communities ◽  
Fashion Industry ◽  
Korean Immigrant ◽  
Fast Fashion ◽  
Downtown Los Angeles ◽  
The City

Fast fashion is often a story about the most powerful global retail giants such as Zara and H&M. The rise and dominance of fast fashion within the United States, however, areintimately tied to the work of Korean immigrant communities within downtown Los Angeles. In the last decade alone, Koreans have refashioned the city of Los Angeles into the central hub of fast fashion in the Americas, designing and distributing clothing from Asia to the largest fast-fashion retailers throughout the Americas. This chapter explores the work of these fast-fashion families who blur the lines between design and copy, author and imitator, exploiter and exploited. How do their modes of work profoundly transform the material object of clothing? How do they complicate the assumed directions and global flows of design and production in the global fashion industry? And finally, what role does risk and failure play—in a landscape of creativity, aspiration, and imagining—to make fast fashion even a possibility?

Borderlands Fortress

2017 ◽  
Vol 86 (2) ◽  
pp. 258-289
Author(s):  
Maxwell Johnson
Keyword(s):  
Los Angeles ◽  
World War I ◽  
American West ◽  
World War ◽  
Urban Identity ◽  
Los Angeles Times ◽  
The World ◽  
The City

Focusing on the World War I era, this article examines Harry Chandler’s Los Angeles Times and William Randolph Hearst’s Los Angeles Examiner. It argues that these two rival newspapers urged a particular urban identity for Los Angeles during World War I. If Los Angeles was to become the capital of the American West, the papers demanded that real and rhetorical barriers be constructed to protect the city from a dual Japanese-Mexican menace. While federal officials viewed the border as a line to be maintained, Chandler and Hearst feared it. Los Angeles needed to be a borderlands fortress. After the war, the two newspapers ably transitioned into an editorial style that privileged progress over preparedness. This paper reveals that the contested narrative of progress, based in transnational concerns, was crucial to the city’s early and ultimate development.

scholarly journals Reconfiguring the public and the private: Noc-Noc arts festival, Guimarães, Portugal

2016 ◽  
Vol 24 (2) ◽  
pp. 193-208 ◽  
Author(s):  
João Sarmento ◽  
Marisa Ferreira
Keyword(s):  
Economic Development ◽  
Local Community ◽  
Public Investment ◽  
City Council ◽  
Public And Private ◽  
Private Space ◽  
The Public ◽  
The Past ◽  
Arts Festival ◽  
The City

In the past decades many cities have experienced growing pressure to produce and stage cultural events of different sorts to promote themselves and improve economic development. Culture-led development often relies on significant public investment and major private-sector sponsoring. In the context of strained public finances and profound economic crisis in European peripheral countries, local community low-budget events that manage to create significant fluxes of visitors and visibility assume a particular relevance. This paper looks at the four editions (2011–2014) of Noc-Noc, an arts festival organized by a local association in the city of Guimarães, Portugal, which is based on creating transient spaces of culture by transforming numerous homes, commercial outlets and other buildings into ephemeral convivial and playful ‘public’ environments. By interviewing a sample of people who have hosted (sometimes doubling as artists) these transitory art performances and exhibitions, artists and the events’ organizers and by experiencing the four editions of the event and engaging in multiple informal conversations with the public, this paper attempts to discuss how urban citizens may disrupt the cleavages between public and private space permitting various transgressions, and unsettling the hegemonic condition of the city council as the patron of the large majority of events.

City of Inmates

2017 ◽  
Author(s):  
Kelly Lytle Hernández
Keyword(s):  
United States ◽  
Los Angeles ◽  
Supreme Court ◽  
The United States ◽  
Capital City ◽  
Colonial Era ◽  
Spanish Colonial ◽  
Colonial Form ◽  
Supreme Court Rulings ◽  
The City

Los Angeles incarcerates more people than any other city in the United States, which imprisons more people than any other nation on Earth. This book explains how the City of Angels became the capital city of the world’s leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernández unmasks how histories of native elimination, immigrant exclusion, and black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernández documents the persistent historical bond between the racial fantasies of conquest, namely its settler colonial form, and the eliminatory capacities of incarceration. But City of Inmates is also a chronicle of resilience and rebellion, documenting how targeted peoples and communities have always fought back. They busted out of jail, forced Supreme Court rulings, advanced revolution across bars and borders, and, as in the summer of 1965, set fire to the belly of the city. With these acts those who fought the rise of incarceration in Los Angeles altered the course of history in the city, the borderlands, and beyond. This book recounts how the dynamics of conquest met deep reservoirs of rebellion as Los Angeles became the City of Inmates, the nation’s carceral core. It is a story that is far from over.

With All Deliberate Delay: Kennedy, Johnson, and School Desegregation

2005 ◽  
Vol 17 (2) ◽  
pp. 155-192 ◽  
Author(s):  
Dean Kotlowski
Keyword(s):  
Los Angeles ◽  
Civil Rights ◽  
School Desegregation ◽  
United States Supreme Court ◽  
The United States ◽  
External Pressure ◽  
Federal Courts ◽  
Los Angeles Times ◽  
Low Profile ◽  
Speak Up

The desegregation of southern schools, mandated by the United States Supreme Court in Brown v. Board of Education (1954), presented a dilemma for national politicians of both parties. “If presidents felt they should speak up, or act to enforce court rulings,” a correspondent for the Los Angeles Times wrote in 1969, “they risked offending conservatives, segregationists, and the South. If they wanted to sit tight, they invited the wrath of liberals.” Even presidents who were capable of acting in other areas of civil rights were content to assume a low profile on school desegregation, assign responsibility for this area of policymaking to subordinates, and enforce it only under external pressure, usually from the federal courts.

Water quality improvement by implementation of Proposition O in the Los Angeles river watershed, California

2008 ◽  
Vol 58 (12) ◽  
pp. 2271-2278 ◽  
Author(s):  
Mi-Hyun Park ◽  
Stephanie Pincetl ◽  
Michael K. Stenstrom
Keyword(s):  
Water Quality ◽  
Los Angeles ◽  
Total Maximum Daily Load ◽  
Water Quality Standards ◽  
River Watershed ◽  
Los Angeles River ◽  
The City ◽  
Total Maximum ◽  
Daily Load

Proposition O was created to help the City of Los Angeles comply with the Total Maximum Daily Load (TMDL) requirements under the Clean Water Act. In this study, the effectiveness of the Proposition O projects in Los Angeles River watershed was examined to show whether it achieves the goal of meeting water quality standards. Our analysis shows the most effective single project will remove at most 2% of pollutant loads from Los Angeles River Watershed and will not achieve TMDL compliance, although several projects can make important contributions to achieve compliance. The ranking results show that the projects that treat the runoff from the largest drainage area have the greatest impact on the water quality of Los Angeles river.

scholarly journals ‘I trac’d him too and fro’: Walking the Neighbourhood on the Early Modern Stage

Early Theatre ◽  
2016 ◽  
Vol 19 (2) ◽  
Author(s):  
Rebecca Tomlin
Keyword(s):  
Twentieth Century ◽  
Early Modern ◽  
Public And Private ◽  
Private Space ◽  
Michel De Certeau ◽  
Knowing That ◽  
Early Modern London ◽  
The Relationship ◽  
The City

<p>This article considers the ways in which plays stage the negotiation of the relationship between public and private space in early modern London through characters walking in the city. It uses concepts developed by Michel de Certeau and Pierre Mayol to think about the twentieth-century city to argue that Heywood’s <em>Edward IV</em> and the anonymous <em>A Warning for Fair Women</em> present walking the streets of London as an act of recognition and knowing that distinguishes those who belong in the city from those who do not.</p>

scholarly journals TRANSLATING FEAR IN BORDER SPACES. ANTONI MUNTADAS´ ON TRANSLATION: FEAR / MIEDO/ JAUF

2021 ◽  
pp. 72-97
Author(s):  
Mª del Carmen África Vidal Claramonte
Keyword(s):  
United States ◽  
The United States ◽  
Public And Private ◽  
Site Specific ◽  
Government Institutions ◽  
Private Spaces ◽  
The Media ◽  
The City ◽  
Digital Spaces

The aim of this article is to show how Antoni Muntadas’ projects deconstruct the spaces controlled by economic powers, politicians, the media and government institutions. Most Muntadas’ projects are site-specific and, therefore, focus on spaces like the city, public and private spaces or digital spaces. This article concentrates on those projects by Antoni Muntadas which show asymmetries of power in different spaces and moves on to focus on a concrete space, the border, in two projects: On Translation: Miedo/Fear, on the border between the United States and Mexico, and On Translation: Miedo/Jauf on the border between Spain and Morocco. These projects analyse how some people and others, those who are most vulnerable and those who are afraid of strangers, feel fear, depending on what side of the border they are on.

How and Why the U.S. Finally Joined the Berne International Copyright Convention

1989 ◽  
Vol 2 (1) ◽  
pp. 83-90
Author(s):  
Michiel van Bremen ◽  
David J. Thibodeau
Keyword(s):  
New York ◽  
Los Angeles ◽  
Copyright Protection ◽  
New York Times ◽  
The United States ◽  
Washington Post ◽  
Berne Convention ◽  
Los Angeles Times ◽  
Daily Newspapers ◽  
The U.S

On October 31, 1988, in a ceremony at the Beverly Hilton Hotel attended by Congressmen and members of the artistic community. President Reagan signed the 1988 Berne Convention implementation Act. This Act allowed the United States to join the international Berne Convention lor the Protection of Literary and Artistic Works as of March, 1989. Although the Act somewhat expands the availability of U.S. copyright protection to European atilhors, it affects U.S. authors' rights even less, practically speaking. Perhaps that explains why only three major U.S. daily newspapers, The New York Times, The Washington Post, and Los Angeles Times, briefly mentioned this historic moment for the internal ional copyright environment. This article explores why and how the U.S. has joined the Berne Convention after more than 102 years, and the effect that this will have un the availability of U.S. copyright protection to foreign authors. Before considering the technical consequences of the Berne Convention Implementation Act, we give a brief overview of two relevant international copyright treaties and their major differences.

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