Genres for the Prosecution: Pornography and the Gothic

PMLA ◽  
1999 ◽  
Vol 114 (5) ◽  
pp. 1043-1054 ◽  
Author(s):  
Michael Gamer
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Legal History ◽  
Reception History ◽  
Charles Robert Maturin ◽  
Gothic Fiction ◽  
Matthew Lewis ◽  
Charlotte Dacre ◽  
History Of

Recent accounts of genre have asserted that all texts participate in multiple genres and that genre works as a kind of contract between writers and readers. In the legal history of eighteenth-century British prosecutions for obscene libel and the reception history of gothic fiction at the turn of the nineteenth century, however, the model of genre as contract breaks down. At the end of the eighteenth century, several texts we now call gothic faced threatened prosecution under existing obscene libel laws. The reception histories of the fiction of Matthew Lewis, Charlotte Dacre, and Charles Robert Maturin demonstrate that public denouncements and threatened prosecution forced gothic texts, even as they theoretically participated in at least one genre, to belong to a legal category (obscenity) for which their writers never intended them.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Schopenhauer’s Pessimism in Context

2020 ◽  
pp. 283-298
Author(s):  
Mark Migotti
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Human Life ◽  
Necessary Condition ◽  
Late Nineteenth Century ◽  
Human Flourishing ◽  
History Of ◽  
Late Nineteenth ◽  
Early Eighteenth Century

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.

scholarly journals ‘Constitutions selection’: Darwin, race and medicine

BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Charles Darwin ◽  
Skin Colour ◽  
Race Science ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
History Of Race ◽  
Descent Of Man

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.

scholarly journals A Legal History of the New Zealand Jury Service - Introduction, Evolution, and Equality?

1999 ◽  
Vol 29 (2) ◽  
pp. 283
Author(s):  
Michèle Powles
Keyword(s):  
Nineteenth Century ◽  
New Zealand ◽  
Legal System ◽  
Legal History ◽  
Race And Gender ◽  
Jury Service ◽  
History Of ◽  
Jury System ◽  
And Gender ◽  
Service Introduction

This article traces the development of the New Zealand jury system. Most noteworthy in thisdevelopment has been the lack of controversy the system has created. At the end of the nineteenth century, however, the pursuit of equality in the legal system generally led to debate and reform of juries in relation to representation, race and gender.

scholarly journals The Materiality of English Suicide Letters, c. 1700 – c. 1850

2021 ◽  
pp. 1-28
Author(s):  
Ella Sbaraini
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Emotional Distress ◽  
History Of Emotions ◽  
Social Lives ◽  
Writing Practices ◽  
The Poor ◽  
The Press ◽  
History Of ◽  
Insight Into

Abstract Scholars have explored eighteenth-century suicide letters from a literary perspective, examining issues of performativity and reception. However, it is fruitful to see these letters as material as well as textual objects, which were utterly embedded in people's social lives. Using thirty manuscript letters, in conjunction with other sources, this article explores the contexts in which suicide letters were written and left for others. It looks at how authors used space and other materials to convey meaning, and argues that these letters were epistolary documents usually meant for specific, known persons, rather than the press. Generally written by members of the ‘lower orders’, these letters also provide insight into the emotional writing practices of the poor, and their experiences of emotional distress. Overall, this article proposes that these neglected documents should be used to investigate the emotional and material contexts for eighteenth- and nineteenth-century suicide. It also argues that, at a time when the history of emotions has reached considerable prominence, historians must be more attentive to the experiences of the suicidal.

Geopolitics of Comparison: World Literature Avant la Lettre

2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Comparative Literature ◽  
World Literature ◽  
Medieval Period ◽  
Early Nineteenth Century ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.

Respectable Mistresses

2018 ◽  
Author(s):  
Nicole von Germeten
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Middle Class ◽  
Mexico City ◽  
Sex Work ◽  
Legal History ◽  
Gender And Sexuality ◽  
Public Order ◽  
Sexually Active ◽  
History Of

This chapter begins with a quote from the celebrated seventeenth-century Mexico City Poet, Sor Juana Ines de la Cruz, highlighting the hypocritical intersection between gender and sexuality in this era. The focus here is on the legal history of eighteenth-century middle class women who retained a degree of public honor as they took part in sex work inside their homes.The confused eighteenth-century reactions by church, state, and neighbors to sexually active women often derived from increased opportunities for permitted or at least tolerated socializing between the sexes. These new social spaces challenged official ideas of public order and permissible gender interaction.

How violent was eighteenth-century Ireland?

1997 ◽  
Vol 30 (119) ◽  
pp. 377-392 ◽  
Author(s):  
Neal Garnham
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Everyday Life ◽  
Recent Book ◽  
Ethnic Conflicts ◽  
Popular Protest ◽  
Ancient Regime ◽  
History Of ◽  
Typical Part ◽  
The Law

In his recent book dealing with the history of duelling in Ireland, James Kelly comes to the conclusion that eighteenth-century Ireland was essentially ‘a violent society’, peopled at least in part ‘by wilful men who put their individual reputations above their lives, their families, their religion, and the law’. Such comments seem to continue a well-established tradition of interpretation that goes back to the nineteenth century. However, this image of a society in which violence was endemic, and conflict a feature of everyday life, has not gone unquestioned by historians. For example, Thomas Bartlett and Sean Connolly have instead noted the relatively controlled nature of popular protest, the early disappearance of banditry, and the reliance, until the very end of the century, on local enforcement of the law, as possible indications that Ireland may not have been as disorderly a society as has been suggested. These differing interpretations have, in turn, an obvious relevance to the wider debate on how eighteenth-century Ireland should be perceived: as a society irreconcilably and uniquely divided by religious and ethnic conflicts, or as a more or less typical part of the European ancient régime.

scholarly journals pre-eighteenth-century traditions of revivalism: damascus in the thirteenth century

2005 ◽  
Vol 68 (2) ◽  
pp. 195-214 ◽  
Author(s):  
konrad hirschler
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social History ◽  
Thirteenth Century ◽  
History Of Ideas ◽  
Contemporary Society ◽  
Current State ◽  
History Of ◽  
State Of Affairs ◽  
Large Sections

this article examines whether it is possible to trace eighteenth- and nineteenth-century revivalist thought to earlier ‘medieval’ examples. the discussion is centred on the issue of ijtiha¯d/taqli¯d, which featured prominently in revivalist thought. taking the example of scholars in thirteenth-century damascus, it firstly compares the respective readings of ijtiha¯d/taqli¯d, by focusing on one individual, abu¯ sha¯ma (d. 1267). it secondly asks whether a scholar like abu¯ sha¯ma, who had adopted a reading similar to later revivalists, also took a critical and oppositional stand against large sections of his contemporary society, i.e. a revivalist posture. it is this article's main contention that the example of abu¯ sha¯ma shows the need to study in more detail possible revivalist traditions prior to the ‘grand’ movements. the combination of the history of ideas and social history might allow a deeper understanding of how and in what contexts calls for reform and opposition to the current state of affairs were expressed.

WILLIAM GELL AND POMPEIANA (1817–19 AND 1832)

2015 ◽  
Vol 83 ◽  
pp. 245-281 ◽  
Author(s):  
Rosemary Sweet
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Position ◽  
Asia Minor ◽  
Domestic Life ◽  
The Past ◽  
History Of ◽  
Personal Interests ◽  
Additional Income ◽  
Archaeological Approach

This article offers an analysis of the preparation, publication and reception of the two separate versions of William Gell's Pompeiana, texts that exercised a formative influence over Victorian understanding of not just Roman Pompeii, but of domestic Roman life more broadly throughout the nineteenth century, and that highlight a transition from eighteenth-century antiquarianism to a more ‘archaeological’ approach to the past in the nineteenth century. Using unpublished correspondence that has been overlooked by other scholarship on Gell, it argues that the form and content of the volumes responded to both contemporary fascination with the history of domestic life and the need for an affordable volume on Pompeii. But the volumes also reflected many of Gell's more personal interests, developed in a career of travelling in Greece, Asia Minor and Spain, and were a product of his circumstances: they were conceived in order that Gell (and his coadjutor John Peter Gandy in the first edition) might earn much-needed additional income, and were a means through which Gell could consolidate his social position in Naples by establishing his authoritative expertise on Pompeii.

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