scholarly journals O popular e o erudito: a música nos contos de Machado de Assis

Scriptorium ◽  
2019 ◽  
Vol 4 (2) ◽  
pp. 174
Author(s):  
Valdemar Valente Junior
Keyword(s):  
Short Stories ◽  
19Th Century ◽  
Social Relationships ◽  
Machado De Assis ◽  
Cultural Industry ◽  
The 19Th Century ◽  
Musical Creation

Este artigo tem por objetivo identificar elementos referentes à criação musical do século XIX na obra de Machado de Assis. Para esse fim, escolhemos os contos “O machete”, “Um homem célebre” e “Cantiga de esponsais”, que abordam a presença da música a partir de leituras distintas que têm em comum o aprofundamento de conflitos, em vista da música como elemento subjetivo capaz de mover as paixões interiores e instigar os instintos humanos. Além disso, esses três contos cumprem com extrema correção o papel de determinar os espaços referentes à música em suas vertentes popular e erudita, corporificando um tempo em que a indústria cultural e os meios de reprodução técnica ainda não tinham se manifestado em sua configuração definitiva. *** The popular and the erudite: the music in the tales of Machado de Assis ***This article aims to identify elements related to the musical creation of the 19th century in the work of Machado de Assis. To that end, we chose the short stories “O machete”, “Um homem célebre” and “Cantiga de esponsais”, which deal with the presence of music from different approaches that have in common the deepening of conflicts, in view of music as an element subjective ability to move the inner passions and instigate human instincts. Moreover, these three tales fulfill with extreme correctness the role of determining the spaces concerning music in its popular and scholarly aspects, embodying a time in which the cultural industry and the means of technical reproduction had not yet manifested itself in its definitive configuration.Keywords: musical creation; social relationships; narrative.

scholarly journals Machado de Assis, retratista

2018 ◽  
Vol 27 (2) ◽  
pp. 185-202
Author(s):  
Victor Da Rosa
Keyword(s):  
Short Stories ◽  
19Th Century ◽  
Point Of View ◽  
Machado De Assis ◽  
Georg Simmel ◽  
The 19Th Century

Resumo: Neste artigo, busca-se analisar alguns aspectos da ficção de Machado de Assis a partir da noção de pose, que é sugerida pelas discussões em torno da fotografia no século XIX: “salão de poses” era o nome que se dava aos estúdios fotográficos que surgiram logo após a invenção do daguerreotipo, em 1839. Para isso, o artigo parte de um debate de certa crítica machadiana em torno de outro gênero da fotografia e da arte, a paisagem, assim como da conclusão de Silvio Romero segundo a qual Machado seria um “mau retratista”, procurando mostrar os valores em questão nessas análises. Finalmente, o artigo discute a maneira como o autor privilegia em sua literatura a investigação do salão e da “sociabilidade”, expressão tomada de empréstimo da obra de Georg Simmel, assim como do coquetismo e das formas da aparência, a partir da análise de personagens como o Conselheiro Aires e contos como “Teoria do Medalhão”.Palavras-chave: Machado de Assis; pose; retrato; fotografia.Abstract: This paper intends to analyze some aspects of Machado de Assis’ fiction drawing on the notion of pose, which was suggested by the discussions on Photography in the 19th century: “poses hall” was the name given to the photographic studios that emerged right after the invention of the daguerreotype, in 1839. The paper discusses Machado’s critique on landscape, a genre of Photography and Art, as well as Silvio Romero’s conclusion that Machado was a “bad portraitist”, highlighting the value of such analyses. Finally, we try to show how the author privileged the investigation of the hall and the “sociability”, as defined by Georg Simmel, as well as coquetismo [“coquetry”] and other forms of appearance. We also attempt to analyze these aspects from the point of view of characters including Conselheiro Aires and short stories such as “Teoria do Medalhão” [“Theory of the Medallion”].Keywords: Machado de Assis; pose; portrait; photography.

Sasak People’s Resistance Against Mataram-Karangasem and Dutch Colonial Rulers: The Role of Tuan Guru Umar Kelayu

2020 ◽  
Vol 2 (1) ◽  
pp. 73-90
Author(s):  
Ahmad Tohri ◽  
H. Habibuddin ◽  
Abdul Rasyad
Keyword(s):  
Data Analysis ◽  
19Th Century ◽  
Economic Factors ◽  
Historical Method ◽  
The 19Th Century ◽  
Historical Methods ◽  
Depth Interviews ◽  
Dutch Colonial ◽  
Dutch Colonialism

This article discusses the Sasak people’s resistance against MataramKarangasem and Dutch colonial rulers in the 19th century in Lombok, Indonesia. It particularly focuses on Tuan Guru Umar Kelayu and his central role in the emergence of Sasak people’s resistance which transformed into Sasak physical revolution local and global imperialismcolonialism. Using the historical method, this article collected data through observation, in-depth interviews, and documentation. The data analysis involved the historical methods of heuristics, verification or criticism, interpretation, and historiography. The findings show that Sasak people’s resistance was not only caused by economic factors but also related to other factors such as social, cultural, and religious ones. Tuan Guru Umar Kelayu played a key role in the Sasak people’s resistance in that it was under his leadership and influence that the resistance transformed into a physical struggle against MataramKarangasem and Dutch colonialism as seen in Sakra War and Praya War which were led by his students and friends.

Сирия (аш-Шам) в системе османских владений (XVI – начало XX в.)

2019 ◽  
Author(s):  
D.R. Zhantiev
Keyword(s):  
Ottoman Empire ◽  
19Th Century ◽  
Social Mechanisms ◽  
Checks And Balances ◽  
Local Elites ◽  
The Balkans ◽  
The Face ◽  
High Level ◽  
The 19Th Century

Аннотация В статье рассматривается роль и место Сирии (включая Ливан и Палестину) в системе османских владений на протяжении нескольких веков от османского завоевания до периода правления султана Абдул-Хамида II. В течение четырех столетий османского владычества территория исторической Сирии (Билад аш-Шам) была одним из важнейших компонентов османской системы и играла роль связующего звена между Анатолией, Египтом, Ираком и Хиджазом. Необходимость ежегодной организации хаджа с символами султанской власти и покровительства над святынями Мекки и Медины определяла особую стратегическую важность сирийских провинций Османской империи. Несмотря на ряд серьезных угроз во время общего кризиса османской государственности (конец XVI начало XIX вв.), имперскому центру удалось сохранить контроль над Сирией путем создания сдержек и противовесов между местными элитами. В XIX в. и особенно в период правления Абдул- Хамида II (18761909 гг.), сохранение Сирии под османским контролем стало вопросом существования Османской империи, которая перед лицом растущего европейского давления и интервенции потеряла большую часть своих владений на Балканах и в Северной Африке. Задача укрепления связей между имперским центром и периферией в сирийских вилайетах в последней четверти XIX в. была в целом успешно решена. К началу XX в. Сирия была одним из наиболее политически спокойных и прочно связанных со Стамбулом регионов Османской империи. Этому в значительной степени способствовали довольно высокий уровень общественной безопасности, развитие внешней торговли, рост образования и постепенная интеграция местных элит (как мусульман, так и христиан) в османские государственные и социальные механизмы. Положение Сирии в системе османских владений показало, что процесс ослабления и территориальной дезинтеграции Османской империи в эпоху реформ не был линейным и наряду с потерей владений и влияния на Балканах, в азиатской части империи в течение XIX и начала XX вв. происходил параллельный процесс имперской консолидации.Abstract The article examines the role and place of Greater Syria (including Lebanon and Palestine) in the system of Ottoman possessions over several centuries from the Ottoman conquest to the period of the reign of Abdul Hamid II. For four centuries of Ottoman domination, the territory of historical Syria (Bilad al-Sham) was one of the most important components in the Ottoman system and played the role of a link between Anatolia, Egypt, Iraq and Hijaz. The need to ensure the Hajj with symbols of Sultan power and patronage over the shrines of Mecca and Medina each year determined the special strategic importance of the Syrian provinces of the Ottoman Empire. Despite a number of serious threats during the general crisis of the Ottoman state system (late 16th early 19th centuries), the imperial center managed to maintain control over Syria by creating checks and balances between local elites. In the 19th century. And especially during the reign of Abdul Hamid II (18761909), keeping Syria under Ottoman control became a matter of existence for the Ottoman Empire, which, in the face of increasing European pressure and intervention, lost most of its possessions in the Balkans and North Africa. The task of strengthening ties between the imperial center and the periphery in Syrian vilayets in the last quarter of the 19th century was generally successfully resolved. By the beginning of the 20th century, Syria was one of the most politically calm and firmly connected with Istanbul regions of the Ottoman Empire. This was greatly facilitated by a fairly high level of public safety, the development of foreign trade, the growth of education and the gradual integration of local elites (both Muslims and Christians) into Ottoman state and social mechanisms. Syrias position in the system of Ottoman possessions clearly showed that the process of weakening and territorial disintegration of the Ottoman Empire during the era of reform was not linear, and along with the loss of possessions and influence in the Balkans, in the Asian part of the empire during the 19th and early 20th centuries there was a parallel process of imperial consolidation.

A COMPARATIVE HISTORIOGRAPHY OF THE HUNGARIAN AND SLOVAKIAN NATIONAL PHILOSOPHIES: A CENTRAL EUROPEAN CASE

2010 ◽  
Vol 3 (1) ◽  
pp. 6-14
Author(s):  
Béla Mester
Keyword(s):  
19Th Century ◽  
National Identities ◽  
European Countries ◽  
National Cultures ◽  
Central European ◽  
Latin Language ◽  
The 19Th Century

The paper analyses a well‐known phenomenon, that of the 19th century Central European so‐called “national philosophies”. However, the philosophical heritages of the Central European countries have their roles in the national identities; historians of philosophy in these countries know; our philosophies have common institutional roots with our neighbours. The paper deadlines paradigmatic problems from the Hungarian and Slovakian philosophy: the Latin language in philosophy, the different role of Kantianism and Hegelianism in the national cultures, and the problems of canonisation. Vengrų ir slovakų nacionalinių filosofijų komparatyvistinė istoriografija: Vidurio Europos atvejis Santrauka Straipsnyje tyrinėjamas gerai žinomas fenomenas, XIX a. Vidurio Europoje vadinamas „nacionalinėmis filosofijomis“. Kad ir kaip būtų, filosofiniai Vidurio Europos valstybių palikimai turi įtakos nacionaliniams tapatumams, ir tai žino šių valstybių filosofijos istorikai. Mūsų ir mūsų kaimynų filosofijos turi bendrąsias paprotines šaknis. Straipsnyje brėžiama paradigminių vengrų ir slovakų filosofijos problemų perskyra pagal lotynų kalbą filosofijoje, skirtingą kantizmo ir hėgelizmo vaidmenį tautinėse kultūrose bei kanonizacijos problemas. Reikšminiai žodžiai: kanonizacija, Vidurio Europos filosofijos, hėgelizmas, vengrų filosofija, kantizmas, lotynų kalba filosofijoje, tautinis tapatumas, „nacionalinės filosofijos“, slovakų filosofija.

scholarly journals The music of sorcery in Brazil (Literary Conference)

2017 ◽  
Vol 14 (1) ◽  
Author(s):  
Mário de Andrade
Keyword(s):  
19Th Century ◽  
Rio De Janeiro ◽  
Research Experience ◽  
Brazilian Music ◽  
Mario De Andrade ◽  
Brazilian Northeast ◽  
The 19Th Century ◽  
Afro Brazilian

Abstract “The music of sorcery in Brazil” was given as a lecture by Mário de Andrade to the Brazilian Music Association (Associação Brasileira de Música), in Rio de Janeiro, in 1933. The author never managed to complete its revision for publication. This was undertaken by Oneyda Alvarenga, who published the text of the lecture and a series of related documents in Volume XIII - Música de Feitiçaria no Brasil-of the Complete Works of Mário de Andrade (Editora Itatiaia/Instituto Nacional do Livro, 1983, p.23-70). The author is in search for the role of music, with its distinctive rhythms and melodic form, in the mystical trance of Afro-Brazilian religions. The text combines the flavour of his direct research experience in the catimbó of the Brazilian Northeast; his erudite bibliographical studies that were strongly influenced by evolutionary and diffusionist anthropology at the end of the 19th century and beginning of the twentieth; and an analysis of the music of macumba in the Rio de Janeiro around the 1930s as found in the recordings that Andrade so much enjoyed collecting and listening to.

scholarly journals The Royal Portuguese Cabinet of Reading: a space for medical science in the 19th century

Almanack ◽  
2016 ◽  
pp. 241-286
Author(s):  
Monique de Siqueira Gonçalves ◽  
Tânia Bessone
Keyword(s):  
19Th Century ◽  
Medical Science ◽  
Target Audience ◽  
Relative Importance ◽  
Science Field ◽  
The 19Th Century ◽  
General Collection

Abstract: This work presents an analysis on the role of the Royal Portuguese Cabinet of Reading during the second half of the 19th century regarding the collection and safekeeping of medical science books. By analyzing the books contained in the 1906 catalog by Ramiz Galvão (consisting of the institution's collection since 1837), we intend to understand the relative importance of the medical science collection found in the general collection of the Royal Portuguese Cabinet of Reading, and whether it was updated and relevant amidst the constitution of Brazil's medical science field. It is also intended to discover the preponderant idiom among its works and at which target audience they were aimed at, therefore, whether its guard matched the institution's outline of lusophone culture preservation.

scholarly journals Suomen mukana ja mukaan seuralaisuussuhteen ilmaisijoina: kiintopisteen ilmaisukeinot, konstruktiot ja osallistujien symmetriaero

Virittäjä ◽  
2017 ◽  
Vol 121 (2) ◽  
Author(s):  
Krista Ojutkangas
Keyword(s):  
19Th Century ◽  
Research Question ◽  
The Other ◽  
Syntactic Variation ◽  
Main Research ◽  
Corpus Data ◽  
The Asymmetry ◽  
Grammatical Roles ◽  
The 19Th Century

Tutkimuksen tavoitteena on selvittää, millaisissa konstruktioissa suomen seuralaisuutta ilmaisevat mukana ja mukaan esiintyvät. Seuralaisuussuhteelle on tyypillistä, että suhteen osallistujat tai vähintään kiintopiste ovat ihmisiä ja että osallistujien välillä on symmetriaero: seuralainen (engl. companion) osallistuu tilanteeseen epäsuorasti, seurattavan (engl. accompanee) välityksellä. Suomen grammeille ominaiseen tapaan mukana- ja mukaan-sanoja käytetään syntaktisesti monenlaisissa asemissa siten, että kiintopisteen (seurattavan) ilmaisun tyyppi vaihtelee. Tutkimuksessa selvitetäänkin, mikä on kiintopisteen ilmaisutavan rooli siinä, miten seuralaisuussuhteen osallistujien välinen epäsymmetria hahmottuu. Tutkimuksen syntaktisessa luokittelussa pidetään lähtökohtana postpositiokonstruktiota, jossa osallistujien välisen symmetriaeron voi katsoa perustuvan kiintopisteen viitepisteroolin kautta grammin semantiikkaan (tyyppi lapio oli kaivajan mukana). Symmetriaero sen sijaan voimistuu, kun kiintopiste edustuu omistusliitteen välityksellä subjektina (tyyppi hän otti lapion mukaansa) tai kun se ilmaistaan teemapaikalla paikallissijaisena adverbiaalina (tyyppi hänellä oli lapio mukana[an]). Symmetriaero sen sijaan heikkenee, jos (toissijainen) kiintopiste ilmaistaan adverbiaalina muualla kuin teemapaikalla (tyyppi hän oli mukana kaivamassa), ja vetäytyy taustatiedoksi, kun kiintopistettä ei ilmaista lainkaan (tyyppi hän on mukana). Tutkimus perustuu aineistoon, jossa ovat edustettuina 1800-luvun kirjakieli, Lauseopin arkiston murrehaastattelut ja nykykirjakieli. Aineisto osoittaa, että mukana- ja mukaan-grammeilla ilmaistuissa seuralaisuussuhteissa on tapahtunut muutos: 1800-luvun kirjakielen ja pääosin 1960-luvulla tallennetun murreaineiston esiintymissä yleisin kiintopiste on ihminen, kun taas nykykirjakielen aineistossa kiintopisteeksi hahmottuu tyypillisimmin toiminta. Kiintopisteen semanttinen tyyppi ja sen kielellinen ilmaisukeino ovat suorassa suhteessa toisiinsa. Ihmiskiintopiste ilmaistaan yleisimmin subjektin kanssa samaviitteisellä omistusliitteellä tai teemapaikkaisella paikallissijaisella elementillä ja toimintakiintopiste puolestaan ei-teemapaikkaisella paikallissijaisella elementillä. Eri ilmaisukeinot jakautuvat eri verbien ympärille rakentuvien konstruktioiden kesken. Tutkimuksen perusteella voi todeta, että esiintymäkonstruktiolla on merkittävä rooli siinä, millaista seuralaisuutta mukana- tai mukaan-grammilla kuvataan.   Finnish mukana and mukaan ‘with, along’ as comitative markers: Grammatical roles of expressions of the landmarks, constructions, and asymmetry between the participants of the accompaniment relation The topic of this article is the syntax of Finnish comitative markers mukana and mukaan ’with, along’. Comitative markers express accompaniment relations, which are typically conceived as being asymmetrical: the accompanee (landmark) is the pre-dominant participant, while the companion (trajector) is involved in the situation only via the accompanee (see Stolz et al. 2006: 26–27). However, markers such as mukana and mukaan are used in several syntactic constructions where the grammatical roles of expressions of the accompanees/landmarks vary. The main research question of the article is, how does the grammatical role of expression of the accompanee/landmark affect the asymmetry between the participants of the accompaniment relation. Five syntactic construction types were analysed from a corpus data. On the basis of this study, it is shown that syntactic variation has an effect on the conceived asymmetry between the accompanee and the companion, and that syntax makes an important contribution to the semantics of comitative constructions. In strongly asymmetric accompaniment relations, a human accompanee is expressed by a possessive suffix affixed to the comitative marker, or by a clause-initial adverbial. On the other hand, the question of asymmetry contracts to the background when the accompanee is expressed by a non-clause-initial adverbial and when the accompanee is implicit, without any overt marking. The research is based on a corpus data comprising 19th-century written Finnish, dialect interviews, and modern written Finnish. The data shows that accompaniment relations expressed by mukana and mukaan have changed: in the 19th-century and dialect data, the majority of the landmarks are humans, but in the modern data activities dominate as (secondary) landmarks.  

scholarly journals THE PROBLEM OF STUDYING OF THE APPLIED ART OF ARTSAKH OF THE 19TH CENTURY ON THE PAGES OF THE EASTERN ARMENIAN ERIODICAL PRESS

2021 ◽  
Vol 4 (10(74)) ◽  
pp. 4-7
Author(s):  
M. Harutyunyan
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Scientific Research ◽  
Scientific Article ◽  
Color Structure ◽  
Applied Art ◽  
Technical Mastery ◽  
Xix Century ◽  
The 19Th Century

Thus, our scientific research led to the conclusion that the applied art which originated in the previous centuries continued to develop along with other branches of the culture of Artsakh in the second half of the XIX century and the beginning of the XX century.  In this scientific article, we have presented mainly the following branches of the applied arts of Artsakh: carpet weaving, handicrafts, embroidery, silversmithing, pottery. We have mainly presented interesting information about the branches of the applied art which were covered in the periodicals of the second half of the XIX century and the beginning of the XX century. Noting about the carpet weaving of Artsakh, we emphasized that the carpets of that region of Artsakh stood out with their color structure, richness of ornaments, technical mastery. We highlighted the role of handicrafts in the life of Armenian women, emphasizing that this form of the applied art was developed in Artsakh in the Middle Ages. In this article, we also presented a number of pottery samples found during excavations by foreign archaeologists. 

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