scholarly journals MAKAM-MAKAM KUNO DI TASIKMALA Latar Belakang Konsep dan Tokoh

PANALUNGTIK ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 17-32
Author(s):  
Endang Widyastuti ◽  
Nanang Saptono

In the Tasikmalaya area many sites are found in the form of tombs and ancient grave complexes from the Islamic era. In archaeological studies, the tomb can be interpreted as a place where the body is buried and also the former location of the event by an important figure. The tomb can be interpreted as a grave and also petilasan. Through the tomb data can be revealed various aspects such as background concepts and figures buried. This study of ancient tombs in Tasikmalaya aims to reveal the background of the concept of site selection and the background of the buried figure. The research method is qualitative research through descriptive type. Disclosure of research problems is obtained through literature study and trace data reinforcement in the form of manuscripts. Ancient tombs in Tasikmalaya are on the plain and on top of a hill. The tomb at the top of the hill shows the continuity of previous cultural concepts, namely that high ground in the form of a hill or mountain is a sacred place. Some figures who are buried have a big role in the welfare of the community in the past, namely the opening of the Cibeureum situ.

2019 ◽  
Vol 7 (2) ◽  
pp. 59
Author(s):  
Niza Vayatul Niza ◽  
Yusnizar Heniwaty

ABSTRACT This study is a study of the existence of Poh Kipah dance in Lhokseumawe community. In this discussion using the theories relating to the topic of research is the theory of existence.The method used in this research is qualitative research method. The population in this study as well as a research sample of artists and dancers. Data collection techniques include literature study, interview, observation, and documentation.Based on the research that has been done, the existence of Poh Kipah dance which is seen from three time span, first from 1959-1979, Poh Kipah dance at this time become the beginning of the show performed as entertainment on the implementation to commemorate the Prophet's Maulid and the Circumcision. Where in the past this dance only has some movements such as hitting the fan into the palm of the hand, tapping the fan handle to the floor palm. Music accompaniment using internal music in the form of poetry in chant by syeh and in addition to the fan tap. The pattern of the floor from the beginning of entry has been sitting on the stage, with male dancers who numbered eight or the whole peoples, the clothing was only wearing bay clothing and wearing a cap, where in the dance held in the field and on the yard of the mosque, the purpose of dance Inn as an entertainment event at the Prophet's Maulid event. Second from 1979-1999, Poh Kipah dance in this period nothing changed from its existence in because at this time there is no data or documents that are clear for this dance performance. Third 1999-present, in this period the existence of this dance has undergone several changes that can be seen from the addition of varied motion, the music has been changed with the addition of musical instruments serune kale and rapai, in the composition of the accompaniment, from the side of the dancer has included a female dancer In the composition of the dance, this event is still still encountered in the entertainment event Prophet's Maulid and Circumcision but now we have found also in festivals, and Culture Week of Aceh. Keywords: Existence, Poh Kipah Dance In Lhokseumawe Society.


2014 ◽  
Vol 69 (1) ◽  
Author(s):  
Hamdzun Haron ◽  
Narimah Abd Mutalib

Labu Sayong or also known as Labu Picit (pinched clay pitcher) is one of Malay potteries craft heritage originated from the state of Perak. This hand-crafted work has the specialties of its own. The stored water in the clay pitcher is colder than usual and it is believed that the water can refresh the body when consumed. Labu Sayong is an adaptation of a gourd and served as a symbol of intellectuals of the Malays in the past. It is produced through several traditional processes in stages and it takes some time to complete. This factor may cause its extinction. Therefore, many entrepreneurs have switched to a new innovation in the manufacturing process. Now, Labu Sayong has been produced by using moulds and it is called Labu Acu or cast clay pitcher. This innovation can produce commercialized product and the process is more productive than the traditional ways. To take these matters into consideration, the author used qualitative research method by using cultural approach in collecting written or visual data such as interviews and observation. An analysis of the technical aspects has found that the casting technique has successfully improved the quality and quantity of Labu Sayong which meets market demands. It is hoped this paper will give a certain amount of knowledge and facts that the manufacturing process of Labu Sayong is now going through a technological innovation. Innovation is crucial to ensure that Malay heritage will continue to exist and will never lost in the advanced technological era.


Author(s):  
Marsel Eliaser Liunokas

Timorese culture is patriarchal in that men are more dominant than women. As if women were not considered in traditional rituals so that an understanding was built that valued women lower than men. However, in contrast to the article to be studied, this would like to see the priority of women’s roles in traditional marriages in Belle village, South Central Timor. The role of women wiil be seen from giving awards to their parents called puah mnasi manu mnasi. This paper aims to look at the meaning of the rituals of puah mnasi maun mnasi and the role and strengths that women have in traditional marriage rituals in the village of Belle, South Central Timor. The method used for this research is a qualitative research method using interview techniques with a number of people in the Belle Villa community and literature study to strengthen this writing. Based on the data obtained this paper shows that the adat rituals of puah mnasi manu mnasi provide a value that can be learned, namely respect for women, togetherness between the two families, and brotherhood that is intertwined due to customary marital affrairs.


2021 ◽  
Author(s):  
GOVERNANCE: JURNAL POLITIK LOKAL DAN PEMBANGUNAN

This study aims to see the community participation in the satellite area in the construction and maintenance of Drainage in the Village Marindal II District Patumbak Deli Serdang. The research method used to answer the problem in this research is the method of qualitative research approach. Data obtained through in-depth interviews, literature study and documentation. Informant research comes from the elements of sub-district government and community. The results of the research show that the participation, involvement and utilization of drainage facilities are running well.


2018 ◽  
Vol 5 (2) ◽  
pp. 376-409
Author(s):  
Ahmed Abdel-Raheem

Abstract The body-swap comedy, where someone finds themselves inhabiting an entirely different body, is a well-established Hollywood tradition. Crucially, American filmmakers have tried every twist and contortion of this genre premise at a point or another over the past few decades. And yet, other countries, such as Egypt, Japan, and South Africa, seem to have just now put different spins on the theme. Nevertheless, this genre is under-theorized and under-explored. Drawing on insights from blending theory (Fauconnier and Turner 2002), mental models (van Dijk 2014), and the actor’s process as described by, among others, Stanislavsky (1995, 2008) and Brecht (1964, 1970), this article provides cognitively plausible answers to the perennial questions: What is so funny in body-swap films? How do spectators make sense of this genre? How do blending processes operate in body-swap movies? Do spectators “live in the blend?” What patterns of compression or decompression are at work in body-swap templates? Can humor be a strong determiner of moral-political cognition? And what connections can be drawn between acting and cognitive neuroscience? A discussion of English and Arabic examples (i) points to some of the cultural concepts involved in body-swap films, (ii) shows how conceptual blending in humorous films serves to both perpetuate and modify culturally relevant concepts, and (iii) highlights the necessity to expand the current scope in compression, embodiment and identity research. More generally, then, this article presents a new cognitive theory of how cinema, television, or theatre communicates meaning. The most important aim of this study is thus to contribute to the small but growing number of publications that use the cognitive sciences to inform scholarly and practical explorations in theatre and performance studies, as well as to the study of Arab theatre and cinema, which are among the most neglected subjects in the field.


2021 ◽  
Vol 306 ◽  
pp. 02008
Author(s):  
Nita Tri Oktaviani ◽  
Eko Priyo Purnomo ◽  
Lubna Salsabila ◽  
Aqil Teguh Fathani

This study aims to examine social justice and human rights from the government’s perspective to promote Sustainable Development as well as from an agricultural perspective. This research method is qualitative research with literature study. literature study is carried out to find out various distances or findings that have not been found in previous research as a comparison in conducting current research. The literature findings show that some of the main topics appear most frequently based on data from Scopus, vosviewer and Nvivo12 plus. The results of this study of Global Governance of Human Rights with a total of 78 documents, but it is not comparable to the reality on the ground; namely, there are still many cases of human rights, racism and conflicts between black and white groups. Second, Global Human Rights Governance has an important role in the methodology of human rights analysis. From the perspective of global governance, the concept of sustainability is correlated with the idea of human rights such as the emergence of development in rural communities’ agricultural land which causes changes in their livelihoods as farmers which affect the economy and the surrounding environment. In the concept of SDGs, justice is one of the concepts that is of concern to the government that must be developed through a governance approach


Author(s):  
Muhammad Saleh ◽  
Syukur Kholil ◽  
Ahmad Tamrin Sikumbang

This paper entitled Chinese Ethnic Communication Pattern in the Environment of Indigenous People in Lhokseumawe, Indonesia. To be used as the basis for the formulation of the research problems written in this paper, namely: how is the communication pattern of LhokseumaweChinese ethnic in the indigenous people in Lhokseumawe. So that the writer can find the communication pattern of LhokseumaweChinese ethnic in the indindigenous people in Lhokseumawe, as the writing patron the writer uses the method in this study is a qualitative research method with the aim to explain the phenomenon deeply, through a phenomenological approach. The process of data collection techniques through observation, unstructured interviews, and documentation while data analysis techniques are carried out in three ways, data reduction, displaying data, and drawing conclusions. To strengthen this research is supported by three theories, namely the theory of Symbolic Interaction, Turgic Drama theory, and Goffman'sSelf Presentation. The results of this study indicate that, the communication pattern of LhokseumaweChinese ethnic in the indigenous people in Lhokseumawe is done by cultural adaptation. Chinese ethnic communities try to find sympathy for indigenous people by promoting symbolic interaction and identity manipulation.


SUAR BETANG ◽  
2018 ◽  
Vol 12 (2) ◽  
pp. 151
Author(s):  
Heksa Biopsi Puji Hastuti

Meoli spell present as one performance package within custom ritual called meoli ritual. Meoli ritual is a politeness expression of the perpetrators in expressing the purpose of request permission or apology to the sangia as the ruler of nature when opening the land to grow crops. This study examines the value of politeness in the meoli spell with the ethnopoetic approach. The issues raised are how has the politeness value existed in the meoli spell. By applying qualitative research method, data collection is done by observation, interview, and literature study. From the analysis, it is known that the value of politeness in the meoli mantra embodies the priority scale in which the preferred is the custom observer, followed by an apology by mentioning the whole of the target, newly expressed by the expression of intent and hope as the core message of the meoli spell. The beautiful way of disclosure also supports the value of politeness in the meoli spell


2021 ◽  
Vol 5 (2) ◽  
pp. 105-117
Author(s):  
Shafira Ayuningtyas ◽  
Pita Merdeka

Exploring the way Orcs are portrayed in the Bright film are the focus of this research and futher analyzing the ideology within. This research uses the qualitative research method to help answering the research questions on how Orcs are represented in Bright and how representations reflect the ideology of the text. Additionally, Hall’s representation and ideology theories are applied in the process to provide an insight into the research problems. The research found that Orcs in Bright are constructed in a very like ways as African Americans as they are portrayed as the designated bad guys, targets for animalization and victims of police brutality which match the image of African Americans in American society. These portrayals of Orcs leads to the discussion of Orcs’ poor social standing in society in comparison to other races in the film and in result reflects the ideology the text tries to convey that is black inferiority, as shown by the way the American system and society treated them. Overall, this research can be used as a reference for researches on representation of African Americans and racial allegories in literature.


2015 ◽  
Vol 2 (2) ◽  
Author(s):  
Mustika Wahyuning Tyas ◽  
Joko Widiyanto

The aim of research to determine the diversity and Gastropod that predominate in sub watershed tributary village Gandong Takeran Kerik. Descriptive qualitative research method with type of observational study. Determination and site selection studies using transect sampling method, the size of 1x1 m transect quadrant. Research station at 3 stations with 3 points each station. The data was analyzed after identifying the calculation dominance index and diversity index. Gastropod identification results found 4 genera Thiara, Melanoides, Brotia, and Clea. The highest abundance of gastropods at station II, namely 13.7 ind/m2. Thiara highest dominance index is 0.654, indicating that Thiara mendominansi in sub watershed tributary village Gandong Takeran Kerik. Diversity index of each station 0.617, 0.765, and 0.615, indicating that the diversity of gastropods in sub watershed tributary village Gandong Takeran Kerik is very low. Environmental parameters air temperature 30C - 31C, 28C - 29C water temperature, pH 7 to 7.3, and dissolved oxygen (DO) 5mg /l - 5,4mg /l.


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