scholarly journals On the Possibilities of Researching the Marriage Policies of the Rurikids: The Case of Mstislav Fyodor Vladimirovich Monomakhovich

2018 ◽  
Vol 8 ◽  
pp. 91-110
Author(s):  
Dariusz Dąbrowski
Keyword(s):  
Middle Ages ◽  
Source Material ◽  
The Other ◽  
Primary Sources ◽  
Basic Question ◽  
The Political ◽  
Know How ◽  
Cultural Sphere ◽  
The Subject ◽  
The One

The main goal of the article is to present the possibilities and methods of research on the Rurikid’s matrimonial policy in the Middle Ages on the example of a selected group of princes. As the subject of studies were chosen Mstislav Vladimirovich and his children. In total, 12 matrimonial relationships were included. The analysis of the source material revealed very unfavorable phenomena from the perspective of the topic under study. The Rus’ primary sources gave information on the conclusion of just four marriages out of twelve. The next four matrimonial arrangement inform foreign sources (Scandinavian and Norman). It should be emphasized particularly strongly that – save for two exceptions of Scandinavian provenance – the sources convey no information whatsoever as regards the political aims behind this or that marriage agreement. It appears, then, that the chroniclers of the period and cultural sphere in question did not regard details concerning marriages (such as their circumstances or the reasons behind them) as “information notable enough to be worth preserving”. Truth be told, even the very fact of the marriage did not always belong to this category. Due to the state of preservation of primary sources the basic question arises as to whether it is possible to study the Rurikids’ matrimonial policy? In spite of the mercilessly sparse source material, it is by all means possible to conduct feasible research on the Rurikids’ marriage policy. One must know how to do it right, however. Thus, such studies must on the one hand be rooted in a deep knowledge of the relevant sources (not only of Rus’ provenance) as well as the ability to subject them to astute analysis; on the other hand, they must adhere to the specially developed methodology, presented in the first part of the article.

To what question is the Badiouan notion of the subject an answer? On the dialectical elaboration of the concept in his early work

2016 ◽  
Vol 43 (1) ◽  
pp. 96-120
Author(s):  
Jan-Jasper Persijn
Keyword(s):  
Direct Consequence ◽  
The Other ◽  
The Political ◽  
Academic World ◽  
Systematic Account ◽  
Political Field ◽  
Political Implications ◽  
The Subject ◽  
The One ◽  
Work Up

Alain Badiou’s elaboration of a subject faithful to an event is commonly known today in the academic world and beyond. However, his first systematic account of the subject ( Théorie du Sujet) was already published in 1982 and did not mention the ‘event’ at all. Therefore, this article aims at tracing back both the structural and the historical conditions that directed Badiou’s elaboration of the subject in the early work up until the publication of L’Être et l’Événément in 1988. On the one hand, it investigates to what extent the (early) Badiouan subject can be considered an exceptional product of the formalist project of the Cahiers pour l’Analyse as instigated by psychoanalytical discourse (Lacan) and a certain Marxist discourse (Althusser) insofar as both were centered upon a theory of the subject. On the other hand, this article examines the radical political implications of this subject insofar as Badiou has directed his philosophical aims towards the political field as a direct consequence of the events of May ’68.

scholarly journals La conquista de la fortuna

2005 ◽  
pp. 119-147 ◽  
Author(s):  
Antonio Hermosa Andújar
Keyword(s):  
Human Behavior ◽  
Human Life ◽  
The Other ◽  
The Political ◽  
Human Being ◽  
Social Forces ◽  
Political Liberty ◽  
The Subject ◽  
The One

In this work the author holds the thesis that with Maquiavelo, in accordance with Tucidides, the complete humanization of history and human life arose. Man has become the complete owner of his destiny when conquering fortune by virtù, that is, the entirety of social forces, concrete or diffuse, that oppose to the exercise of his will. It is only nature that remains as a region still inaccessible to human will. This is the reason why in Maquiavelo the concepts which should organize the explanation of human behavior are not, as considered until now, virtù/fortune but virtù/nature. Even though, there are two antagonic limits to the emancipatory virtuos action: on the one hand, its still nondemocratic condition, since only the Prince is capable of such virtù. On the other, the political liberty, something that in principle appears external to the subject, but once known he won´t forget ever, that is, political liberty becomes a constitutive feature of the human being at which every virtuos action of the Prince directed to extirpate it, fails.

scholarly journals The Spirit as the Subject Carrying out the Sublation of Nature

2009 ◽  
Vol 30 (1-2) ◽  
pp. 19-31
Author(s):  
Gilles Marmasse
Keyword(s):  
The Other ◽  
General Hypothesis ◽  
Know How ◽  
Rational Nature ◽  
The Subject ◽  
The Absolute ◽  
The One ◽  
Definition Of ◽  
The Universe

In this paper, I will try to propose a general characterisation of the spirit in Hegel'sEncyclopaedia. This characterisation is based on the opposition between nature and spirit. More precisely, in my view the Hegelian spirit can be defined as the activity of bringing the natural exteriority back to a living totality.We know that for Hegel the notion of spirit takes so many shapes that their unity is difficult to find. For instance, what does the soul in the subjective spirit, property in the objective spirit and the cult of the Greek gods in the absolute spirit have in common? Furthermore, when we consider property, for example, the problem is knowing if the spirit is here constituted by the owner, by the deeds of ownership or by the living relationship between the owner and the possessed goods.Moreover, the Hegelian spirit is a philosophical descendant of several different traditions. The question is, therefore, to know how these traditions are linked in the Hegelian notion. I will present these briefly before stating my general hypothesis about the definition of the spirit.First, the Hegelian spirit is connected to thenoûsof the Greek philosophers (the Latinspiritus, intellectus). Thenoûs— on the one hand, an immaterial entity leading the universe, and, on the other, a faculty of the soul — is most often distinguished by its separate and rational nature. For Hegel too, the spirit, as a non-perceptible entity, constitutes the freest and most rational stage in the development of the Idea.

Pure Politics Revisited

1980 ◽  
Vol 15 (3-4) ◽  
pp. 427-434 ◽  
Author(s):  
Bertrand de Jouvenel
Keyword(s):  
The Other ◽  
The Political ◽  
Soft Body ◽  
Saint Louis ◽  
Oak Tree ◽  
The Subject ◽  
The One

SINCE FIRST I BEGAN TO THINK ABOUT THE SUBJECT OF WHAT I called ‘pure politics’ twenty years ago, it has, sad to say, become more immediate. This is because of something I emphasized at the time: the effectiveness of a dedicated group of activists. Although few in number, the group's intensity of will gives it a formidable strength. It is like a projectile which can easily penetrate the soft body of society. It is the generator of the unforeseen, and ushers drama on to the political stage. In my book De la Souveraineté (1955), I contrasted two pictures familiar to us since childhood: Bonaparte on the bridge at Arcola and Saint Louis under the oak tree at Vincennes. The first is standing erect, calling on his men to charge; the other is seated, serene, welcoming the various plaintiffs who press towards him and sending them away content. On one side of the diptych we see a leader who exalts, and on the other side an umpire who corrects and conciliates – an agent of momentum and an agent of equilibrium. Bonaparte points to a direction and the narrowness of the bridge is a symbol of the one-way narrow track, the precise intention. In contrast, the oak tree is the centre of a circumference, from every point of which the plaintiffs or suitors could approach, so that the king's attention was called from all sides: he needed the eyes of Argus.

scholarly journals Continuity and Preservation of Traditional Political and Legal Institutions of the Turkic-Mongolian World in Modern Conditions

2021 ◽  
Vol 136 (3) ◽  
pp. 25-39
Author(s):  
Y. Zelenin ◽  
◽  
A. Vasiliev ◽  
Y.V. Pechatnova ◽  
◽  
...  
Keyword(s):  
National Identity ◽  
The Other ◽  
The Political ◽  
Legal Institutions ◽  
Traditional Values ◽  
Scientific Principles ◽  
The Subject ◽  
The One ◽  
External Forces ◽  
Scientific Ideas

The question of defining own national identity is a kind of prism with the help of which consideration, estimation and research of many important features of modern political and legal life of Turkic-Mongolian peoples are possible. That is why at present it is important to trace the foundations of the ideological-value factor, continuity and preservation of traditional and legal institutions of the peoples of the Turkic-Mongolian world. The aim of the study is to analyse the main scientific ideas about the degree of continuity and the possibility of preserving traditional political and legal values in the countries of the Turkic-Mongolian world in the context of globalisation. The authors have assessed the degree of study of the subject of research, highlighted the main scientific ideas, analyzed the possibility of preserving traditional values of the Turkic-Mongolian world in the context of globalization. In the course of the study, proven scientific principles of pluralism of political and legal cultures and historicism, cultural and civilizational approach, historical, hermeneutic, comparative and formal-legal methods were used. As a result of the study, the authors conclude that, on the one hand, the specific functioning of the political and legal institutions of the Turkic-Mongol world is based on the desire to maintain their independence and autonomy from the influence of external forces, but on the other hand, the imitation of Western-oriented narratives is traced with varying degrees of success

Art in the Service of Power: The Creation of a “New Man” (On the Example of Soviet Propaganda Porcelain of the 1920s)

2021 ◽  
Vol 13 (1-2) ◽  
pp. 442-456
Author(s):  
Margarita Bayutova ◽  
◽  
Keyword(s):  
Political Power ◽  
The Other ◽  
The Political ◽  
Random Choice ◽  
Political Propaganda ◽  
New Man ◽  
Political Views ◽  
Applied Art ◽  
The Subject ◽  
The One

In the article the author considers the problem of using art as the political power instrument. The subject of the study is the analysis of applied arts possibilities as a means of political propaganda and agitation, the necessary qualities and political views formation in a person. The material for the analysis is the Soviet propaganda porcelain of the 1920s. The choice of this material is caused, firstly, by its great visibility in the framework of the discussed problem, and, secondly, by the negative result of its use in real politics (at first sight, paradoxical). At present, Soviet propaganda porcelain is considered to be a “unique phenomenon” of Russian and world art. However, the main reason for its appearance at the beginning of the 20th century was not the search for new art forms. After coming to power in 1917, the Bolshevists faced the need to form political views of the citizens that were compatible with the party course — in general, to form a “new man” capable of living in a new society. On the one hand, porcelain was a random choice at that period of time (1920-s) but, on the other hand, people assigned specific characteristics to it as a type of applied art. And, therefore, they ascribed to it the possibilities of an instrument of political power. But at the same time using it in that capacity is greatly limited due to other specific properties, as well as due to other historical circumstances. The main reason for the failure of Soviet propaganda porcelain as the political propaganda and agitation means is the contradiction between the course of political power and the essence of porcelain as a phenomenon, i.e. inconsistency between the goal and the means to achieve it. In general, the author draws a conclusion that there is a difference between the goals of art and power and, as a consequence, the groundlessness of the power attempts to consider art exclusively as its own tool.

scholarly journals Martin Luther in the Light of Recent Criticism

1914 ◽  
Vol 7 (2) ◽  
pp. 203-230
Author(s):  
Ephraim Emerton
Keyword(s):  
Martin Luther ◽  
The Other ◽  
The Political ◽  
Recent Criticism ◽  
Historical Events ◽  
Historical Method ◽  
The Past ◽  
The Subject ◽  
The One

The decade just passed has witnessed an unusual activity in the production of books about Martin Luther. This activity has been greatly stimulated by the re-introduction of a method of controversy which reasonable men had been hoping was forever silenced. Until about a generation ago there had been two obvious and hopelessly opposed ways of approach to the subject of Luther's character and work. From the one side he was presented as an angel of light; from the other as the type of a depraved and malicious spirit, moved to activity not through any desire to improve the condition of his people but because, being the malignant thing he was, he could not act otherwise. It need hardly be said to the readers of this Review that both of these views of Luther are essentially false. They are perfectly intelligible, one equally with the other. They are the natural precipitation of the bitter controversies that gathered about him in his life, and continued long after his death to complicate the political and economic struggles out of which the new Europe of our day was born. In the light of our modern historical method, both views appear crude and unscientific. They represent a way of looking at historical characters and historical events to which we are apt to apply the crushing word “old-fashioned.” And in fact it did seem, up to a very few years ago, that these primitive judgments, which classified men into good and bad, angels and fiends, had become a thing of the past.

Introduction

2017 ◽  
Author(s):  
Christian Gilliam
Keyword(s):  
Political Theory ◽  
The Other ◽  
The Political ◽  
Politics Of Identity ◽  
The Subject ◽  
Human Ontology ◽  
Ontological Turn ◽  
The One ◽  
The Revolution

The introduction begins by arguing that political theory has been driven by base assumptions concerning the agency and transparency of the subject. Such assumptions are what were challenged by Marxist thinking, which, through the failure of the revolution to materialise in industrialised nations, instigated a more refined turn to ideology in the works of the neo-Marxists. Arguing this turn is limited in its focus on pre-conscious interests, I outline post-Marxism as an attempt to move towards an analysis of unconscious libidinal investments, which also signifies a turn to human ontology. The ontological turn faces a split, however, been transcendence on the one hand an immanence on the other. In exploring the two positions, it is argued that immanence has been rejected to the point of vindicating of transcendence as a necessary position in order to conceptualise the political. The chapter ends by arguing that this rejection and the related vindication, is premised a gross misreading and misunderstanding of immanence; that immanence is the ontological centre of micropolitics as that which precedes the politics of identity and representation. Moreover, this is an ontology that, at least insofar as it concerns the political, starts with Sartre and is developed by Merleau-Ponty, Foucault and Deleuze.

Introduction

2018 ◽  
Author(s):  
Andrea Gamberini
Keyword(s):  
Middle Ages ◽  
State Building ◽  
Political Conflict ◽  
The Other ◽  
The Political ◽  
The Many ◽  
The One ◽  
Shed Light ◽  
The Ideal ◽  
The Middle Ages

The introduction gives a critical rereading of the historiographical debate regarding the processes of state building at the end of the Middle Ages, highlighting its limitations in the lack of interest shown in the ideal reasons for the political conflict. This then gives rise to the interpretative proposal that forms the basis of the present work, which aims to shed light on the many conflicts that, in relation to legitimacy of power, tore medieval society apart. With this in mind, the introduction focuses on an analysis of the sources that are potentially useful for the study of these particular aspects, on the risks underlying their use, and on the expected results. The last part discusses the structure of the work and justifies the decision to divide it into two, clearly divided parts, dedicated to the communal age on the one hand and the post-communal era on the other.

scholarly journals Transcendência e Materialismo em Memórias do Subsolo

Numen ◽  
2016 ◽  
Vol 19 (1) ◽  
Author(s):  
Jimmy Sudário Cabral
Keyword(s):  
The Other ◽  
The Political ◽  
The Novel ◽  
Face To Face ◽  
Political Ideologies ◽  
Short Novel ◽  
Wet Snow ◽  
The Subject ◽  
The One ◽  
The 19Th Century

Este artigo analisa a obra de Dostoiévski, Memórias do Subsolo, apresentando o universo filosófico e político no qual se deu a sua gestação. A pequena novela traz consigo o confronto entre as principais ideologias políticas da Rússia do século XIX, colocando frente a frente materialismo versus romantismo, oferecendo o cenário do encarniçado conflito entre os chamados homens novos, da geração de 1860, e os representantes da geração de 1840, reconhecidos como homens supérfluos. O artigo está dividido em dois atos e procura descrever os distintos núcleos narrativos que organizam a primeira parte da obra, intitulada “O subsolo”, e a segunda parte, “A propósito da neve molhada”. Após apresentar os singulares universos filosóficos e políticos nos quais a novela está inserida, o artigo procura demonstrar o lugar explosivo desta narrativa, que foi articulada como crítica religiosa e núcleo de desconstrução das virtudes estéticas e políticas da modernidade.The present article analyses Dostoyevsky’s Notes from Underground, presenting the political and philosophical atmosphere which conditioned its genealogy. This short novel highlights the conflict between the main political ideologies in Russia during the 19th century, putting face-to-face materialism versus romanticism and presenting the terrible conflict that took place between the so-called “new men” belonging to the generation of the1860s, and the representatives of the generation of the 1840s, known as the “superfluous men”. The article is divided in two main parts and it seeks to describe the distinct narrative frames which structure, on the one hand, the first part intituled “The Underground”, and, on the other, the second part intituled “On the Subject of the Wet Snow”. After describing the distinct philosophical and political contexts within which the novel is set, the article tries to demonstrate that the narrative is deliberately woven in order to function as a religious critique and an instrument to deconstruct the esthetical and political virtues of modernity.

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