scholarly journals “Restoring the Kinship”: the Novel The Adolescent as a Prologue to the Dialogue Between Nikolay Fedorov and Fyodor Dostoevsky

2021 ◽  
pp. 58-87
Author(s):  
Anastasia G. Gacheva
Keyword(s):  
The Novel ◽  
Fyodor Dostoevsky ◽  
Main Work ◽  
Common Task ◽  
The World ◽  
The Subject ◽  
The Common

The article is an attempt to read the novel The Adolescent in the light of the spiritual and creative dialogue between the philosopher of the common task Nikolay Fedorov and Fyodor Dostoevsky. Although The Adolescent was written and published three years before Fedorov’s student N. Peterson presented his teacher’s ideas to the writer in the article “What should a people’s school be?”, the novel can be considered as a prologue to the topic that eventually became the subject of Fedorov’s main work The question of brotherhood or kinship, about the causes of the non-fraternal, unrelated, i.e. non-peaceful, state of the world, and about the means to restore kinship. The plot of the novel is interpreted in the article through the prism of Fedorov’s themes of non-kinship and the restoration of universal kinship, the idea of returning the hearts of sons to their fathers and the fathers’ ones to their children. It is shown how the theme of “family as the practical beginning of love” is expressed in the novel.

HUNTING GWENDOLEN: ANIMETAPHOR INDANIEL DERONDA

2012 ◽  
Vol 40 (1) ◽  
pp. 99-115 ◽  
Author(s):  
Chase Pielak
Keyword(s):  
The Novel ◽  
Daniel Deronda ◽  
Animal Imagery ◽  
The World ◽  
The Subject ◽  
Animal Representations

In George Eliot'sDanielDeronda, animal vitality figures prominently in shaping the human shell, to use an opening animal metaphor. Approaching the significance of the animal leads to a reading of Gwendolen Grandcourt's character as a responsible creature. Gwendolen is Eliot's heroine, one half of the pair of protagonists around whom the novel revolves. Eliot's fantastic character takes shape in three movements, each punctuated by its own animal metaphor: Gwendolen morphs from Lamia to mastered-animal to white doe. Animal imagery appears at the edge of the human, the point at which humanity gains and loses subjectivity, and Gwendolen's novel is fundamentally one of finding her place in the world, her singularity, her responsibility. Images of animals stand in the linguistic gaps – in the places words fail – to figure the subject.1Animals appear at the end of the ability of language to mean. Nevertheless, this analysis is not intended to encompass the complex range of animal representations in George's Eliot's oeuvre, or even to catalog every example inDaniel Deronda. Instead, it suggests the possibility of using animal metaphor as a map for reading a Victorian heroine.

scholarly journals Intricate Coalescence of Nature and Philosophy in Coelho’s world: Ruminations from The Alchemist

2020 ◽  
pp. 72-79
Author(s):  
L. Monica Lilly
Keyword(s):  
Common Language ◽  
Human Species ◽  
The World ◽  
The Subject ◽  
The Common ◽  
Human Psyche ◽  
Egyptian Desert ◽  
The Universe

 In The Alchemist, Paulo Coelho projects Santiago communicating with Nature which he refers to as the common language of the world. A study of The Alchemist will reveal how Santiago, an Andalusian shepherd boy who yearns to travel in search of a bounty treasure explores the wisdom of life. His quest for the treasure buried near the Pyramids propels him to enter an unchartered territory from his homeland in Spain to the Egyptian desert. This paper aims to explore the ecological reflections mired with concepts of slants in philosophy. Ecology on one hand is considered as a branch of science but, despite providing erudition on the subject it is understood that it provides sagacity to understand the universe better. This paper rightly discusses the amalgamation of nature and literature. It is indeed a manifestation of the recurrently believed ideologies that connect human psyche and platitudes of the cosmos. The logos that interrelates the existing connection between the non human and the human species require an exceptional mastery. This paper will analyze and depict the emotions connected with nature from the spectacle of the Protagonist Santiago in The Alchemist.

scholarly journals Emerging pandemic COVID-19: myths and facts

2020 ◽  
Vol 6 (7) ◽  
pp. 283
Author(s):  
Rohit Vadala ◽  
Isabella Princess
Keyword(s):  
Severe Acute Respiratory Syndrome ◽  
Clinical Presentation ◽  
Surface Protein ◽  
Respiratory Viruses ◽  
The Novel ◽  
Nucleocapsid Proteins ◽  
The World ◽  
The Common ◽  
Human Infections ◽  
Relationship Of

<p>The first theory which has established itself across the world is that COVID-19 is a “new virus”. It is rather wise to call it a “new strain” of a pre-existing coronavirus since history clearly denotes cases of coronavirus surfacing the world in past years beginning as early as mid-1960s.Including this novel strain of the virus, seven strains of coronaviruses have been commonly associated with human infections. Coronaviruses are primarily respiratory viruses causing infections ranging from mild to severe involvement of the respiratory tract. The common cold strains of coronavirus are 229E alpha coronavirus, NL63 alpha coronavirus, OC43 beta coronavirus and HKU1 beta coronavirus.The acute respiratory distress causing strains are severe acute respiratory syndrome (SARS) beta CoV causing SARS, MERS beta CoV causing Middle East respiratory syndrome (MERS) and the very novel COVID-19. Researchers and molecular biologists have confirmed phylogenetic relationship of COVID-19 with a 2015 Chinese bat strain of SARS CoV.<sup> </sup>Mutations to the surface protein as well as nucleocapsid proteins were demonstrated. These two mutations predicts the characteristics such as higher ability to infect as well as enhanced pathogenicity of COVID-19 as compared to older SARS strain. For this reason and with similarities in clinical presentation the novel strain has been named as SARS-CoV-2.</p>

scholarly journals Human as a phenomenon of unity of corporeal and spiritual in various-system languages (based on the material of euphemisms in the English and Buryat languages)

2020 ◽  
pp. 58-66
Author(s):  
Oyuna Tsydendambaeva ◽  
Olga Dorzheeva
Keyword(s):  
Scientific Discourse ◽  
The Body ◽  
Linguistic Expression ◽  
The West ◽  
The World ◽  
Key Concepts ◽  
The Subject ◽  
The Common

This article is dedicated to the examination of euphemisms in the various-system languages &ndash; English and Buryat that contain view of the world by a human, and the ways of their conceptualization. Euphemisms remain insufficiently studied. Whereupon, examination of linguistic expression of the key concepts of culture is among the paramount programs of modern linguistics, need for the linguoculturological approach towards analysis of euphemisms in the languages, viewing it in light of the current sociocultural transformations, which are refer to euphemisms and values reflected by them. The subject of this research is the euphemisms in the English and Buryat languages, representing the semiosphere &ldquo;corporeal and spiritual&rdquo;. The scientific novelty consists in introduction of the previously unexamined euphemism in Buryat language that comprise semiosphere &ldquo;corporeal and spiritual&rdquo; into the scientific discourse. The analysis of language material testifies to the fact that in various cultures the topic of intimacy and sex is euphemized differently. The lexis indicating the intimate parts of the body is vividly presented in the West, while in Buryat language &ndash; rather reserved. The author also determines the common, universal, and nationally marked components elucidating the linguistic worldview of different ethnoses and cultures.

scholarly journals Aleksandr Karepin, the nephew of Fyodor Dostoevsky and the hero of his novels

2021 ◽  
Vol 27 (1) ◽  
pp. 156-160
Author(s):  
Maria A. Myakinchenko
Keyword(s):  
Mental Illness ◽  
Personality Traits ◽  
Healthy Person ◽  
The Novel ◽  
Fyodor Dostoevsky ◽  
The World ◽  
The Relationship

The article discusses aspects of the relationship between Fyodor Dostoevsky and his nephew Aleksandr Karepin as well as their reflection in the writer's work. The peculiarities of the nature and character of Aleksandr Karepin are briefly described; he was a very peculiar and not completely mentally healthy person, who served as the prototype for various, in fact, diametrically opposed in spiritual terms heroes – Pavel Trusotsky from “The Eternal Husband” and Prince Myshkin from the novel “The Idiot”. The article concludes that the use of different, sometimes opposite personality traits of the prototype when creating images of the heroes of the works was a feature of the creative method of Fyodor Dostoevsky. In addition, Aleksandr Karepin's mental illness and the oddities in his behaviour allowed the writer to think out in different ways and build not only the image of a hero with certain features of the prototype, but also the attitude of the world around him to this character, which in turn illustrates the diseases of society.

Świat po katastrofie. Motywy postczarnobylskie w powieści Очамимря Ołeksandra Irwańca i w dramacie Na początku i na końcu czasów Pawła Arje

2019 ◽  
Vol 7 ◽  
pp. 121-136
Author(s):  
Paulina Olechowska ◽  
Marta Zambrzycka
Keyword(s):  
Political Context ◽  
Soviet Society ◽  
The Novel ◽  
Traditional Values ◽  
Literary Genres ◽  
Chernobyl Disaster ◽  
The World ◽  
The Subject ◽  
Do So

The subject of the article is the analysis of post-Chernobyl themes in the novel by Oleksandr Irwaniec Ochamimriya and in Pawel Arje’s play At the beginning and end of time. The Chernobyl disaster played a key role in the development of contemporary Ukrainian literature and culture. Chernobyl very quickly became a universal metaphor that have gone far beyond ecology and into a cultural and political context. In both works, the atomic explosion (taken literally by Arje, as the explosion of the No. IV reactor in Chernobyl and by Irvacek more vaguely as an explosion) is a key element of the plot, aff ecting both the fate of the characters and the shape of the surrounding reality. Although these works belong to two diff erent literary genres and showcase two diff erent conventions of presenting reality, they are connected by a post-apocalyptic vision of the world and the concept of a looping time. The heroes of both texts live in a time after the catastrophe, deprived of civilized goods and isolated from the rest of the world. In the novel by Irwaniec, this time after the catastrophe is a sort of “new medieval” with a decidedly pessimistic expression while in Arje’s drama the return to the pre-industrial worldview contains hope for fi nding traditional values. Both texts also address issues relevant to the modern post-Soviet society, but they do so in very different ways. Irwaneć uses grotesque, to deprive his characters of complexity, while Arje makes his characters deeply tragic and psychologically probable.

scholarly journals Prishvin and Trotsky: a Man “like a pharmacist” in the novel “The World Cup”, journalism and the Writer’s Diary

2021 ◽  
pp. 164-177
Author(s):  
A. M. Podoksenov ◽  
V. A. Telkova
Keyword(s):  
Soviet Period ◽  
Soviet Society ◽  
The Novel ◽  
Political Struggle ◽  
World Cup ◽  
Russian Art ◽  
The World ◽  
The Subject ◽  
Characteristic Features ◽  
First Time

The relevance of the study is due to the fact that the subject of the article is the question of the influence of L. D. Trotsky [Bronstein], who was one of the key leaders of Bolshevism, who headed the October Revolution, on the worldview and creativity of M. M. Prishvin, which has not yet been considered in the European studies. It is shown that in Russian art it is difficult to find an artist of the word, whose work would be to the same extent conditioned by the influence of the ideological and political context. The novelty of the study lies in the fact that for the first time an attempt was made to show how, through individual characters in his works, Prishvin in an artistic and figurative form reflected the characteristic features of behavior, everyday habits, the style of thinking and speech of Trotsky. Particular attention is paid to the analysis of previously unpublished due to censorship restrictions of the writer’s works: the story “The World Cup”, journalism of the revolutionary years and the 18-volume Diary, which became available to the reader only in the post-Soviet period. It is shown that, depicting Trotsky as a “pharmacist” who, according to his recipes, is trying to create the future of a huge country, Prishvin seeks not only to artistically reflect his moral appearance and personality traits, but also to convey the features of the ideological and political struggle in Soviet society.

scholarly journals Philosophical Versions of the Eternal Storyline About Cupid and Psyche: from Neoplatonism to Christianity

2020 ◽  
Vol 27 (1) ◽  
pp. 36-55
Author(s):  
Yuliya G. Kotaridi
Keyword(s):  
Eternal Life ◽  
Genre Studies ◽  
The Novel ◽  
European Literature ◽  
The World ◽  
The Subject ◽  
Cupid And Psyche ◽  
Mythological Studies

<p>The subject of this paper is the transformation of the poetics of Cupid and Psyche plot in its national and historical modifications in European literature. The methodology of the analysis is based on mythological studies (A.&nbsp;N.&nbsp;Veselovsky, A.&nbsp;F.&nbsp;Losev) and genre studies (M.&nbsp;M.&nbsp;Bakhtin, S.&nbsp;S.&nbsp;Averintsev, E.&nbsp;M.&nbsp;Meletinsky, etc.). Allegorization of the images of Love and Soul appeared in the antiquity long before the novel by Apuleius &ldquo;Asinus Aureus&rdquo; or &ldquo;Metamorphoses&rdquo; (the 2<sup>nd</sup> century AD). In a&nbsp;Greek epigram Eros is often associated with the element of fire that puts the soul&nbsp;&mdash; &ldquo;Psycho&rdquo;&nbsp;&mdash; to a variety of ordeals and tortures. In &ldquo;Metamorphoses&rdquo; by Apuleius the tale about Cupid and Psyche can be seen as an allegorical narration about the soul traveling around the world and looking for ways to Love and eternal life. Later, the parabolic core of the ancient story was enriched with new motifs from the arsenal of mythology, Neoplatonism and Christianity. The archetypical basis and platonic paradigm of the plot in &ldquo;Metamorphoses&rdquo; by Apuleius go together in a syncretic unity, that provides universality and polysemy of the different versions of tales about Cupid and Psyche in European literature. The neoplatonic version of the story, which interprets the reunion between Cupid and Psyche as the Union of God and Soul, is represented in literature by writings of Fulgentius, Boccaccio, Heine, Coleridge, Żuławski and others.</p>

scholarly journals An exploration of place and its representations: an intertextual/ dialogical reading of the photographs of AB Ovenstone and the novel Gillespie by John MacDougall Hay.

2016 ◽  
Vol 41 ◽  
Author(s):  
Lindsay Fiona Blair
Keyword(s):  
Literary Text ◽  
Landscape Painting ◽  
The Novel ◽  
Work Of Art ◽  
Shipping Company ◽  
Private Collection ◽  
Semiotic Approach ◽  
The Subject ◽  
The Common ◽  
The Relationship

“An intertextual/ dialogical reading of place through photography and fiction” The article is an exploration of place and its representations based on the intertextual reading of a series of photographs (1880-82) of Tarbert, Loch Fyne by Andrew Begbie Ovenstone (1851-1935) and the dialogical reading of a novel, Gillespie (1914), by John MacDougall Hay (1881-1919) which is set in Tarbert. The proposed article is inspired by a sense that a semiotic approach to the subject will reveal far more than has been discovered within the tradition of hermeneutics and patrimony and that much will be gained by a study of the contrast between written and visual signifiers. The article raises questions about the (unexamined) coded readings of place especially in relation to the photograph, and the lack of an adequately theorized tradition for the novel. The literary text is well known - if not well understood - but the images are from a rare, unpublished, private collection of photographs from Scotland, India and the furthest reaches of Empire (Ovenstone was the Atlantic Freight Manager of Anchor Line Ltd, the Glasgow shipping company). The paper emphasizes the need for the use of codes to decipher the texts. When we “read” the photographs we need to be aware of the intertextual relationship between the photograph and the landscape painting tradition as well as the common practice of the created tableau – there is then overlaid upon the image the sense of a set of conventions, a system which operates much like a language. We are able to discover through the notion of the “long quotation from appearances” the potential for more complex “synchronic” readings. Likewise, in the case of Gillespie, the novel operates within a genre which determines a “reading”. When we are aware of a code, we become aware of the way that Hay manoeuvres adroitly to thwart the reader’s best efforts to settle upon a preferred reading – especially one shaped by an authoritative narrator - which thereby allows for the genuine experience of “heteroglossia” to emerge. The notion of truth in Gillespie is interrogated in the light of Heidegger’s essay “The Origins of a Work of Art” in order that the relationship between representation and reality be clarified.

scholarly journals Psychic Trauma of Youngsters in R.K. Narayan’s The World of Nagaraj

2020 ◽  
Vol 8 (4) ◽  
pp. 49-51
Author(s):  
Gabriel Karthick K
Keyword(s):  
Life Experiences ◽  
Real Life ◽  
The Novel ◽  
Deep Insight ◽  
Psychic Trauma ◽  
Indian Context ◽  
The World ◽  
The Common ◽  
Insight Into

The article examines the psychic trauma of youngsters during the crucial stage of their life. It gives a deep insight into the practical issues faced by youngsters, as explained by R.K. Narayan in his novel. It describes the complex transition of an adolescent mind into adulthood. The themes of the novel The World of Nagaraj are closely attached to real-life experiences of youngsters and also engross the psychology of young minds. The main objective is to analyze the common psychic issues of youngsters in the Indian context.

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