scholarly journals The expression of object location with perlative preposition PER in Lithuanian

2016 ◽  
pp. 1-18
Author(s):  
Rolandas Mikulskas

It is not unusual for a language to have one or several prepositions of originally perlative meaning that in certain pragmatic and syntactic contexts can designate location of some object (the trajector) on the other side of another, typically topographical, object (the landmark). In English such prepositions are across, through and over. In Lithuanian their sole counterpart is the preposition per.   In Cognitive Grammar the cases when motion verbs or prepositions that presuppose motion are applied to designate static spatial relations between two objects are accounted for by using the notion of ‘subjective motion’ which, in its turn, is based on the notion of ‘subjectification’ (Langacker 2000, 2002, 2006). In other words, the subjective motion is defined as a cognitive operation in the course of which the conceptualizer mentally scans through the route that is presupposed by applying a motion verb or a perlative preposition. Thus the use of the lexemes of originally dynamic meaning is motivated for the designation of static spatial situations. The cases of the semantic extension mentioned above until now pose no problems for Lithuanian linguists, either lexicographers or grammarians. Thus the phenomenon of ‘locative’ use of the perlative preposition per in Lithuanian remains unidentified in dictionaries, and undescribed in grammars. No surprise, such uses of the preposition per are unattested in the Corpus of Contemporary Lithuanian, though in spoken everyday language and in the internet sources they are well attested. One may adduce structural and semantic arguments that the locative meaning ‘on the other side of’ of the perlative preposition under discussion is represented in the mental lexicon of the Lithuanian speaker and, thus, must be discerned as separate sense in dictionaries. To say more, without this sense unbridged semantic gap remains between the primary sense ‘through’ of the preposition per, representing ‘proto-scene’, and its derived senses of ‘distance’, ‘span of the time’, ‘more than’ and others − the fact of most relevance for the one who attempts to reconstruct the motivated semantic network (Tyler & Evans 2003) of this preposition. The main concern of the article, though, is not lexicography, but similarities and differences between locative usage of originally perlative construction [per + NPacc] and inherently locative constructions [kitapus + NPgen] and [anapus + NPgen]. On the first look these constructions seem synonymous: they have the same meaning ‘on the other side of’ and are mainly used in locative vs. existential sentences. But the deeper insight into the data collected from the internet sources shows that what distinguishes the first construction from the other two is the additional functional component of the ‘trajector control’ in its meaning: the construction [per + NPacc] is predominantly selected in the situations when it is relevant to the speaker not only to say that the object pointed at is on the other side of some topographical object and exactly in front of the viewer but it is within potential reach of this viewer as well. On the other hand, the construction [kitapus + NPgen] and [anapus + NPgen] is selected in the situations when the proximity of the dislocated object is not relevant to the speaker. Thus, in terms of distribution, the construction [per + NPacc], in its locative usage, with respect to its inherently locative counterparts represents the (functionally) marked case in Lithuanian.

Target ◽  
2017 ◽  
Vol 29 (2) ◽  
pp. 319-338 ◽  
Author(s):  
Teresa Iribarren

This article explores translational literary Web 2.0 practices and user-generated cultural creations on the Internet, focusing on video poetry that re-creates canonical poets’ bodies of work. It will be argued that the use of for-profit platforms like YouTube and Vimeo by indie creators and translators of video poetry favours the emergence of new translational attitudes, practices and objects that have positive but also contentious effects. One the one hand, these online mediators explore new poetic expressions and tend to make the most of the potential for dissemination of poetic heritage, providing visibility to non-hegemonic literatures. On the other hand, however, these translational digitally-born practices and creations by voluntary and subaltern mediators might reinforce the hegemonic position of large American Internet corporations at the risk of commodifying cultural capital, consolidating English as a lingua franca and perhaps, in the long run, even fostering a potentially monocultural and internationally homogeneous aesthetics.


2019 ◽  
Vol 41 (9) ◽  
pp. 1284-1310 ◽  
Author(s):  
Markus A. Höllerer ◽  
Dennis Jancsary ◽  
Vitaliano Barberio ◽  
Renate E. Meyer

This article develops the idea of ‘interlinking theorization’ in the context of management knowledge. We explain how management concepts are theorized through their direct co-occurrence with other management concepts, on the one hand, and their embeddedness in general business vocabulary, on the other. Conceptually, we extend a semantic network approach to vocabularies and suggest both cohesion between management concepts (i.e. a clustering in bundles) and their semantic equivalence (i.e. similar patterns of connectivity to general business vocabulary indicating specific types) as core dimensions of interlinking theorization. Empirically, we illustrate and further develop our conceptual model with data collected from magazines targeting management practitioners in the Austrian public sector. Our article contributes to existing literature by extending theorization to include different kinds of relationships between management concepts and focusing on direct and indirect relations across populations of management concepts as characteristics of the overall ‘architecture’ of management knowledge.


Author(s):  
Konstantin S. Sharov

The paper is concerned with a study of the changing content and style of non-canonical Christian religious preaching in the digital age. Special attention is paid to the analysis of modern rhetoric Christian preachers practice in their Internet channels, forums and blogs. It is shown that the content of the Internet sermon is largely determined by the Internet users themselves and the topics of their appeals. The fundamental characteristics of the content of the Internet sermon are: 1) focus on the individual, their private goals and objectives, not just on theological problems; 2) rethinking the phenomenon of the neighbour; 3) a shift from the Hesychast tradition of preaching the importance of inner spiritual concentration to the preaching of religious interactivity. The observed stylistic features of the digital preaching can be summarised as follows: 1) moving away from simple answers to the rhetoric of new questions addressed to the audience; 2) empathy, co-participation with a person in his/her life conflicts and experiences; 3) desire to share religious information, not to impose it; 4) resorting to various rhetorical techniques to reach different audiences; 5) a tendency to use slang, sometimes even irrespective of the audience’s language preferences and expectations. It should be pointed out that the Orthodox Internet sermon in the Russian Internet space has a dual and contradictory nature. On the one hand, this phenomenon can be regarded as positive for the Orthodox preaching in general, since it is a means of spreading Christian ideas in the social groups that do not constitute a core of parishioners of Orthodox churches, for example, schoolchildren, students, representatives of technical professions, etc. On the other hand, the effectiveness of such preaching is still unclear. Lack of reliable statistics as well as the results of the survey related to the Orthodox Internet preaching gives us no opportunity to judge about effectiveness or ineffectiveness of the phenomenon at this stage of its development.


2013 ◽  
Vol 42 (1) ◽  
Author(s):  
Michael Skowron

AbstractRecent discussions (especially in the Internet) about the question whether Nietzsche was a Transhumanist or at least a forerunner of the Transhumanist movement have drawn new attention to Nietzsche’s concept of the Overhuman and the relation to the Posthuman. The article is taking a critical stance by turning suggested analogies between education and genetic manipulation of humans into an argument against the latter, by relating self-education to self-overcoming and eternal recurrence of the same (which is excluded by Transhumanists), and by reminding of Nietzsche’s distinction between ‘Overhuman’ and ‘last human’ as two different ways to the future. Linguistic analysis of the epitheta used in speaking of the different ‘types’ in question as well as structural analogies between critical considerations in Michael Sandel and Jürgen Habermas on the one hand, Nietzsche on the other are also evidence that Nietzsche would not have endorsed the technological path to perfection of the human but would emphasize his own way of self-overcoming instead.


Author(s):  
Jerry Eades

This chapter examines the relationship between the Internet and sex tourism. It argues that interest in sex tourism in the media erupted in the early 1990s, about the same time that the Internet itself was becoming popular. The relationship between the two was both positive and negative. On the one hand, the Internet has allowed members of sexual subcultures to contact each other and for new forms of sex tourism to be marketed. On the other hand, the Internet also provided a platform for those opposed to sex tourism to raise the profile of the issue, in the process conflating images of sex tourism with those of Internet pornography, pedophilia, and child abuse, particularly in relation to tourism destinations in the Southeast Asian region. It has therefore aided the amplification of moral panics surrounding these issues. This sensational coverage has, however, tended to overshadow other forms of sex tourism, including those in which consenting adults meet together in resorts of clubs for recreational sex with each other. Thus, while the Internet has created moral panics and led to crackdowns in certain sections of the sex tourism market, it has allowed other alternative lifestyles to flourish on an unprecedented scale in an increasingly liberalized environment.


2019 ◽  

There has hardly been any other development that has changed our everyday lives as significantly as digitalisation, and there is hardly anything as commonplace as neighbourship. Despite the links between these two concepts growing, they have been neglected in social science research in Germany so far. The prevailing sentiment is that the Internet and social media sites have no connection to the real world, but there are countless neighbourship groups on Facebook, Twitter hashtags named after neighbourhoods or entire websites, such as ‘nebenan.de’, which endeavour to strengthen local community bonds through digital means. In short, the social developments in this respect are already considerably more advanced than the knowledge that exists about it. This anthology makes a fundamental contribution to the sociological debate on digitalisation and neighbourship by aiming to provide an overview of the relationship between digitalisation and neighbourship on the one hand, and open up avenues for further research on the other. It therefore examines and systematises attempts to strengthen local community bonds using digital media from different perspectives.


2012 ◽  
Vol 4 (1) ◽  
pp. 43-64 ◽  
Author(s):  
Rainer Vesterinen

AbstractThe present paper analyses the meaning of Spanish mood in factive contexts from a Cognitive Grammar perspective. It is argued that terms like assertion and presupposition do not explain the semantics of the subjunctive. Rather, they constitute an initial classification for finding a conceptually grounded explanation of it. The hypothesis is put forward that mood choice in factive contexts can be explained by the elaboration of Maldonado's (1995) notions of dominion and control. On the one hand, the conceptualizer has a low degree of effective control over the described event in presupposed contexts where the subjunctive mood occurs. On the other hand, presupposed contexts with the verb in the indicative mood equates with epistemic control over the described event. Thus, it is argued that the meaning of the subjunctive mood is related to the conceptualizer's epistemic dominion, and to the dominion of effective control. An additional analysis of the subjunctive mood in volitional, causative and perceptual contexts corroborates the initial claim.


2015 ◽  
Vol 32 (2) ◽  
pp. 79-106 ◽  
Author(s):  
Stephanie Simon ◽  
Marieke de Goede

Securing the internet has arguably become paradigmatic for modern security practice, not only because modern life is considered to be impossible or valueless if disconnected, but also because emergent cyber-relations and their complex interconnections are refashioning traditional security logics. This paper analyses European modes of governing geared toward securing vital, emergent cyber-systems in the face of the interconnected emergency. It develops the concept of ‘bureaucratic vitalism’ to get at the tension between the hierarchical organization and reductive knowledge frames of security apparatuses on the one hand, and the increasing desire for building ‘resilient’, dispersed, and flexible security assemblages on the other. The bureaucratic/vital juxtaposition seeks to capture the way in which cybersecurity governance takes emergent, complex systems as object and model without fully replicating this ideal in practice. Thus, we are concerned with the question of what happens when security apparatuses appropriate and translate vitalist concepts into practice. Our case renders visible the banal bureaucratic manoeuvres that seek to operate upon security emergencies by fostering connectivities, producing agencies, and staging exercises.


2020 ◽  
Vol 10 (2) ◽  
pp. 7-18
Author(s):  
Ion Mircioagă

AbstractTwo categories of limitations are identified in the performing arts: physical, on the one hand, and those related to the intellectual and emotional predispositions of artists, on the other. Physical boundaries, in turn, are divided into material barriers - for example, the type of performing space and its dimensions - and the constraints generated by the anatomy and morphology of each artist. The experience had at the Vasile Alecsandri National Theater, in Iaşi, is evoked, while insisting on the importance of the actors’ abilities to go through the different states of mind that accompany various ages of man. The discussion of limitations involves the discussion of the new. The contribution of new stage technologies to the evolution of theater is recorded. It is briefly described, in context, the experience facilitated by the show Planet of Lost Dreams, in order to advocate for the avoidance of the unwarranted use of means such as video projections, the Internet, etc. The challenges posed by the mix of 3D and 2D images are noted. The view is advanced that the total absence of limitations, as well as their formal treatment can block the development of the theater.


Author(s):  
Ana Clara Lima Rodrigues

Considerando-se o letramento e sua relação com as mídias digitais, entendendo que essa discussão tem encontrado espaço no uso da internet e na multimodalidade contemporânea, são necessárias as investigações acerca do letramento nas escolas e as possibilidades de utilização das tecnologias, o que justifica social e academicamente este trabalho. Assim, o presente artigo objetivou apontar possiblidades de uso das mídias e tecnologias digitais em sala de aula como ferramenta auxiliar na construção do conhecimento, partindo da aplicabilidade do Stop Motion. A metodologia utilizada é qualitativa, na medida em que, primeiro, explora, bibliograficamente, informações trazidas por diversos estudiosos dos campos de conhecimento abordados; e, em segundo lugar, realizou-se uma oficina com professores, na intenção de duplicar a metodologia de utilização do Stop Motion. Além disso, foram respondidos questionários pelos participantes da oficina, cujas respostas aportam um panorama em torno da problematização aqui apresentada. Os resultados da realização da oficina foram satisfatórios, haja vista que trouxeram um novo horizonte para os educadores, além de ter levantado entre eles discussões em torno da utilização das novas tecnologias em sala de aula como suporte no desenvolvimento autônomo dos estudantes, em suas relações com a construção do conhecimento e do pensamento crítico. Concluiu-se que, por um lado, o uso das tecnologias ainda é moderado e, muitas vezes, visto como um mecanismo de ilustração, não como formador do sujeito; e, por outro lado, que a técnica de Stop Motion é aplicável e não envolve problemas incontornáveis enquanto suporte e incentivo à investigação autônoma dos alunos. Palavras-chave: Educação. Multimodalidade. Tecnologias. Letramento. AbstractConsidering literacy and its relationship with digital media, understanding that this discussion has found space in the internet and in contemporary multimodality, it is necessary to investigate literacy in schools and the possibilities of using technologies, which justifies the elaboration of this work socially and academically. Thus, the present article aimed to point out possibilities of using digital media and technologies in the classroom as an auxiliary tool in the construction of knowledge, starting from the applicability of Stop Motion. The methodology used is qualitative in the means that, first, it explores, bibliographically, information brought by several authors from the fields of knowledge addressed; and, secondly, a workshop was held with teachers, with the intention of duplicate the methodology of using Stop Motion. In addition, questionnaires were answered by workshop participants, whose answers provide an overview of the problem presented here. The results of the workshop were satisfactory, as they brought a new horizon for the educators, besides having raised among them discussions about the use of the new technologies in the classroom as support in the autonomous development of the students, in their relations with the construction of knowledge and critical thinking. It was concluded that, on the one hand, the use of technologies is still moderate and often seen as a mechanism of illustration, not as a person trainer; and, on the other hand, that the Stop Motion technique is applicable and does not involve inescapable problems as support and encouragement for the students' autonomous research. Keywords: Education. Multimodality. Technologies. Literacy.


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