The article considers creationism as a historically relevant principle in the scientific and philosophic aspects denoting the ontological structure of the world. Outside of the religious interpretation, the author speaks of the dialectics of creation, which is revealed as an implicative connection of the one and nothing. Logical inversion (logical turn), acting from within this implicative connection, is postulated as the principle of a fundamental negation, which, according to the author, forms the true and dramatic essence of the world as a creation. The author distances himself from the widespread discussion between evolutionism and scientific creationism, stating that it does not correspond to the very subject of creationism, understood as the implication of a real from nothing. The author focuses on considering ‘nothing’ as a purely dialectical / metaphysical principle and relies partly on the Hegel’s dialectic of ‘being’ and ‘nothing’, and partly on the neoplatonic concept of the one. Rejecting the medieval interpretation of the temporal beginning and the Hegel’s identity, he deduces a scheme of the logical connection between the one and the difference, which postulates the inversion (turnover) forming the creation - the one and the difference disjunctively change places, the one becomes the real, and the difference out of the one becomes nothing. It is argued that this postulate, in particular, refutes the thesis about the ‘fall into sin’. In the second part of the article, a spatial-phenomenological hypothesis is presented: the author provides a description of the space as a geometrical-semantic plane (projective structure). This hypothesis follows from the phenomenological problem of the duality of a geometric object, which results in the problem of ontological transition between a point and a line (in the aporia of the Eleats) and the related problem of spatial congruence / parallelism. According to the author, the potential for solving these not essentially mathematical, but metaphysical questions is the projective geometry, in which parallel lines intersect at ‘point at infinity’, and space is complemented by the ‘plane at infinity’. The essence of the solution consists, firstly, in the assumption of the single plane, which underlies the transition, and secondly, in the description of the perceived world as a result of a specific turn over and closure of this plane, forming the projective structure. The key in this part is the demonstration of the surface of a three-dimensional object as a phenomenon of perceptual-semantic unfolding, which can be imagined as an action of consciousness, consistently reducing the usual scheme. An important aspect of considering the projective structure is the correlation with ‘the Plane’ by G. Deleuze. The general idea of the article is that the dialectical scheme of creation and the projective structure of the space coincide: the logical inversion (logical turn), acting in connection of the one and nothing, and projective structural turnover – are the same things.
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