scholarly journals Relações étnico-raciais: construção da dimensão pedagógica do cinema negro e a afirmação positiva da africanidade

2021 ◽  
pp. 1-20
Author(s):  
Celso Luiz Prudente ◽  
João Paulo Pinto Co ◽  
Paulo Jorge Morais-Alexandre
Keyword(s):  
Black Cinema ◽  
Racial Relations ◽  
Positive Image ◽  
Racial Domination ◽  
Divine Perfection ◽  
Class Struggles ◽  
Black Man

The article demonstrates the centrality of the academic concern, in the discipline Ethnic-Racial Relations, which is given by an observation of the different Brazilian filmographies. A Chanchada was the paroxysm of the stereotype of racial inferiority of the image of the Iberian-Afro-American as a rural ethnic demand of Amerindian heritage in the progress-averse Jeca Tatu. To affirm the racial superiority of the imagetic hegemony of the Euro-hetero-macho-authoritarian as a sign of divine perfection expressed in the priest as God's representative. Racial domination determined by the power of euroheteronormativity. Cinema Novo was the trend that the black man became an aesthetic referent in the Marxist-influenced Glauberian realization. In the syntax of Cinema Novo in the semiotics of class struggles, the black man is a proletarian expression and the white man configures the bourgeoisie. The ontological struggle to affirm the positive image of minorities is a projection of class struggles. In Black Cinema, the Africanity that is a reference in Cinema Novismo conquers the position of subject in this cinema as the author of its own history. It concludes that it is in the Pedagogical Dimension of Black Cinema, as epistemic cinema that the minority builds the image of positive affirmation representing the visual of the decanted place of speech, as inclusive contemporaneity, overcoming the excluding anachronism.

scholarly journals MASCULINIDADES NEGRAS EM MOVIMENTO – O CINEMA NEGRO COMO PRÁTICA DECOLONIAL NA EDUCAÇÃO BLACK MASCULINITY IN MOVEMENT –THE BLACK CINEMA AS A DECOLONIAL PRACTICE IN EDUCATION

RevistAleph ◽  
2018 ◽  
Author(s):  
Marco Aurélio Da Conceição Correa
Keyword(s):  
Hegemonic Masculinity ◽  
Black Masculinity ◽  
Black Cinema ◽  
Black Bodies ◽  
Colonial Violence ◽  
Black Man ◽  
Relations Of Power

Este ensaio tem a proposta de dar continuidade na crescente discussão sobre as masculinidades negras, reconhecendo que estas são subjugadas como inferiores, devido as raízes coloniais racistas que criam relações assimétricas de poder, cria-se uma masculinidade hegemônica patriarcal do homem branco, hétero e cristão. Esta violência colonial aprisiona até os dias de hoje as subjetividades e as representações do homem negro. O cinema como artefato reprodutor da realidade acaba a dar sequência a estes históricos estereótipos. Porém, existe na atualidade uma emergente criação cinematográfica que busca outras representações estéticas para os corpos e mentes negras. A partir destes filmes pensamos em possibilidades pedagógicas que descolonizem as mentes e ressignifiquem as masculinidades negras. This text has the proposal to continue the growing discussion about black masculinities, recognizing that those are subjugated as inferior because of the racist colonial roots that create asymmetrical relations of power creating the patriarchal hegemonic masculinity of the white, straight and Christian man. This colonial violence imprisons until the present day the subjectivities and representations of the black man. Cinema as a reproductive artifact of reality ends up following these historical stereotypes. However, nowadays there is an emerging cinematic creation that seeks other aesthetic representations for black bodies and minds. From these films we think of pedagogical possibilities that decolonize the minds and resignify the black masculinities.

Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul

2021 ◽  
Author(s):  
André Mendonça ◽  
Edileuza Penha de Souza
Keyword(s):  
Social Relations ◽  
Cultural Center ◽  
Black Cinema ◽  
Black Man ◽  
Definition Of ◽  
Historical Individual

This article purposes an observation of the sensations caused by watching the movie “Alma no Olho” (Brazil, 1974) from the writer, director, producer and actor Zózimo Bulbul. He started his career doing theater productions at the UNE (National Students Union) cultural center, was the first black man to play a lead role in the Brazilian television, having acted in more than thirty movies and directing six, including Alma no Olho, which will be discussed in this article. Through a research, done in person, we will analyse the perceptions the movie brings, whether they’re about historical, individual or social relations. It will also discuss a little about the definition of what is classic and a small biography from the master of the Brazilian black cinema, Zózimo Bubul.

scholarly journals Everybody’s Protest Cinema

2021 ◽  
Vol 7 (1) ◽  
pp. 115-137
Author(s):  
Peter Lurie
Keyword(s):  
African American ◽  
San Francisco ◽  
American Culture ◽  
Black Literature ◽  
African American Culture ◽  
Spike Lee ◽  
Black Cinema ◽  
American Movies ◽  
Black Man

This article uses Baldwin’s 1949 essay “Everybody’s Protest Novel” to consider that literary mode’s corollary in the 1990s New Black Cinema. It argues that recent African American movies posit an alternative to the politics and aesthetics of films by a director such as Spike Lee, one that evinces a set of qualities Baldwin calls for in his essay about Black literature. Among these are what recent scholars such as Ann Anlin Cheng have called racial melancholy or what Kevin Quashie describes as Black “quiet,” as well as variations on Yogita Goyal’s diaspora romance. Films such as Barry Jenkins’s adaptation of If Beale Street Could Talk (2018) and Joe Talbot and Jimmy Fails’s The Last Black Man in San Francisco (2019) offer a cinematic version of racial narrative at odds with the protest tradition I associate with earlier Black directors, a newly resonant cinema that we might see as both a direct and an indirect legacy of Baldwin’s views on African American culture and politics.

Prinsip Kearifan Lokal dalam Pengembangan Strategi Kehumasan pada Pemerintah Daerah Kabupaten Bandung

2020 ◽  
Vol 4 (2) ◽  
pp. 229-248
Author(s):  
Betty Tresnawaty
Keyword(s):  
Public Relations ◽  
Local Knowledge ◽  
Case Study Approach ◽  
West Java ◽  
Study Approach ◽  
Positive Image ◽  
The Government ◽  
The Impact ◽  
Public Relations Strategy

Public Relations of the Bandung Regency Government realizes that its area has a lot of potential for various local wisdom and has a heterogeneous society. This study aims to explore and analyze the values of local knowledge in developing public relations strategies in the government of Bandung Regency, West Java province. This study uses a constructivist interpretive (subjective) paradigm through a case study approach. The results showed that the Bandung Regency Government runs its government based on local wisdom. Bandung Regency Public Relations utilizes local insight and the region's potential to develop a public relations strategy to build and maintain a positive image of Bandung Regency. The impact of this research is expected to become a source of new scientific references in the development of public relations strategies in every region of Indonesia, which is very rich with various philosophies.Humas Pemerintah Kabupaten Bandung menyadari wilayahnya memiliki banyak potensi kearifan lokal yang beragam, serta memiliki masyarakatnya yang heterogen. Penelitian ini bertujuan menggali dan menganalisis nilai-nilai kearifan lokal dalam pengembangan strategi kehumasan di pemerintahan Kabupaten Bandung provinsi Jawa Barat.  Penelitian ini menggunakan paradigma interpretif (subjektif) konstruktivis melalui pendekatan studi kasus. Hasil penelitian menunjukkan bahwa Pemerintah Kabupaten (Pemkab) Bandung menjalankan pemerintahannya berlandaskan pada kearifal lokal. Humas Pemkab Bandung memanfaatkan kearifan lokal dan potensi wilayahnya untuk mengembangkan strategi humas dalam membangun dan mempertahankan citra positif Kabupaten Bandung.Dampak penelitian ini diharapkan menjadi sumber rujukan ilmiah baru dalam pengembangan strategi kehumasan di setiap daerah Indonesia yang sangat kaya dengan beragam filosofi. 

Mission in Britain today: some modest reflections and proposals

Holiness ◽  
2020 ◽  
Vol 1 (2) ◽  
pp. 161-176
Author(s):  
Stephen Bevans
Keyword(s):  
Technical Change ◽  
Adaptive Change ◽  
Image Of God ◽  
Images Of God ◽  
Positive Image ◽  
The Church

AbstractWhile ‘Mission in Britain today’ includes many aspects, this article focuses on the witness of the Church within Britain’s contemporary highly secularized culture. Rather than ‘technical change’, the Church is called to work at ‘adaptive change’, and so to concentrate less on strategies and more on internal renewal. Such adaptive change involves freeing people’s imagination from simplistic and abusive images of God, offering a positive image of God that is inspiring and truly challenging, recognizing the kenotic nature of the Church, and realizing that mission is carried out in a world of grace where God is already present and working

IMAGE OF THE RUSSIAN EXECUTIVE BODIES

2020 ◽  
pp. 26-30
Author(s):  
Volodina N.A. ◽  
Murzina I.A. ◽  
Retinskaya V.N.
Keyword(s):  
Mass Communication ◽  
Negative Impact ◽  
Scientific Article ◽  
Positive Trend ◽  
Public Authorities ◽  
Positive Image ◽  
Executive Authority ◽  
Main Indicator ◽  
Communication Space ◽  
Definition Of

This article is devoted to the study of the image of Executive authorities in modern Russia. The relevance of the chosen topic of the scientific article is emphasized for the present time, when society and the state are developing methods of countering the coronavirus pandemic – not only in the medical, but, no less important, in the socio-psychological aspect. In this perspective, the consolidating potential of a positive image of government bodies and civil servants is noted. Attention is focused on the terminological apparatus of the problem. Based on the analysis of relevant scientific works, the article provides the author's definition of the image of public authorities. The author notes the peculiarity of the image of Executive authorities, which consists in the presence of two inextricably linked equivalent components – the image of the authority and the image of a civil servant. Image formation of government bodies is considered as a multi-factor interaction of three main subjects: government bodies, the population, and the mass media. The main method of implementation is still the mass communication media, which provide a permanent presence of Executive authorities in the information and communication space. It is noted that the basis for the formation of a positive image of the Executive authority and bureaucracy is their effective functioning. At the same time, the perception of citizens, their attitude to the activities of Executive authorities, the level of trust in them is considered as the main indicator of the modality of the image. Based on the analysis of data from sociological studies, the conclusion about a positive trend in the perception of public authorities and officials by Russians is substantiated. However, there is a negative impact on their image of the lack of these changes and, in General, a low level of openness of public authorities.

Grievances of the Black Man

Transition ◽  
2019 ◽  
pp. 146
Author(s):  
Roumain ◽  
Marxsen
Keyword(s):  
Black Man

MEDIA LITERASI BAGI DIGITAL NATIVES: PERSPEKTIF GENERASI Z DI JAKARTA

2018 ◽  
Vol 6 (1) ◽  
pp. 60
Author(s):  
Ranny Rastati
Keyword(s):  
Social Media ◽  
Media Literacy ◽  
Generation Y ◽  
Role Model ◽  
Digital Natives ◽  
The Internet ◽  
Positive Image ◽  
Generation Z ◽  
Internet Users ◽  
Depth Interview

In 2017 the majority of internet users are 19-34 years old or 49.52% (APJI, 2017). Almost half of the internet users in Indonesia are digital natives who were born after 1980: Generation Y (1980-1995) and Generation Z (1996-2009). This research will be focused on Generation Z as the true generation of the internet. Generation Z was born when the internet is available, a contrast to Generation Y who is still experiencing the transition of the internet. The purpose of this research is to find an effective way of providing information about media literacy to Generation Z. Through descriptive qualitative, the study was conducted with in-depth interview and observation toward 12 university students in Jakarta. The results showed that there are four effective ways of providing information about media literacy which is i) videos distributed to social media such as Youtube and Instagram, ii) interesting memes in communicative style, iii) through selebgram or micro-celebrity in Instagram who is consider as a role model and have a positive image, and iv) roadside billboards. Another interesting finding is that male informants tend to like media literacy information through videos and memes, while female informants prefer campaigns conducted by positive image selebgram and billboard. AbstrakPada tahun 2017 pengguna internet di Indonesia mayoritas berusia 19-34 tahun yaitu sebanyak 49,52% (APJI, 2017). Dari data tersebut terlihat bahwa hampir sebagian pengguna internet di Indonesia adalah digital natives atau penutur asli teknologi digital yaitu orang-orang yang lahir setelah tahun 1980: Generasi Y (1980-1995) dan Generasi Z (1996-2009). Penelitian ini akan difokuskan kepada Generasi Z karena mereka dianggap sebagai sebenar-benarnya generasi internet. Generasi Z lahir saat teknologi tersebut sudah tersedia, berbeda dengan Generasi Y yang masih mengalami transisi teknologi hingga menuju internet. Tujuan penelitian ini adalah mencari tahu cara yang efektif dalam memberikan informasi mengenai media literasi kepada generasi Z. Metode yang digunakan adalah deskriptif kualitatif dengan observasi dan wawancara mendalam. Informan berjumlah 12 orang mahasiswa di Jakarta. Hasil penelitian menunjukkan bahwa ada empat cara yang efektif dalam memberikan informasi mengenai media literasi yaitu i) video yang disebarkan ke media sosial seperti Youtube dan Instagram, ii) meme menarik dengan bahasa yang mudah dimengerti, iii) melalui selebgram yang menjadi panutan dan berimage positif, dan iv) papan iklan di pinggir jalan. Temuan menarik lainnya adalah informan laki-laki cenderung menyukai informasi media literasi melalui video dan meme yang disebarkan ke media sosial, sementara perempuan lebih menyukai kampanye yang dilakukan oleh selebgram berimage positif dan papan iklan.

Language as a Factor in the New Identity Formation (Illustrated by Central Asian States)

2019 ◽  
pp. 175-187
Author(s):  
Tetiana Liashenko
Keyword(s):  
Central Asia ◽  
Russian Federation ◽  
Russian Language ◽  
Political Space ◽  
Sources Of Information ◽  
Positive Image ◽  
Central Asian ◽  
The Russian Federation ◽  
National Languages ◽  
The Russian Language

Attempts to build a “Russian world” within the former Soviet republics of Central Asia by introducing an idea of a single linguistic, cultural and political space with the Russian Federation are studied in the article. The threats to the Central Asian countries’ information space are analyzed. The data on gradual changing of orientations of the Central Asian states’ citizens when choosing sources of information is provided. It is concluded that the technologies of the Russian Federation’s propaganda in Central Asia are aimed primarily at the formation of the president of Russia positive image among the widest possible groups of population. Attempts to push so-called “the Russian world”, which already jeopardize global peaceful balance, are grounded, in particular, on a widespread use of the Russian language within the territories of the former USSR that serves to propagate an idea of a single linguistic, cultural and political space. At the same time, a revival and development of national languages and cultures are intensively ongoing in all new independent states. It provokes a confrontation that often causes points of tension and conflicts. A large number of the Russian media, including federal state editions, TV channels. the Sputnik news agency etc. operates in Central Asian information space. Using own controlled media, the Kremlin seeks to convince the Central Asian states’ citizens that the Russia’s foreign policy is a right one, as well as to form a positive image of Russia and president Putin as a politician who is capable to ensure stability and security in the Central Asian region. The Russian Federation pays a special attention to Eastern Kazakhstan, where a large number of ethnic Russians is concentrated. Kazakhstan has much in common with Ukraine on its ethnic population composition, economic situation and geographical proximity to Russia. As in Ukraine, the ethnic Russians make up about 1/5 of the population in Kazakhstan, meanwhile the Russian language is widely used in all spheres. Russia calls its initiative a “humanitarian project”, but there is no doubt that the Kremlin is fighting for minds of younger generation, trying to impose own culture and values on young people. Recently, while alternative sources of information have been spreading, more and more Central Asian habitants opt for online information in their national languages, considering Russianspeaking news resources to be a propaganda.

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