scholarly journals ART IN PIXELS

2021 ◽  
pp. 127
Author(s):  
Krasimira Borisova Drumeva
Keyword(s):  
Twentieth Century ◽  
Computer Graphics ◽  
Digital Media ◽  
New Technologies ◽  
Creative Expression ◽  
Main Issue ◽  
Technological Innovations ◽  
Wide Range

The development of various technologies in the second half of the twentieth century brought about the emergence of new art genres. While these new forms of art were striving for recognition and gaining popularity, the older legacy forms were also undergoing some transformations. Undoubtedly, technological innovations alter the relationships between the forms of creative expression and the audience for which art is intended. Art has not been perceived in the same way after the digital media came on stage. While arguing if computer graphics is actually a form of art, we tend to overlook the main issue: does the development of new technologies changes the entire nature of art. Traditional aesthetics is faced with the huge problem to collect, analyze and summarize the wide range of newly emerging genres of art. Most of them are not susceptible of generalization and methodization because of the unlimited freedom and dynamism in their development.

scholarly journals Children’s Engagement with Urban Legends: Temporality and Collective Story-sharing Through Horror Narratives

2021 ◽  
Author(s):  
◽  
Piper Biswell
Keyword(s):  
Digital Media ◽  
Oral Tradition ◽  
New Technologies ◽  
Real Life ◽  
Digital Medium ◽  
Urban Legends ◽  
Wide Range ◽  
Story Sharing ◽  
The Relationship ◽  
Personal Devices

<p>This thesis explores how children engage with horror narratives in the digital era and how this engagement has changed over the last decade. The term ‘Horror narratives’ encompasses a wide range of genre-based storytelling from urban legends, to creepypastas, to images, YouTube videos, and internet forums. It is a broad form of story-sharing that transcends physical and digital mediums. I examine the relationship between the horror narratives, the individual child, and wider group engagement in real-life and on a digital platforms, and how this has changed over the last fifteen years. Over the past twenty years children’s access to personal devices and digital media has expanded rapidly. I ask whether oral tradition has been overtaken by digital horror narratives. What does story-sharing look like in a digital medium?   Part of this paper is looking at how children’s horror narrative repertoires develop and what stories are retained and disseminated among their peers. In my childhood era the predominant form of dissemination was oral story-sharing, but during my fieldwork with young scouts I learned that children engage in a variety of media for dissemination as they now have easier access to internet communities on their personal devices. I have compared popular oral urban legends from my childhood (Click Click Slide, Drip Drip, and “Johnny, I want my liver back”) to contemporary horror narratives children engage with both in real-life and in the digital medium. My thesis also explores the relationship between young adults in their early twenties and memories of these horror narratives from their childhood, and how these memories have been impacted by nostalgia and retroactive knowledge. The major question of this thesis is how has horror storytelling changed from my childhood fifteen years ago to present time, and what have new technologies contributed to this evolution in horror narration?</p>

The emotions in war: fear and the British and American military, 1914–45

2001 ◽  
Vol 74 (185) ◽  
pp. 314-330 ◽  
Author(s):  
Joanna Bourke
Keyword(s):  
Twentieth Century ◽  
Human Physiology ◽  
New Technologies ◽  
Technological Innovations ◽  
American Military ◽  
Modern Warfare ◽  
The Military ◽  
The Impact ◽  
Second World

Abstract In modern warfare, technological innovations are applied to terrifying effect. On the machine-dominated battlefields of the twentieth century, the ability of individuals to master their emotions is crucial to the whole martial enterprise. Fear has widely been recognized as the most fraught of all emotions: it may stimulate combatants to fight and it may cause them to flee. This article examines the proliferation of theories about the nature of this emotion within the British and American forces during the First and Second World Wars. The military recognized the impact of new technologies upon human physiology and psychology, elaborated ways of interpreting the particular threat posed by ‘fear’ in modern conflicts, and prescribed ways of disciplining the emotional lives of combatants.

scholarly journals Computer Technologies in Contemporary Ukrainian ex-libris

2019 ◽  
pp. 111-116
Author(s):  
Yu. Kamenetska
Keyword(s):  
Computer Graphics ◽  
Digital Media ◽  
Creative Thinking ◽  
New Technologies ◽  
Modern Technology ◽  
Graphic Arts ◽  
Computer Technologies ◽  
Professional Self ◽  
Technological Experience ◽  
Modern Artists

The article describes the role of computer technologies in the development of book miniatures – ex-libris, highlights the Ukrainian and European experience in graphic editors on examples of existing ex-libris. The text is accompanied by illustrations – ex-libris, photo and table. The urgency of the chosen topic is due to the fact that the new technologies of creating exlibris, are actively developing in connection with technological progress, and desire for professional self-improvement in line with modern requirements. It positively influences on creativity of artists of exlibris and enriches the process of creative thinking. At the same time, the problem of creating graphic works thanks to modern technologies is due to the lack of knowledge about the work in digital media and the artist's commitment to the mastered technique, which results in limited technological experience in the artist's work. The research analyzes a number of scientific works, which highlight different thematic areas of development of modern Ukrainian exlibris. The study first describes in detail the principle of working in digital media, the possibility of computer graphics as a technique that can visually imitate any other, and also consider printing capabilities on printer devices through various types of paper, as well as the process of creating a Ukrainian exlibris. The art of Ukrainian exlibris is created thanks to the graphic works of classics and modern artists. It is constantly evolving and improving. New techniques and methods of printing are being approved, new and sometimes unexpected instruments such as textured natural materials or household items (threads, fabric, etc.) are used. Computer graphics help make exlibris more diverse and bring it to a new level. Technological skills of artists over the last century have rapidly developed, but have not lost their classical background. Undeniably, modern technology and graphic arts gradually merge into a single direction and create a classic and multifaceted world of modern exlibris.

scholarly journals Children’s Engagement with Urban Legends: Temporality and Collective Story-sharing Through Horror Narratives

2021 ◽  
Author(s):  
◽  
Piper Biswell
Keyword(s):  
Digital Media ◽  
Oral Tradition ◽  
New Technologies ◽  
Real Life ◽  
Digital Medium ◽  
Urban Legends ◽  
Wide Range ◽  
Story Sharing ◽  
The Relationship ◽  
Personal Devices

<p>This thesis explores how children engage with horror narratives in the digital era and how this engagement has changed over the last decade. The term ‘Horror narratives’ encompasses a wide range of genre-based storytelling from urban legends, to creepypastas, to images, YouTube videos, and internet forums. It is a broad form of story-sharing that transcends physical and digital mediums. I examine the relationship between the horror narratives, the individual child, and wider group engagement in real-life and on a digital platforms, and how this has changed over the last fifteen years. Over the past twenty years children’s access to personal devices and digital media has expanded rapidly. I ask whether oral tradition has been overtaken by digital horror narratives. What does story-sharing look like in a digital medium?   Part of this paper is looking at how children’s horror narrative repertoires develop and what stories are retained and disseminated among their peers. In my childhood era the predominant form of dissemination was oral story-sharing, but during my fieldwork with young scouts I learned that children engage in a variety of media for dissemination as they now have easier access to internet communities on their personal devices. I have compared popular oral urban legends from my childhood (Click Click Slide, Drip Drip, and “Johnny, I want my liver back”) to contemporary horror narratives children engage with both in real-life and in the digital medium. My thesis also explores the relationship between young adults in their early twenties and memories of these horror narratives from their childhood, and how these memories have been impacted by nostalgia and retroactive knowledge. The major question of this thesis is how has horror storytelling changed from my childhood fifteen years ago to present time, and what have new technologies contributed to this evolution in horror narration?</p>

Nine Centuries of Man

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Diverse Range ◽  
Gender Expectations ◽  
Court Records ◽  
The Past ◽  
Wide Range ◽  
Police Reports ◽  
Late Twentieth ◽  
Scottish History ◽  
Late Twentieth Century

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history

Coda: The Rosetta Stone

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Digital Media ◽  
The Novel ◽  
Digital Code ◽  
Media Technologies ◽  
Rosetta Stone ◽  
The World ◽  
Western Imagination ◽  
Origin Point

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....

Site specific agricultural soil management with the use of new technologies

2013 ◽  
Vol 16 (1) ◽  
pp. 59-67
Keyword(s):  
New Technologies ◽  
Digital Interface ◽  
Appropriate Treatment ◽  
Wide Range ◽  
Soil Variation ◽  
Soil Information ◽  
Remote Sensing Techniques ◽  
Agricultural Areas

<p>The Soil Science Institute of Thessaloniki produces new digitized Soil Maps that provide a useful electronic database for the spatial representation of the soil variation within a region, based on in situ soil sampling, laboratory analyses, GIS techniques and plant nutrition mathematical models, coupled with the local land cadastre. The novelty of these studies is that local agronomists have immediate access to a wide range of soil information by clicking on a field parcel shown in this digital interface and, therefore, can suggest an appropriate treatment (e.g. liming, manure incorporation, desalination, application of proper type and quantity of fertilizer) depending on the field conditions and cultivated crops. A specific case study is presented in the current work with regards to the construction of the digitized Soil Map of the regional unit of Kastoria. The potential of this map can easily be realized by the fact that the mapping of the physicochemical properties of the soils in this region provided delineation zones for differential fertilization management. An experiment was also conducted using remote sensing techniques for the enhancement of the fertilization advisory software database, which is a component of the digitized map, and the optimization of nitrogen management in agricultural areas.</p>

Ochrona dziedzictwa kulturowego a działania na dużych szybkozmiennych zbiorach danych – perspektywa kryminologiczna

2019 ◽  
pp. 5-22
Author(s):  
Szymon Buczyński
Keyword(s):  
New Technology ◽  
Big Data Analytics ◽  
Technological Innovations ◽  
Cultural Organizations ◽  
Econometric Methods ◽  
The Arts ◽  
Huge Data ◽  
Wide Range ◽  
Share Data ◽  
Processing Techniques

Recent technological revolutions in data and communication systemsenable us to generate and share data much faster than ever before. Sophisticated data tools aim to improve knowledge and boost confdence. That technological tools will only get better and user-friendlier over the years, big datacan be considered an important tool for the arts and culture sector. Statistical analysis, econometric methods or data mining techniques could pave theway towards better understanding of the mechanisms occurring on the artmarket. Moreover crime reduction and prevention challenges in today’sworld are becoming increasingly complex and are in need of a new techniquethat can handle the vast amount of information that is being generated. Thisarticle provides an examination of a wide range of new technological innovations (IT) that have applications in the areas of culture preservation andheritage protection. The author provides a description of recent technological innovations, summarize the available research on the extent of adoptionon selected examples, and then review the available research on the eachform of new technology. Furthermore the aim of this paper is to explore anddiscuss how big data analytics affect innovation and value creation in cultural organizations and shape consumer behavior in cultural heritage, arts andcultural industries. This paper discusses also the likely impact of big dataanalytics on criminological research and theory. Digital criminology supports huge data base in opposition to conventional data processing techniques which are not only in suffcient but also out dated. This paper aims atclosing a gap in the academic literature showing the contribution of a bigdata approach in cultural economics, policy and management both froma theoretical and practice-based perspective. This work is also a startingpoint for further research.

The Role of Industry-Academia Collaborative Research in Mineral Exploration

2020 ◽  
Author(s):  
James Marlatt
Keyword(s):  
Collaborative Research ◽  
New Technologies ◽  
Mineral Exploration ◽  
Board Members ◽  
Technological Innovations ◽  
Development Programs ◽  
The University ◽  
Insight Into ◽  
Economic Mineral

ABSTRACT Many people may not be aware of the extent of Kurt Kyser's collaboration with mineral exploration companies through applied research and the development of innovative exploration technologies, starting at the University of Saskatchewan and continuing through the Queen's Facility for Isotope Research. Applied collaborative, geoscientific, industry-academia research and development programs can yield technological innovations that can improve the mineral exploration discovery rates of economic mineral deposits. Alliances between exploration geoscientists and geoscientific researchers can benefit both parties, contributing to the pure and applied geoscientific knowledge base and the development of innovations in mineral exploration technology. Through a collaboration that spanned over three decades, we gained insight into the potential for economic uranium deposits around the world in Canada, Australia, USA, Finland, Russia, Gabon, Namibia, Botswana, South Africa, and Guyana. Kurt, his research team, postdoctoral fellows, and students developed technological innovations related to holistic basin analysis for economic mineral potential, isotopes in mineral exploration, and biogeochemical exploration, among others. In this paper, the business of mineral exploration is briefly described, and some examples of industry-academic collaboration innovations brought forward through Kurt's research are identified. Kurt was a masterful and capable knowledge broker, which is a key criterion for bringing new technologies to application—a grand, curious, credible, patient, and attentive communicator—whether talking about science, business, or life and with first ministers, senior technocrats, peers, board members, first nation peoples, exploration geologists, investors, students, citizens, or friends.

Digital Authoritarianism and the Future of Human Rights

2021 ◽  
pp. 1-27
Author(s):  
Tiberiu Dragu ◽  
Yonatan Lupu
Keyword(s):  
Human Rights ◽  
New Technologies ◽  
Theoretic Model ◽  
Human Rights Abuses ◽  
Human Rights Regime ◽  
Wide Range ◽  
The Future ◽  
Technological Developments ◽  
Game Theoretic ◽  
Strategic Context

Abstract How will advances in digital technology affect the future of human rights and authoritarian rule? Media figures, public intellectuals, and scholars have debated this relationship for decades, with some arguing that new technologies facilitate mobilization against the state and others countering that the same technologies allow authoritarians to strengthen their grip on power. We address this issue by analyzing the first game-theoretic model that accounts for the dual effects of technology within the strategic context of preventive repression. Our game-theoretical analysis suggests that technological developments may not be detrimental to authoritarian control and may, in fact, strengthen authoritarian control by facilitating a wide range of human rights abuses. We show that technological innovation leads to greater levels of abuses to prevent opposition groups from mobilizing and increases the likelihood that authoritarians will succeed in preventing such mobilization. These results have broad implications for the human rights regime, democratization efforts, and the interpretation of recent declines in violent human rights abuses.

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