scholarly journals PARTISIPASI MASYARAKAT TERHADAP EKSISTENSI MUSEUM SAMPARAJA BIMA DALAM MENGEMBANGKAN PARIWISATA DI KOTA BIMA NTB

2018 ◽  
Vol 3 (2) ◽  
pp. 174
Author(s):  
Marniyanti Marniyanti ◽  
Agus Tinus ◽  
M Syahri

ABSTRAKLatar belakang Museum Samparaja Bima tidak hanya menyimpan naskah-naskah dan benda-benda bersejarah peninggalan kesultanan Bima, sebagai koleksi yang ada di Museum itu, akan tetapi Samparaja juga berbagai pakaian adat lama semasa Kesultanan Bima.Tujuan penelitian ini adalah (1) untuk mengetahui bagaiamana latar belakang berdirinya Museum Samparaja Bima di Kelurahan Monggonao Kecamatan Mpunda Kota Bima. (2) Bagaiamana eksistensi/ keberadaan Museum Samparaja Bima di Kelurahan Monggonao Kecamatan Mpunda Kota Bima, dan (3) Apakah ada Partisipasi Masyarakat Bima Dalam mengembangkan Pariwisata Museum Samparaja. Metode Penelitian ini menggunakan pendekatan kualitatif karena permasalahan yang di bahas dalam penelitian ini tidak berkenaan dengan angka-angka tapi mendiskripsikan, menguraikan dan menggambarkan. Adapun metode pengumpulan data itu sendiri yaitu wawancara dan dokumentasi resmi yang dihasilkan, lokasih peneltian yaitu di Museum Samparaja Bima, instrument peneltian alat bantu bagi kualitas data yang terkumpul,data dan sumber data yang digunakan primer dan sekunder, analisis data yang digunakan adalah penyajian data dan kesimpulan. Hasil Penelitian diketahui bahwa hal-hal yang menyebabkan terjadinya latar belakang berdirinya Museum Samparaja Bima di Kelurahan Monggonao Kecamatan Mpunda Kota Bima NTB Daerah bima mulai abad ke 14 sampai pertengahan abad ke 20 (1957) oleh warsito adalah Kerajaa /Kesultanan yang berpemerintahan sendiri (swaparaja) dibawah pimpinan seorang Raja/ Sultan. Dan dijadikan yayasan oleh Hj. Siti Maryam R. Salahuddin. berisi naskahnaskh, foto-foto Kesultanan/Raja jaman dulu dan baju adat Bima serta keramik.Sedangkan Eksitensi/keberadaannya diterima baik oleh masyarakat Bima karena selain menyimpan benda-benda bersejarah Museum juga merupakan warisan budaya Bima yang harus dijaga dan dilestarikan oleh semua masyarakat Bima karena itu merupakan cirri khas adat Bima yang masih ada sampai sekarang. Sedangkan partisipasi masyarakat dalam mengembangkan pariwisata.Setiap obyek wisata memiliki daya tarik tersendiri begitu juga obyek wisata Museum Samparaja Bima. Salah satu daya tarik obyek wisata Museum Samparaja adalah keindahan yang masih alami, asli, dan bangunanya yang unik. Untuk menjadikan obyek wisata serta berkembang lebih baik maka diperlukan proses pengelolaan obyek wisata Museum Samparaja. Gambar: Foto-foto Museum Samparaja Bima, isi dari Museum, profilMonggonao dan peta Kota Bima.Kata Kunci: Partisipasi Masyarakat, Museum Samparaja Bima, Pariwisata di Kota BimaABSTRACTThe background of the Bima Samparaja Museum is not only save manuscripts and objects of historic relics of Bima sultanate, as the collections of the Museum, but Samparaja also store a variety of old traditional clothes during the Sultanate of Bima. The purpose of this study were (1) to find out how is the background of establishment Bima Samparaja Museum in the Monggonao village, Mpunda District of Bima City. (2) How is the existence / whereabouts in the Bima Samparaja Museum in the Monggonao village, Mpunda District of Bima City, and (3) Is there Public Participation In developing Tourism of Samparaja Museum.The methods of this study used a qualitative approach because of the problems discussed in this study does not regard the numbers but describe, elaborate and illustrate. The data collection method itself, namely interviews and official documentation produced, the research location that is in the Bima Samparaja Museum, the tools research instrument for the quality of the data collected, data and data sources used primary and secondary. The data analysis used is data presenting and conclusions.The research result is known that the things that causes the background of the establishment of Bima Samparaja Museum in the Monggonao Village, Mpunda District, Bima City of NTB begins the 14th century until the mid-20th century (1957) by Warsito is Royal /self-governing Sultanate (Swaparaja) below the leadership of a King / Emperor. Then is become as a foundation by Hj. Siti Maryam R. Salahuddin which is contains of the texts, Sultanate/ King photographs of ancient, traditional dresses of Bima and ceramics.While existence/presence is well received by the Bima public because besides saving historic objects, the museum is also a cultural heritage of Bima that must be guarded and preserved by all Bima societies because it is a hallmark of the Bima custom which still exist today.Whereas of community participation in developing tourism, every t ourism has its own attraction as well as a Bima Samparaja Museum tourism. One of tourism attraction is the Samparaja Museum is a nature beauty, original, and unique structure. For developing this tourism object it is necessary tourism management process in Samparaja Museum.Pictures: Photographs of Bima Samparaja Museum, the contents of the Museum, the profile of Monggonao, and maps of Bima City.Keywords: Public Participation, Bima Samparaja Museum, Tourism place in Bima city.

2020 ◽  
Vol 16 (2) ◽  
pp. 253-266
Author(s):  
Rizkiana Karmelia Shaura ◽  
Tamara Adriani Salim ◽  
Hendra Kurniawan

Introduction. This study discusses Leiden University Library reference services through the KITLV-Jakarta. Since KITLV was acquired by the Leiden University Library, the KITLV-Jakarta Library which was a KITLV-Dutch representative, is now a representative of the Leiden University Library in Jakarta. Data Collection Method. This study used a qualitative approach with descriptive research involving observations and interviews as well as primary document data sources. Data Analysis. The data was analyzed by involving the process of data reduction, interpretation, and conclusion. Results and Discussions. The results of the study indicate that reference services, particularly for reference collections found in the Leiden University Library cannot be accessed directly through the KITLV-Jakarta Library. Only KITLV librarians can request the reference service from Leiden University librarians. Conclusion. Librarians at the KITLV-Jakarta Library do not have the same access as librarians at the Leiden University Library, even though the KITLV-Jakarta Library is a representative of the Leiden University Library in Jakarta.


2016 ◽  
Vol 1 (2) ◽  
pp. 153
Author(s):  
Hendra Sukmana ◽  
Arsiyah Arsiyah

This research is aimed to study the model of recruitment of prospective members of DPD Golkar sidoarjo. The method of this research used qualitative approach. This research used data sources in the form of primary and secondary data, along with data collection techniques, namely observation, interview and documentation. The technique of data analysis used descriptive analysis by qualitative approach that includes: reduction of data, presentation of data, drawing a conclusion. The research result indicated that the recruitment of prospective members of DPD Golkar Sidoarjo has run well and was not undergoing many changes compared with the previous model of recruitment of prospective members of the party. It began with socialization of registration to the candidate of legislative member toward the volunteers. After that, it continued with self registration by young members of a legislature, join training prepared by team nine, then the candidates will be selected through scoring method.


Author(s):  
Endang Maruti

The research aims to uncover the symbols in the novel The Alchemist and to gain knowledge about the moral teachings in the symbol. This research is descriptive qualitative approach. Data sources in this study are words, phrases or sentences in the novel Alchemist. Data collection method is a literature study method with note taking technique. Data were analyzed using description and content analysis methods. The results showed that the novel The Alchemist contained many symbols. These symbols include: (1) wise parents, who symbolize both negative and positive things. From his appearance, parents can symbolize something bad, but behind his old age he symbolizes a knowledge that is very much and wise; (2) stones that symbolize something hard, not easily broken, and can provide clues to something; and (3) deserts or deserts which can be interpreted as symbols of drought, aridity, unattractiveness, emptiness, despair, determination for ignorance, and also as symbols of devotion.  


2020 ◽  
Vol 12 (1) ◽  
pp. 113
Author(s):  
Muhammad Ridho ◽  
Yanyan Muhammad Yani ◽  
Arfin Sudirman

This study aim to explain phenomenon of Arab spring that occurred in Syria and describing the triggering factors of conflict Syria and the analysis of Alawie group in Syria. The type of this study uses a qualitative approach with the literature study method, because the data collection techniques used make books and documents related to the Arab spring in Syria as a reference frame, as well as some data from a valid website. Data analysis techniques through three components, namely data reduction, data presentation and drawing conclusions in which data verification is also accompanied by triangulation of data sources. The results showed that the phenomenon of Arab spring that occurred in Syria converged on inter-ethnic conflict that occurred between the Sunni-Alawie, then triggered by the phenomenon of Arab spring that spread in the Middle East.


2019 ◽  
Vol 3 (1) ◽  
pp. 44-51
Author(s):  
Andestend Andestend

Abstract:The focus of this study is the translation errors contained in the subtitle film Upin and Ipin Terlajak Laris part one (Malaysian language into Indonesian. The research method uses a qualitative approach. Data sources are in the form of documents (translation results). Data collection techniques use document analysis. Data analysis techniques 1. Transcribe the conversations in the movie Upin and Ipin, 2. Group the languages of Malaysia and Indonesian 3. Analyze the incompatibility between Malay and Indonesian languages, 4. Conclude the results of the analysis. The results are 20 words that are not accurate in translation.


2021 ◽  
Vol 15 (2) ◽  
pp. 227-240
Author(s):  
Yulia Tutik Nurfia ◽  
Miftahul Alimin

This research is based on the style used by KHR. Ahmad Azaim Ibrahimy through his snippet of da'wah (quote) that has interesting style of languages, education messages delivered simply but so attractive. The aim of this research was to analyze and to study the language style of quotes used by KHR. Ahmad Azaim Ibrahimy in religion speech and the implementation in running his function in Pondok Pesantren Syalafi’iyah-Syafi’iyah. The research approach used was descriptive qualitative that focused on analytics and didactics. Data collection method had used the textual data analysis in language style of KHR. Ahmad Azaim Ibrahimy. The research result showed that in language style of KHR. Ahmad Azaim Ibrahimy there were metaphor, personification, allegory, irony, association, simile, metonymies, euphemism, and pleonasm figures of speech. The messages of the quotes can be understood by the readers, especially the students and the alumni of Pondok Pesantren Syalafi’iyah-Syafi’iyah.


Jurnal Edueco ◽  
2018 ◽  
Vol 1 (2) ◽  
pp. 18-25
Author(s):  
Maryanti Maryanti ◽  
Casmudi Casmudi ◽  
Ashari Sofyaun

Serve is a part of action/service for others to be able to meet the needs and desires. Customers satisfaction might be checked by comparing the expectations of consumers with the desired quality of service what they receive in fact. This research was conducted to find out how customer satisfaction with the quality of service the management of Grand City Balikpapan. Research used qualitative methods. Data sources are secondary and primary data. Data collection techniques through interviews, observation, documentation and triangulation. Data collection instruments through the interview grid with the 5W + 1H method. The validity of the data was examined through triangulation and data analysis techniques using data reduction, data display and drawing conclusions or verification (conlusion drawing / verification). Finally Grand City Balikpapan consumers have been satisfied with the quality of service provided by the Sinarmas Land Group management.


2020 ◽  
Vol 4 (1) ◽  
pp. 14
Author(s):  
Sri Hartini ◽  
Maragustam Siregar ◽  
Ahmad Arifi

Character is mental characteristics and morals that exist in a person. Besides character is also interpreted as ownership of good things. The goodness is like honesty, courage, justice, and compassion. Character education is a deliberate/conscious effort to realize virtue, that is a good quality of humanity objectively, not only good for individual individuals, but also good for society as a whole. This study aims to: Know the problems of character education in terms of micro, meso, and macro approaches. Knowing the implementation of character education according to the three approaches of micro, meso, and macro. Knowing the reason for the need for character education is carried out in MTs Negeri Klaten Regency. Knowing the results of the implementation of character education according to three approaches to micro, meso, and macro. This research uses a qualitative approach. The subjects of this study were the Head of Madrasah, Deputy Head of Madrasa in the field of curriculum, Deputy Head of Madrasa in Student Affairs, Counseling Guidance Teacher and students. Data collection techniques in the form of observation, interviews and documentation. Analysis of the data in this study used the data analysis technique of the Miles and Huberman model. The results showed: 1) The implementation of the micro aspect was carried out by the madrasah steakholder, the meso aspect by building madrasa culture, while the macro aspect was working with parents of the parents. 2) The results of the implementation of character education that have been developed each contribute to the madrasa, namely the improvement of better student character.


2019 ◽  
Vol 8 (2) ◽  
pp. 320
Author(s):  
I Wayan Mudra ◽  
I Gede Mugi Raharja ◽  
I Wayan Sukarya

AbstrakPara pencipta karya keramik di Indonesia terlihat telah berusaha mengangkat muatan tradisi khas Indonesia untuk mengimbangi dominasi kuasa produk keramik image Cina yang ada di Indonesia. Wayang khas Bali adalah salah satu motif tradisi yang sering dipilih dalam menciptakan karya-karya kriya keramik ini. Penulisan atikel ini bertujuan untuk membahas penciptaan karya-karya keramik yang terinspirasi dari motif wayang khas Bali. Penelitian ini memfokuskan bahasan pada jenis-jenis karya yang diwujudkan, teknik pembentukan, teknik penerapan ornamen, tokoh-tokoh wayang khas Bali yang divisualkan dan kualitas garapan dari karya-karya tersebut. Metode pengumpulan data dilakukan dengan observasi dan dokumentasi, analisis data dilakukan dengan deskriptif kualitatif. Hasil penelitian menunjukkan bahwa karya-karya yang diwujudkan pada penciptaan keramik ini jenisnya terdiri dari guci dalam berbagai variasi dan ukuran, tempat lampu, dan dalam bentuk lukisan. Teknik pembentukan karya dikerjakan dengan teknik putar dan slab, dan penerapan ornamen dikerjakan dengan teknik lukis, ukir, dan toreh. Tokoh-tokoh wayang yang dominan dipilih dalam penciptaan ini, diambil dari seri ceritera Ramayana maupun Mahabrata, misalnya tokoh Rama, Sinta, Laksmana, Anoman, Bima, dan Arjuna. Kualitas garapan karya masing-masing pencipta cukup baik. Hal ini bisa dilihat dari kerapian garapan dan kerumitan bentuk ornamen. Simpulan yang dapat disampaikan bahwa karya-karya keramik hasil ciptaan ini mampu menjadi pembeda ditengah maraknya keramik bernuansa Cina di Indonesia.Kata Kunci: ornamen; wayang; penciptaan; seni; keramik.AbstractThe ceramic creators in Indonesia seems to have tried to lift the content of the typical Indonesian tradition to offset the power dominance of the Chinese image ceramic products in Indonesia. The Balinese puppets were one of the traditional motifs often chosen to creating these ceramics crafts. The article writing aims discussed the ceramic work's creation inspired by Balinese puppet motifs. This research focused on the types of works that are realized, the formation techniques, the applying ornaments techniques, the character figures that visualized and the quality of the works. The data collection method was done by observation and documentation, data analysis done with qualitative descriptive. The results showed that the ceramic works embodied consisted of jars in various variations and sizes, places of lights, and in the form of paintings. The technique forming work is done with swivel and slab techniques, and the ornaments application was done by painting, carving, and incising techniques. The dominant puppet characters chosen in this creation were taken from the Ramayana and Mahabharata stories, for example, the characters Rama, Sinta, Laksmana, Anoman, Bima, and Arjuna. The work quality of each creator was quite good. This can be seen from the neatness of the claim and the form complexity of the ornaments. The conclusions that can be conveyed were that the ceramics produced were able to make a difference in the midst of the rise of Chinese nuanced ceramics in Indonesia.Keywords: ornaments; puppet; creation; art; ceramic. 


2018 ◽  
Vol 2 (1) ◽  
pp. 13
Author(s):  
I Kadek Pande Saputra ◽  
I Ketut Sudarsana ◽  
I Gusti Ngurah Agung Wijaya Mahardika

<p><em>These problems have been examined by using several theories, namely religious theory, struktural functionalism theory,</em><em> </em><em>and values theory. The method was unsed in thus research was qualitativ method which the process consists of detemining the resear location, detarmining the types and the data sources,determining the research instruments, determining the data collection method by  using observation, interview, dokumen study, data analysis and presentation of  the resul of data analysis. 1) The procesion of  nunas Kecap Mandi tradition at Dalem Gede temple in Pakraman Galiran village could be described in three tages of  implementation, the first stage, the core stage, and the final stage. The frist stage in carried out the process in making Kecap Mandi. At the core stage is carried out of  nunas  Kecap Mandi procesion which this process had been begun with Nedunang Ida Bhatara tedun to pelinggih Dasar,  praying, nunas Kecap Mandi an nunas Wangsupada (Tirta). Then at the final stage is ceriied out the process of ngewaliang Ida Bhatara to Pelinggih Pengaruman. 2) The function of  nunas Kecap Mandi tradition at Dalem Gede temple in Pakraman Galiran village are pleading prosperity function, social function and education functiona. 3) The  Hindu education values contained of  nunas Kecap Mandi tradition at Dalem Gede temple  in Pakraman Galiran village are the tattwa velues, moral velues, and ceremony values.</em><em></em></p>


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