scholarly journals TEKNIK MONOLOG INTERNAL DALAM FILM ANIMASI 2D “BAD HAIR DAY”

2019 ◽  
Vol 5 (2) ◽  
pp. 153-174
Author(s):  
Dionisius Miki Pratama ◽  
Harthoko Tanto ◽  
Agnes Karina Pritha Atmani
Keyword(s):  
Turning Point ◽  
Main Character ◽  
Physical Form ◽  
Animated Film ◽  
The Face

The animated film Bad Hair Day tells the story of a girl who became a victim of bullying because she has a different physical form than her other friends. Bullying is an act of violence, oppression, or intimidation. In this film, Jane who has long, messy hair like a bush becomes a bully victim by her friends, so she feels depressed and sad. The turning point in this film is shown in a moment where the character Jane rediscovers something that has long been lost from her life: friendship. The intangible interconnected friendship that motivates him in the face of abuse carried out by his friends. The storytelling technique chosen is an internal monologue technique. Internal monologue is the technique of delivering stories whose source of sound comes from the thoughts or feelings of the character Jane in the film. Internal monologue technique will help the audience to better understand the feelings experienced by the main character in this film.

Designing Emotion Of Characters By Referencing From Facs In Short Animated Film “RANA”

2018 ◽  
Vol 9 (2) ◽  
pp. 31-38
Author(s):  
Fransisca Adis ◽  
Yohanes Merci Widiastomo
Keyword(s):  
Facial Expression ◽  
Basic Characteristic ◽  
Early Stage ◽  
3D Animation ◽  
Coding System ◽  
Facial Action Coding System ◽  
Facial Action ◽  
Animated Film ◽  
Character Design ◽  
The Face

Facial expression is one of some aspects that can deliver story and character’s emotion in 3D animation. To achieve that, we need to plan the character facial from very beginning of the production. At early stage, the character designer need to think about the expression after theu done the character design. Rigger need to create a flexible rigging to achieve the design. Animator can get the clear picture how they animate the facial. Facial Action Coding System (FACS) that originally developed by Carl-Herman Hjortsjo and adopted by Paul Ekman and Wallace V. can be used to identify emotion in a person generally. This paper is going to explain how the Writer use FACS to help designing the facial expression in 3D characters. FACS will be used to determine the basic characteristic of basic shapes of the face when show emotions, while compare with actual face reference. Keywords: animation, facial expression, non-dialog

scholarly journals Unknown Siberian Poems by Vasily Yan

2021 ◽  
Vol 17 (1) ◽  
pp. 209-227
Author(s):  
I. V. Prosvetov ◽  
Keyword(s):  
Civil War ◽  
Turning Point ◽  
Russian History ◽  
Free Verse ◽  
Avant Garde ◽  
The Face ◽  
Poetic Style ◽  
At Home

The first publication of poems by the Soviet writer-historian, 1st degree Stalin Prize laureate Vasily Yan (Yanchevetsky), composed in 1920–1923, when he lived and worked in Siberia. Source – handwritten miscellany “Poems of Wanderings”, recently discovered in the Yanchevetskys’ family archive. The publication is accompanied by detailed biographical comments. In the civil war, V. Yanchevetsky took part on the side of the whites as one of the main propagandists of the Kolchak army – the head of the Informative Department of the Special Chancellery of the Supreme Commander’s Staff, editor of the front newspaper “Vperyod”. After the collapse of the white movement, V. Yanchevetsky had to hide his past, changing occupations and places of residence (Achinsk, Uyuk, Minusinsk). The Siberian po- etic cycle, created at this time, makes it possible to understand not only the mood of the author in the last years of the turning point in Russian history, but also literary searches, and the atmosphere of the time in general. The main themes are homeland, revolution, freedom, atheism, building a new life, preserving the personality in the face of political upheavals. Obviously, the influence on the poetic style of the author of such trends as symbolism and futurism, which he was interested in. In Omsk V. Yanchevetsky closely communicated with the writer, poet and avant-garde artist Anton Sorokin, attended his literary evenings at home. Probably, as a result, some of the Siberian poems were written in free verse, to which V. Yanchevetsky had never used before.

scholarly journals There are Two Sides to Every COIN

2015 ◽  
Vol 14 (1) ◽  
pp. 76-97 ◽  
Author(s):  
Stefano Ruzza
Keyword(s):  
Turning Point ◽  
Economic Incentives ◽  
Historical Background ◽  
National Union ◽  
Continuity And Change ◽  
The Face ◽  
Peripheral Areas ◽  
The Government ◽  
Current Transition ◽  
Two Sides

The capacity of Myanmar’s government to effectively rule and administer peripheral areas of the country has been challenged since independence by a vast array of non-state armed groups (NSAGs), and the country is home to the most long-lasting insurgencies still active today. The core interest of this article rests on analysing the degree of continuity and change in the strategy enacted by Myanmar’s government in order to counter, contain and re-absorb insurgencies in the wake of the recent liberalisation process. The government activity vis-à-vis insurgencies is assessed in two core dimensions: economic and military. The analysis is developed in diachronic perspective, spanning three key phases. The first, meant to provide the essential historical background and benchmark, is the post-1989 period, characterised by the implementation of the ceasefires. The other two focus on the current transition, splitting it into two (2008–2011 and 2011–2015), taking Thein Sein’s new peace plan as a turning point. Moving through these three phases the paper assesses how Myanmar’s government achieves a balance between military pressure and economic incentives in the face of three major insurgencies: in Shan state, versus various NSAGs; against the Kachin Independence Organisation (KIO); and against the Karen National Union (KNU).

Re-centreing the city: Spirits, local wisdom, and urban design at the Three Kings Monument of Chiang Mai

2011 ◽  
Vol 42 (3) ◽  
pp. 511-531 ◽  
Author(s):  
Andrew Johnson
Keyword(s):  
Cultural Heritage ◽  
Urban Space ◽  
Focal Point ◽  
Chiang Mai ◽  
Spirit Mediumship ◽  
Political Events ◽  
Physical Form ◽  
The Face ◽  
Cultural Domination ◽  
Political Economic

Recent political events, such as the coup of 2006 or the ‘Red Shirt’ uprisings of 2010 underlined the divisions in Thai society between the provinces and the capital. As one of the world's most primate cities, Bangkok exerts a tremendous political, economic and cultural force upon the rest of Thailand. But how is such pressure interpreted, internalised and/or subverted? In this article, I look at Thailand's second-largest city, Chiang Mai, in Thailand's North, and the struggle to cure an increasing sense of urban crisis and thereby assert the former independent capital's symbolic authority vis-à-vis Bangkok. I examine this by looking at two specific discourses: that of architecture and spirit mediumship. Northern Thai architects attempt to cure Chiang Mai's ills through recourse to the ‘cultural heritage’ of the city's urban space, while spirit mediums call upon the sacred power of that space in order to restore Chiang Mai's ‘lost’ prosperity. The focal point for each effort lies at the city's centre: the Three Kings Monument and its surrounding plaza (khuang). Here, each group casts themselves as those most able to put Chiang Mai's past in physical form and thereby ensure Chiang Mai's future. In this article, I examine how ideas of cultural heritage become entwined with magico-religious concepts of power (sak). In each, there is a search for efficacious power in the face of political and cultural domination from Bangkok.

Pamela and the Satirists

2019 ◽  
pp. 612-627
Author(s):  
Jennie Batchelor
Keyword(s):  
Eighteenth Century ◽  
Turning Point ◽  
Henry Fielding ◽  
Tidal Wave ◽  
The Novel ◽  
Female Subjectivity ◽  
Sentimental Fiction ◽  
The Face ◽  
Critical Conversation ◽  
Opening Up

Reading the Pamela controversy through Eliza Haywood’s still frequently overlooked Anti-Pamela (1741), this chapter demonstrates the failure and undesirability of Samuel Richardson’s efforts to supplant the satirical mode with the sentimental in his first novel. Much of the critical conversation about satire and sentiment in the mid-to-late eighteenth century has, with notable exceptions, positioned these as antagonistic modes. Moreover, the (exaggerated) demise of satire in the face of the tidal wave of sentiment has been often heralded as opening up new possibilities for the articulation of female subjectivity. Anti-Pamela, this chapter argues, undermines such claims. In a satirical novel that would mark a turning point in her career as a sceptical writer of sentimental fiction, Haywood revealed that ‘true’ satire, as opposed to the ‘scurrilous’ satire of which she accused her fellow interlocutor Henry Fielding, was the best antidote to the cultural fictions of gender promoted by the novel.

scholarly journals EFEKTIVITAS KEPEMIMPINAN; Sebuah Kajian Teoritis

2018 ◽  
Author(s):  
Mardalena
Keyword(s):  
Effective Leadership ◽  
Leadership Role ◽  
Main Character ◽  
The Future ◽  
The Face

Leadership is as the main character that will determine the progress and competitive advantageto an organization. Leaders are expected to bring the institution achieve performanceexceeding expectations in a sustainable manner. In difficult conditions is very important for aleader to control the organization towards a clear and consistent effectively and simultaneouslyanticipate and respond to the demands of the future. Leadership role in making a choice of awide range of alternatives that are considered most appropriate. Therefore, we need effectiveleader, a leader who is able to use the powers available to him as a good and constructive,leadership capable of formulating clear goals and achievable based on the ability of the existingresources, leaders are able to communicate to its members what he was thinking, leadershipwise, where in the face and solve problems always puts the ratio by keeping in mind the taste.He stressed that effective leadership is a strong leader who is fighting for the ideals to beachieved.

scholarly journals The Significance of the Hero’s Journey in Siddhartha’s Character Development as Seen in Herman Hesse’s Siddhartha

Lexicon ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 233
Author(s):  
Adelia Damayanti ◽  
Achmad Munjid
Keyword(s):  
Turning Point ◽  
Character Development ◽  
Hero's Journey ◽  
Main Character ◽  
Joseph Campbell ◽  
Wise Person

This paper discusses the character development of Siddhartha, the main character in Herman Hesse’s novel, Siddhartha (1973). This research aims to study how Siddhartha’s character develops during his journey to reach enlightenment. The analysis is conducted by using the theory of the hero's journey by Joseph Campbell. The result shows that Siddhartha’s journey follows twelve out of seventeen stages of the hero’s journey proposed by Campbell. All of the stages appear in the same order except the stage Belly of The Whale that comes late. It functions as a turning point rather than a preparation for a greater ordeal. The analysis also shows that Siddhartha undergoes two major changes; from an individualistic to a wise person and from someone who is always persistent and thirsty for knowledge to someone who is flexible.

Trade: Determinants of Policies

2018 ◽  
Author(s):  
Marc L. Busch ◽  
Edward D. Mansfield
Keyword(s):  
Interest Groups ◽  
Free Trade ◽  
Interest Group ◽  
International Institutions ◽  
Turning Point ◽  
The Political ◽  
Elected Officials ◽  
Policy Space ◽  
Government Officials ◽  
The Face

A survey of the literature on trade has revealed that it is becoming more difficult for elected officials resist protectionist pressures by citing constraints imposed by global pacts and supply free trade. There are two main reasons why. First, the literature on the design and politics of international institutions increasingly emphasizes how they build in slack that can undermine government claims of being constrained. Second, as states accede to an ever-growing list of overlapping international institutions, there is often a choice among, or uncertainty over, which institution’s obligations apply. Where this situation creates more policy space for government officials, it also will make it more difficult for them to credibly tie their hands and supply free trade in the face of interest group pressures for protection. Currently, the literature is somewhat at a turning point. Questions about the design and politics of international institutions, and the growing thickness of the market for them, are very much in vogue. These questions have profound implications for the supply of free trade. The credibility of elected officials’ hands-tying strategies is likely undermined where institutions anticipate the political reactions of their members, or where members can shop for different rules on trade to accommodate domestic preferences. The irony is that the proliferation of international institutions may lead scholars of trade policy to renew their focus on domestic interest groups.

Boutroux, Émile (1845–1921)

2018 ◽  
Author(s):  
Didier Gil
Keyword(s):  
Turning Point ◽  
Natural Sciences ◽  
Philosophy Of Nature ◽  
Human Reason ◽  
Final Cause ◽  
Scientific Explanations ◽  
The Face ◽  
Major Turning Point ◽  
The Mind

The French philosopher Émile Boutroux wanted to reestablish metaphysics in the face of a growing tendency towards materialism, but without rejecting the natural sciences. He hoped to achieve this by showing that only an immaterial mind that is a free and final cause of everything that is determined can give an absolute foundation to the sciences and to nature. Scientific determinism, according to which all phenomena are governed by mathematical necessities, is not incompatible with freedom. Indeed, the contingency of things and of human reason, which one sees in scientific experience, shows that the mind is free; it is therefore only mind which can give a determined existence to things and necessity to scientific explanations. In trying to reconcile metaphysics and science through a philosophy of nature, Boutroux represents a major turning point in French spiritualism, foreshadowing not only Bergson but also Bachelard.

JAPAN’S ECONOMIC, SOCIAL, AND POLITICAL CONDITIONS DURING MEIJI AND TAISHO PERIODS: OSHIN

mezurashii ◽  
2021 ◽  
Vol 3 (1) ◽  
Author(s):  
Theresia - Arianti
Keyword(s):  
Working Condition ◽  
Main Character ◽  
Political Movement ◽  
Meiji Period ◽  
The Face ◽  
Political Conditions ◽  
Materials Used

Abstrak: Studi ini didasarkan pada serial TV Oshin yang disiarkan perdana pada 1983. Oshin, tokoh utama, lahir di Jepang pada tahun 1900 pada periode Meiji dan menghabiskan masa remajanya pada periode Taisho. Kebanyakan penelitian mengenai Jepang sebelumnya belum memasukan Oshin dan Face-Threatenig Acts sebagai landasan studi. Disinilah kekurangan yang akan diisi oleh studi ini dimana studi ini akan menunjukan sisi gelap Jepang pada periode Meiji dan Taisho melalui Face-Threatening Acts yang terdapat dalam dorama Oshin. Hasil studi menunjukan bahwa Jepang mengalami masalah kemiskinan pada zaman Meiji serta permasalahan politk pada zaman Taisho. Studi ini menunjukan bahwa Face-Threatening Acts dapat merepresentasikan latar belakang tempat dan waktu dari sebuah cerita.Kata kunci: Oshin, Face-Threatening Acts, periode Meiji, periode Taisho Abstract: This study is based on a Japanese TV series titled Oshin which was firstly aired in 1983. Oshin, the main character, was born in Japan in 1900 during Meiji period and spent her teenagehood in Taisho period. Previous studies examining Japan mostly do not include Oshin and Face Threatening Acts in the methods/materials used. These are the gaps the current study is fulfilling since this study aims to investigate Oshin’s portrayal of Japan, by using Face Threatening Acts theory, which can reveal Japan’s dark history to people outside Japan. Findings show that face threatening acts in the conversations amongst the characters reflect Japan’s poverty in Meiji period. The face threatening acts also reveal the “underground” political movement emerged in Taisho period as well as laborers’ bad working condition. This study shows how face threatening acts in a conversation can reflect the condition of the place and time when the conversation occurs. This study will also open the society’s eyes on what happened in Japan during Meiji and Taisho periods so that more people can learn from the history.Keywords: Oshin, Face-Threatening Acts, Meiji period, Taisho period

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