scholarly journals Camel bird's "The White Garden" : symbols and images in a space of their own

2000 ◽  
Vol 2 ◽  
pp. 79
Author(s):  
María del Carmen Rodríguez Fernández
Keyword(s):  
Symbolic Order ◽  
Complex Relationship ◽  
The Novel ◽  
Female Characters ◽  
The Unconscious ◽  
The Status

The White Garden shows the most worked, formal and contained use of the language existing in the chasm between the conscious and the unconscious. This is the territory that the novel explores because the female characters adopt different personifications and they subvert the personalities of the women they stand for enjoying the status of deluded women. The boundary between the conscious, the symbolic order superimposed by Goddard, and the unconscious, the pre-Oedipal phase in which the dreams strive to appear from the subconscious in the privacy of the cell becomes the mainstay of the novel. The outcome of all this is a rich and profuse web of influences and cross-referencing; a transposition of systems of signs that results in a dense and complex relationship whose imagery is achieved by means of the white garden, a representation of female freedom and triumph.

scholarly journals Unveiling Women Marginalization in Our Lady of Alice Bhatti by Mohammed Hanif

2021 ◽  
Vol VI (I) ◽  
pp. 84-89
Author(s):  
Saira Siraj ◽  
Muhammad Tahir Anjum ◽  
Abdus Samad
Keyword(s):  
Textual Analysis ◽  
The Novel ◽  
Female Characters ◽  
The West ◽  
Class Differences ◽  
The Status ◽  
Theoretical Foundations ◽  
Status Of Women ◽  
Better Than

The present study pursues the primaeval customs of patriarchy and its tormenting effects happening in the lives of women in Pakistan. The purpose of this research is to explore how patriarchal traditions, class differences, and their triple marginalization in the novel played chaos in the lives of females. Though the existing status of women is traditionally much better than that of women in the West but still they are not empowered and are deprived of basic rights. GC Spivak provides the theoretical foundations for this research through her theory, can the subaltern speak (1988). This research is based on qualitative textual analysis. The present study explores the status of women in Pakistan through the characterization of various female characters in the novel. This study concludes that they are portrayed as compliant and deserted beings deprived of every kind of individualism.

scholarly journals SOME ILLUSTRATIONS OF FEMALE CHARACTERS IN ATSIZ'S BOZKURTLAR NOVEL

2020 ◽  
Vol 9 (76) ◽  
Keyword(s):  
Political Identity ◽  
Young Girl ◽  
Turkish Woman ◽  
The Novel ◽  
Female Characters ◽  
The Third ◽  
The Status ◽  
Turkish Society ◽  
Status Of Women ◽  
Better Than

In this article, the place of Turkish female characters in society is explained in Hüseyin Nihal Atsız's novel Bozkurtlar. The article consists of three chapters; the life of Hüseyin Nihal Atsız, the place of the ancient Turkish woman in society and Turkish female characters in the novel Bozkurtlar. In the first part of the article, information about Atsız's life, literary aspect and political identity is given. In the second part, the place of women in ancient Turkish society is explained in detail. In the third part, Bozkurtlar novel written by Atsız is discussed and Turkish female heroes in the story are depicted considering their various features. These women reflect to the reader as an ordinary woman who can hunt better than her husband when necessary, a young girl who is protected by the laws and who can resist the orders by relying on these rights, a sovereign who has gained the respect and love of her own people or a woman who loves her homeland enough to leave her title. In the conclusion part, it is emphasized that the woman who is the companion of her man in the difficult steppe life in the ancient Turkish society is respected as a valuable being in contrast to other societies in the same period. This article was written to reveal the status of women in ancient Turks. Keywords: Description, woman, Turkish, status, Atsız, Bozkurtlar

Sub-version of Myth: Portrayal of Karna’s two wives in Kavita Kane’s Karna’s Wife

2019 ◽  
Vol 5 (4) ◽  
pp. 277-292
Author(s):  
Yashika Bisht ◽  
Shweta Saxena
Keyword(s):  
The Novel ◽  
Female Characters

Karna’s Wife is the first work of the writer, Kavita Kane who is “trying to portray a small chunk, a small aspect which has not been dealt with yet” in the Mahabharata. In Karna’s Wife, Kavita Kane portrays female characters like Uruvi and Vrushali who are victims at the hands of men and fate and how they still balance their lives and endure it all. Vrushali is the first wife of Karna and her husband married Uruvi and was deeply in love with her. Her rights, his attention, his love, everything is distributed. Uruvi who is Karna’s second wife is constantly seen striving throughout the novel to keep her husband away from Duryodhana’s evil camaraderie because she fears that this alliance will certainly lead to her husband’s catastrophe. It would be very interesting to see how these two women have come out of these gritty situations, faced the veracity and still lived mightily.

PERUBAHAN NILAI BUDAYA MINANGKABAU DALAM NOVEL TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA DAN NOVEL BULAN SUSUT KARYA ISMET FANANY (KAJIAN PERBANDINGAN)

Jurnal KATA ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 336
Author(s):  
Yulia Pebriani
Keyword(s):  
Modern Society ◽  
Local Culture ◽  
The Novel ◽  
Next Generation ◽  
The Status ◽  
Symbolic Leadership ◽  
Cultural Shifts ◽  
Time Lead

<em>Local culture is very diverse Indonesia became an honor and challenge to maintain and inherited to the next generation. Local Indonesian culture is very proud because it has a very varied diversity and unique. As time, lead to changes in lifestyle a more modern society. As a result, people will prefer the new culture that may be considered more practical than the local culture. Views on kinship, treasures, and wander in the novel Tenggelamnya Kapal Van Der Wijck Hamka works and novels Bulan Susut works Ismet Fanany changes and cultural shifts. Kinship, treasures, and wander in the novel Sinking Ship Van Der Wijck Hamka's work is described explicitly, whereas kinship, treasures, and wander in the novel Month Losses Ismet work Fanany described implicitly. Changes in people's lives has implications for social Minangkabau culture in Minangkabau society. A leadership that is both functional mamak transformed into symbolic leadership. Mamak originally as straps tribesmen, has changed the status and intrinsic meaning.</em>

Obsolescence

PMLA ◽  
2008 ◽  
Vol 123 (3) ◽  
pp. 718-722 ◽  
Author(s):  
Kathleen Fitzpatrick
Keyword(s):  
United States ◽  
Graduate Students ◽  
National Endowment ◽  
The Novel ◽  
Contemporary Culture ◽  
American Novel ◽  
The Arts ◽  
The Status ◽  
Material State ◽  
Different Response

I was invited by the MLA committee on the status of graduate students in the profession to speak at a convention workshop entitled “Keywords for a Digital Profession.” My keyword was obsolescence, a catchall term for a multiplicity of conditions; there are material obsolescences, institutional obsolescences, and purely theoretical obsolescences, each type demanding a different response. I spent years pondering theoretical obsolescence while writing The Anxiety of Obsolescence: The American Novel in the Age of Television. The book argues, in part, that claims about the obsolescence of cultural forms often say more about those doing the claiming than they do about the objects of the claims. Neither the novel in particular nor the book more broadly nor print in general is dead, and agonized announcements of the death of such technologies and genres often serve to re-create an elite cadre of cultural producers and consumers, ostensibly operating on the margins of contemporary culture and profiting from their claims of marginality by creating a sense that their own values, once mainstream and now decaying, must be protected. Two oft-cited reports of the National Endowment for the Arts, Reading at Risk (2004) and To Read or Not to Read (2007), come to mind; like numerous other expressions of anxiety about the supposed decline of reading, each rhetorically creates a cultural wildlife preserve in which the apparently obsolete can flourish (United States). These texts suggest that obsolescence is, in this case at least, less a material state than a political project.

CULTURAL IDENTITY AND SYMBOLIC INTERACTIONISM IN KARMA BROWN’S NOVEL “RECIPE FOR A PERFECT WIFE”

2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Alia Afiyati ◽  
Divya Widyastuti ◽  
Yoga Pratama
Keyword(s):  
Cultural Identity ◽  
Symbolic Interactionism ◽  
Literary Work ◽  
Cultural Identities ◽  
George Herbert ◽  
The Novel ◽  
Female Characters ◽  
George Herbert Mead ◽  
The Past ◽  
Stuart Hall

In a literary work, two characters can be narrated as the attention center that contains the cultural identity from certain generation. Meanwhile, a symbol actually can cause an interaction within characters. This research discusses about cultural identity and symbolic interactionism reflected in a novel. There is a novel entitled “Recipe for a Perfect Wife” by Karma Brown that tells about two female characters that are represented as a housewife from different generation. This research uses descriptive qualitative as the research methodology and content  analysis as the method in analyzing the object of the research, a novel entitled “Recipe for a Perfect Wife”. This research also uses the intrinsic approach to analyze the characterization, plot, and setting. This research reveals two kinds of a housewife. They are a housewife and working woman, and a full-housewife. This research finds five cultural identities in the past and present time that is related with a housewife reflected by two female characters in the novel by using cultural identity theory by Stuart Hall. This research also reveals the symbol and memory even three concepts of symbolic interactionism that is mind, self, and society based on symbolic interactionism theory by George Herbert Mead.

scholarly journals Subversive Discourses in Hanan Al-Shaykh: Pushing out the Boundaries of Arab Feminism in the Novel

1970 ◽  
pp. 15-20
Author(s):  
Salwa Ghaly
Keyword(s):  
Third World ◽  
Women's Literature ◽  
Symbolic Order ◽  
The Novel ◽  
Women Authors ◽  
Literary Traditions ◽  
The Past

Surveying women's literature over the past two centuries, gynocriticism I has found, perhaps to our surprise, that one of the recurrent themes in the writings of both Third World and Western women has been madness. Time and again , women authors from different periods and literary traditions, with diverse cultural,ideological and epistemic affiliations and commitments, bring out this theme to demonstrate emphatically and unequivocally how the symptoms of psychologicaldisfunctionality, together with definitions of madness, are culture-produced and bound, the products of a virulently hierarchical and patriarchal symbolic order.

scholarly journals Hope and equilibrium in the dystopian world of The Hunger Games

2021 ◽  
Vol 85 ◽  
pp. 227-244
Author(s):  
María Sandra Peña-Cervel ◽  
Andreea Rosca
Keyword(s):  
Critical Discourse Analysis ◽  
Cognitive Linguistics ◽  
Social Inequalities ◽  
The Novel ◽  
Hunger Games ◽  
Accurate Picture ◽  
The Social ◽  
The Hunger Games ◽  
The Status ◽  
Selection Of

This paper provides evidence of the fruitfulness of combining analytical categories from Cognitive Linguistics and Critical Discourse Analysis for the analysis of complex literary characterizations. It does so through a detailed study of the “tributes”, i.e. the randomly selected children who have to fight to death in a nationally televised show, in The Hunger Games. The study proves the effectiveness of such categories to provide an analytically accurate picture of the dystopian world depicted in the novel, which is revealed to include a paradoxical element of hope. The type of dehumanization that characterizes the dystopian society of Panem is portrayed through an internally consistent set of ontological metaphors which project negative aspects of lower forms of existence onto people. This selection of metaphors promotes a biased perspective on the poor inhabitants of Panem, while legitimizing the social inequalities the wealthy Capitol works hard to immortalize. However, Katniss undergoes a metamorphosis through her discovery of her own identity, which hints at an emerging female empowerment. This transformation, together with her identification with the Mockingjay, a supernatural being that voices her beliefs and emotions, contributes to disrupting the status quo imposed by the almighty Gamemakers and to purveying a message of optimism.

scholarly journals Tradition Versus and Modernity in Laila al-Juhani’s The Waste Paradise: An Intertextual Approach

2021 ◽  
Vol 11 (10) ◽  
pp. 1197-1202
Author(s):  
Mohammed Abdullah Abduldaim Hizabr Alhusami
Keyword(s):  
Cultural Heritage ◽  
Short Story ◽  
World Literature ◽  
Narrative Structure ◽  
The Novel ◽  
Saudi Women ◽  
The Core ◽  
The World ◽  
The Status ◽  
Story Writer

The aim of this paper is to investigate the issue of intertextuality in the novel Alfirdaws Alyabab (The Waste Paradise) by the female Saudi novelist and short story writer Laila al-Juhani. Intertextuality is a rhetoric and literary technique defined as a textual reference deliberate or subtle to some other texts with a view of drawing more significance to the core text; and hence it is employed by an author to communicate and discuss ideas in a critical style. The narrative structure of Alfirdaws Alyabab (The Waste Paradise) showcases references of religious, literary, historical, and folkloric intertextuality. In analyzing these references, the study follows the intertextual approach. In her novel The Waste Paradise, Laila al-Juhani portrays the suffering of Saudi women who are less tormented by social marginalization than by an inner conflict between openness to Western culture and conformity to cultural heritage. Intertextuality relates to words, texts, or discourses among each other. Moreover, the intertextual relations are subject to reader’s response to the text. The relation of one text with other texts or contexts never reduces the prestige of writing. Therefore, this study, does not diminish the status of the writer or the text; rather, it is in itself a kind of literary creativity. Finally, this paper aims to introduce Saudi writers in general and the female writers in particular to the world literature.

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