scholarly journals Preserving and documenting the Cultural Heritage

2008 ◽  
Vol 5 (2) ◽  
Author(s):  
Deniz Özkut
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Point Of View ◽  
Cultural Property ◽  
Total Quality ◽  
Implementation Phase ◽  
Emotional Context ◽  
Physical Context ◽  
Effective System ◽  
Definition Of

The phenomenon of preservation may be described as a physical process that depends onconceptual facts. When observed from a conceptual point of view, ‘values’ cause the divergencesin the preservation process, which could be named as the pre-requisites of the construction.Values carry emotional and physical points of view. The emotional context, of course, dependson recognizing and remembering while physical context depends on direction of research. They are indicators of cultural characteristics and historical identity. ‘Cultural values’1, more over, explains the meanings attributed to the cultural property, which meanings will be preserved, and the reasons for their preservation. On behalf of this context, the preservation process may be defined as the preservation of the cultural heritage within an effective system. This effective system isaimed at attaining the total quality as a result of a synthesis of the technology, technique, and material originally deployed with those of the present. Besides, one of the most important inputin the preservation process is the priorities of the intervention to be held, as the latter will determine the decisions and types of intervention during the implementation phase of the preservation project. As a significant paradox, the most important parameter that shapes both a preservationproject and its process appears to be the risks that consist of indefinite input preventing theproject from a proper definition of its context. Since all physical problems and the social statusof the cultural property to be preserved have direct impact upon the design process of thepreservation project, these priorities and the risks should be clarified in the course of pre-assessment phase at the beginning of the preservation process.

PROBLEMS OF CLASSIFICATION OF CULTURAL HERITAGE OBJECTS

2020 ◽  
Vol 10 (2) ◽  
pp. 158-168
Author(s):  
SVETLANA IVANOVA ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Research Work ◽  
Cultural Property ◽  
Cultural Inheritance ◽  
Federal Laws ◽  
Cultural Heritage Objects ◽  
Cultural Monuments

The purpose of the research work is to analyze the norms of Federal laws, as well as the laws of the Russian Federation's constituent entities, devoted to the definitions and classification of the concepts “cultural heritage”, “historical and cultural monuments”, “cultural values”. Conclusions obtained in the course of the research: based on the study of current legislation, it is concluded that the definitions of “cultural values”, “cultural property”, “objects of cultural inheritance” contained in various normative legal acts differ in content. Based on the research, the author proposes the concept of “cultural values”.

Introduction

2019 ◽  
pp. 1-26
Author(s):  
Lucas Lixinski
Keyword(s):  
Cultural Heritage ◽  
Cultural Property ◽  
Natural Heritage ◽  
Working Definition ◽  
Definition Of ◽  
The Relationship

The Introduction details the book’s general aims and argument. It also lays the groundwork for some of the broader theoretical themes that run through the book, namely: the relationship between law and non-law with respect to cultural heritage; the conservation paradigm under which international heritage law operates; and the basic terminology that the book uses, in its choice to refer to simply ‘heritage’, instead of ‘cultural heritage’, ‘cultural property’, ‘natural heritage’, and a working definition of ‘community’.

The Invisible Landscape: Subsoil, Environment and the Italian Legislation on the Cultural Heritage

1999 ◽  
Vol 2 (2) ◽  
pp. 159-175
Author(s):  
Laura Domanico
Keyword(s):  
Cultural Heritage ◽  
Point Of View ◽  
Human Beings ◽  
Negative Consequences ◽  
Human Environment ◽  
Dynamic View ◽  
Definition Of ◽  
Historic Landscape ◽  
Emotional Approach ◽  
Italian Legislation

The study examines the Italian legislation on the cultural heritage and the environment, and points out the cultural gaps from the point of view of the definition and comprehension of these matters, and the delays surrounding the management of the cultural heritage in the territory. While theoretical debate on the environment in Italy has received a strong impulse in recent years, the cultural heritage continues to be governed by generally outdated laws of an essentially restrictive and punitive nature. The environment and cultural heritage are also seen by the Italian legislation as two separate entities, with negative consequences at the level of the protection, safeguarding and evaluation of the heritage. The study also puts forward a unified, dynamic view of the human environment (the interaction between human beings and the environment), which includes both the visible and invisible landscapes, the latter existing concealed beneath the surface. The proposed concept of the subsoil is that of a structured universe, in whose understanding and interpretation archaeology plays a determining role. By protecting and safeguarding only what ‘we can see’, i.e. the environmental and historic landscape above the soil, the law forgets that this is nothing other than the product of a series of partial landscapes fossilized and stratified in the course of time. By seeking out a new definition of the human environment, the study advances a conception that takes into account continuing transformations while not excluding an intuitive and emotional approach.

CONDITION AND PROBLEMS OF KAUNAS FORTRESS / KAUNO TVIRTOVĖS KULTŪROS PAVELDO OBJEKTŲ BŪKLĖ IR PROBLEMOS

2012 ◽  
Vol 36 (1) ◽  
pp. 63-72
Author(s):  
Nijolė Steponaitytė
Keyword(s):  
European Union ◽  
Cultural Heritage ◽  
Natural Environment ◽  
Point Of View ◽  
Cultural Property ◽  
Master Plan ◽  
The European Union ◽  
New Construction ◽  
The Republic

The paper discusses objects of the research on Kaunas Fortress, listing of the Fortress in the Register of Cultural Property of the Republic of Lithuania, and process for establishing respective territory and preservation zones. Some protection objects – forts, batteries and their territories – are analysed from the point of view of new construction penetration into the territories and preservation zones of cultural heritage. Creation of terriologic reservates around objects of the Fortress and their regulation influence to buildings is discussed. Natural environment planning, the European Union supported projects, their results and realisation, practical benefit, some solutions of the master plan of Kaunas, that harm objects of cultural heritage territories of Kaunas Fortress are discussed as well. Santrauka Straipsnyje aptariami Kauno tvirtovės objektų tyrimai, įtraukimas į LR nekilnojamojo kultūros paveldo vertybių registrą, teritorijų ir apsaugos zonų nustatymas. Analizuojama kai kurių Kauno tvirtovės gynybinių statinių teritorijų būklė, naujų statybų skverbimasis į kultūros paveldo objektų apsaugos zonas ir teritorijas. Aptariamas teriologinių draustinių įkūrimas tvirtovės gynybiniuose objektuose, jų nuostatų įtaka statiniams, gamtotvarkos planų ir kitų Europos Sąjungos finansuojamų projektų rezultatai ir siūlymų įgyvendinimas, praktinė nauda, kai kurie Kauno miesto Bendrojo plano sprendiniai, kenkiantys Kauno tvirtovės kultūros paveldo objektų išlikimui.

scholarly journals Theoretical fundamentals of development of the innovation theory

2021 ◽  
Vol 2 (98) ◽  
pp. 232-244
Author(s):  
O. S. Tushkevych ◽  
Keyword(s):  
New Technologies ◽  
Innovation Process ◽  
Point Of View ◽  
Innovative Development ◽  
Innovation Theory ◽  
New Paradigm ◽  
Effective System ◽  
The Creation ◽  
Definition Of ◽  
Almost All

Theoretical aspects of innovation theory and its categorical apparatus are considered in the article. Development of ideas about the place and importance of innovation in the spread of innovative theories and approaches to the categories of "innovation" and "innovative development" are analyzed. Own reasoning is presented and own definition of investigated terms that based on the analysis is given. Knowing of theoretical essentials of innovations will enable to create an effective system of management of innovation processes at the enterprise. From this point of view it is expedient to consider the definitions of innovations and their classification. In given article, an author reveals the notions of innovation and innovation process that exist in economic literature by now, considers existing classifications of innovations. An author also gives his own classification of innovations, reveals his understanding of notion of innovation. Currently, the term "innovation" is found everywhere. It has become especially widespread in the sphere of production, although it is not limited to it and applies to almost all areas of human activity. The world and domestic economy form a new paradigm of development, which is based on the growing relationship between socio-economic development of society and new technologies, the global nature of the creation and use of research and development. The creation and implementation of innovations becomes the main internal factor and the key to uture economic growth. As world experience shows, the successful use of scientific and technological progress can significantly affect the course of economic processes and significantly accelerate them. The term "innovative development" consists of two categories – "innovation" and "development". As they are widely used in almost all fields of knowledge and areas of activity, they do not have an unambiguous definition and are the subject of research by domestic and foreign scientists of various profiles.

scholarly journals Formation of national self-consciousness of future musical art teachers in the process of their professional training

2021 ◽  
Vol 104 ◽  
pp. 03012
Author(s):  
Vasyl Kovalchuk ◽  
Tetiana Aheikina-Starchenko ◽  
Nataliia Chorna ◽  
Svitlana Iskra
Keyword(s):  
Cultural Values ◽  
Professional Training ◽  
Art Teachers ◽  
Self Esteem ◽  
Point Of View ◽  
Training Process ◽  
Professional Activities ◽  
Special Knowledge ◽  
Definition Of ◽  
Methodological Aspects

The authors of the paper analyze the definition of “national self-consciousness” and outline its structure, which includes self-esteem, socio-psychological expectations, and self-identification. From the point of view of the authors of the paper, the national self-consciousness of future musical art teachers includes three interrelated components. They are: an information-cognitive one, which involves mastering the system of general knowledge and special knowledge, as well as the possession of certain information regarding one's own self-identification; an emotional and value one, which reflects patriotic feelings, the desire for the national ideal, the value attitude towards the Ukrainian cultural heritage; and a reflexive and activity one, which characterizes the awareness of the nationality, awareness of oneself as a bearer of cultural values and heritage of the nation, and awareness of one's role in future professional activities. As a result of the analysis of the researches on the problem under our consideration, we made some conclusions about the ways of forming the national selfconsciousness of young people. The authors of the paper conducted a pedagogical experiment that allowed identify methodological aspects and suggest forms and methods that should be used in the training process to form the national self-consciousness of future teachers of musical art.

scholarly journals Architectural Heritage Value Dispersed on Sensuous Thresholds in Kim Swoo Geun’s Arario Museum in Space, Seoul

2020 ◽  
Vol 12 (11) ◽  
pp. 4664
Author(s):  
Jiae Han
Keyword(s):  
Cultural Heritage ◽  
Physical Structure ◽  
Modern Architecture ◽  
Cultural Property ◽  
Architectural Heritage ◽  
Space Group ◽  
Spatial Features ◽  
The Status ◽  
Definition Of

As a representation of Korea’s modern architecture, Kim Swoo Geun described the Space Group of Korea Building as an “enclosed but endless space”. The Space Group Building is currently Korea’s Registered Cultural Heritage No. 586. Its name was changed to Arario Museum in Space; since 2013, it has been used as a museum. This study aims to reveal what spatial features of the Arario Museum have value as cultural heritage to make its sustainable architectural message. This research will analyze spatial traits within thresholds, beyond the general spatial traits of the architecture itself. The threshold gives Arario Museum meaning as a registered cultural property of Korea. The fundamental methodology to analyze the issue of threshold is to document the architectural experience based on the architect’s interviews, sketches and diagrams for design intention and strategy. Kim’s space displays the unification of physical structure and invisible phenomenon and cognition. The definition of threshold and the elements that constitute it discussed in this research were those that cover such multileveled concepts as materials that constitute the threshold. In addition, the phenomenon and status of these elements extracted in such manner being actually dispersed was verified, and the obtained characteristics of the threshold can result in the following: the concealment, juxtaposition, and flexibility are ultimately expanded to the ambiguity which is unique to Arario Museum in Space. Concealment started from observing the surface of threshold itself, and juxtaposition is the relational interpretation among the various elements. After the analysis on the dispersion and contacts, the status and phenomena of the building’s thresholds were concluded as a flexibility connection to its heritage value.

Digitalization of customs control of cultural properties in international trad

2021 ◽  
pp. 363-375
Author(s):  
Kristina Aleksandrovna Voishcheva ◽  
Aleksei Valerievich Bondarenko ◽  
Larisa Sergeevna Pritchina ◽  
Valentin Yur’evich Vakhrushev
Keyword(s):  
International Trade ◽  
Cultural Heritage ◽  
Cultural Values ◽  
Modern Society ◽  
Cultural Property ◽  
Art Business ◽  
Art Objects ◽  
Arms Trade ◽  
Cultural Heritage Objects ◽  
Customs Administration

The development of international trade and the growing influence of visual images on the consciousness of modern society have led to a steadily growing demand for art objects. However, the art market is a gold mine for professional thieves. Every month, more than a thousand works of art are stolen in the world. The criminal art business ranks third after drug trafficking and the arms trade. The level of detection of crimes related to the theft of art objects is still negligibly low (only 1.5 % of court cases end in favor of the owners), the amount of money is colossal (according to general estimates, the global value of stolen works is 3.7 billion pounds), and the interest of the internal authorities of different countries in training specialized search personnel is scanty. The relevance of the presented topic lies in the fact that the globalization of international trade in cultural values and the high corruption component require improving customs administration and improving the quality of customs activities. Today, innovative technologies are able to automate the process of control over cultural values, speed up and simplify the process of interaction between foreign trade participants and customs authorities, as well as ensure complete safety of transportation of cultural heritage objects. Objective: to develop proposals for improving customs control over the movement of cultural property, in particular, by creating an information interdepartmental system for monitoring the movement of cultural property using blockchain technologies and the Internet of Things, which can provide greater transparency in the movement of art objects. Object of research: ensuring customs control over the movement of cultural heritage objects. Subject of research: cutting-edge technologies as a means of improving the effectiveness of customs control over the movement of cultural property.

Identitatea rromilor. Patrimoniul cultural material și imaterial al etniei rrome

2020 ◽  
Vol 34 ◽  
pp. 353-370
Author(s):  
Marius Lakatos Iancu
Keyword(s):  
Ethnic Group ◽  
Cultural Values ◽  
Point Of View ◽  
Traditional Values ◽  
Economic Point ◽  
Cultural Patrimony ◽  
Cultural Elements ◽  
Long Time ◽  
Definition Of ◽  
The Way

"The material and immaterial cultural patrimony of Rroma ethnicity This study aims to address a series of cultural values representative of the Rroma from the perspective of traditional trades, inherited or practiced and which define their ethnic identity. It is too unlikely to know exactly who and what the Rroma were due to the lack of sources and moreover, written studies about this ethnic group were based more on elements related to folklore or legends. Starting from the premise that, from a historical and conceptual point of view, the Rroma people have not yet defined themselves as identity anymore, for a long time the monopoly on the definition of Rroma belonged to the majority, the study aims to illustrate those cultural elements in within the community that were and are still in the contemporary period a landmark of unconditional self-definition of the Rroma. The indicators to which we refer as individuals in those situations in which we are exposed to name and qualify a group, are not only those of certified historical nature through writings, they are also established in the context of how the group expresses its material cultural heritage and immaterial that it represents. Although this concept promotes the need to know the identity of groups, the Rroma ethnic group has difficulties in terms of the identity culture displayed and the way it is perceived by society. The Rroma minority, indeed, encounters difficulties from a socio-economic point of view, the vast majority of society referring to this deficit in the situations of labeling and defining the Rroma identity. However, the Rroma ethnicity can also be defined on the basis of specific values attested by ethnicity, cultural values such as trades, crafts and customs, dress, spoken language and human values such as unity, solidarity, trust and faith. Thus, the study itself aims to illustrate those unknown or less known elements about the Rroma, exposing those cultural-traditional values that have the role of defining the identity of the Rroma not according to the socio-educational level (misery, poverty, deprived people of scruples, minority, etc.) but depending on the way in which the Rroma, both at individual and group level, relate to values of heritage elements when they define themselves. (trades practiced, Rroma peoples, elements specific to Rroma peoples) The aim of the study will most likely generate results in terms of reducing unfounded perceptions about Rroma tradition and identity and at the same time combating prejudices against this ethnic minority. Keywords: culture, Rroma, Rroma nations, identity, craftsmen "

scholarly journals The Role of Architectural Awards for Enhancing Heritage-Based Graduation Projects Analytical Study of Tamayouz Excellence Award for Iraqi Students

2020 ◽  
Vol 7 (3) ◽  
pp. 9-24
Author(s):  
Nahith Abdullah ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Final Stage ◽  
Social Life ◽  
Deep Structure ◽  
Vital Role ◽  
Point Of View ◽  
Visual Elements ◽  
Contemporary Architecture

The cultural heritage plays an important role in determining the identity of any community, and the architectural output is at the forefront of this subject since it‟s the direct visual product of a cumulative result of the experience led by the communities within a given time and place which is compatible with the cultural structure and social life. From this point of view, the academic curriculum in many architectural schools tries to enhance the students‟ vision for the cultural heritage by introducing that heritage as a main source of inspiration in the creation of their design product. This comes in various ways, most of which are based on the employing of visual elements and external details showing their impact on the facades of the design projects as a blind repetition of that legacy, while some schools are investigating more deeply the ideology behind the production of that legacy and direct their students to study the deep structure of that heritage and reproduce it differently from previous to more contemporary architecture. The process of evaluating student‟s architectural products supports those approaches of inspiring heritage-based projects as those processes considered as an evaluating means for the outputs. One of the most important sources for those evaluations were students‟ project competitions and awards, which play a vital role in implicitly inspiring the cultural values of that heritage. Tamayouz Excellence Award for Graduation Projects stands on the head of these awards for the final stage output of Iraqi students. This paper aims to investigate the extent to which the academic output of the students' products which were chosen as a shortlist by (Tamayouz Excellence Award for Iraqi Students) can reflect the iconic, canonic, pragmatic, and analogy depiction of that heritage, and thus its ability to create a product with a deep local cultural vision. This is done by examining those output of several Iraqi architectural final stage students by analyzing those projects according to the structural elements that formulate their concepts, to point out those trends that help the promoting out values of identity within their works. The research found that the projects which inspire the heritage were not the most likely to run for the final positions. The reason for this lies in the superficial approach in which these projects dealt with the heritage values, and the local culture has been limited to the inspiration of the just formal elements without going deeply into the intellectual depth of that heritage

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