scholarly journals THE ENLIGHTENMENT OF CHINA'S CULTURAL SOFT POWER DEVELOPMENT ON UKRAINE

Author(s):  
Chen Chenlin

Cultural soft power is the overall influence and competitiveness of a country's culture. Enhancing the soft power of national culture has become a major strategic issue of each country all over the world. As the world’s second largest economy, the development of cultural industry and the promotion of Chinese culture has always been regarded as an important task, which has made good achievements in the development of China’s cultural soft power. Especially, in recent years, China's leaders have paid high attention to cultural soft power, which has produced cultural influence and attraction to a certain level internationally, and created a beautiful image of China at the same time. This paper makes a systematic analysis on the effect of the development of China's cultural soft power. By combining with the reality of the development of Ukraine's cultural soft power, this paper tries to put forward the way and strategies to develop Ukraine's cultural soft power, to improve policies and regulations, and to implement innovative development of Ukraine's culture on the basis of studying the development measures and beneficial experience of China's cultural soft power. In this way, Ukraine's cultural industry will be stronger and larger, and then, the system of Ukraine’s culture dissemination to foreign countries will be established.

2013 ◽  
Vol 295-298 ◽  
pp. 2181-2186
Author(s):  
Chang Chun Chen ◽  
La Chun Wang ◽  
Xue Zhang Cao ◽  
Jie Song

Environmental flow is a key factor to protect river ecological system, however, there is no international agreement concerned with environmental flows exclusively so far. This paper demonstrated the importance and urgency of environment water demand in the world and presented summary and analysis of environmental flows legislation and regulations. Europe and other countries have been investigated and compared systematically. At last, specialized legislative proposals were provided for protection of aquatic ecosystems and their environment in China.


2021 ◽  
Vol 12 (3) ◽  
pp. 131-136
Author(s):  
Sumanta Bhattacharya ◽  
Vinay Sahasrabuddhe ◽  
Arindam Mukherjee ◽  
Bhavneet Kaur Sachdev

India’s Soft Power which is part of Smart Diplomacy or cultural diplomacy in India. India’s soft power diplomacy can be traced back to the time when Swami Vivekananda visited Chicago Parliament of Religion and spoke about Hinduism and India, which attracted many Indians and Foreigners who visited India and learnt about the Indian culture and the Sanskrit, his book on Raja Yoga influenced Western countries to practice Yoga who came to India and visited asharams, India’s main soft powers include spiritualism, yoga, Ayurveda, the world is shifting towards organic method of treatment which has its trace in India. There is culture exchange of arts, music, dance. Indian Diaspora and Young youth are the weapons for the spread of Indian culture across the globe, People are interested in Indian culture and epics of Ramayana and Mahabharat and studying on Kautliya. India literature and craft have received international recognition, countries abroad have included Sanskrit as part of their educational curriculum. India has also emerged has an export of herbs medicine to many foreign countries like Middle East, Europe, Africa etc. and this soft power of India will help in creating a massive influence across the world but before that Indian should have ample knowledge about their own history and culture and languages.


2020 ◽  
Vol 9 (6) ◽  
pp. 39
Author(s):  
Zhaozhen Song ◽  
Jing Lu

Chinese traditional culture is the root and soul of the Chinese nation, the soft power of the national culture, and the source to strengthen cultural confidence. As an important part of traditional Chinese culture, folk culture is the basis for telling Chinese stories well. Folk cultural heritage is the golden name card of national culture going to the world, and protecting and inheriting it is an important mission given by the new era. The important discussion on cultural heritage protection is not only a scientific inquiry into the practice of cultural heritage protection, but also points out the direction for cultural tourism to help poverty alleviation work.


2007 ◽  
Vol 1 (2) ◽  
pp. 176
Author(s):  
Zhang Bin

Confucius Institute has been established in the global range. This is a brand of Chinese culture initiatives, as well as the inevitable result of the international "Chinese craze" and also the strong support for the international promotion of the Chinese .Confucius Institute for Teaching Chinese as a foreign language to the main teaching content, adopts a flexible and diverse school running management. Though this initiative there will be a wide-spread Chinese civilization, the promotion of cultural exchanges between China and foreign countries and finally will display the style and image of the Orient big country. This is very significant as to accelerate the development of overseas Chinese education and also lets the world know more about China in order to be closer to China which will be a far-reaching significance.                                      


2021 ◽  
Vol 4 (12) ◽  
Author(s):  
Li Zhang

Cultural self-confidence is the full affirmation and active practice of a people, a country and a political party of its own cultural value, and the firm confidence in its cultural vitality. As an important hub and window for cultural exchanges between China and foreign countries, international Chinese education shoulders the important task of language and cultural propagation. In the mutual learning and exchanges between Chinese and foreign cultures, international Chinese education must insist on cultural self-confidence in teachers, teaching, teaching materials, etc., "tell Chinese stories and spread Chinese voice", and show the world a rich, stereo, and vivid image of China.


2020 ◽  
pp. 1-49
Author(s):  
Paul Nantulya

Abstract Soft power has traditionally been viewed by China’s leaders as a fulcrum of international competition. The foundations were laid in the 1990s by Jiang Zemin’s Going Out Strategy (Chinese: 走出去战略; pinyin: Zǒuchūqū Zhànlüè) which encouraged Chinese enterprises to venture overseas to capture new markets. Soft power, however, has much older traditions dating back to the Warring States (Chinese: 戰國時代; pinyin: Zhànguó Shídài, 475–220 BC). It is from this era that China draws its theory and praxis of soft power, which it frames as “Cultural Soft Power,” literally meaning “Civilizational Soft Power” (Chinese: 文化软实力; pinyin: wén huà ruǎn shí lì). Drawing mostly on Chinese philosophical and strategic thought, this paper discusses the conceptual bases of Chinese soft power, examines the values and tools that shape it, how they are applied in Africa, as well as their limitations. The study finds that “Cultural Soft Power” is the thrust behind China’s strategic engagements in Africa which aim to generate sustained African support for Beijing’s vision to transform global governance institutions and norms. The Confucian concepts of “appeal” and “attraction” are central to Chinese soft power thought which is premised on the assumed uniqueness of Chinese culture and civilization and therefore the Chinese development model. This lies at the heart of the ideological alternative China is promoting on the world stage and its approach to strategic competition. Africa is a vitally important foundation in this quest.


2021 ◽  
pp. 1-24
Author(s):  
Ingrid d’Hooghe

Summary China’s growing confidence on the world stage under the leadership of President Xi Jinping is reflected in the country’s more active, vocal and, lately, even ‘wolf warrior’ diplomacy. It is also clearly visible in China’s public diplomacy approach, where priorities have shifted from advertising Chinese culture as the country’s major source of soft power to promoting China’s models of domestic and global governance. The Chinese government proudly presents policies such as the Belt and Road Initiative and, more recently China’s approach to the COVID-19 pandemic, as improvements in global governance or sometimes even as Chinese ‘gifts’ to the world. This article argues that under President Xi, the content and form of China’s public diplomacy have changed. China’s public diplomacy has hardened, it is more strongly controlled by the Chinese Communist Party and the content of China’s public diplomacy messages have become more political.


2017 ◽  
Vol 8 (2) ◽  
pp. 137-146 ◽  
Author(s):  
Xing Yu Zhu ◽  
Abdul Razaque Chhachhar

Abstract China is becoming one of the super powers in the world and the Chinese government is trying to promote Confucianism, the core philosophy of East Asia to the rest of the world in order to strengthen its soft power. As modernization is becoming the global process since the Cold War, the modernization of Confucianism is as well under process to fit in the new era. This article is based on a case of Confucianism promoting project to study the process and effect of cultural modernization and test how modernization helps the promotion of traditional Chinese culture. Such as, 1. The modernization will trigger voluntary and involuntary changes of the culture. 2. Cultural modernization will create a common language with other culture background people that are helpful in order to better understand Chinese traditional culture. 3. Different cultural background people are more sensitive to their own cultural elements even modernization combines various factors of traditional and modern culture or foreigner and local culture.


Author(s):  
Rana Mitter

The idea that China’s culture is tied up with its place in the modern world has persisted since the Opium Wars. Chinese culture is highly valued around the world in terms of literature, films, artists, and ideas. The desire to find a culture that is both modern and derived from Chinese inspirations continues to drive Chinese artists’ ambitions. ‘Is Chinese culture modern?’ considers cultural progress and the international reception of China’s writers, artists, architects, and film-makers. During the 20th century, China tended to absorb cultural norms from around the world. To some extent, this trend is being reversed and China is beginning to project out cultural influence (or ‘soft power’).


2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Boyu Chai

“Nezha: Birth of the Demon Child” has been popular all over China in the summer of 2019, which is a milestone in the development of China's cultural industry. Since the reform and open policy, foreign cultures and cultural industries have taken root and sprouted in China. There are more and more audience groups in China. The age and scope of the audience are more and more wide, which enriches the spiritual life of Chinese people. However, the local culture and cultural industry need to be developed and protected. Today, with the economic globalization, multi polarization of international politics and more frequent exchanges among countries around the world, how to make our own culture and cultural industry occupy a place in the national spiritual world, and play out the signboard of “Chinese culture”, make Chinese culture and cultural industry “blossom everywhere”, and make more and more people in the world identify with Chinese culture and culture Industry will eventually build China into a socialist cultural superpower with strong economy and technology. There is still a long way to go. In this paper, we will discuss the potential and problems of cultural development in China.


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