The Cognitive Map of Barbarity: Term, Notion, Innovative Essence

Istoriya ◽  
2021 ◽  
Vol 12 (8 (106)) ◽  
pp. 0
Author(s):  
Vera Budanova
Keyword(s):  
Theoretical Analysis ◽  
Historical Review ◽  
Conceptual Structure ◽  
Cognitive Map ◽  
Cultural Phenomenon ◽  
Symbol Formation ◽  
Key Characteristics ◽  
History Of ◽  
Historical Retrospect ◽  
First Time

The article presents a historical review and theoretical analysis of the cognitive map of barbarity as the basis for studying the basic terminology that has developed in barbaristics. For the first time, an attempt is made to analyze the cognitive potential of barbaristics, referring to its conceptual structure. The most significant terms, notions and innovative essences, their role in the structure of the barbarian's cognition are considered. It is emphasized that in the processes of symbol formation there was a movement from notion to innivative essence, in the study of the history of barbarity — from notional to conceptual cognition. The conditions of the general expansion of the archaic semantics of the term “barbarian” and the features of its translation and transmutation in time and space are considered. The key characteristics of the notion of “barbarity” as a stable socio-cultural phenomenon are identified and disclosed in historical retrospect. The emerging notions of «new» and «latent» barbarity are specially analyzed.

scholarly journals Features of positioning of German university libraries on official websites

2021 ◽  
pp. 43-52
Author(s):  
N. Khymytsia ◽  
M. Kuchma
Keyword(s):  
Rock Music ◽  
Music Programs ◽  
University Libraries ◽  
Sound Recordings ◽  
Cultural Phenomenon ◽  
Creative Music ◽  
History Of ◽  
Historical Phenomenon ◽  
First Time

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

Historical review, catalog of type specimens and online database of the ichthyology collection of the Instituto de Ciencias Naturales of the Universidad Nacional de Colombia (ICN-MHN)

Zootaxa ◽  
2018 ◽  
Vol 4478 (1) ◽  
pp. 1
Author(s):  
JOSÉ IVAN MOJICA ◽  
HENRY D. AGUDELO-ZAMORA
Keyword(s):  
High Resolution ◽  
Historical Review ◽  
Online Database ◽  
Type Specimens ◽  
History Of ◽  
First Time

For the first time, the catalog of type specimens of ICN-MHN is presented with high resolution photographs. The catalog lists 87 species in 161 lots and includes 41 holotypes, 3 neotypes, and 117 lots of paratypes. Some doubts remain about type specimens of some species described by Miles and Dahl that were supposedly deposited at ICN-MHN. The history of the collection is reconstructed and valuable specimens once considered lost or destroyed have been rediscovered. The botanical and zoological collections of the ICN can be consulted online (http://www.biovirtual.unal.edu.co). 

scholarly journals 100th Anniversary of the Salzburg Festival: Historical and Cultural Phenomenon of the 20th and Early 21st Centuries

2021 ◽  
pp. 160-182
Author(s):  
Ganna Rizaieva
Keyword(s):  
100Th Anniversary ◽  
Philosophy Of Art ◽  
Musical Culture ◽  
Self Identity ◽  
Cultural Phenomenon ◽  
Cultural Integrity ◽  
History Of ◽  
The One ◽  
First Time ◽  
A Current

Relevance of the study. The evolution and the very phenomenon of the Salzburg Festival go hand in hand with the history of music and theatre, the philosophy of art, and the global musical infrastructure of the 20th and early 21st centuries. On the one hand, it is their fair reflection; while on the other hand, it is an integral part of their development. That is why studying and understanding the role and place of the Salzburg Festival is essential for understanding contemporary musical culture in a current historical perspective.Relevance of the study is attributable to the fact that, for the first time in Ukrainian historical musicology, the development and implementation of the idea of holding the Salzburg Festival are considered, indirect relations between the festival ideologists and the Ukrainian cultural space at the turn of the 19th and 20th centuries are discovered, and the century-old history of the main European music and theatre forum is systematized.Main objective of the study is to introduce the phenomenon of the Salzburg Festival as a historical and cultural integrity in the space of the Ukrainian musicological discourse, as well as to outline and systematize a one hundred-year path of the main music and theatre forum in Europe.Methodology of the study includes the use of historical, culturological, and systemic approaches.Results and conclusions. The study revealed that at the stage of shaping the idea of the festival in Salzburg at the beginning of the twentieth century, there were two fundamental visions of its implementation, namely, “Mozart-oriented” and “general theatrical”. They both entered the gene code of the Salzburg Music and Theatre Forum with varying interpretations of its concept and repertoire policy at each phase of its existence. The change of priorities in its fundamental triad, that is, drama — opera — concert, during forum varying periods is also traced.The hundred-year journey of the Salzburg Festival may be divided into three main stages: 1) the development and search of self-identity (1920–1954); 2) “stabilization” and formation of international prestige (1955–1990); and 3) “modernization” and expansion of cultural horizons (from 1991 until today). Each of them is well integrated into history of Western European music and culture of the 20th and early 21st centuries.

scholarly journals Modernization as a Transition from a “Traditional” to a Postmodern Society

2021 ◽  
Vol 12 (4) ◽  
pp. 153-170
Author(s):  
Svitlana Hladchenko ◽  
Halyna Bilanych ◽  
Inna Ivzhenko ◽  
Lilia Florko ◽  
Kateryna Vakarchuk ◽  
...  
Keyword(s):  
Social Self ◽  
Cultural Traditions ◽  
Legal Reforms ◽  
Gender Perceptions ◽  
The Status ◽  
History Of ◽  
French Colonial ◽  
Historical Retrospect ◽  
The Impact ◽  
First Time

The purpose of the article is to explore the gender aspect of the modernization of Tunisian society from modernism to postmodernism, which defined the cultural concept of the twentieth century. The article conducts a comprehensive study of gender aspects of the modernization of Tunisian society since the beginning of this modernization in 1900 of the XX century. to the beginning of the XXI century; for the first time the periodization of the women's movement in Tunisia in the period of modern history is presented and substantiated; analyzed the history of the impact of political and legal reforms of the Tunisian government on changing the gender situation in society; reflects the specifics of gender ideas and practices of Tunisian society in historical retrospect. The degree of influence of the French colonial regime on the modernization of Tunisian society in a gender context is determined; an analysis of the specifics of gender relations in Islamic society. It is proved that Islamic democracy was presented as a guarantor of the real emancipation of women, provided that she retains the primary status of wife and mother. This principle, due to the socio-cultural traditions of Tunisian society, was in fact basic in gender perceptions and for this period. Biographies of the leaders of the Tunisian movement show that their social self-realization was usually directly ensured by the status of the wife of a politician.

scholarly journals The Paradigm Shifts of Community Governance in China

2019 ◽  
Vol 7 (1) ◽  
pp. 30-59 ◽  
Author(s):  
Graig Arcuri ◽  
Chaoliang Jing
Keyword(s):  
Theoretical Analysis ◽  
Historical Review ◽  
Soviet Bloc ◽  
Paradigm Shifts ◽  
Community Governance ◽  
Chinese Tradition ◽  
The Past ◽  
Social Governance ◽  
Social Physics ◽  
History Of

Abstract This paper provides a description of the community governance paradigm shifts in China over the past 4 decades. By taking a historical review of Chinese tradition in community governance, a brief history of the transformation of property rights in the former Soviet Bloc, plus a theoretical analysis from the perspective of social physics, this study clarifies the inherent logic for the community governance evolution across China. The influence that ancient dynasties, up to 1949, exerted upon the modern community governance has been large, which has formed certain social governance inertia. However, there have emerged many new forms of power among which the homeowners are the strongest group to demand more autonomy. By using a social physics framework, this article sheds light on the ongoing tension between the traditional inertia and the emerging trend of autonomy in real estate. Furthermore, the logic could be employed for predicting the future community governance style in China.

scholarly journals Space music in socio-cultural retrospective: information analysis of the phonographic heritage of “Hawkwind”

2021 ◽  
pp. 36-42
Author(s):  
O. Synieokyi ◽  
O. Tur
Keyword(s):  
Rock Music ◽  
Music Programs ◽  
Information Analysis ◽  
Sound Recordings ◽  
Cultural Phenomenon ◽  
Creative Music ◽  
History Of ◽  
Historical Phenomenon ◽  
First Time

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

scholarly journals “Russian as we speak it” (about Serafima A. Khavronina and the book of her life)

2020 ◽  
Vol 18 (3) ◽  
pp. 371-376
Author(s):  
Oleg V. Nikitin
Keyword(s):  
Foreign Language ◽  
Intercultural Communication ◽  
Native Language ◽  
Cultural Phenomenon ◽  
Balanced Approach ◽  
History Of ◽  
Modern Textbook ◽  
Culture Of Teaching ◽  
Traditional Approaches ◽  
First Time

The article analyzes one of the most famous textbooks by S.A. Khavronina for studying Russian as a foreign language Russian as we speak it. The book has become a hallmark of the Russian methodology and culture of teaching a non-native language abroad. The author examines the structure of the book, emphasizes the innovative findings of S.A. Khavronina, speaks about the features of presenting and explaining the material. Special attention is paid to the communicative orientation of the textbook, which for the first time offered a clear, simple and at the same time methodologically based strategy for teaching Russian as a foreign language. According to the author of the article, the book by S.A. Khavronina is an example of a balanced approach to the analysis of how the live speech influences on foreigners. It solves the key tasks of modern methodology of Russian as a foreign language: grammar-translated, personal-practical and audio-linguistic. The article draws readers attention to the problem of creating a modern textbook on Russian and intercultural communication, taking into account the best achievements in the history of these disciplines, using traditional approaches proven over the years and the latest methods of studying language as a cultural phenomenon.

scholarly journals History of the surgical treatment of cubital tunnel syndrome

2019 ◽  
Vol 11 (1) ◽  
pp. 73-78
Author(s):  
Rudiko Jigania ◽  
Mikhail M. Korotkevich ◽  
Andrei Yu. Orlov ◽  
V. P. Bersnev
Keyword(s):  
Surgical Treatment ◽  
Peripheral Neuropathy ◽  
Historical Review ◽  
Cubital Tunnel Syndrome ◽  
Cubital Tunnel ◽  
Surgical Approaches ◽  
Surgical Methods ◽  
History Of ◽  
Tunnel Syndrome ◽  
First Time

Cubital tunnel syndrome is a widespread form of peripheral neuropathy. This article presents chronological overview of the surgical treatment methods of cubital tunnel syndrome along with authors who described them for the first time. The historical review provides for better understanding of existent surgical methods und for development new surgical approaches of treatment cubital tunnel syndrome

scholarly journals Female Portrait in Photography Art: from Authenticity to Modernity

2021 ◽  
Vol 4 (1) ◽  
pp. 84-96
Author(s):  
Svitlana Kotliar ◽  
Iryna Zaspa
Keyword(s):  
Theoretical Analysis ◽  
The Past ◽  
Female Beauty ◽  
History Of Development ◽  
Factors Influencing ◽  
History Of ◽  
The Common ◽  
Distinct Features ◽  
First Time

The purpose of the research is to analyze female photo portrait, the concept of female beauty in photography, the history of the origin and formation of female portrait in photography. Moreover, the aim was to trace the common and distinct features of a female portrait from the past to nowadays. It was decided to establish a role of female photo portrait in the art of photography, to prove its peculiarity and importance. The research methodology consists of the following parts: theoretical – analysis of the female beauty concept in the photo portrait, history of female portrait development in photography, empirical – study of relationships between female portraits of different times, comparative – comparison of modern and authentic portraits. In the course of cognitive synthesis and generalization of distinctive and similar features of female photo portraits of different times, special features of the female portrait were determined. Scientific novelty. For the first time, the history and formation of female photo portrait from authenticity to the nowadays were analyzed. The analysis was conducted based on photo portraits researches of different times. A detailed analysis of factors influencing the formation of this genre of photography was carried out. With the help of the theoretical analysis, the factors influencing the development of the female photo portrait were determined, its specifics and features were outlined. Conclusions. In the course of the article, we analyzed female portrait in photography and the concept of female beauty in different periods. With the help of the analysis of the history of development and formation of the female portrait photography genre, its role in the art of photography has been established. Peculiarities of female photo portrait as a genre of the art of photography were determined. Its peculiarity and importance have been proved. The factors influencing the concept of female beauty in photography, the development of female portrait and its features have been generalized.

45.—Early Investigations of the Suez Canal Waters during and after its Opening in 1869

1972 ◽  
Vol 72 (1) ◽  
pp. 449-458 ◽  
Author(s):  
Selim A. Morcos
Keyword(s):  
Sea Water ◽  
Historical Review ◽  
Suez Canal ◽  
Chemical Oceanography ◽  
History Of ◽  
Unpublished Manuscripts ◽  
Physical And Chemical ◽  
First Time ◽  
Made In

SynopsisA historical review of the physical and chemical data collected from the Suez Canal waters in the first 40 years (1867–1906) during and after its filling shows that it was the focus of interest of many explorers and scientists. From 27 successive observations (table) the waters were completely analysed seven times. The salinity (density) was measured along the canal on eight occasions, of which four were not previously known. The first observations along the Canal were made in May 1870 by the Admiralty Ship Blue Cross. Her results, together with the second set of observations (February 1872), were found in a small booklet printed in Alexandria (Tissot 1872). The data of two sections (Durand-Claye 1875a; Anonymous 1907) were found by the author as unpublished manuscripts and are revealed here for the first time.A comment on the determination of salinity of sea water by evaporation to dryness was found in a handwritten manuscript by Durand-Claye (1873). This comment was eliminated in the published text (Durand-Claye 1874), and is reproduced here for its interest to the history of chemical oceanography.The difficulties in making a comparative study of these old data are explored. It is suggested to start some sort of ‘practical historical oceanography’ by studying old hydrometers, thermometers and other oceanographic apparatus using modern equipments in order to reassess the data of old expeditions.

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