scholarly journals EXPRESSION OF THE NEEDS OF THE CHARACTERS OF FAIRY TALES CREATED BY CHILDREN GROWING UP IN FAMILIES AT SOCIAL RISK AND THEIR SATISFACTION

Author(s):  
Nijole Braziene

The scientific literature analyses in detail the problems of a family at social risk, threats to the child’s social and personality development, etc., however, all insights are provided from an adult perspective – research that would allow the voice of a child growing up in a family at social risk to be heard has not been detected. Children have a limited ability to talk about their experiences. This is facilitated by the creation of a fairy tale, where the child, through the images of the characters created, can safely convey his/her individual life experiences. The aim of the article is to identify the expression of the needs of the characters of fairy tales created by children growing up in families at social risk and their satisfaction. Fairy tales created by 9‒12 year old children were selected as the object of analysis. Of the 69 texts written by children, 47 were selected for analysis. The content analysis of fairy tales was based on the principles of phenomenological hermeneutics. The analysis of fairy tales created by children growing up in families at social risk shows that the characters of the fairy tales they create experience the following unmet needs: physiological, security and social. Heroes of the fairy tales of children growing up in families at social risk are not prone to solving problems, it is more comfortable for them to live as usual, although not always they feel good because of that. 

2021 ◽  
Vol 19 (1) ◽  
pp. 168-182
Author(s):  
Anja Tippner ◽  

The article discusses Josef Lada’s very popular children’s book Kocour Mikeš [Mikeš, the cat] (1934–1936), which is still a part of Czech schools’ curriculum. The series was inspired by Lada’s own childhood as well as by “Puss in Boots” fairy tales. Lada had created his fairy tale by uniquely merging such literary genres as the idyll and the growing-up novel, and this article addresses the genre specifics of his story. Also it examines double function of childhood in “Mikeš, the cat” as the motif and the source of inspiration. The article gives special attention to the thesis that Lada’s fairy tale is filled with nostalgia for his childhood’ rural world, and this feeling adds to popularity of his story in industrialized Czech.


2018 ◽  
Vol 12 (1) ◽  
pp. 7-20
Author(s):  
Risto Järv ◽  
Mairi Kaasik

Abstract The article* focuses on two Estonian fairy tale types that have been recorded among the Orthodox Seto minority in the south-eastern corner of Estonia. In the index of Estonian folktales they have been described under tales of magic (fairy tales) as tale types Ee 328C* and Ee 327H*. One of the tale types observed is a masculine folk tale (one with male protagonists), the other can be considered a feminine folk tale with female protagonists despite it seemingly having two main characters of different genders. In both tales the protagonists reach a hostile place after moving through liminality, and both tales can be interpreted as tales of growing up.


2021 ◽  
Vol 18 (1) ◽  
pp. 339-349
Author(s):  
Ivana Tasić Mitić ◽  
◽  
Aleksandar Stojadinović

The paper emphasises the importance of fairy tale, as the preferred literary genre in lower elementary grades, and its influence on children’s education and personality development. A fairy tale is a rich source of aesthetic perceptions and pleasant emotions, as well as a powerful motivator for developing positive personality traits. In order to examine the attitudes of lower elementary school students towards the reception of fairy tale as a literary genre, a survey was conducted. The sample included 360 third grade elementary school students. The results show that students are very fond of reading and exploring fairy tales, but they also face some problems in understanding and experiencing them, which stresses the importance of implementing different approaches in teaching.


2018 ◽  
Vol 3 (1) ◽  
pp. 117
Author(s):  
Lilis Sumaryanti

In an increasingly sophisticated era of globalization, the challenges of the times demand that all be developed, including having broad knowledge and knowledge and supported by positive habituation, namely by cultivating literacy in everyday life. The process of introducing and planting literacy must begin at an early age so that this habituation can be inherent in each individual. Consumptive souls who want everything to be instantaneous by utilizing certain tools to simplify work and can make time efficient become obstacles for the community to cultivate literacy. This problem causes the reading interest of the next generation to decline. Literary works have been known since ancient times. Evidenced by the many works that have been produced, one of them is a fairy tale. Fairy tales are literacy works produced by previous ancestors as a form of literary culture. The creation of this tale is an effort to move the culture of literacy of the next generation. Literacy culture by reading fairy tales is an effort of parents to help early childhood in developing self-potential and teach life experiences because in the "golden age" children develop in imitation.


Author(s):  
Eugenia Chernega

The article considers one of such obstacles to qualitative constructive changes in personality development, namely the destructive behavioral scenario. Many people repeatedly lose certain behavioral scenarios without realizing their constructiveness or destructiveness. Close people in the process of raising a child influence the formation of beliefs, values and norms, including through fairy tales, initially offering certain fairy tales to the child, guided by their own preferences and assessments of the actions of the characters. Recently, this genre of folk folklore has been actively used in psychology and pedagogy as an element of correction. The purpose of the study was to identify destructive behavioral scenarios. The communicative-cognitive and psychosomatic approaches were used, the study was conducted in the 2019-2020 academic year in educational institutions of higher education of the Moscow region. The respondents of the study were 60 first-year students of various (average age 18.7 years). Male and female students were equally present. The results of the study show that first-year students of educational institutions of higher education demonstrate a certain attitude towards themselves and the world, reflected in the fundamental resource life attitudes formed in childhood through fairy tales. This attitude affects their current state, which is characterized by a commitment to the previous lifestyle, but also a desire for transformations associated with a change in the social situation of development


Author(s):  
James Gracey

This chapter analyses the fairy tales, folklore, and the art of oral storytelling that are all woven into the very fabric of Neil Jordan's The Company of Wolves. It outlines The Company of Wolves's fragmented narrative structure, which exists within the dreams of a sleeping adolescent girl that is comprised of stories told to her by her Granny. It also talks about how The Company of Wolves plays with the form of the fairy tale and its ideas regarding initiation, redemption, and personal and social progress in order to explore the changes and uncertainties of growing up. This chapter explores Jordan and Carter's process of demythologising culturally constructed notions of gender and identity by retelling the very fairy tales that helped establish such notions. It examines the role played by fairy tales in conditioning communities, and how certain tales were repurposed through literary adaptations to educate and instruct different types of audiences.


1982 ◽  
Vol 30 (2) ◽  
pp. 223-233 ◽  
Author(s):  
Moshe Shokeid

Prevalent theories premise that the popular Western fairy tale whose predominant motif is one of cruelty toward children by their closest kin or guardian is an expression of repressed parent-child hostility and sexual complexes. This paper presents an alternative approach: fairy tales may also serve to introduce the child to the world of strangers and the noncommitted modes of behavior which often typify social encounters in Western society. In this respect they have an educational role in the growing-up process similar to that of folklore in nonliterate societies.


2015 ◽  
Vol 8 (2) ◽  
pp. 169-184
Author(s):  
Željka Flegar

This article discusses the implied ‘vulgarity’ and playfulness of children's literature within the broader concept of the carnivalesque as defined by Mikhail Bakhtin in Rabelais and His World (1965) and further contextualised by John Stephens in Language and Ideology in Children's Fiction (1992). Carnivalesque adaptations of fairy tales are examined by situating them within Cristina Bacchilega's contemporary construct of the ‘fairy-tale web’, focusing on the arenas of parody and intertextuality for the purpose of detecting crucial changes in children's culture in relation to the social construct and ideology of adulthood from the Golden Age of children's literature onward. The analysis is primarily concerned with Roald Dahl's Revolting Rhymes (1982) and J. K. Rowling's The Tales of Beedle the Bard (2007/2008) as representative examples of the historically conditioned empowerment of the child consumer. Marked by ambivalent laughter, mockery and the degradation of ‘high culture’, the interrogative, subversive and ‘time out’ nature of the carnivalesque adaptations of fairy tales reveals the striking allure of contemporary children's culture, which not only accommodates children's needs and preferences, but also is evidently desirable to everybody.


Author(s):  
Jack Zipes

This book explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. The book reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world—the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. The book looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the “Grimm” aspects of contemporary tales, and the tales' utopian impulses. It shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. The book concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. The book examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.


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