scholarly journals The Concept of the Meaning of Uff in the al-Qur'an

2021 ◽  
Vol 3 (1) ◽  
pp. 16-25
Author(s):  
Azka Noor Syafi'i
Keyword(s):  
Structural Analysis ◽  
Older People ◽  
Textual Criticism ◽  
Roland Barthes ◽  
Connotative Meaning ◽  
Linguistic System ◽  
Two Stages ◽  
Semiotic Theory

This paper discusses the concept of Birru al-Walidain in the Qur’an, especially in Qs. al-Isra 'verse 23 which seems to be ignored nowadays, of course, Birru al-Walidain here is related to actions, especially words to parents. In the study of semiotics, the word uff is a symbol in the delivery of speech that must be interpreted. One of the semiotic theories developed by scholars is Roland Barthes' semiotics because Barthes uses structural analysis in textual criticism. In his theory, Barthes offers two stages of theory. First, it is referred to as a linguistic system or commonly known as denotative meaning. Second, it is called a mythological system commonly known as connotative meaning. More details. The linguistic system is textual reading and the mythological system is contextual reading. It is certain that the concept of Birru al-Walidainin the Qur'an is very relevant to Barthes' theory, even to other contemporary problems today. Then, the author will apply Barthes' semiotic theory to understand the concept of Birru al-Walidainin the Qur’an. The results of the application of the theory in Q.S al-Isra verse 23, namely: the linguistic system in the word uff which is not only interpreted as "ah" but also a prohibition not to speak harshly to parents. While the mythological system is that a child is required to serve his parents by loving them both. The ideology contained in this verse is related to morals, not only to parents, but also to older people.

scholarly journals Makna Syifa dalam al-Qur’an (Analisis Semiotika Roland Barthes pada QS al-Isra 82)

2021 ◽  
Vol 16 (2) ◽  
pp. 185-196
Author(s):  
Roma Wijaya
Keyword(s):  
Medical Treatment ◽  
Roland Barthes ◽  
Sacred Places ◽  
Connotative Meaning ◽  
Linguistic System ◽  
Two Stages ◽  
Semiotic Theory

This paper examines the meaning of shifa in the Qur'an as stated in Q.S. Al-Israa [17]: 82 which can be used as a means of treating various diseases, both psychological and physical. Employing the semiotic theory of Roland Barthes consisting of two stages (the linguistic system which is also interpreted as denotative meaning and the system of mythology (myth) as connotative meaning), the results obtained that shifa is not only oriented to the psychic alone, but to healing both the psychic (spiritual) and physical. The message contained in the verse is that it is recommended to do treatment using the Qur'an, with lawful (halal) practices, and it is not allowed to practice medical treatment that can classify to shirk such as using magic spells, mediation of belief in objects, sacred places of worship, and other things that are superstitious. Tulisan ini mengkaji tentang makna syifa dalam Al-Qur'an sebagaimana tertuang dalam Q.S. Al-Israa [17]: 82 yang dapat digunakan sebagai sarana pengobatan berbagai penyakit, baik psikis maupun fisik. Dengan menggunakan teori semiotika Roland Barthes yang terdiri dari dua tahap (sistem linguistik yang juga diartikan sebagai makna denotatif dan sistem mitologi (mitos) sebagai makna konotatif), diperoleh hasil bahwa syifa tidak hanya berorientasi pada psikis saja, tetapi untuk penyembuhan baik psikis (spiritual) maupun fisik. Pesan yang terkandung dalam ayat tersebut adalah dianjurkan untuk melakukan pengobatan dengan menggunakan Al-Qur'an, dengan praktik yang halal dan tidak diperbolehkan melakukan praktik pengobatan yang dapat digolongkan ke dalam syirik seperti menggunakan mantra sihir, perantaraan benda-benda, tempat-tempat ibadah yang keramat, dan hal-hal lain yang bersifat takhayul.

scholarly journals The Denotative and Connotative Meaning in Sheila on 7 Song Lyrics “Film Favorit”

2020 ◽  
Vol 6 (1) ◽  
pp. 9
Author(s):  
Fadly Fauzan
Keyword(s):  
Qualitative Method ◽  
Roland Barthes ◽  
Language Games ◽  
Connotative Meaning ◽  
Interpretive Approach ◽  
Song Lyrics ◽  
The Common ◽  
Semiotic Theory

Song Lyrics is a person's expression about something that has been seen, heard or experienced. In expressing their experiences, the poet or composer of the song makes words and language games to create attraction and distinctiveness to the lyrics or poetry. This study aims to see the connotation, denotation, and mythology meaning contained in the object of research, namely the song ‘Film Favorit' from Sheila On 7. In this study the main theory used is the Roland Barthes semiotic theory. The method used in this study is a qualitative method with a descriptive interpretive approach. The results showed that the lyrics of the song under study contained connotation and denotation meaning in it. Likewise with the myth. This song carries the common myth of love. The myth that contains the value of love illustrates that love must be fought for and makes a commitment to make love secured. Contains about the main character's outpouring of his partner to his partner and how to express his feelings to those he loves. The author's choice of the word "Favorite Film" because at present, millennials are now very close to film. Songwriters hope that this song is easy to remember and be made into learning in our lives. 

scholarly journals ANALISIS GENDER DALAM CERITA RAKYAT (KAJIAN SEMIOTIKA ROLAND BARTHES) (GENDER ANALYSIS IN FOLKLORE (THE SEMIOTIC STUDY OF ROLAND BARTHES))

2021 ◽  
Vol 18 (1) ◽  
Author(s):  
Siti Hardiyanti A
Keyword(s):  
Secondary Data ◽  
Roland Barthes ◽  
Primary Data ◽  
Semiotic System ◽  
Connotative Meaning ◽  
Hierarchical Relationship ◽  
Linguistic System ◽  
Patriarchal Ideology ◽  
Historical Condition ◽  
And Function

Tulisan ini membahas tentang relasi gender dalam dua cerita rakyat berjudul Tempiq Empiq dari Nusa Tenggara Barat dan Mencari Ilmu Berumahtangga dari Kalimantan Selatan. Hubungan hierarki dianalisis dengan perspektif semiologis Roland Barthes. Metode penelitian terdiri dari pengumpulan data dan analisis data. Data primer dalam penelitian ini adalah cerita rakyat. Sedangkan data sekunder berupa sumber tertulis dan elektronik terkait dengan kondisi sosial budaya dan sejarah Nusa Tenggara Barat dan Kalimantan Selatan. Analisis data dilakukan dengan teori dan konsep Barthes sebagai pendekatan untuk mengetahui sistem semiotik orde satu dan dua yang mengungkap mitos-mitos terkait isu gender dalam teks. Setelah itu, mitos-mitos yang terkandung dalam teks tersebut dihubungkan dengan niat, motivasi, atau ideologi tertentu yang diyakini pada budaya atau masyarakat tertentu sebagai latar belakang cerita rakyat tersebut. Hasil penelitian menemukan bahwa analisis sistem kebahasaan teks mengungkapkan dikotomi peran dan fungsi antara laki-laki dan perempuan. Analisis makna konotatif menemukan mitos-mitos seksualitas dan maskulinitas yang mengacu pada ideologi patriarki. Kata kunci: Cerita Rakyat, Semiologi, Barthes, Mitos   This paper studied about gender relation in two folklores entitled Tempiq Empiq from Nusa Tenggara Barat and Mencari Ilmu Berumahtangga from Kalimantan Selatan. The hierarchical relationship was analyzed by the semiological perspective of Roland Barthes. The research method consisted of data collection and data analysis. The primary data in this research was the folklores. Meanwhile, the secondary data was the written and electronic sources related to the socio-cultural and historical condition of Nusa Tenggara Barat and Kalimantan Selatan. The data was analyzed by the the theory and concepts of Barthes as the approach to find out the first and second order semiotic system revealing the myths related to the gender issues in the text. Afterwards, the myths contained in the text were connected to the specific intention, motivation, or ideology believed in particular culture or society as the background of the folklores. The research found that the analysis of linguistic system of the text revealed the dichotomy of roles and function between men and women. The analysis of connotative meaning found the myths of sexuality and masculinity which referred to patriarchal ideology. Keywords: Folklores, Semiology, Barthes, Myths

scholarly journals ANALISIS SEMIOTIKA MAKNA CINTA PADA LIRIK LAGU “TAK SEKEDAR CINTA” KARYA DNANDA

2021 ◽  
Vol 9 (2) ◽  
pp. 224-238
Author(s):  
Neng Tika Harnia
Keyword(s):  
Roland Barthes ◽  
Semiotic Analysis ◽  
Connotative Meaning ◽  
Song Lyrics ◽  
Semiotic Theory

This study examines the meaning of love in the lyrics of Dnanda's song "Tak Sekedar Cinta" by using Roland Barthes' semiotic theory. In this semiotic analysis, Roland Barthes examines the meaning of denotation, connotation and myths about the meaning of "love" contained in the lyrics of the song. The method used is qualitative interpretive. The collection technique is a document study by obtaining data from various sources relevant to the research. The results of Roland Barthes' semiotic study of Dnanda's song lyrics "Tak Sekedar Cinta" are as follows. The denotation of the song's lyrics “Tak Sekedar Cinta” is the power of love that the songwriters expect from their partner. So the connotative meaning contained in the lyrics of this song is the desire of the songwriter to his partner to maintain his love with loyalty. Meanwhile, the myth contained in the lyrics of this song is that the songwriter wants to say that in every relationship that is built with love, it will last, even though sometimes it hurts. Abstrak Penelitian ini mengkaji mengenai makna cinta pada lirik lagu “Tak Sekedar Cinta” karya Dnanda dengan menggunakan teori semiotika Roland Barthes. Dalam analisis semiotika Roland Barthes ini mengkaji mengenai makna denotasi, konotasi, dan mitos mengenai makna “Cinta” yang terdapat pada lirik lagu tersebut. Metode yang digunakan ialah kualitatif interpretatif. Teknik pengumpulan yaitu studi dokumen dengan pemerolehan data dari berbagai sumber yang relevan dengan penelitian. Hasil kajian semiotika Roland Barthes pada lirik lagu “Tak Sekedar Cinta” karya Dnanda adalah sebagai berikut. Makna denotasi dari lirik lagu “Tak Sekedar Cinta” adalah kekuatan cinta yang penulis lagu harapkan ia dapatkan dari pasangannya. Kemudian makna konotasi yang terkandung dalam lirik lagu ini yaitu keinginan penulis lagu terhadap pasangannya agar menjaga cintanya dengan kesetiaan. Sedangkan mitos yang terdapat dalam lirik lagu ini yaitu penulis lagu ingin mengatakan bahwa dalam setiap hubungan yang dibangun dengan cinta pasti akan abadi walaupun kadang menyakitkan. Kata Kunci: Lirik Lagu, Makna Cinta, Semiotika

scholarly journals Mitologi dalam QS. Al-Kafirun Perspektif Semiotika Roland Barthes

2021 ◽  
Vol 1 (1) ◽  
pp. 45-61
Author(s):  
Muhamad Jamaludin ◽  
Nur Aini ◽  
Ahmad Sihabul Millah
Keyword(s):  
Roland Barthes ◽  
Religious Communities ◽  
Connotative Meaning ◽  
Religious People ◽  
Semiotic Theory

The interpretation of Surah al-Kafirun today is found to be a little disturbing for religious people, both among religions and between religious communities. Especially after the largest Islamic organization in Indonesia, namely Nahdatul 'Ulama which issued bahtsul masail results about non-Muslims who are not infidels. Netizens are busy blaspheming and identifying non-Muslims as not even infidels to the point of stating that the meaning of the letter al-Kafirun today is no longer relevant. To answer this question, the author compiles Roland Barthes' theory of semiotics into this letter of al-Kafirun. The author interprets this letter of al-Kafirun using two levels of semiotics. The first level of semiotics analyzes linguistics or language. Meanwhile, the second level semiotics analyzes the connotative meaning in the text by revealing the mythical characteristics of the verse as stated in Roland Barthes' semiotic theory.

scholarly journals COMMUNISM IN ЧЕБУРАШКА (ČEBURAŠKA) FILM: A SEMIOTIC STUDY

2019 ◽  
Vol 4 (2) ◽  
Author(s):  
Seprida Wulandari ◽  
Hendra Kaprisma
Keyword(s):  
Research Result ◽  
Roland Barthes ◽  
Red Color ◽  
Two Stages ◽  
Semiotic Theory

This article discusses communism in the film titled Čeburaška by Eduard Uspenskij. The study aims to identify the ideology of communism in Čeburaška. The Roland Barthes' semiotic theory was used to analyse the film. In order to see communism contained in Čeburaška, the author used two stages of Roland Barthes' semiotic theory of denotation and connotation. The research used descriptive and criticism methods. In analysing communism in Čeburaška, the author also use the following concepts: the concept of character and characterization, ideology, and film as an ideology. The research result shows that Čeburaška contains elements of communism that can be seen from the signs in every scene. These signs include the red color that denoted the symbol of communism, the nature of cooperation (communal) found in the characters, and the animals in the zoo that were described as free from the capitalist. The publication background of the film also influences the presence of communism in Čeburaška.

scholarly journals Makna Qiradah dalam Kisah Bani Israil

2021 ◽  
Vol 4 (2) ◽  
pp. 167-176
Author(s):  
Aidah Mega Kumalasari
Keyword(s):  
Qualitative Methods ◽  
Physical Meaning ◽  
Roland Barthes ◽  
Connotative Meaning ◽  
Linguistic System ◽  
Semiotic Approach

This paper discusses the meaning of qiradah contained in QS. Al-Baqarah [2]:65. The meaning of qiradah has been interpreted by the community as monkeys. Even though the word qiradah is not only interpreted in an essential way. This study aims to find various meanings of qiradah with several verses using a semiotic approach. In this study, the author uses Roland Barthes' semiotic approach, namely denotation and connotation to reveal the meaning of qiradah. To achieve this goal, this research uses qualitative methods. The results of this study conclude that: First, in the linguistic system or the denotative meaning of the word qiradah, it does not only mean monkeys, but monkeys that have no shame. Second, the system of mythology or connotative meaning. The word qiradah in this system shows not the physical meaning, but the disgraceful nature that positions a person in humiliation. the interpretation of the verses of the Qur'an related to animals needs to be developed in order to expand the study of the science of interpretation of the Qur'an in order to prove the dynamic elements of the Qur'an.

scholarly journals KONSEP POLIGAMI DALAM AL-QUR’AN (Aplikasi Semiologi Roland Barthes)

QOF ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 54-66
Author(s):  
AZKIYA KHIKMATIAR
Keyword(s):  
Roland Barthes ◽  
Second Stage ◽  
Linguistic System ◽  
Two Stages

Abstract: The semiology theory constructed by Roland Barthes has two stages. The first stage is called the linguistic system, while the second stage is called a mythological system. In this paper, the author tries to apply the theory to understand the concept of polygamy in the Qur'an. The result of the application of the theory in Q.S An-Nisa verse 3 is the linguistic system in the word matsna, wa tsulasa, wa ruba 'means not only the number but also means a limit of polygamy permissible. While the mythological system is allowed polygamy but it is more recommended for monogamy. The ideology contained in the verse is the ideology of feminism.

scholarly journals Kajian Semiotika Roland Barthes terhadap Simbol Perempuan dalam Al-Qur’an

2021 ◽  
Vol 4 (2) ◽  
pp. 139-154
Author(s):  
Asep Mulyaden
Keyword(s):  
Theoretical Approach ◽  
Roland Barthes ◽  
Second Stage ◽  
Linguistic System ◽  
Semiotic Approach ◽  
Similarities And Differences ◽  
Two Stages

This article aims to examine the symbol of women in the Qur'an. Because women have always been discriminated against and have not received equality, to find answers from the Qur'an, the author looks for it with the semiotic approach of Roland Barthes, who holds that everything can be approached in two stages; namely the first stage is called the linguistic system and the second stage is called the mythical system (myth). In Barthes's view, Myth is assumed to be a signifying system built on three things: the signifier, the signified, and the sign. Based on Barthes' theoretical approach to the symbols of zauj, imra’ah, and women as queens, women and men have similarities and differences. In one case, they are the same, but in another, they are different. They have similarities in origin, namely both from land, similarity in status as humans, equality in terms of responsibilities, job eligibility, and the like. But in terms of duties and obligations, in terms of physical, mental both have differences.

scholarly journals Depiction of Raden Joko Kaiman as a Superhero Using Barthes’ Semiotics

2021 ◽  
Vol 15 (1) ◽  
Author(s):  
Chusni Hadiati ◽  
Nadia Gitya Yulianita
Keyword(s):  
Qualitative Research ◽  
Reliable Data ◽  
Founding Father ◽  
Connotative Meaning ◽  
Physical Form ◽  
Great Sense ◽  
Semiotic Perspective ◽  
Different Cultures ◽  
Semiotic Theory

This research tried to reveal the denotative and connotative meaning of Raden Joko Kaiman in Banyumas culture. Historically, Banyumas regency was founded by Raden Joko Kaiman in 1582. As the founding father of Banyumas regency, Raden Joko Kaiman could be semiotically interpreted as a superhero in the context of Banyumas. Based on Barthes, anything could be a sign. Raden Joko Kaiman in Barthes’ semiotic perspective could function as a sign since this figure could have both denotative and connotative meanings. Barthes’ semiotic theory investigated the process of reading signs and their interpretation by different cultures or societies. Barthes considered sign as both signifier the physical form of the sign as people perceived it through their sense and signified the interpreted meaning. This research was conducted using qualitative research since it collected reliable data and information through reading, comparing, and analyzing text by relating them to Banyumas context. There are four denotative meanings carried by this sign, namely, the son of Raden Harya Banyak Sosro, the godson of Kiai Mranggi, the son-in-law of Adipati Wargautama, and being Adipati Mrapat. Connotatively, Raden Joko Kaiman is interpreted as courage, strong moral codes, tolerance towards pain, and a great sense of responsibility.

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