scholarly journals The study on the history of Italian immigration and cultural identity of Italian immigrants in Brazilian literature

2020 ◽  
Vol 17 (1) ◽  
pp. 69-106
Author(s):  
이광윤
Keyword(s):  
Cultural Identity ◽  
Brazilian Literature ◽  
Italian Immigration ◽  
History Of ◽  
Italian Immigrants

Spaces of Exclusion: The Significance of Cultural Identity in the Formation of European Residential Districts in British Hong Kong, 1877–1904

10.1068/d310 ◽  
2003 ◽  
Vol 21 (2) ◽  
pp. 223-252 ◽  
Author(s):  
G Alex Bremner ◽  
David P Y Lung
Keyword(s):  
Hong Kong ◽  
Cultural Identity ◽  
Social History ◽  
Urban Form ◽  
European Population ◽  
Capital City ◽  
The Social ◽  
History Of ◽  
Residential District ◽  
Cultural Self

In this paper we discuss the role and significance of European cultural identity in the formation of the urban environment in 19th-century and early-20th-century British Hong Kong. Our purpose is to offer an alternative reading of the social history of Hong Kong-the orthodox accounts of which remain largely predominant in the general historical understanding of that society-by examining the machinations that surrounded attempts by the European colonial elite to control the production of urban form and space in the capital city of Hong Kong, Victoria. Here the European Residential District ordinance of 1888 (along with other related ordinances) is considered in detail. An examination of European cultural self-perception and the construction of colonial identity is made by considering not only the actual ways in which urban form and space were manipulated through these ordinances but also the visual representation of the city in art. Here the intersection between ideas and images concerning civil society, cultural identity, architecture, and the official practices of colonial urban planning is demonstrated. It is argued that this coalescing of ideas, images, and practices in the colonial environment of British Hong Kong not only led to the racialisation of urban form and space there but also contributed to the apparent anxiety exhibited by the European population over the preservation of their own identity through the immediacy of the built environment.

Rom e Sinti, cittadini senza patria?

2009 ◽  
pp. 139-170
Author(s):  
Maurizio Cermel
Keyword(s):  
Cultural Identity ◽  
Deliberative Democracy ◽  
National Identities ◽  
The Other ◽  
Social Rights ◽  
Political Democracy ◽  
Economic Democracy ◽  
International Organisations ◽  
Small Communities ◽  
History Of

- The condition of the Rom and Sinti peoples represents very well the contradictions present in European society and the problems that Europe has to tackle if it is to pursue the path of political integration. There are several million people in the Rom and the Sinti population, distributed in small communities all over the continent. Because of their lifestyle and different language and customs, they are in practice denied access to the civil, political and social rights due to other citizens, both in Italy and in the majority of other European countries. This denial of their cultural identity sometimes verges on racial discrimination: as they lie on the margins of civil society, the authorities often treat them in ways that are incompatible with the principles of freedom, equality and solidarity on which today's modern democracies are founded. What the institutions in the various states ought to do, on the other hand, is work together with the Rom and Sinti organisations and with the international organisations to safeguard a cultural identity that enriches Europe as a whole just as much as its national identities do, while at the same time contributing at making these people fully entitled European citizens. Eligio Resta, God and the Majority Award The history of the principle of majority is still a powerful indicator for interpreting contemporary developments in economic democracy and in political democracy. The work by F. Galgano that led to these notes illustrates a line of commentary about the form and the contents of the rule of the majority that is pursued right up to the decline perceived in the present day. Overwhelmed by the crisis afflicting the concept of representation today, the principle of the majority has come back to question us about the space reserved for deliberative democracy.

scholarly journals Mordva-Murza from Bashkiria: The History of Formation and Ethno-cultural Features of Ethnic-Class Community

2020 ◽  
Vol 20 (3) ◽  
pp. 237-248
Author(s):  
Ranus R. Sadikov
Keyword(s):  
Cultural Identity ◽  
18Th Century ◽  
Language And Culture ◽  
Republic Of Bashkortostan ◽  
History Of ◽  
The Republic ◽  
The Village ◽  
History Of Formation ◽  
Cultural Features ◽  
Class Community

Introduction. One of the regions of compact settlement of the Mordovian people is the Republic of Bashkortostan. The Mordovian population of the region was formed during the resettlement migration process of the ethnic groups to the Bashkir lands in the 17th and early 20th centuries. There is a small stand-out group of Mordva-Erzya in Bashkiria. They call themselves Murza and they have their own identity. They live in the village of Kozhay-Andreevo in the Tuimazinskiy district and in the village of Kozhay-Maximovo in the Ermekeevskiy district. Materials and Methods. This work attempts to reconstruct the history of formation of the class community of Mordva-Murza and to identify its ethno-cultural features. The study is based on the principle of historicism; the main methods are historical-genetic, comparative-historical, and problematic-chronological. Results. Based on the study of published sources and literature, it is shown the chronology and the main stages of the formation of the Mordva-Murza community in Bashkiria. It was revealed, this community was formed on the basis of a resettlement group of the Mordovian sluzhilye-served people in the 18th century. Field ethnographic materials testify to their ethno-cultural identity. Discussion and Conclusion. Mordva living in the villages under consideration can be defined as a separate ethnic-class community, which has its own identity, self-name, specific linguistic and ethno-cultural characteristics. In their language and culture, it is interweaved both Erzya and Moksha traits. Almost disintegrated in the 1980s the community of the “Kazhay Murzas” began to revive in the year of 2000. The observations show the desire of the inhabitants and natives from these villages to preserve and develop their “Murza language” and traditions.

scholarly journals الإبداعات المغربية باللغات الأجنبية بين سلطة اللغة وسلطة الهوية: قراءة تراتبية

2015 ◽  
Vol 20 (80) ◽  
pp. 142-111
Author(s):  
فؤاد بوعلي
Keyword(s):  
Cultural Identity ◽  
Foreign Language ◽  
Literary Text ◽  
Post Colonial ◽  
Colonial Studies ◽  
Cultural Alienation ◽  
History Of ◽  
Points Of View ◽  
Creative Writings ◽  
The Relationship

أثارت الكتابة الإبداعية باللغات الأجنبية العديد من المواقف المتعارضة في الحقلين: الأكاديمي، والثقافي. فقد عرف تاريخ المغرب الحديث سجالاً قوياً بخصوص هوية الكتابات الإبداعية باللغات الأجنبية، بين مَن يرى فيها استلاباً ثقافياً، ومَن يرفض ربط الجنسية الأدبية بالانتماء اللغوي، بل وربطها بالمتخيّل الجماعي أكثر من أيّ شيء آخر، ثمّ بالمنتوج الأدبي بوصفه تجسيداً لهذا المتخيّل. فالتعبير عن الذات بلغة أجنبية يطرح للنقاش مفاهيم، مثل: الهوية الثقافية، والسلطة، والخصوصية، والعلاقة بالآخر. وباستخدام القراءة التراتبية التي ظهرت في الدراسات بعد الكولونيالية أمكننا إثبات التلازم بين استعمال اللغة الفرنسية في الإبداع ومسار الفرنكفونية بوصفها إيديولوجيا استعماريةً تفرض لغتها على الشعوب والفضاءات الذيلية. The debate over literary writing in a foreign language has instigated a lot of dichotomous points of view in Moroccan academic and cultural circles. History of modern Morocco has witnessed strong ongoing debates about the identity of creative writings in foreign language. There are those who would consider such writings as cultural alienation. Contrary to that, there are those who refuse to link literary text to language belonging, and link it instead to the collective imaginary and to the literary product as a manifestation of this imaginary. In fact, expressing the self by using a foreign language puts into question notions such as cultural identity, authority, nation-building, and otherness. By applying the theory of hierarchical reading which appeared in the post colonial studies, we have established the relationship between using French in creative writings and La Francophonie as a colonial ideology imposed on people and annexed spaces.

scholarly journals Χορευτική-μουσική ταυτότητα και ετερότητα

2007 ◽  
Author(s):  
Χρήστος Παπακώστας
Keyword(s):  
Cultural Identity ◽  
Cultural Practices ◽  
Professional Activity ◽  
Collective Identities ◽  
Theory Of Practice ◽  
The Social ◽  
History Of ◽  
Positive Perspective ◽  
The Times ◽  
Dynamic Quality

The present dissertation aims at studying dancing and music and the relationship between these two forms of culture in the construction of the cultural identity of the Roma in Heracleia of the Prefecture of Serres. Nowadays, Heracleia is a town with 4,000 residents. Its population has a mixed ethnological composition: Vlachs, natives (Greek speakers, and Slavic speakers), refugees, Sarakachans, Roma and Gypsies. In the past Heracleia was known as Tzumaya and was flourishing both financially and culturally thanks to its geographical position in the times of the Ottoman Empire and thanks to its famous bazaar. Thus, for a more complete understanding of the changes and transitions that took place it is significant to embody history as a new fundamental framework of interpretation. An important research tool for the accentuation of the principal arguments of thedissertation is the space. In this specific experiential paradigm the construction of identities and the distinction between the ethnic groups is also reflected on the organization of space. The neighborhood, the space of the Roma(sedentary gypsies), is juxtaposed to the respective neighborhood of the Vlachs, the market. Thus, the space is not only examined a “geography” but as a historical and dynamic category connected and interacting with culture. The dynamic quality of dancing and music, the ethnic mosaic and the history of Heracleia and the neighboring area as well as the continuous mobility of the Roma musicians invites us to investigate if there is actually a total isomorphism of space and culture. Music and dancing are not seen as static and fixed cultural phenomena but as historical, dynamic and fluid categories that are the object of negotiation of collective identities and variants. Dancing and music are simultaneously products and processes and do not merely reflect the social structures but are closely related to the cultural identity of a group. For the transgression of the dichotomy structure/action we adopt the theory of practice (Bourdieu 1977). In this way, dancing and music become cultural practices, by which the Roma of Heracleia handle their cultural identity in any historical conditions. Especially in the case of the Roma, this approach is even more helpful, because, as a social group with a low social status, within music and dancing they are given the chance to re-determine their identity in relation to the others. That is to say that by applying various practices of resistance, acquiescence, conflict and acceptance, they attempt to give a positive perspective to their cultural identity. In the framework of this dissertation the dancing phenomenon in the neighbourhood of the Roma and the music, as a prominent form of their professional activity, are examined.

scholarly journals Nikkei Literature in the State of Mato Grosso do Sul, Brazil

2020 ◽  
Keyword(s):  
Cultural Identity ◽  
Research Paper ◽  
The State ◽  
Brazilian Literature ◽  
Mato Grosso ◽  
Stuart Hall ◽  
Japanese Immigration ◽  
Japanese Descent ◽  
Mato Grosso Do Sul ◽  
Geographical Context

This research paper presents the preliminary findings of a homonymous project, which aims to study the literary production of nikkei (people of Japanese descent) in the state of Mato Grosso do Sul in Brazil. This project investigates the existence of this production and intends to study it as part of contemporary Brazilian literature. The scope of the research considers the nikkei production as one of the evidences that show the process of hybridization to which Stuart Hall refers in his text "The question of cultural identity"(1992). It also seeks to discover the historical and geographical context of this production as well as aspects related to Japanese immigration in the state, even before its emancipation.

Return of the Native: Some Reflexions on the History of American Indians

1974 ◽  
Vol 8 (2) ◽  
pp. 247-259 ◽  
Author(s):  
Christine Bolt
Keyword(s):  
Native Americans ◽  
Cultural Identity ◽  
American Indians ◽  
Public Policies ◽  
Considerable Part ◽  
The Public ◽  
History Of

Indian activists have recently complained about the pernicious attentions of white Indian ‘experts’, but they are likely to endure these attentions so long as their people retain a distinct cultural identity and national status. Unlike anthropologists and administrators, historians have not shaped the public policies applied to the native Americans, and so their expertise has seemed comparatively harmless. Yet having played a considerable part in misrepresenting the Indians, scholars have a duty to set the record straight with a minimum of unprofessional moralizing.

The ‘Great War’ in Il Plata: Italian Immigrants in Buenos Aires and Montevideo During the First World War

2016 ◽  
Vol 2 (1) ◽  
pp. 57-92 ◽  
Author(s):  
John Starosta Galante
Keyword(s):  
Social Relations ◽  
Buenos Aires ◽  
First World War ◽  
World War ◽  
Military Recruitment ◽  
Italian Immigration ◽  
The First World War ◽  
Italian Immigrants ◽  
The Great War ◽  
First World

This paper examines the actions of Italian immigrants in Buenos Aires and Montevideo to support Italy’s mobilisation during the First World War. It focuses on immigrant institutions that participated in activities including military recruitment and welfare collections to assist the Italian side. It also investigates ways Italian immigrants collaborated across the Río de la Plata to mobilise war-related resources. Through its analysis, this article narrows in on a neglected period of time in Italian immigration historiography and uncovers ways events in Italy might have affected immigrant behaviours. It explores the degree of integration that existed between these two communities and within a transnational immigrant network built around ‘Italian’ notions of belonging. More broadly, this paper illustrates the value of scholarly focus on periods of crisis in immigrant homelands. The study of such periods helps advance understandings of social relations within immigrant communities and the transnational networks in which immigrants are situated.

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