scholarly journals Espaço e Materialidade na Tripolitania Romana: uma tentativa de reconstituição da cidade de Oea em meados do II Século * Space And Materiality In Roman Tripolitania: an attempt of recovery of the city of Oea in the Mid-Second Century

2014 ◽  
Vol 2 (3) ◽  
pp. 186
Author(s):  
BELCHIOR MONTEIRO LIMA NETO

<p><strong>Resumo:</strong> Oea, atualmente Trípoli, na Líbia, foi uma cidade que integrou o Império romano nos primeiros séculos de nossa era. Dela, poucas relíquias são hoje conhecidas, uma vez que a atual capital líbia fora construída sobre a antiga <em>urbs </em>romana. Tendo em vista tais limitações e com o intuito de superá-las, empreenderemos uma tentativa de reconstituição da antiga Oea. Intencionamos dar materialidade à cidade, haja vista o nosso interesse de pesquisar o espaço citadino onde Apuleio de Madaura, escritor norte-africano de meados do II século, foi publicamente difamado e acusado de praticante magia. Por meio da obra <em>Apologia</em>, dos diminutos artefatos arqueológicos e epigráficos e de comparações com as cidades vizinhas de Sabrata e Leptis Magna – cujos sítios arqueológicos são imensamente mais ricos e completos – acreditamos ser possível visualizar, mesmo que parcialmente, o ambiente citadino vivido por Apuleio entre os anos de 157 e 159.</p><p><strong>Palavras-chave</strong>: Oea – Espaço – Materialidade – Apuleio de Madaura.</p><p> </p><p><strong>Abstract: </strong>Oea, now Tripoli, Libya, was a city that was part of the Roman Empire in the first centuries of our era. Few of its relics, however, are actually known, since the current Libyan capital was built on the old Roman urbs. Considering these limitations and in order to overcome them will undertake an attempt to reconstitute the ancient Oea. We intend to give materiality to the city, given our interest in researching the urban space where Apuleius of Madaura, North African writer of the mid-second century, was publicly vilified and accused of witchcraft. From the work Apology, the tiny epigraphic and archaeological artifacts and comparisons with the nearby cities of Leptis Magna and Sabrata - which archaeological sites are immensely richer and more complete - we believe we can shimmer the urban environment experienced by Apuleius between the years 157 - 159 A.D.</p><p><strong>Keywords: </strong>Oea – Space – Materiality – Apuleius of Madaura.</p>

Author(s):  
Carlos Machado

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.


2017 ◽  
pp. 93-97
Author(s):  
A. M. Tormakhova

One of the leading trends in contemporary cultural studies is the appealto the field of visual. Thepurpose of the article is to investigate the range of problems associated withthe existence, functioning of various visual practices in the urban space and the disclosure of the specifics of communication carried out through their intermediation. In urban space, there are many forms, such as monumental architecture, urban sculpture, outdoor illumination, landscape art, street art, graffiti and others. These artifacts are the subject of cultural research within different disciplines - aesthetics, cultural studies, design, and art. It may be noted that in recentdecades, significant development gets such a direction as Urban Studies, in which the focus of research serves the city. The methodology of the study includes an appeal to an interdisciplinary approach that relies on the achievements of practical cultural studies, Urban studies,and aesthetics theory by Ukrainian and Western authors. Scientific novelty consists in analyzing the connection ofactual visual practices presented in the urban space and forming of Internet activity, which facilitates the mutual influence of these spheres one on another. The author noted that urban space is gradually becoming not only interactive, but also fully assuming the characteristics of WEB 2.0, which means active rethinking and transforming the environment, urban residents involvement in decision-making that becomes a norm of everyday life. City is a kind of text that reflects changing tastes, politicaland economic factors in visualform. Town and city public spaces play an important role in shaping the interaction within society. One of the pressing problems of practical cultural studies in general and urban areas in particular, should be integrated into organization of the urban environment and design the image of the city. The practical significance lies in the fact that the results of the research can beused in developing the urban sphere in particular and in actualizing the issue of organizing the urban environment and constructing the image of the city.


2018 ◽  
Vol 33 ◽  
pp. 01031
Author(s):  
Rifat Alihodzic ◽  
Domen Zupančič

Being aware of the surrounding we live in, among other things, means establishing of spatial relationships between oneself and the environment, equally important as relationship between oneself and others. Environment consists of facilities and space. Space, „gift by itself“, is defined by terrain topography, sky horizon, plants and animals. The architecture, as a profession, is interested in space created distinctively. Perception, as elementary process of consciousness and psychological life, deals with being conscious about something. In this case, physical structures that create a city. Psychological experience of urban environment is important factor having effect on perception, memorising and orientation in urban space. Gestalt psychology of perceiving is area applying to and significant for architecture either. The importance of vertical lies in its perceiving the gravitation, forming perceiving focus, landmark, for urban units and subunits to be memorised, creating spatial hierarchy and perception logics, remembering and orientation in space. This work analyses reasons for building upright with comparative analyses in their participation in space and on human psychology. This paper’s purpose is to, using fundamental facts, show the importance of vertical buildings, not as a spatial use phenomenon, but also as significant phenomenon.


AmeriQuests ◽  
2006 ◽  
Vol 2 (1) ◽  
Author(s):  
Justin Armstrong

This is a paper on street art and its role as a form of artistic insurrection that challenges popular understandings of public space and urban visual culture. I would like to think of it as a field guide to urban seeing, a means of revising the way in which we view the cityscape and its imagery. It is a way of imagining the city as a canvas onto which ideas may be inscribed and reinterpreted, where resistance percolates up to those who look for it. It is here, in what Kathleen Stewart has called a “place by the side of the road” that the work of the street artist exists, slowly gurgling up through the cracks in the sidewalk and briefly illuminated by the yellow-white glow of the street lights. Street art most often takes the form of adhesive stickers, spray-painted stencils, and wheat-pasted posters, and while it shares many similar aesthetic and cultural characteristics with graffiti, street art embodies a unique ideology. Graffiti represents a territorialization of space (‘tagging’, or reclaiming urban spaces through the use of pseudonyms as territorial markings); street art represents a reterritorialization of space. Rather than taking space, street art attempts to re-purpose the existing urban environment. This paper seeks to reflect the changing dynamic of urban space through an analysis of the practice of street art. By examining the roles that street artists play in disrupting the flow of visual noise in the city, I will illuminate the cultural value and significance of this form of urban artistic resistance.


Discourse ◽  
2020 ◽  
Vol 6 (4) ◽  
pp. 46-61
Author(s):  
A. A. Beschasnaya ◽  
N. N. Pokrovskaia

Introduction. The social practice of participativeness, active participation in the transformation of urban space in the interests of residents, is gaining popularity among the urban population. The study of this phenomenon is interest for obvious integration with management decisions. Expanding the practice of implementing social activity of the population and studying the components of participativeness determine the goal of writing the paper-the formation of a theoretical and methodological basis for studying this phenomenon.Methodology and source. The paper presents a review of classical and modern sociological theories that reveal the potential of empirical study of aspects of the manifestation of participation of urban residents. Among the mentioned by the authors are the theory of social action, social solidarity, phenomenology, social constructivism.Results and discussion. The problematic nature of living in cities and the penetration of these problems into the daily interaction of citizens forms the origins of solidary participation of citizens-individual and private interests form collective actions-processes. Multiple individual forms of citizens' activity on urban improvement are transformed into participativeness – institutionalized joint activity. Its participants can take differentiated positions in the social structure of the urban community according to the criteria of having a diverse experience of interaction, i.e. exchange, with the urban environment and taking a position in the city management structure, which determines the level of regulated authority to make managerial decisions. The problems of urban life that are common to different categories of citizens and the typification of social activity to solve them order the interaction of participants, organize and “produce” the urban space.Conclusion. In the process of reasoning, a theoretical model of the formation of participativeness is presented, which allows us to trace the transformation of activity of the urban population into the right to the city and the formation of a favorable urban environment.


2020 ◽  
Vol 217 ◽  
pp. 02005
Author(s):  
Valentina Kurochkina

Recently, housing construction in cities has been carried out at a high rate. Increasingly, urban abandoned and flooded depressive spaces near water bodies (often rivers), which were previously used as industrial facilities or temporarily used, are becoming the sphere of architectural and landscape transformations. The restoration of such territories helps to improve the quality of urban space and improve its ecological properties. Correct development of territories near rivers and various water bodies has a great health-improving effect on the urban environment, improves its natural and climatic conditions. In addition, social and economic factors play an important role in this process, since such transformed territories and territories adjacent to them significantly increase investment attractiveness. This paper examines modern approaches to the development of urban public spaces, based on the formation of architectural environments that ensure the relationship of urban development with water bodies and adjacent territories. The paper notes that water bodies are not only an important component of the natural-ecological framework, but are also the basis for the framework of urban-planning natural-technogenic systems as a whole. And the creation of a continuous urban fabric is impossible without the organization of a ‘water’ line of development, provision of compositional, functional and communication interconnection of open urban and water spaces, which is actively being introduced today in architectural and urban planning practice. The paper examines the role of water bodies in the ecological system of the city, as well as in its structure as a whole. The aim of the study is to identify the features of the formation of a public urban space, to determine the patterns of its development, to identify criteria that reflect the nature, scale and features of the impact of urbanization on a water body. Some principles of revitalization of coastal areas, as well as the creation of a system of publicly accessible, compositionally expressive spaces are considered. The principles of space transformation aimed at the formation of a holistic image of the city, as well as the impact of such a spatial arrangement of urban and water bodies on the safety and quality of the urban environment are considered.


2020 ◽  
pp. 119-125
Author(s):  
D.A. Rylov ◽  
◽  
M.K. Duvanskaya ◽  

Examined is the problem of professional socialization of persons with disabilities in a barrier-free urban space. Detailed definitions are given to such concepts, as socialization, professional socialization, disabled person, barrier-free urban environment. Principal factors of professional socialization of persons with disabilities are highlighted. The main concepts reflecting the impact of barrier-free urban space on professional socialization of people with disabilities are analyzed. Presented and analyzed are results of the study, conducted in the city of Perm in order to consider social aspects of professional socialization of persons with disabilities in a barrier-free urban environment, as well as factors affecting them.


2010 ◽  
Vol 12 ◽  
pp. 11-19
Author(s):  
Seija Ridell

The digitalized urban environment is explored in the paper as a medium with several overlapping and interweaving spatial layers. The author suggests that it has grown increasingly complex in the multi-spaced and multiply scaled cybercities for people to share in public space. Moreover, the challenges of public living in contemporary urban settings emerge most intensely at the points of intersection of the invisible technostructure and the (mass) media saturated phenomenality of the city. At these intersections, one ethically and politically burning issue is how people through their ICT-related activities contribute to the ?automatic production of space‘. More specifically, critical attention should be paid to people‘s active, but not necessarily selfreflexive, participation in the consolidation of the ?technological unconscious‘ that conditions their own public agency.


Author(s):  
Andriy Bludov

The article examines the features of the perception of the urban environment as a specific phe- nomenon. The article considers the artistic works of a group of contemporary Ukrainian artists P. Makov, A. Sai, L. Dzhuraev, A. Priduvalov in the genre of urban landscape from the point of view of a conceptual approach, which allows us to understand the general direction of development of this type of genre. The works of contemporary Ukrainian artists reflect how a modern city creates an endless combination of connections between different aspects of life and the corresponding various forms and impressions. The article analyzes the works that the authors demonstrated as their reflections on changes in the urban environment in special creative projects. The urban environment causes a creative person to strive to convey his atmosphere, images, rhythms in his own language. For centuries, artists have depicted the urban space, but it was in the twentieth century that the transformation of the urban environment into an urban one contributed to the fact that the city became a source of special inspiration for subsequent times. The theme of urbanism is specific in the work of contemporary Ukrainian artists, where the very phenomenon of the city is the basis of creative inspiration. The aim of this work is to study the conceptual and programmatic works of contemporary Ukrainian artists to reveal the theme of urbanism in painting and the main trends in displaying the city as a concept in the work of artists.


Author(s):  
G. Z. Sultangazy ◽  

The formation and development of the intelligence as a political and creative force could not exist without the influence of the urban environment. The integration of Kazakh intellectuals into the urban space has led to qualitative changes in such aspects as city, intelligence, and its behavioral patterns. The study of the factors of influence of urban space on the development of social groups and institutions, namely on the qualitative characteristics of the national intelligentsia, the processes of their adaptation to the urban environment is an important task of the humanities, including the historical one. Modern Kazakhstani historiography is in the paradigm of assimilating the results of European and Russian urban history. This article will highlight the historiographic situation in this direction from the point of view of the development of urban issues. The article attempts to analyze the phenomenon the mutual influence of the city and the Kazakh intelligentsia at the turn of the XIX-XX centuries by the principles of historiographic generalization. The city, being a multifunctional space where ideas and innovations are generated, changes not only the landscape, but also the world perception in general. The activities of the national intelligentsia are associated not only with creativity, but primarily with public activity, and determined the development of Kazakhstan in conceptual framework. Today, Kazakhstani historiography is represented by separate studies on the history of the city, intelligentsia, Cossacks, and merchants. At the same time, there are not enough research papers that would consider the population of Kazakhstan and the city as a single complex body, which is in permanent interaction and mutual influence, focusing on the history of everyday life. One of the methods of this study was the historical and genetic one, which allows us to consider the problems in its development and identify patterns. The use of the historicalcomparative method revealed differences in the development of Kazakhstani historiography. A comprehensive study of the urban environment in the historical context allows us to understand the nature of the changes in which society and the state existed, as well as the motives and aspirations of Kazakh intellectuals. One of the results was the identification of common patterns of Soviet and Kazakh historiography, where the city and the intelligentsia are the objects of research and are not considered in close connection and mutual influence. The designated problems did not receive due attention from researchers of both the Soviet and modern periods.


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