scholarly journals The Idiolect of Ernestine de Champourcin in Terms of Cultural Accommodation

2021 ◽  
Vol 12 (4) ◽  
pp. 969-980
Author(s):  
Yakov M. Druzhkov ◽  
Olga S. Chesnokova
Keyword(s):  
Creative Work ◽  
Poetic Text ◽  
Cultural Accommodation ◽  
Poetic Translation ◽  
Key Factor ◽  
The Aesthetic ◽  
The Individual ◽  
Two Stages ◽  
Ernestina De Champourcin

This article is devoted to the idiolect of Ernestina de Champourcin, a contemporary of the Generation-27, an iconic group of Spanish poets of the 20th century. The authors propose is to consider the poetess's idiolect in the aspect of cultural accommodation beyond the traditional translation discourse, through the analysis of two poetry collections - Presencia a oscuras and Primer exilio which stand at the turn of two stages of Ernestina de Champourcin's creative work. The authors analyse the aesthetic, cognitive and linguistic vectors of the poet's idiolect and systematise the reasons for its dynamics. On the basis of the comparative analysis of the elements of the poetic idiolect of her works of different periods, the authors note that the idiolect evolves in accordance with the conditions created by cultural accommodation, and therefore the consideration of cultural accommodation is possible not only in the context of translation adequacy and equivalence, but also chronologically, at the level of idiolect, as evidenced, in particular, by the use of regional variations of lexical units, syntax and the prevalence of this or that temporal plane. The analysis of idiolect makes it possible to narrow the perspective of the material under study, and thus represents the first link of the work on poetic translation. It is argued that the translation of a poetic text is impossible without considering the internal cultural accommodation of the idiolect, which takes place according to the cultural accommodation of the individual and independently of the translation. Based on their analysis, the authors emphasize the role of idiolect as a key factor in the studies devoted to the chronological description of the creative formation of any poet.

scholarly journals The Logical Basis of a Literary Text, or What Does Porfiry Petrovich Hide in F. M. Dostoevsky’s “Crime and Punishment”?

2020 ◽  
Vol 27 (1) ◽  
pp. 239-259
Author(s):  
Valentina E. Vetlovskaya
Keyword(s):  
Literary Text ◽  
Crime Fiction ◽  
The Novel ◽  
Crime And Punishment ◽  
Logical Basis ◽  
The Aesthetic ◽  
The Individual

<p>The article explores the role of logical connections in an epic text. It is these connections, according to the author of the article, that connect the individual components of the narrative (motifs, complexes of motifs) and make up in the reader&rsquo;s perception for the missing elements. The reticence and failures to mention, common in fiction, appear in the narrative for various reasons. Sometimes due to the aesthetic principles of the writer who prefers ambiguity to a completed statement depriving readers of the opportunity to finish thinking over a vague idea. And sometimes, due to the author&rsquo;s conviction that there is no need to explain the idea implied by what has been earlier said. But it also happens that the omissions in the narrative are engendered by the requirements for the presentation of a chosen topic, for example in crime fiction. But these reasons may go together as it occurs in Crime and Punishment. These ideas are illustrated by the analysis of one of the themes of the novel Crime and Punishment.</p>

Legitimating Media: Shakespeare’s Awkward Travels Through Video Games and Twitter

2018 ◽  
Vol 11 (3) ◽  
pp. 418-435 ◽  
Author(s):  
Li Cornfeld ◽  
Victoria Simon ◽  
Jonathan Sterne
Keyword(s):  
Video Games ◽  
19Th Century ◽  
Creative Work ◽  
Interactive Game ◽  
Media Space ◽  
The Aesthetic ◽  
Media Form ◽  
The 19Th Century

Abstract Since the 19th century, Shakespeare references have recurred with surprising consistency in experimental forms of media. This article considers the role of references to and adaptations of Shakespeare texts when a media form takes on a new valence for a set of users in a particular time and place. We consider two different moments at length: a commercial interactive game from 1984 that made novel use of cassettes and sound, and the production and reception of early Twitter adaptations of Shakespeare in 2010. By standing in for the aesthetic possibilities and limits of a changing media space, Shakespearean references and deviations from them serve a key role for artists and critics in debates over the legitimacy and significance of creative work in emergent media. Thus, cultural producers, critics and audiences thus use these sometimes-awkward appearances of Shakespeare as a means of describing their aesthetic potentials and limits.

scholarly journals UNSUR ESTETIKA BAHASA DALAM NOVEL-NOVEL PEMENANG SAYEMBARA FIKSYEN SAINS DAN TEKNOLOGI DARI TAHUN 2012 SEHINGGA 2017

2019 ◽  
pp. 189-212
Author(s):  
ROSNANI MD ZAIN ◽  
NIK RAFIDAH NIK MUAHAMAD AFFENDI
Keyword(s):  
Literature Review ◽  
Science Fiction ◽  
Science And Technology ◽  
Creative Work ◽  
Review Analysis ◽  
Language Style ◽  
Poetic Text ◽  
The Subject ◽  
The Aesthetic ◽  
Language Styles

ABSTRAK Estetika merujuk kepada cabang ilmu yang membahaskan perihal keindahan dalam karya sastera. Unsur estetika memainkan peranan penting dalam penghasilan sesebuah karya kreatif, iaitu dijadikan sebagai medium bahasa dalam menyampaikan mesej yang jelas kepada pembaca. Kajian yang dilakukan ini berdasarkan pengamatan pengkaji tentang pendapat sarjana sastera yang mendakwa novel-novel fiksyen sains yang terhasil daripada Sayembara Fiksyen Sains dan Teknologi tidak memaparkan unsur keindahan bahasa kepada pembaca. Sehubungan dengan itu, untuk merungkai permasalahan ini pengkaji menggunakan lima buah novel pemenang Sayembara Fiksyen Sains dan Teknologi iaitu Bekamorfosis (2012) karya Jali Kenoi, Petaka Bakteria (2012) karya Mohd Kasim Mahmud, Puranakila (2015) karya Saadiah Ibrahim, Ajal (2015) karya Ruhaini Matdarin dan Yang Diselindung Samudera (2017) karya Nor Azida Ishak, Fadli al-Akiti dan Ted Mahsun. Kajian yang dilakukan ini juga mempunyai dua objektif kajian iaitu mengklasifikasi dan menganalisis unsur estetika bahasa iaitu penggunaan gaya bahasa yang terdapat dalam novel-novel kajian. Oleh itu, kajian ini menggunakan kaedah kajian kepustakaan, analisis teks dan penerapan Teori Puitika Sastera Melayu yang diasaskan oleh Muhammad Haji Salleh sebagai sokongan terhadap hujahan pengkaji. Hasil kajian yang dilakukan terhadap novel-novel fiksyen sains tersebut pengkaji mendapati dua jenis gaya bahasa yang diketengahkan oleh pengarang iaitu gaya bahasa perbandingan dan gaya bahasa pengulangan. Gaya bahasa tersebut juga dapat dikaitkan dengan konsep estetika dalam Teori Puitika Sastera Melayu iaitu keindahan dalam mendidik atau mengajar, keindahan dalam pengungkapan kesusahan dan kesedihan serta keindahan dalam rasa seperti yang dinyatakan oleh Muhammad Haji Salleh.   ABSTRACT Aesthetics refers to the branch of knowledge that debates the subject of beauty in literary works. The aesthetic element plays an important role in the production of a creative work, which serves as a language medium in delivering clear messages to the reader. This study is based on the study of literary scholars who claim that science fiction novels from the Science and Technology Fiction Contest do not present the language’s beauty element to readers. To this end, the researcher used the five novels of Science and Technology Fiction Contest winners namely Bekamorfosis (2012) by Jali Kenoi, Petaka Bakteria (2012) by Mohd Kasim Mahmud, Puranakila (2015) by Saadiah Ibrahim, Ajal (2015) by Ruhaini Matdarin and Yang Diselindung Samudera (2017) by Nor Azida Ishak, Ted Mahsun and Fadli Al-Akiti. The study also has two objectives of the study which is to classify and analyze the aesthetics of language which is the use of language style found in the research novels. Therefore, this study uses the method of literature review, analysis and application of the theory of poetic text Malay literature founded by Muhammad Haji Salleh in support of the submissions from researchers. As a result of the study of science fiction novels, researchers have identified two types of language styles that the author promotes: comparative language style and repetition language style. The style of these languages can also be associated with the aesthetic concept in the theory of poetic beauty of Malay literature in educating or teaching, discovery of beauty in distress and sadness and beauty in the sense as described by Muhammad Haji Salleh. 

scholarly journals Enjambement in the Mounted Lyrical Poetry: the Untranslatable Translated?

2021 ◽  
pp. 254-265
Author(s):  
Dzhanetta M. Dreeva
Keyword(s):  
Target Language ◽  
Special Role ◽  
Dynamic Equivalence ◽  
Translation Strategies ◽  
Intercultural Interaction ◽  
Lyrical Poetry ◽  
Poetic Text ◽  
Target Languages ◽  
The Aesthetic

The article is aimed at studying some features of translation strategies used to convey the expressive potential of a poetic text with elements of mounting techniques, viewed through the prism of the rhythmic-syntactic level of organisation of the poetic text. The subject of analysis is enjambement, or verse (poetic) transference, which is a “dissonance” between the rhythmic division of poetic speech into poetic lines and the syntactic division of verbal material into syntagmas in verse, thereby affecting the rhythmic structure of the text. The poem by H.M. Enzensberger (born in 1929), “verteidigung der wölfe gegen die lämmer”, as well as the translation of the specified poem into Russian (“Protection of wolves from sheep”) made by Lev Ginzburg (1921-1980), are used as the factual material. The original poem is written in free rhythms and includes elements of mounting techniques. To achieve this goal, a complex methodology has been applied, which, in addition to structural-descriptive and comparative analyses, also involves elements of linguopoetic and linguo-stylistic approaches. The relevance of the presented work is primarily due to the translation perspective of the study, which required the involvement of the main provisions of the theory of dynamic equivalence by E. Nida, secondly, – to the fact that translation strategies are considered in terms of intercultural interaction, i.e. taking into account the culturally specific characteristics of the bearers of the source and target languages. Based on the results of the analysis, a conclusion has been made about the special role of verse transferences in the mounted lyrical poetry of H.M. Enzensberger, which are engaged in the creation of the “defamiliarisation” effect at the appropriate micro-level of the lyrical work. A comparative analysis of the texts in the source language and the target language indicates that the application of the main provisions of the theory of dynamic equivalence, as well as the relevant linguistic aspects of intercultural communication when translating poetic works, contributes to a most accurate preservation of the aesthetic effect and of the expressive potential inherent in the original poetic text with elements of mounting techniques.

Aroma in Fermented Beverages: The Role of NonConventional Yeasts

2017 ◽  
pp. 1-2
Keyword(s):  
Quality Assessment ◽  
Product Quality ◽  
Synergistic Effects ◽  
Aroma Compounds ◽  
Alcoholic Beverages ◽  
Sensory Thresholds ◽  
Fermented Beverages ◽  
Key Factor ◽  
The Individual

The aroma of alcoholic beverages is a key factor for product quality assessment and its acceptance by the consumers. The global aroma of fermented beverages is the result of the interaction of many different aroma compounds, either present above or below their sensory thresholds. Aromas below their sensory thresholds can sometimes be perceived due to the additive, enhancing or synergistic effects [1]. In this way, it is important not only to pay attention to the individual aromas but also to the multitude of interactions between them.

scholarly journals Hora’s metaphors in the language of Olha Kobylyanskaya’s artistic works

2019 ◽  
Keyword(s):  
Characteristic Feature ◽  
Creative Work ◽  
Personal View ◽  
Works Of Art ◽  
Poetic Text ◽  
Artistic Works

The metaphors with the nomens of flora have been characterised in the article and the specific of their realisation in the language picture of O. Kobylyanskaya’s artistic world has been analysed. The role of this tripe in the poetic text has been made it has been proved that the metaphors are the characteristic feature of the writer’s language world. O. Kobylyanskaya’s creative work as well as the creativity of any other writer can’t be considered to be studied for sure, because any researcher represents her own view towards this or that issue or phenomenon. Because of this, there is a great need to make the analysis of the metaphors function with the flora’s nomenon in the language of O. Kobylyanskaya’s works, which are represented in the language of the writer’s works of art. The characteristic of metaphors with the flora’s nomens will do a favour as for understanding of deep processes of the levis development of modern Ukrainian language. The language of the works of art is an embodiment an illustration of the world’s picture as well as the author’s personal view. The images of the artistic language are the most difficult ones, which are based on the furthest associations and the linking of disconnected things, can be shown in trope’s ways and in the metaphors as well. The process of making metaphors can express the idea style of the writer, represent his authentic and show his personal world conception. The objective of the article is, to characterize the artistic and stylish functions of the metaphors’ constructions, which include flora nomens.

scholarly journals The Role of Art in Society with Particular Reference to the Problem of Violence$

2016 ◽  
Vol 9 (1) ◽  
pp. 160-167
Author(s):  
Camilla Pagani
Keyword(s):  
Theoretical Approach ◽  
Power Relations ◽  
Aesthetic Experience ◽  
Theoretical Perspective ◽  
Human Mind ◽  
The Other ◽  
Psychological Processes ◽  
The Aesthetic ◽  
The Individual

Background: According to the Latin poet Virgil, art is capable of revealing to us what no science can ever reveal to a human mind. The main thesis of this paper is that art can play an extremely beneficial role in society as it can strongly foster humans’ efforts to attain a deeper and broader comprehension of reality. Objective: The experience of art can provide a powerful contribution to the efforts to avoid resorting to violence and to address conflicts constructively. Violence or, more exactly, unjustified violence, basically rests on an irrational and short-sighted analysis and interpretation of reality. Results: The psychological processes relating to the aesthetic experience and to its connections with violence are described. It is also pointed out that this theoretical perspective does not fully coincide with the theoretical theses underpinning art therapy. In fact, in this paper art is not considered as a mere therapeutic instrument. Instead, an attempt has been made to consider art and our relationship with art in their more complex and partly still unexplored aspects, where neither art or the individual is “at the service” of the other. Conclusion: Art can provide the possibility to experience a new dimension, where no power relations exist and where new ways of seeing and feeling are made possible. It can hence foster the development of less primitive and richer personalities. In this way violence should lose its raison d’être. So it appears that this theoretical approach might be particularly helpful in order to better understand and countervail violence.

scholarly journals AUTHORSHIP IN THE GENRE OF SMALL PROSE

2021 ◽  
pp. 284-291
Author(s):  
Елена Владимировна Малинкина
Keyword(s):  
Social Issues ◽  
Social Role ◽  
The Aesthetic ◽  
The Individual ◽  
Subject Of Cognition

Автор рассматривает эстетическую и социальную роль личности писателя и образа автора в формировании малого жанра, раскрывает философский и лирический потенциал малой прозы, считает философское и лирическое начала жанрообразующими факторами малой прозы. Опираясь на антропологические концепции русских философов, автор усматривает их влияние на литературу через лиризацию прозы, в возрождении интереса к личности не только как субъекта познания, обладающего интуицией, но и как духовной субстанции, субъекта творчества. Особое внимание уделяется явлению циклизации и эпизации в современной «малой» прозе, теме сохранения национальных духовных традиций у ее лучших представителей, социальной проблематике в циклах миниатюр. The author examines the aesthetic and social role of the personality of the writer and the image of the author in the formation of a small genre, reveals the philosophical and lyrical potential of small prose, and considers the philosophical and lyrical principles to be genre-forming factors of small prose. Based on the anthropological concepts of Russian philosophers, the author sees their influence on literature through the lyricization of prose, in the revival of interest in the individual, not only as a subject of cognition with intuition, but also as a spiritual substance, a subject of creativity. Particular attention is paid to the phenomenon of cyclization and epization in modern «small» prose, the topic of preserving national spiritual traditions among its best representatives, social issues in miniature cycles.

scholarly journals AUTHOR’S INDIVIDUAL PUNCTUATION AS AN ELEMENT OF TEXT GRAPHICS

Movoznavstvo ◽  
2021 ◽  
Vol 319 (4) ◽  
pp. 60-69
Author(s):  
N. S. PRУKHODKO ◽  
Keyword(s):  
Structural Features ◽  
Graphic System ◽  
Punctuation Mark ◽  
Poetic Text ◽  
Research Findings ◽  
The Aesthetic ◽  
Definition Of ◽  
The Individual ◽  
Historical Epoch ◽  
Individual Style

The article sheds light on the concept of text graphics and the importance of punctuation in the graphic system of the text, in particular, poetic text. The author elucidates various scholars’ approaches to the definition of the term author’s individual punctuation, with a focus on the system-structural features of some punctuation marks and the most important functions of punctuation as a stylistic device. The article analyzes the expressive and stylistic means used to produce the greatest emotional influence on the listener or reader and classifies them into constructive, emotive, combined, and contaminated groups. The multi-functionality of the author’s punctuation embraces strengthening the aesthetic loading of punctuation marks and expanding the boundaries of their use. The unregulated use of punctuation mark is determined by historical changes and the semantic principles concerning the location of punctuation marks. Author’s punctuation can be interpreted as a substitution of some normatively motivated signs/marks with the unregulated ones; as a text devoid of any marks; as an excessive use of either some particular punctuation marks or only one of them and, on the contrary, their complete absence in the text. The article outlines the main functions of the author’s punctuation: emotional, emphatic, logical, evaluative, semantic, dividing. The individual style, dependence on the functional style, genre, traditions, and norms of a definite historical epoch are the factors that influence the author’s individual punctuation system formation. The author’s punctuation is an interstyle phenomenon because it is inherent in texts of different functional styles. The research findings argue that the author’s individual punctuation system should be interpreted in a broad sense as any conscious, deliberate choice of the unregulated punctuation mark, not fixed in the spelling rules, and in a narrow understanding — all the punctuation marks in the author’s manuscript, which are different from the normative use.

scholarly journals How knowledge becomes a factor of production

2021 ◽  
pp. 5-21
Author(s):  
Sergey D. Bodrunov ◽  
◽  
Keyword(s):  
Professional Growth ◽  
Social Recognition ◽  
Industrial Society ◽  
Creative Work ◽  
Capital Investments ◽  
Economic Interests ◽  
Key Factor ◽  
High Knowledge ◽  
Creative Workers

Currently, in the process of transition of civilization in its development to the next technological order and a New industrial society of the second generation (NIS.2), the role of knowledge is growing in production; they are gradually becoming its prevailing and main factor. At the same time, knowledge cannot play the role of an independent factor of production. For their implementation in technologies and the manufactured product, the labor activity of a person with knowledge is necessary. In modern production, which is characterized by high knowledge intensity and continuous flow of innovations, such a person with the creative potential to apply knowledge becomes a key factor in production. The increasing role of knowledge and qualifications of production participants is interpreted in the mainstream of economic theory as the formation of human capital, investments in which provide returns in the form of increased income. However, there are serious reasons to doubt the scientific correctness of this approach. The return on creative work in the modern economy rather takes the form of intellectual rent. This rent is distributed between the employee and the hiring company on unequal grounds, determined by the specifics of the relations of wage labor and capital. Capital, to the extent that it is interested in retaining creative workers, can share with them a part of the intellectual rent received. But persons of creative work have not only economic interests, but also interests of a different nature – in self-realization, professional growth, social recognition, which also begins to be taken into account when stimulating their work. Ultimately, the modern evolution of creative work leads to development in the direction determined by the theory of noonomy.

Sign in / Sign up

Export Citation Format

Share Document