scholarly journals KARAKTER TOKOH DALAM NOVEL LANGIT MEKAH BERKABUT MERAH KARYA GEIDURRAHMAN AL-MISHRY BERBASIS NILAI-NILAI KARAKTER RELIGIUS DAN IMPLIKASINYA DALAM PEMBELAJARAN SASTRA DI MADRASAH ALIYAH

2017 ◽  
Vol 7 (1) ◽  
pp. 78-86
Author(s):  
Aida Azizah ◽  
Leli Nisfi Setiana
Keyword(s):  
Religious Values ◽  
The Novel ◽  
Story Line ◽  
Literary Works

Novel Langit Mekah Berkabut Merah work is a novel that has a lot of wisdom about religiousvalues. Religious value of these figures seen in the overall story is actualized through the elementsof the literary works of the builders. Author of the novel tells the story using language that is easyto understand and use easily understandable story line. The background of the story in the novel isparallel to the background of the life of the students, so that religious values can be utilized in theteaching of literature in class XII SMA / MA.

scholarly journals PRACTICE OF FIGURE RELIGION IN AMONGRAGA NOVEL & TEMBANGLARAS ARDIAN KRESNA WORKS (LITERATURE SOCIOLOGY STUDY)

2020 ◽  
Vol 2 (2) ◽  
pp. 62-71
Author(s):  
Nurlaili_rafiah Nurlaili rafiah
Keyword(s):  
Islamic Law ◽  
Religious Practices ◽  
Religious Values ◽  
Early Age ◽  
The Novel ◽  
Religious Activities ◽  
Literary Works

Amongraga & Tembanglaras novel is one of the very interesting literary works to be used as research because Amongraga & Tembanglaras novel contains a lot of religious values ​​illustrated by the attitudes of the characters in it, for example, always carrying out orders by not leaving things that are required by God and religion. This study will discuss the religious activities of a Muslim who are ordered by his religion or religious practices and the purpose of this research is to explain or describe the religious activities of a Muslim who is ordered by his religion, namely by doing what God commands and avoiding everything that God forbids. The method used in this study is qualitative, the data generated in the form of descriptions in the form of words, phrases, sentences and paragraphs to find and explain in detail of an object. The results of this study indicate that in the novel Amongraga & Tembanglaras there are many religious activities of figures who always pray both the obligatory and sunnah prayers, fasting, praying, reading the Koran, and dhikr. This must be done and instilled in a Muslim from an early age so that when living in society can behave in accordance with Islamic law.

Sinkretisme dalam Novel Laskar Kesanghyangan Karya Kusyoto

Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 32-38
Author(s):  
Muhammad Fajar ◽  
M. Shoim Anwar
Keyword(s):  
Qualitative Research ◽  
Legal Aspect ◽  
Research Data ◽  
Religious Values ◽  
Social Aspect ◽  
The Novel ◽  
Literary Works ◽  
Novel Environment ◽  
Life Data ◽  
The Social

This research was motivated by the literary works to lift and offers a variety of issues and religious values in a novel environment. A work Satra can not escape from thecondition of society and cultural situation in a region where the literature was comingfrom. This study describes the theory of syncretism that include belief in a religion, thereligious values contained in the novel, the social aspect, legal aspect, in the novel LaskarKesanghyangan Kusyoto work. All aspects are related to the aspects of life. Data researchis using descriptive qualitative research because this study is not concerned with thenumbers and the data obtained an overview of the research’s object. Research data has asource which a novel untitled Laskar Kesanghyangan Kusyoto’s work. While the researchobject is any dialog or sentence that contains theory and elements of syncretism of thenovel.  

scholarly journals Nilai Religius dalam Novel "Titip Rindu ke Tanah Suci" Karya Aguk Irawan: Kajian Sosiologi Sastra

2021 ◽  
Vol 10 (1) ◽  
pp. 25
Author(s):  
Vivian Nur Safitri ◽  
Candra Rahma Wijaya Putra
Keyword(s):  
Daily Life ◽  
Qualitative Approach ◽  
Religious Values ◽  
Human Being ◽  
The Novel ◽  
Literary Works ◽  
Data Source ◽  
Younger Generation

Artikel ini mendeskripsikan nilai religius yang terepresentasikan dalam novel “Titip Rindu ke Tanah Suci”. Penelitian dilakukan menggunkan pendekatan kualitatif. Sumber data dalam penelitian yaitu novel. Fokus penelitian meliputi nilai-nilai religiusitas yang berhubungan manusia dengan Tuhan, manusia lain dan alam dan relevansi nilai religius dalam pembelajaran karya sastra di sekolah. Kedua aspek fokus tersebut diharapkan mampu melengkapi nilai-nilai religius yang saat ini banyak ditinggalkan oleh masyarakat maupun generasi muda. Penelitian diharapkan mampu mengingatkan seluruh masyarakat untuk selalu mewujudkan nilai-nilai religius dalam kehidupan sehari-hari. Nilai religius yang ditemukan dalam kajian ini meliputi rasa sabar menjadi manusia, memiliki akhlak yang mulia, dan menjadi manusia yang jujur. Kata kunci: religius, sabar, mulia, dan jujurAbstract:This article describes the religious values represented in the novel "Titip Rindu ke Tanah Suci". The research was conducted using a qualitative approach. The data source in this research was novel. The focus of research includes 1. Religious values related to human with God, other humans and nature, 2. Relevance of religious values in learning literary works in schools. These two aspects of focus are expected to be able to complete the religious values that are currently neglected by society and younger generation. This research is expected to remind society to always implement religious values in their daily life. The religious values found in this study include a sense of patience as a human being, having noble attitude, and being an honest human being.Keywords: religious, patient, noble, and honest

Elementy poetyki ludowej w powieści Rzeczy uprzyjemniające. Utopia T. Bołdak-Janowskiej

2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral
Keyword(s):  
Fairy Tales ◽  
Text Analysis ◽  
Literary Text ◽  
Source Material ◽  
Human Existence ◽  
The Other ◽  
The Novel ◽  
Literary Works ◽  
The One ◽  
Cultural Features

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.

G.K. Chesterton’s Works in Literary-Critical Review by K.I. Chukovsky

2020 ◽  
pp. 37-47
Author(s):  
Svetlana Morozova ◽  
Dmitrij Zhatkin
Keyword(s):  
Critical Review ◽  
Social Life ◽  
Social Situation ◽  
The Novel ◽  
Social Disorder ◽  
Literary Works ◽  
Critical Attitude ◽  
The Social

The article is devoted to the perception of K.I. Chukovsky’s works by a famous English writer G.K. Chesterton. K.I. Chukovsky was one of the first to point out the ambiguity of the literary works by the English writer and called his journalistic activity more convincing. Describing G.K. Chesterton’s essays, K.I. Chukovsky believed that the writer is second to none in this genre. He praised G.K. Chesterton’s journalistic talent in responding to all the phenomena of contemporary social life. K.I. Chukovsky considered it obligatory for the Russian readers to familiarize themselves with the critical works of the English author. In the essay «Gilbert Chesterton. Manalive» (1924) K.I. Chukovsky substantiated why, for all the variety of genre forms that G.K. Chesterton used, Russian readers were familiar with only a few of his works. K.I. Chukovsky’s critical attitude to the novel «Manalive» is explained by his rejection of G.K. Chesterton’s utopian attitude to the social situation in England at the turn of the XIX–XX centuries. In G.K. Chesterton’s works K.I. Chukovsky saw a simulation of revolutionary pathos that did not solve pressing issues of social disorder.

scholarly journals Place matters: geographical context, place belonging and the production of locality in Mediterranean Noirs

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri
Keyword(s):  
20Th Century ◽  
Crime Fiction ◽  
The Novel ◽  
Late 20Th Century ◽  
Literary Works ◽  
Geographical Discourse ◽  
Detective Stories ◽  
Narrative Medium ◽  
Geographical Context

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.

The Religiosity of Javanese Society in Modern Indonesian Literature

2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari
Keyword(s):  
Short Stories ◽  
Literary Work ◽  
Community Life ◽  
The Novel ◽  
Literary Works ◽  
Islamic Values

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.

Passion's Fictions from Shakespeare to Richardson

2021 ◽  
Author(s):  
Benedict S. Robinson
Keyword(s):  
Adam Smith ◽  
Francis Bacon ◽  
Theoretical Knowledge ◽  
The Novel ◽  
Literary Works ◽  
Critical Moment ◽  
Intimate Relation ◽  
History Of ◽  
Social Scenes

Passion’s Fictions traces the intimate links between literature and the sciences of soul and mind from the age of Shakespeare to the rise of the novel. It chronicles the emergence of new sciences of the passions between the sixteenth and eighteenth centuries out of and in some ways against a received “science of the soul,” and it argues that this history was shaped by rhetoric, which contained the most extensively particularized discourse on the passions, offering principles for moving and affecting the passions of others in concrete social scenes. This rhetoric of the passions centered on narrative as the instrument of a non-theoretical knowledge of the passions in their particularity, predicated on an account of passion as an intimate relation between an empassioned mind and an empassioning world: rhetoric offers a kind of externalist psychology, formalized in the relation of passion to action and underwriting an account of narrative as a means of both moving passion and knowing it. This book describes the psychology of the passions before the discipline of psychology, tracing the influence of rhetoric on theories of the passions from Francis Bacon to Adam Smith and using that history to read literary works by Shakespeare, Milton, Haywood, Richardson, and others. Narrative offers a means of knowing and moving the passions by tracing them to the events and objects that generate them; the history of narrative practices is thus a key part of the history of the psychology of the passions at a critical moment in its development.

A STUDY ON HOW LONG AND SHORT SENTENCES SHOW THE STORY’S PACING IN ANTHONY HOROWITZ’S RAVEN’S GATE

JURNAL SPHOTA ◽  
2019 ◽  
Vol 11 (2) ◽  
pp. 22-31
Author(s):  
I Wayan Sidha Karya ◽  
Ida Bagus Adhika Mahardika
Keyword(s):  
Empirical Study ◽  
Harry Potter ◽  
Sentence Length ◽  
The Novel ◽  
Story Line ◽  
General Audience ◽  
Grammatical Form ◽  
Average Sentence ◽  
The One ◽  
The Impact

Long and short sentences affect the reader’s pace of reading story since they have to farce the complexity of the sentences and words used in it. In this study the impact of the use of long and short sentences on the pace of the story as implemented by Anthony Horowitz, a novelist, in his novel Raven’s Gate, is being explored. Especially the researchers looked at what types of long and short sentences were being used in the novel and how they were building up the story line and their effect on the pace of the story. A sentence with the length of up-to fourteen (14) words is considered to be short and the one over 14 words is considered to be long in spite its grammatical form, whether it is simple or complex. The criteria are based on empirical study as mentioned by Casi Newell in the AJE (American Journal Experts) retrieved from https://www.aje.com/en/arc/editing-tip-sentence-length/, that “the average sentence length in scientific manuscripts is 12-17 words,” with JK Rowling—the writer of Harry Potter—who can be considered to be representative of a modern English writer with a general audience, having the average of 12 words. For convenience we take the liberty of taking 14 words for the longest sort sentences and those which have 15 or more words are considered to be long sentences

scholarly journals TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE

2020 ◽  
Vol 12 (2) ◽  
pp. 110-119
Author(s):  
Maria S. Sloistova ◽  
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Reception Theory ◽  
Ivory Tower ◽  
The Novel ◽  
Literary Works

The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.

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