scholarly journals Unrest in the French Émigré Army of Condé in the Russian Military Service in 1798 (With Reference to Documents of the Russian State Archive of Ancient Acts)

Author(s):  
A. A. Mitrofanov
Author(s):  
Sergey Orlenko

Introduction. An important aspect of studying the activities of the court Armoury of the Russian tsars of the 17th century is the work of foreign specialists. The firearms made by Bartelt Kinneman, Philip Timofeev and Kaspar Kalthof II are currently preserved in the collection of the Moscow Kremlin Museums. Unfortunately, many aspects of the biographies and professional activity of these masters in Russia are still poorly studied. Methods and materials. The basis for the study is the complex of unpublished sources of the former archive of the Armoury Chamber – currently Fund 396 of the Russian State Archive of Ancient Acts (RGADA). Besides, the paper applies unpublished and published sources of the offices of the Ambassadorial Prikaz, the Artillery Prikaz and the Secret Affairs Prikaz. Analysis. When considering the biography of one of the most successful court gunsmiths Bartelt Kinneman, we pay attention to the episode with the escape from him of student named Philip arrived with him from Vilna. In 1672, master Philip Timofeev, who later took a high position among the court gunsmiths, was transferred from the office of the Artillery Prikaz to the Armoury Chamber. The examined documents helped clarify some important details of gunsmiths Kaspar Kalthof II’s stay in Russia. In particular, it was possible to determine the place and duration of his service in the workshop of the Artillery Prikaz. The sources allow to establish that Philip Timofeev was a student who escaped from master B. Kinneman in 1661, entered military service, and later worked in the Armoury workshop in the office of Artillerie with K. Kalthof II. It is assumed that the transition of Ph. Timofeev and his successful career in the Armoury Сhamber became possible as a result of the agreement that he concluded with his former master B. Kinneman. Results. The article introduces new information about the place of service of the gunsmiths in Russia, the features of professional training, career development in the court Armoury, the specifics of relationships with each other and with the Russian administration.


2018 ◽  
pp. 651-662
Author(s):  
Tatiana G. Tairova-Yakovleva ◽  

The article draws on previously unknown documents from the Russian State Archive of Ancient Acts to study structure and size of the Ukrainian army under command of I. Zolotarenko, which participated in the Russo-Polish war of 1654-1655. This war with the Polish-Lithuanian Commonwealth was an important event in the history of Central and Eastern Europe, and the first success of a joint Ukrainian-Russian military action in the early modern period. Contrary to the prevailing opinion of the historiography, registers on pay distribution preserved in the ‘Little Russia affairs’ fond allow to assert that I. Zolotarenko’s army numbered 18,000 in enlisted ranks (not counting starshinas); it was divided in 6 regiments and included in addition to registered Cossacks, volunteer Cossacks, hajduks, and German mercenaries. Apropos, this refutes the prevailing assertion that the Zaporozhian Host enlisted no foreign mercenaries. The author also concludes that there was a good reason for Zolotarenko to call himself ‘Severian Hetman.’ He created a kind of ‘superstructure’ over the regiments participating in the campaign, which included army (but not regiment) officers and his own ‘court.’ The documents in question give a sense of how the Ukrainian Hetmanate organized its military campaigns under the direction of specially appointed hetmans. Article also refutes the opinion of modern Ukrainian historians that while administering the oath of regiments in February 1654, the tsar's representatives mechanically transferred whole paragraphs from Cossack registers. In fact, oath books’ structure was fundamentally different from that of Cossack registers. The article also expounds the changes in administrative structure of the hetmanship occurred in 1654. Since the register of I. Zolotarenko's troops is the third list of registered Cossacks known to historians, it is obviously worth publishing. Moreover, the troops’ structure of the Ukrainian hetmanate dovetailed its administrative-territorial division, which underlay all its executive and judicial structures.


2020 ◽  
pp. 223-235
Author(s):  
Vladimir T. Tepkeev ◽  
◽  
Evgeny V. Bembeev ◽  

The article addresses written evidence of the Russian-Kalmyk relations in the early 18th century. It is to introduce into scientific use new documentary sources belonging that period when the epistolary written tradition of the Kalmyk nobility was at its apogee. While studying these sources, not only a brief historical description of the period has been provided, but also methods of paleographic identification of manuscripts and archaeographic analysis of the monuments of Old Kalmyk writing have been used. The article publishes transliteration, translation, and two copies of the original letters of Kalmyk Khan Ayuka: one addressed to the Emperor Peter Alekseevich, another to the Chancellor Gavriil Ivanovich Golovkin. Both letters have been found in the Kalmyk Affairs Foundation of the Russian State Archive of Ancient Acts. The letters were delivered to Moscow by the Kalmyk embassy led by Hojim (1714). Until now their contents have remained unknown to the wide array of researchers. The documents contain information on the difficult situation on the Russo-Turkish frontier after the signing of the Adrianople Peace Treaty in 1713. Participation of the 20,000 Kalmyk cavalry in the Kuban campaign against the Nogais (1711) incited the latter to retaliate. Kalmyk areas on the Lower Volga were constantly threatened the Kuban Nogais, which forced Ayuka Khan to ask for Russian military assistance. A distinctive feature of these sources is the fact that they are written in the old-Kalmyk writing “Todo bichig” (“clear writing”) and end with a red square stamp granted to Ayuka Khan by Dalai Lama VI in 1698. The letters are phrased in the traditional epistolary genre typical of the official correspondence of the Kalmyk nobility of the time: despite their brevity, they brim with truth, life, dynamism, and tension. Further identification and investigation of the Kalmyk letters in the Russian archives should be a comprehensive effort of various specialists, thus setting a promising trend in the scholarship.


Author(s):  
Yuliya V. Kim ◽  

The article presents two letters from V.A. Musin-Pushkin which he wrote to his bride shortly before the wedding in 1828 (the letters are kept in the Russian State Archive of Ancient Acts). The text of the letters reflects the context of the time and everyday life, the system of views and the peculiarities of the worldview of a young aristocrat, the specific features of intra-family interaction in the field of feelings, marriage, human relations which inevitably turn out to be associated with the concepts of the family honor, family duty, the need to preserve the status of a noble family. The author traces how the power hierarchy is manifested at the level of relations within a close circle of relatives, as well as how traditional patterns are combined with new elements. Vladimir Alekseevich Musin-Pushkin, the youngest son of the archaeographer Count A.I. Musin-Pushkin, was arrested in connection with the case of the Decembrists, transferred from the Guards to the army and exiled to serve in Finland, where he met his future wife, Emilia Karlovna Shernval von Wallen. The article provides details of the family life of this married couple, as well as private facts from the biography of some other members of the Musin-Pushkin family.


2018 ◽  
pp. 76-102
Author(s):  
T P. Lonngren

After a short summary of the story behind K. Hamsun’s play In the Grip of Life [Livet i Vold], its plot and stage history in Russia, the article proceeds to tell about an unknown film script. Cinematic adaptations of Hamsun’s books have always dominated Norwegian literature, while none of his dramatic pieces have made it to the screen. However, a film script was uncovered, an adaptation of In the Grip of Life: a play specially written for a Russian theatre. The script was found in the Russian State Archive of Literature and Arts, among the documents of Evgeny Sergeevich Khokhlov. Based on the history of filmmaking and relevant filmography, Khokhlov’s film script is not just the only attempt at film adaptation of a Hamsun play, but the first ever project based on a theatrical play in Russian cinematic history. Written almost 100 years ago, the script is far from perfect in the modern understanding of filmmaking; nonetheless, it has certain merits in the eyes of contemporaries. The very attempt to interpret the play by means of a nascent artistic genre may be considered a proof of its relevance to Russian audiences at the time.


2018 ◽  
pp. 298-377
Author(s):  
P. M. Nerle

At the core of this publication are letters written by E. Livshits (1902–1987), the widow of B. Livshits, to her close friends: literary critic A. Deich (1893–1972), whom she knew ever since her Kiev days, and his wife E. Deich-Malkina (1919–2014). Kept at the Russian State Archive of Literature and Art, this epistolary collection spans over 20 years, starting from 1967. Along with accounts of private circumstances, each letter contains accounts related to B. Livshits, Osip and Nadezhda Mandelstam, I. Nappelbaum, A. Shadrin, and others. At the same time, E. Livshits’ comments and descriptions of people and literary works are very lifelike and fascinating. On the whole, the reader gets a picture of the period and certain literary process, viewed by a sophisticated connoisseur rather than squinted at by an aging disenfranchised widow of an executed writer. The publication is prefaced by P. Nerler, who collected and prepared the book of letters and reminiscences of E. Livshits, to be printed by Elena Shubina Publishers (AST).


2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.


2021 ◽  
Vol 20 (1) ◽  
pp. 160-173
Author(s):  
Fedor L. Sinitsyn

This article examines the development of social control in the Soviet Union under Leonid Brezhnev, who was General Secretary of the Communist Party from 1964 to 1982. Historians have largely neglected this question, especially with regard to its evolution and efficiency. Research is based on sources in the Russian State Archive of Modern History (RGANI), the Russian State Archive of Socio-Political History (RGASPI) and the Moscow Central State Archive (TSGAM). During Brezhnevs rule, Soviet propaganda reached the peak of its development. However, despite the fact that authorities tried to improve it, the system was ritualistic, unconvincing, unwieldy, and favored quantity over quality. The same was true for political education, which did little more than inspire sullen passivity in its students. Although officials recognized these failings, their response was ineffective, and over time Soviet propaganda increasingly lost its potency. At the same time, there were new trends in the system of social control. Authorities tried to have a foot in both camps - to strengthen censorship, and at the same time to get feedback from the public. However, many were afraid to express any criticism openly. In turn, the government used data on peoples sentiments only to try to control their thoughts. As a result, it did not respond to matters that concerned the public. These problems only increased during the era of stagnation and contributed to the decline and subsequent collapse of the Soviet system.


Author(s):  
D. V. Repnikov

The article is devoted to such an important aspect of the activities of the plenipotentiaries of the State Defensive Committee during the Great Patriotic War, as conflicts of authority. Contradictions between the plenipotentiaries of the State Defensive Committee and the leaders of party, state, economic bodies at various levels, as well as between the plenipotentiaries themselves, that were expressed in the emergence of various disputes and often resulted in conflicts of authority, became commonplace in the functioning of the state power system of the USSR in the war period. Based on documents from federal (State Archive of the Russian Federation, Russian State Archive of Socio-Political History, Russian State Archive of Economics) and regional (Central State Archive of the Udmurt Republic, Center for Documentation of the Recent History of the Udmurt Republic) archives, the author considers a conflict of authority situation that developed during the Great Patriotic War in the Udmurt Autonomous Soviet Socialist Republic, which shows that historical reality is more complicated than the stereotypical manifestations of it.


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