New Area Studies and Languages on the Move

PMLA ◽  
2011 ◽  
Vol 126 (3) ◽  
pp. 693-700
Author(s):  
Jing Tsu

In 1909 Wu Zhihui, a proponent of esperanto and well-known anarchist of Twentieth-Century China, predicted the future of global languages. Though the nationalization of the Chinese language was still pending, Wu expressed concern not for its imminent standardization but for its eventual global viability. The outlook was not rosy: Not only is the Chinese language not phoneticized, it is also not easy to typeset or index. This is a tremendous obstacle to the dissemination of civilized modernization and the governance of all things…. Looking up Chinese characters takes great effort indeed. Regardless of the index system and classification scheme, it is very difficult to memorize them. Moreover, there are too many characters…. Western writing has one great advantage, which became clear as the greatest disadvantage of the Chinese language only with the advancement of machine technology. A typewriter can be used with Western scripts but not with the Chinese language…. Sooner or later the Chinese script has to be abolished.(51, 36, 37, 52; my trans.)

2011 ◽  
Vol 54 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Charles Ambler

Abstract:This article explores the intellectual traditions of African studies, focusing on the central principles of interdisciplinarity and commitment to social and racial justice. Tracing the origins of the field to late nineteenth- and early twentieth-century African is t intellectuals such as Edward Blyden, it investigates these traditions historically and in the context of contemporary practice. Against the backdrop of concerns for the future of area studies, the author finds a vibrant field—both inside and beyond its traditional boundaries.


2014 ◽  
Vol 41 (2-3) ◽  
pp. 299-322 ◽  
Author(s):  
Huiling Yang

Summary The first printed Chinese–English dictionary was the Dictionary of the Chinese Language in Three Parts compiled by Robert Morrison (1782–1834) published between 1815 and 1823. Two hundred years later it is still in use. This paper traces the tradition of missionary bilingual lexicography in China from its origins down to Morrison. While early manuscript bilingual dictionaries solved the problems of transliteration, alphabetical arrangement of Chinese entries, definition and grammatical information, Morrison improved the transliteration system which he had inherited, invented a new index system matching alphabetically arranged transliterations with Chinese characters, and provided a large number of citations from Chinese classics and popular contemporary Chinese books. Morrison’s lexicographical legacy is reflected in the fact that his transliteration was adopted as the basis for the Wade-Giles system and that the macrostructure and microstructure of his dictionary became a model for Samuel Wells Williams’ (1812–1884) Syllabic Dictionary of the Chinese Language 漢英韻府 (1874, re-edited until 1909) and Henry Allen Giles’ (1845–1935) Chinese-English Dictionary (1892, last ed., 1972.)


2019 ◽  
Vol 9 (1) ◽  
pp. 99-101
Author(s):  
Jin Xiaolei ◽  

This paper introduces the nature of the Chinese script, with the focus on its origin and development, the main four kinds of creation methods, the basic strokes of Chinese characters and the significance of its radical structure. The author believes that Chinese characters are the carriers of the script, phoneme and meaning as well as of the grammatical structure of the Chinese language. Hence, the Latin alphabet for the Chinese phonetic system cannot replace Chinese character, and learning Chinese character is very important for foreign learners. Finally, the author gives a mnemonic of the basic rules for stroke order that facilitates learners' memory and helps them write characters correctly and quickly.


2017 ◽  
Vol 44 (3-4) ◽  
pp. 212-229
Author(s):  
Tze-Wan Kwan

One might think that the European verb “to be” can find no counterpart in archaic Chinese. This paper starts with two sidetracks on Heidegger and Benveniste, which prepare us a broader horizon in dealing with the notion of “being.” It is indeed conceivable in the four Chinese characters shi 是, zai 在, cun 存 and you 有. These notions are discussed with the help of corresponding archaic Chinese script tokens. This so-called fourfold root explains why it is precisely these characters that have become the most widely used Chinese translations for the notion of “being.”


2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.


Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


2019 ◽  
Vol 12 (3) ◽  
pp. 202-211
Author(s):  
Yuancheng Li ◽  
Rong Huang ◽  
Xiangqian Nie

Background: With the rapid development of the Internet, the number of web spam has increased dramatically in recent years, which has wasted search engine storage and computing power on a massive scale. To identify the web spam effectively, the content features, link features, hidden features and quality features of web page are integrated to establish the corresponding web spam identification index system. However, the index system is highly correlation dimension. Methods: An improved method of autoencoder named stacked autoencoder neural network (SAE) is used to realize the reduction of the web spam identification index system. Results: The experiment results show that our method could reduce effectively the index of web spam and significantly improves the recognition rate in the following work. Conclusion: An autoencoder based web spam indexes reduction method is proposed in this paper. The experimental results show that it greatly reduces the temporal and spatial complexity of the future web spam detection model.


Author(s):  
Jason Phillips

This conclusion explains how American temporalities changed after the war and sketches how expectations and anticipations of the future have alternated as the dominant view in American culture through the twentieth century to today. This chapter also shows how the short war myth, the story that Civil War Americans expected a short, glorious war at the outset, gained currency with the public and consensus among scholars during the postwar period. It contrasts the wartime expectations of individuals with their postwar memories of the war’s beginning to show how the short war myth worked as a tool for sectional reconciliation and a narrative device that dramatized the war by creating an innocent antebellum era or golden age before the cataclysm. It considers why historians still accept the myth and showcases three postwar voices that challenged it.


Author(s):  
James Tweedie

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.


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