scholarly journals Populacijski razvoj Zadra

Geoadria ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 51
Author(s):  
Vera Graovac

Zadar is one of the cities with longest urban tradition and continuous population in Croatia. This article deals with the number of inhabitants in Zadar throughout the history, particularly from 15th century on, when first censuses were taken. Until the second half of 20th century, the population growth was slow and depended mostly on numerous wars, economic conditions, epidemics and famines that caused massive death and migrations of the population within the city and in its surroundings. It was only after the Second World War that population growth was rapid, due to industrialization and stronger economic development of the town. 

Author(s):  
Lech Kurkliński

This paper is devoted to the presentation of the significance of the historicaldivisions in Europe for the formation of the socio-economic conditions for thedevelopment of the banking sector in Poland. The paper presents four main divisionsrelated to the functioning of the Roman Empire and Barbaricum, Latin andByzantine Europe, the dualism of the economic development of Europe fromthe sixteenth century and the creation of the capitalist and socialist blocks afterthe Second World War, and their relations to the position of Poland. Historicaloverview is juxtaposed with the current shape of the Polish banking sector, andespecially the dominance of banks controlled by foreign capital. This confrontationis primarily intended to indicate the importance of cultural factors for thedevelopment of the banking sector.


Author(s):  
Natalia Bilous

The article deals with two privileges of the Polish king Stefan Batory for the Polissya town of Loyew (now the district centre of the Gomel region, the Republic of Belarus). In the 16th century, it was a part of the Liubech starostvo of the Kyiv voivodship. The town is known first of all due to military battles that took place in the neighbourhood. One occurred on July 31, 1649, and the other - during the Second World War, while the pages of its history during the Lithuanian-Polish era, such as the granting of self-government under the Magdeburg law, are still little known.Stefan Batory privileges for Loyew can be considered exciting and rare archival finds, and they have not yet been published and introduced into scientific circulation. The first - the Magdeburg Law was granted on August 3, 1576, the second - on the Loyew Vogtship for Fedora Volka appeared as an addition to the first one in six years (November 25, 1582). Unlike most of the privileges of the time, inscribed in the books of the royal the chancellery, these two were not written in Latin or Polish, but in Cyrillic. The documents originate from the Archives of the Sangushki princes, which are now stored in the State Archives of Poland in Krakow (Wawel department).The initiator and recipient of the Magdeburg privileges for Loyew were Pavlo Ivanovych Sapiega, Lubeckij and Loyewsky Starosta from 1560, and the Kyiv Castellan from 1566. He, at his own expense, built the city and the castle Loyew Mountain, that was lying on the Tartar road and defending the Lithuanian border from the Chernihiv side (which at that time belonged to the Moscow state), and was also protecting the state from the Tatar attacks. The privilege of the Loyew Vogts was granted in 1582 to Fedor Volk as the reward for his military service and participation in hostilities.These documents are exceptional since during the reign of Stefan Batory (1576-1586) only a few cities in this region received similar privileges. The significance of royal privileges for Loyew was enormous – it was a necessary legal basis and a significant impetus for its further development. Residents of Loyew received self-government on the principles of Magdeburg Law and many economic privileges and liberties, which favourably distinguished them among other cities in the region.


2012 ◽  
Vol 71 (4) ◽  
pp. 299-328
Author(s):  
Armand Van Nimmen

Deze bijdrage handelt over de perikelen in de jaren dertig rond het plan om het lichamelijk overschot van de Vlaamse dichter Paul Van Ostaijen over te brengen uit het klein Waals dorp waar hij in vergetelheid begraven lag onder een houten kruis naar zijn geboortestad Antwerpen. Daar zou hij herbegraven worden op de stedelijke begraafplaats Schoonselhof onder een gepaste denksteen. Zoals meermaals het geval is bij het oprichten van publieke monumenten, verliepen – wegens onderling gekibbel en gebrek aan financiële middelen – meer dan zes jaren vooraleer de oorspronkelijke idee kon verwezenlijkt worden.Aandacht in dit artikel gaat naar Jozef Duysan, bewonderaar van de dichter en uitgesproken flamingant, die een cruciale rol speelde in de conceptie en uitvoering van het initiatief. Ten slotte beschrijft het artikel hoe deze nu bijna totaal vergeten man tijdens de Tweede Wereldoorlog in het vaarwater geraakte van de collaboratie, fungeerde als directeur van het Arbeidsamt in Antwerpen, na de oorlog veroordeeld werd en jaren lang ondergedoken leefde in die stad.________Jozef Duysan’s battle with the angel: Skirmishes around the tomb of Paul Van OstaijenThis contribution reports the vicissitudes concerning the plan dating from the nineteen thirties to transfer the mortal remains of the Flemish poet Paul Van Ostaijen from the small Walloon village where he was buried in oblivion under a wooden cross to Antwerp, the city of his birth. He was to be reburied there on the municipal cemetery Schoonselhof under a fitting memorial headstone. As frequently happens on the occasion of creating public monuments, more than six years passed before the original idea could be carried out – because of internal bickering and lack of financial means. This article focuses on Jozef Duysan, an admirer of the poet and an explicit Flemish militant, who played a crucial role in the concept and realisation of the initiative. In conclusion the article recounts how this man who has been practically completely forgotten now,  ventured into the deep waters of the collaboration during the Second World War, how he acted as director of the Arbeidsamt in Antwerp and how he was convicted after the war and lived for many years in hiding in that city.


2014 ◽  
Vol 42 (4) ◽  
pp. 637-654 ◽  
Author(s):  
Uilleam Blacker

This article analyzes how the Poles and Jews who disappeared from the western Ukrainian city of L'viv as a result of the Second World War are remembered in the city today. It examines a range of commemorative practices, from monuments and museums to themed cafes and literature, and analyzes how these practices interact to produce competing mnemonic narratives. In this respect, the article argues for an understanding of the city as a complex text consisting of a diverse range of mutually interdependent mnemonic media produced by a range of actors. The article focuses in particular on the ways in which Ukrainian nationalist narratives interact with the memory of the city's “lost others.” The article also seeks to understand L'viv‘s memory culture through comparison with a range of Polish cities that have faced similar problems with commemorating vanished communities, but have witnessed a deeper recognition of these communities than has been the case in L'viv. The article proposes reasons for the divergences between the memory cultures of L'viv and that found in Polish cities, and attempts to outline the gradual processes by which L'viv‘s Polish and Jewish pasts might become more widely integrated into the city's memory culture.


1976 ◽  
Vol 44 ◽  
pp. 28-43
Author(s):  
J. J. Wilkes

The nineteen stones described below form a small collection of Latin inscriptions now housed in the City of Birmingham Museum and Art Gallery. They have been acquired since the Second World War from older collections assembled at various places in the United Kingdom. With the exception of two, all are recorded as found in Rome and sixteen have been published in volume VI of the Corpus Inscriptionum Latinarum (CIL). The findspot of one (no. 6) is not recorded, while that of another (no. 13), although not attested, was almost certainly Rome. The publications in CIL were based in most cases on manuscript copies made between the fifteenth and ninetenth centuries; in the case of eight stones this republication (nos. 2, 3, 5, 9, 11, 12, 17 and 18) provides corrections or amendments to the relevant entries in CIL. All measurements are metric.


2019 ◽  
Vol 3 (2) ◽  
pp. 123-154
Author(s):  
Danielle Porter Sanchez

Abstract This article focuses on the militarization of social life and leisure in Brazzaville during the Second World War and argues that efforts to instill a sense of control over the city could only suppress life so much, as many Congolese people were unwilling to completely succumb to the will of the administration in a war that seemed to offer very little to their communities or their city as a whole. Furthermore, drinking and dancing served as opportunities to engage with issues of class and race in the wartime capital of Afrique Française Libre. The history of alcohol consumption in Brazzaville is not simply the story of choosing whether or not to drink (or allow others to drink); rather, it is one of many stories of colonial control, exploitation, and racism that plagued Europe’s colonies in Africa during the Second World War.


2021 ◽  
Author(s):  
◽  
Georgia Hight

<p>Kurt Vonnegut’s Slaughterhouse-Five (1969) and Doris Lessing’s The Memoirs of a Survivor (1974) are both novels that blend autobiography with science fiction. In a review of Vonnegut’s Mother Night, Lessing writes that he “makes nonsense of the little categories”. The same applies to Lessing. These two novels live in the porous borders between genre—between fiction and non-fiction.  Vonnegut writes that he can’t remember much of his experiences in the firebombing of Dresden in the Second World War. The war novel he writes about them has a protagonist who is “unstuck in time”. I frame my discussion of Slaughterhouse around problems of temporal and narrative ordering. Through use of fractured time, repetitions, and the chronotope, Vonnegut finds a way to express his missing and traumatic memories of the war.  Lessing’s memories are of her early childhood in Persia and Southern Rhodesia. These memories are warped, claustrophobic, and difficult to articulate. Like Slaughterhouse, Memoirs fractures time and space. I organise my discussion of Lessing’s novel around the latter, focusing on a literalised porous border: her dissolving living room wall. Borders and portals between spaces in Memoirs blend the dystopian, science-fiction world of the city with the world of Lessing’s memories; dreams with reality; and the static with the dynamic.  I pose several answers to the question of why science fiction and autobiography. A shared occupation of the two authors was a concern for the madness and dissolution of society, and science fiction engages in a tradition of expressing these concerns. Additionally, Vonnegut and Lessing use the tools of a genre in which it is acceptable for time and space to be warped or fractured. These tools not only allow for the expression of memories that are fragmented, difficult, and half forgotten, but produce worlds that mirror the form of these personal memories.</p>


2020 ◽  
Vol 7 (1) ◽  
pp. 69-87 ◽  
Author(s):  
Mirella D’Ascenzo

This contribution explores the historical and educational context in Italy after the Second World War, focusing on the pedagogical and educational innovation of the Movimento di Cooperazione Educativa (Educational Cooperation Movement, MCE), founded to promote the techniques of Freinet, and in particular Bruno Ciari, teacher, politician and driving force behind national school renewal in Italy. Using printed sources and archives from the period, the paper looks at the social and pedagogical experiment developed by Bruno Ciari between 1966 and 1970 and promoted in the city of Bologna through «Pedagogic Februaries»; these involved a series of events, conferences and training initiatives, organised with the cooperation of key universities, targeting teachers and families in order to develop an innovative, shared school culture. From the egodocuments of a preschool teacher who worked with Bruno Ciari in the city of Bologna, we enter the heart of the renewal of teaching practices, highlighting the tormented process of change in the teaching profession, in favour of a school that would be a true alternative to the traditional model and open to the democratic demands of all society. 


2019 ◽  
Vol 12 ◽  
pp. 77-87
Author(s):  
Vasylyna PASTERNAK

Before the war, urban symbolic space of Zhovkva was divided between several national groups – Ukrainians, Poles and Jews, who created the culture and history of the city. The foundations for such cohabitation were laid during the construction of the city by the Field Crown Hetman Stanisław Żółkiewski, and survived until the start of the war, as evidenced by the memories of its inhabitants. Therefore, the article explains how the ethnic composition of the city’s population has changed and its further influence on the symbolism of the urban space. Subsequently of the dramatic events of the Second World War and the processes of resettlement of the population, two of the national groups disappeared from the urban space. The Jewish community was physically destroyed during the war, and the Poles were evicted from Zhovkva to Poland in 1944–1946. The destruction of the Jews meant the death of the whole subethnos with original culture and history. The resettlement of Poles from Zhovkva, from their homes, was extremely difficult psychologically, because they were saying goodbye to their hometown, where they lived for several generations, were deprived of their homes, property that belonged to the ancestors, they were allowed to take out only 2 tons of items social household consumption. Soviet soldiers and functionaries, peasants from the surrounding villages, who got used to living together and rebuilding Zhovkva, became “new” city dwellers. The “new” residents of the city, in cooperation with the Soviet authorities, changed the symbolic space of the city, starting with the change of name from Zhovkva to Nesterov, in honor of the Russian pilot Peter Nesterov, who died near the city in 1914. The city was built on the socialist urban model, which destroyed the historical and architectural environment of Zhovkva, founded in the XVI century. Architectural sights that testified to the multinational of Zhovkvа were destroyed or completely changed their purpose. Polish churches and monasteries were turned into warehouses or barracks for soldiers, and icons, paintings, statues, religious things were destroyed or exported abroad. Keywords Zhovkva, Stanisław Żółkiewski, Jan ІІІ Sobieski, socio-demographic processes, Poles, Jews, interethnic relations, symbolic space.


2018 ◽  
Vol 8 (2) ◽  
pp. 73-78
Author(s):  
P. Lewińska ◽  
K. Pargieła

Abstract Letychiv (pl. Latyczów) is a town located in central Ukraine in the Khmelnytskyi Oblast. It has a unique and complicated history. Second World War left it in ruin, destroying buildings, infrastructure and decimating its once large population. Perhaps the most prominent part of the town currently is the building Dominican convent with adjoin Letychiv Assumption Church. This object is surrounded by what is left of the previously impressive Letychiv Castle, founded by Jan Potocki in 1598. Past 30 years have been dedicated by this small Catholic parish towards rebuilding monastery-castle-church complex. Since this is an ongoing project, it was decided to perform a photographic inventory of the current state of the construction and to create a 3D digital model of the castle, facade of the church and monastery, and the altar. This task have proven to be difficult due to complicated structure of the object. Facades and inner parts of the church are almost white with limited number of distinctive elements, painted in pail gold. Elements other than white are almost identical to each other. It leads to various errors in the processing of Structure-from-motion. This article describes how various versions of SfM algorithm work thru mention difficulties, compares results in terms of accuracy, level of detail and overall look. It also describes how SfM can help to document various stages of restoration of important historical objects.


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