scholarly journals Pandangan Dunia Pengarang Dalam Novel Putri Karya Putu Wijaya

2021 ◽  
Vol 1 (2) ◽  
pp. 83
Author(s):  
Nur Hamidah

Abstract Putri is a novel by Putu Wijaya part two that focuses on issues of Indonesian tradition in a specially with a female sword.  This study was apply with genetic structuralism, to see the world view author. The method used in this research is the dialectical method. Data and source obtained from the words and paragraphs in the novel through the documentation process and interview with author and narasumber from Bali. The result and discussion of research inlcude, (1) novel structure, namely characters and themes. Characters in a Putri novel shows a picture social life of Balinese, while the theme is a Balinese tradition. (2) social life is influenced by family, education, where to live, and daily activity affect of  creation. (3) the world view by Putu Wijaya in a  Putri novel related with a traditions which grows and develops with the modernization. Putu Wijaya with a Balinese women succeede in making changes with the society’s view of Balinese tradition and women in the process totradition is in contact with the modernization of the realm, the freedom, social politic, and economic should be aligned and equal towards. Keyword : Putri novels, novel structure, author’s social life, author world view

Author(s):  
Leo Tolstoy

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.


2019 ◽  
Vol 1 (1) ◽  
pp. 43-56
Author(s):  
Siti Rukiyah

This study discusses in depth about the moral values of responsibility in the novel Laskar Pelangi. Furthermore, the proposed related to the socio-cultural background of the authors in the creation of novel Laskar Pelangi effect on moral values. In addition, also discussed the author's view of the world related to the teachings of the value of responsibility. This research uses a qualitative approach with content analysis method. The results showed that the value of responsibility based on the novel structure consisting of man's relationship to himself, namely in terms of character and characterization. The characters are displayed Andrea Hirata bring the characters responsible for the thoughts, attitudes, and behavior. From a review of genetic structuralism, the value of responsibility based on social and cultural background, knowledge systems also influence the social and cultural life. Belitung people's livelihood systems are revealed also shape the character responsible. The author's world view of morals includes the value of self-existence, self-esteem, self-confidence, fear, longing, and responsibility.


2018 ◽  
Vol 7 (4.36) ◽  
pp. 983 ◽  
Author(s):  
Anastasia S.Volskaya ◽  
Olga A. Chupryakova ◽  
Svetlana S. Safonova ◽  
Gulnaz T. Karipzhanova

The paper is devoted to the study of semantic and functional features of expressive derivatives, both usual and occasional, in the artistic gist of the novel “Asan” by V. Makanin, as well as their role in structuring the individual-author’s linguistic picture of the world. It has been proven that the derivation of expressive lexemes is the result of improvisation according to established patterns, and that the formation of occasional substantives, adjectives and verbs involved the main methods of the Russian word derivation. It is noted that in the artistic discourse of V. Makanin, in the substantive word-formation, suffixation plays a leading role, which takes place in the sphere of abstractness and includes such lexical-semantic groups as expressive substantives with the meaning of a person, expressive substantives with the meaning of abstracted action or an abstract feature with connotation, as a rule, negative and/or reduced colloquial connotation. While in the sphere of adjectival and verbal word formation, confixation and prefixation, as the formation of expressiveness, is most productive. The paper considers the phenomenon of semantic word formation, describes the formation of semantic derivatives, including in the field of occasional vocabulary. Expressive derivatives in the artistic discourse of V. Makanin are a bright sign of his individual style, an important means of expressing the world view and outlook of the writer.  


PMLA ◽  
1973 ◽  
Vol 88 (2) ◽  
pp. 233-239 ◽  
Author(s):  
Max Dorsinville

Jack of Newbury's surface realism in characters, setting, and speech has led to an underestimation of its historical and literary value. A close reading reveals the consistent use of the Greco-Roman ethical-political conception of the state, epitomized in the figure of the ruler. Deloney shows his familiarity with this tradition, probably known to him through Erasmus and Sidney, in the three controlling motifs of his novel. First, the middle class of weavers, represented in Jack's household and dramatized in allegories and symbols, is portrayed as a self-sufficient state where peace and harmony reign. Second, this state is shown to be such because of the nature of its ruler, Jack, a benevolent, generous, wise man. Third, the middle-class way of life—hard work, thriftiness, material gains—serves as princely education; accordingly, Jack, from a menial position, goes on to become ruler of the state. Jack of Newbury, as a systematical reordering of an aristocratic tradition, represents the world view of the emergent middle class; and as such, a momentous shift in the social temper of the Renaissance and an important step in the evolution of the novel.


Author(s):  
Iryna Kushnir,

In the article the problem of the childhood in the novel “Margherita Dolcevita” by S. Benni has been studied. The well-known Italian author shows the particular situation when the child comes into collision with the world of adults for the first time. That’s why the main character 15-year-old Margherita became an active adolescent who fights for her family and the main family values. The narrative subjectified child’s “I” reflects the world-view of the XXI century where adults are enchanted by the power of consumerism. Margherita struggles for salvation of the family because she is the only child who can find forces to resist the evil in his own pure soul. The process of modeling of the childhood world is accomplished due to the symbolization of the home space as hearth in contrast with modern soulless neighbors’ world embodied by their black house. Margherita became the core to assemble all generations of her family together. The following microdominants of modeling of the childhood world have been defined: existential dimension of home and family, discontinued connection between family generations, the way to self-identity through the life trials and growing up. The formal peculiarities of the novels such as visuality, unity of composition, burning conflict to show as if from within a difficult emotional and psychological situation in which the character is found have been investigated. This novel by its title “Margherita Dolcevita” gives the child answer to the challenge of the world which she would like to preserve as kind and joyful. The studied novel is rated between the best examples of literature on child’s problems and childhood. Unfortunately this writer remains quite unknown to Ukrainian audience. This fact shows the topicality of this research.


PMLA ◽  
1956 ◽  
Vol 71 (5) ◽  
pp. 865-887 ◽  
Author(s):  
Carl A. Viggiani

Most of the critical writing on L'Etranger has been focused on the world view or philosophy that it expresses. This is certainly legitimate, especially since Camus himself sees the novel as an incarnation of “a drama of the intelligence.” As a result, however, some of the formal and imaginative aspects of L'Etranger have been neglected, with the further result that the full meaning of the novel has remained hidden. On the surface, L'Etranger gives the appearance of being an extremely simple though carefully planned and written book. In reality, it is a dense and rich creation, full of undiscovered meanings and formal qualities. It would take a book at least the length of the novel to make a complete analysis of meaning and form, and the correspondences of meaning and form, in L'Etranger. My purpose here is less ambitious. I should like first to take up aspects of the novel that have not yet been studied sufficiently, principal among them (and in this order), the use of time and structure as thematic devices, myth, names, patterns of character and situation, and symbols, and then, in conclusion, to use the knowledge gained as the basis for an explication of the meaning of the novel as a whole. Frequent and fairly lengthy references will be made to others of Camus' books, simply because the novel is incomprehensible except in the context of all his works; it is hoped that what may appear to be digressions will be justified by the light they throw on the novel.


2021 ◽  
Vol 2021 ◽  
pp. 1-9
Author(s):  
Baraa A. Al-Rahawe ◽  
Abdulsattar Abdullah Hamad ◽  
Mohanad H. Al-Zuhairy ◽  
Hameed Hasan Khalaf ◽  
Solomon Abebaw

The world has changed dramatically since the novel pandemic pours in all aspects of life, including economic, health, and social life. The first case was initially observed in the Wuhan province of China; fast spread occurs around the world. Until now, there is no proven effective treatment for it. The study’s objectives are to assess residents of Nineveh governorate’s commitment to the COVID-19 pandemic precautionary measures recommended by the WHO and Iraqi national authorities; the protective measures are used to prevent its spread and restrict the viral infectivity. Several cutaneous changes were observed in some persons as a result of prolonged contact with personal protective equipment and excessive use of personal hygiene measures.


2020 ◽  
Vol 5 (1) ◽  
pp. 74-85
Author(s):  
Candra Wijaya ◽  
Sri Rezeki Harahap

Given the importance of character in building strong human resources, the need for character education is carried out appropriately. It can be said that the formation of character is something that can not be separated from life. Therefore, care is needed by various parties, both by the government, the community, families and schools. Novels as a form of literary work are expected to bring up positive values for the audience so that they are sensitive to problems related to social life and encourage reading novels that can realize positive messages in the novel with good behavior in social life. When the world of education is considered to only pursue and prioritize the academic realm, so that it ignores moral issues and nobility. Literary work in the form of a novel entitled HSD by Tere Liye, seems to be a strategic intermediary for realizing the goal of instilling character education to students because in the novel contains values that must be straightened out.


The article is devoted to the psychological decoding of the totem dependence of one of the main characters of the novel by S. Protsyuk – Victor’s father. The totem in the work is modeled as a metaphor for human destruction, which is manifestation of fornication, fear, hatred, immorality, irresponsibility, moral and psychological indifference, instinctual desires for intimacy, pathological perception of the world, distorted forms of relationships between people. It is based on lust and despair, destroying characters at different levels of becoming – personal, psychological, cultural, national. It is established that Victor’s father in S. Protsyuk’s novel is modeled from several positions – father, husband and lover. Functional load of the father’s mission in the work is reduced to hatred of his son Victor, his psychological trauma; the function of Victor’s father as a husband is to form a discourse of moral and physical masochism based on lust, indifference to Mary’s feelings, as well as creating tension and social distance between the former spouses; the heroic totemic dependence of the hero is most clearly represented in his function as a lover, dependent on the female body and comfort, aimed at obtaining physical pleasure and developing his own philosophy of free relations. The totem in the novel is justified as a destructive mechanism that has the ability to transmit genetically, programming the next generations infected with the totem, on self-destruction, totem dependence, disharmony, moral and even physical degeneration. It is established that the hero was indifferent to family and social life due to his irresponsibility, immorality, frivolity, adventurism, ability to numerous adulterers. The influence of the totem has led the hero to a moral degeneration and a vulnerability to instinct. The destructive influence of the totem at the end of life led to the awareness of Victor’s father of the vanity, vanity and impermanence of life, unraveling the pathos of adultery and adventurism.


2019 ◽  
Vol 10 (6) ◽  
pp. 1327
Author(s):  
Ling Wang

Mark Twain is a famous critical realist writer in the late nineteenth Century. Through combining humor and irony, he makes a relentless expose and criticism of the ugly phenomena in American social life. Humor is a unique way of thinking in his mind; he used humor to bring laugh to human. At the same time, he mercilessly criticized the ugly social reality, a profound reflection of the human condition in the world of metaphysical philosophy explores. The excellent satirical art in a number of his works showed, not only became an independent school at the time of the American literature, but also had a profound impact on the future of American literature. In this article, the author uses humor as a clue, and narrates the art of humor in Mark Twain's classic novels, the author will describe about the specific language and writing techniques from some classic novels of Mark Twain, to explore the art of humor embodied in the novel and the consequences of humor, so as to let the readers have a more intuitive and profound understanding of Mark Twain's novels, and also show the expression of noble tribute to Mark Twain for his outstanding achievement.


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