scholarly journals KEBERADAAN BATIK TUTUR BLITAR KARYA EDDY DEWA

2019 ◽  
Vol 16 (1) ◽  
Author(s):  
Rengga Kusuma Nawala Sari
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Data Processing ◽  
Cultural Heritage ◽  
Research Methods ◽  
Interaction Analysis ◽  
Literature Study ◽  
The Past ◽  
Surrounding Environment ◽  
Processing Data

<p align="center"><strong>ABSTRAK</strong></p><p> </p><p>Batik Tutur merupakan hasil pengembangan dari motif batik <em>Afkomstig Uit Blitar 1902</em>, warisan budaya masyarakat blitar pada masa lampau yang dikoleksi museum belanda. Saat ini batik tutur memiliki 15 motif dengan berbagai macam nama sesuai motif dan makna, nama pada setiap motif mengandung pesan moral atau pitutur yang ingin disampaikan Eddy Dewa sebagai pencipta motif kepada pemakainya. Tujuan penelitian ini yaitu latar belakang penciptaan batik tutur karya Eddy Dewa. Metode yang digunakan adalah metode penelitian kualitatif dengan pengumpulan data dan pengolahan data. Pengumpulan data meliputi observasi, wawancara, dan studi pustaka, sedangkan pengolahan datanya menggunakan interaksi analisis,hasil analiss dari penelitian ini yang didapat adalah batik tutur memiliki fungsi sebagai sarung dengan pola motif yang sama dengan pola sarung yang memiliki tumpal tengah, dan makna yang terkandung merupakan intepratasi Eddy Dewa dalam memaknai lingkungan sekitar.</p><p> </p><p><strong>Kata kunci: </strong>Revitalisasi, Batik<strong> </strong><em>Afkomstig Uit Blitar</em>, Batik Tutur.</p><p> </p><p> </p><p align="center"><strong><em>ABSTRACT</em></strong></p><p> </p><p><em>Batik Tutur is the result of the development of batik motif Afkomstig Uit Blitar 1902. It is the cultural heritage of Blitar community in the past which was collected by the Dutch museum. Currently, batik </em>tutur<em> has 15 motifs with various names according to the motives and meanings. The name of each motif contains a moral mes-sage or a message that Eddy Dewa wishes to convey as the creator of the motif to the consumers. The purpose of this study is to know the background of batik </em>tutur<em> creation by Eddy Dewa. The research used is qualitative research methods with data collection and data processing. Data collection includes observation, interviews, and literature study, while the data processing uses interaction analysis. The results of this re-search tells that batik </em>tutur<em> has a function as a sarong with the same motif pattern as a sarong pattern that has a middle tumpal. The meaning contained tells about Eddy Dewa’s interpretation in handling interpreting the surrounding environment.</em></p><p> </p><p><strong><em>Keywords: </em></strong><em>Revitalization, Batik Afkomstig Uit Blitar, Batik Tutur.</em></p>

scholarly journals Tinjuan Prinsip-Prinsip Visual Pada Komik “Guild” Karya Irfan Rianto

2021 ◽  
Vol 3 (3) ◽  
pp. 1273-1284
Author(s):  
Muhammad Choir Affandi Adjie Rangkuti ◽  
Onggal Sihite
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Data Collection ◽  
Data Processing ◽  
Primary Data ◽  
Observation Data ◽  
Literature Study ◽  
Analysis Techniques ◽  
Processing Data

Comic "Guild" is a comic that has a Japanese drawing style, namely Manga and applies visual principles that should be used as study material to study visual principles about comics. This study aims to identify and review the visual comics of "Guild" in terms of these principles. the principle of visual emphasis according to MS Gumelar. The population in this study is 15 pages in chapter 1 of the comic "Guild". This type of research uses qualitative research methods with documentation data collection techniques and literature study. Primary data is in the form of visual comic “Guild” chapter 1 by Irfan Rianto, data collection in this research is through literature study, observation, data processing, data analysis techniques, generalizations and instruments. Then the data that has been collected is triangulated to strengthen the credibility of the research results. From the results of the study it was concluded that the comic "Guild" had applied the principles of visual emphasis according to the MS Gumelar guidelines, although in its application there were still five pages that still had shortcomings so that it looked not optimal and consistent.

scholarly journals GAMBAR CADAS PRASEJARAH DI TELUK WONDAMA SEBARAN DAN CERITA RAKYATNYA

2021 ◽  
Vol 12 (2) ◽  
pp. 97-113
Author(s):  
Klementin Fairyo Yosi
Keyword(s):  
Qualitative Research ◽  
Data Processing ◽  
Research Methods ◽  
Field Research ◽  
Research Literature ◽  
Research Data ◽  
Literature Study ◽  
Processing Stage ◽  
Bay Area ◽  
Processing Data

ABSTRAKKeberadaan  gambar cadas di Teluk Wondama ditulis oleh Galis tahun 1948.  Balai Arkeologi Papua tahun 2016 di Pulau Roon. Hasilnya bersifat eksplorasi, belum terfokus pada  tipologi gambar cadas. Tahun 2019 Balai Arkeologi Papua melakukan penelitian Tipologi gambar cadas prasejarah di kawasan Teluk Wondama.  Selain mengkaji tipologi  gambar cadas,  juga mengungkap cerita rakyatnya. Tujuan penulisan adalah mengetahui tipologi gambar cadas, seperti apa sebarannya dan  apa saja cerita rakyat  terkait gambar cadas. Metode penelitian eksploratif dan deskriptif kualitatif. Tahapan penelitian adalah  studi kepustakaan, penelitian lapangan, tahap pengolahan data. Dalam pengolahan data menggunakan juga software plugin Dstretch pada aplikasi  imajiJ untuk memperjelas gambar.   Hasil penelitian  menemukan tujuh situs gambar cadas yaitu  situs Suanggini, Ambesibui 1, Ambesibui 2, Ambesibui 3,  Sanepa, situs Pulau Nuasa dan situs Inuri Kiari. Motif gambar berupa gambar manusia, kadal, ikan, penyu, lingkaran, penanda arah, segitiga,  garis, dan gambar tidak teridentifikasi. Kata kunci : Penelitian, Situs, Gambar, Cadas,  Pulau. ABSTRACTThe existence rock images in Wondama Bay was written by Galis in 1948. Papua Archaeological in 2016 on Roon Island. The results  exploratory, not focused typology rock images. In 2019 Papua Archaeological  conducted a typology study rock images prehistoric  in Wondama Bay area. In addition to studying  typology of rock images,  also reveals folklore. The purpose writing is know typology rock images, what are their distribution and what are the folklore related to rock images. Explorative and descriptive qualitative research methods. The stages of  research literature study, field research, data processing stage. In processing data also use  dstretch plugin software on  imageJ application to clarify  image. The results found seven rock image sites,   Suanggini site, Ambesibui 1, Ambesibui 2, Ambesibui 3, Sanepa, Nuasa Island site and  Inuri Kiari site. Image motifs  form  images humans, lizards, fish, turtles, circles, direction markers, triangles, lines, and images are not identified. Keywords: Research, Site, Image, Cadas, Island.

scholarly journals ORNAMEN MASJID ASASI SIGANDO KOTA PADANGPANJANG

2020 ◽  
Vol 9 (1) ◽  
pp. 64
Author(s):  
Mirda Aryadi ◽  
Asril S ◽  
Febri Yulika
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Research Methods ◽  
Outer Wall ◽  
Qualitative Research Methods ◽  
General Function ◽  
Literature Study ◽  
Natural Objects ◽  
Natural Forms ◽  
Descriptive Qualitative

AbstrakMasjid Asasi Sigando menerapkan ornamen sebagai salah satu bagian dari bangunannya. Fungsi secara umum dari penempatan ornamen pada masjid Asasi sebagai penghias, hal ini juga berlaku pada bangunan yang khas Minangkabau lainnya. Penempatan ornamen pada masjid ini, hampir terdapat pada seluruh dinding luar. Ornamen yang diterapkan pada bagian dinding masjid seperti singok, pereang, papan banyak, papan sakapieng, dan salangko. Penelitian ini menggunakan metode penelitian kualitatif yang berifat deskriptif. Ornamen Masjid Asasi memiliki keindahan dari segi motif yang belum dikaji secara keilmuan. Pengumpulan data dilakukan dengan cara obervasi, wawancara, dokumentasi dan studi pustaka. Hasil tentang ornamen Masjid Asasi bahwa ide penciptaan motif ornamen berlandaskan pada bentuk alam seperti, tumbuhan, hewan, alam benda dan manusia. Selain itu penempatan masing-masing motif juga disusun pada bagian masjid yang memiliki nama tertentu.Kata Kunci: masjid asasi, ornamen, motif.AbstractAsasi Sigando Mosque uses ornaments as one part of the building. The general function of the placement of ornaments on the Asasi mosque as decoration, this also applies to other typical Minangkabau buildings. Placement of ornaments on this mosque, almost found on the entire outer wall. Ornaments applied to the walls of the mosque such as singok, pereang, papan banyak, papan sakapieng, and salangko. This research uses descriptive qualitative research methods. Asasi Mosque ornaments have beauty in terms of motifs that have not been studied scientifically. Data collection is carried out by means of observation, interviews, documentation and literature study. The result of Asasi Mosque ornaments is that the idea of creating ornamental motifs is based on natural forms such as plants, animals, natural objects and humans. In addition, the placement of each motif is also arranged on the part of the mosque that has a certain name. Keywords: asasi mosque, ornaments, motifs.

scholarly journals PENGARCAAN DEWA WISNU PADA MASA HINDU-BUDDHA DI BALI (ABAD VII-XIV MASEHI)

2019 ◽  
Vol 32 (1) ◽  
pp. 51
Author(s):  
I Kadek Sudana Wira Darma
Keyword(s):  
Data Collection ◽  
Data Processing ◽  
Cultural Influence ◽  
Raw Material ◽  
Literature Study ◽  
The Past ◽  
Social Restriction ◽  
History Of ◽  
Erwin Panofsky

Figurine of goddess Vishnu is an archaeological remain of Hindu-Buddhist period that rarely found in Bali. This research examines the variation of iconography, as well as the role and the position of Vishnu in the Hindu-Buddhist period in Bali in VII-XIV Century AD. The purpose of this research is to reconstruct the history of Balinese culture in the past, especially in the religion aspect. The methods of data collection are literature study, observation and interviews as well as data processing through the analysis of comparative iconography, and iconoplastic. The theory that used to assist analysis is a theory of religious iconology and iconography of Erwin Panofsky. Based on the results of the study found that there is a variation of the iconography on the statues of Vishnu in Hindu-Buddhist period in Bali. The variation can be seen in the variety of depictions of jewelry, clothing, “laksana” and posture. There are also variations for the iconography that caused by the factors of the ability and creativity of the artists, social restriction, cultural influence and raw material of the statue. The role and position of Vishnu in the Hindu-Buddhist period in Bali as a protector and preserver. His position is important although it is not as high as the god of Shiva. Arca Dewa Wisnu merupakan tinggalan arkeologi dari periode Hindu- Buddha yang sangat sedikit ditemukan di Bali. Penelitian ini meneliti variasi ikonografi, serta peranan dan kedudukan Dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Tujuan penelitian ini adalah untuk merekonstruksi sejarah kebudayaan masyarakat Bali pada masa lalu terutama aspek religinya. Penulis menggunakan metode pengumpulan data seperti studi pustaka, observasi dan wawancara serta pengolahan data melalui analisis ikonografi, ikonoplastik dan komparatif. Teori yang digunakan untuk membantu analisis adalah teori ikonografi dan ikonologi Erwin Panofsky. Berdasarkan hasil penelitian ditemukan bahwa terdapat variasi ikonografi pada arcaarca dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Variasi terlihat pada ragam penggambaran perhiasan, busana, laksana, dan sikap tubuh. Adapun variasi ikonografi disebabkan oleh faktor kemampuan dan kreativitas seniman, batasan sosial, pengaruh budaya dan bahan baku arca. Peranan dan kedudukan dewa Wisnu pada masa Hindu-Buddha di Bali yaitu sebagai dewa pelindung dan pemelihara, kedudukannya sangat penting walaupun tidak setinggi Dewa Siwa.

scholarly journals SISTEM EKONOMI PENGRAJIN KELOM GEULIS DI GOBRAS, KOTA TASIKMALAYA, PROVINSI JAWA BARAT

2015 ◽  
Vol 7 (3) ◽  
pp. 477
Author(s):  
Ria Andayani Somantri
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Economic System ◽  
Distribution Pattern ◽  
Research Methods ◽  
Research Problem ◽  
Consumption Patterns ◽  
Literature Study ◽  
Cultural Aspects ◽  
Finishing Process

AbstrakPenelitian Sistem Ekonomi Pengrajin Kelom Geulis di Gobras, Kota Tasikmalaya, Provinsi  Jawa Barat dilaksanakan  untuk menjawab masalah  penelitian, yakni bagaimana pola produksi, distribusi, dan konsumsi pengrajin kelom geulis, serta aspek   budaya di dalamnya. Kelom geulis diteliti karena merupakan salah satu kerajinan tradisional dari Kota Tasikmalaya yang masih bertahan dengan segala kekhasannya. Penelitian tersebut menggunakan metode penelitian deskriptif kualitatif. Adapun teknik pengumpulan data yang digunakan adalah studi pustaka, observasi, dan wawancara kepada sejumlah informan.  Hasil  penelitian menunjukkan bahwa pola produksi para pengrajin dapat dibedakan menjadi empat. Pertama, pengrajin  fokus pada pembuatan kelom geulis bodasan; kedua, pengrajin fokus pada proses mengolah   kelom geulis bodasan menjadi kelom geulis satengah jadi; ketiga, pengrajin fokus pada proses ngasakeun; dan keempat, pengrajin yang mengerjakan proses pembuatan kelom geulis dari awal sampai dengan selesai. Adapun pola distribusinya: pertama, hasil produksi dari pengrajin kelom geulis bodasan didistribusikan ke pengrajin kelom geulis setengah jadi; kedua, hasil produksi dari pengrajin kelom geulis satengah jadi didistribusikan ke pengrajin yang menangani proses finishing atau ngasakeun; ketiga, hasil produksi dari pengrajin yang mengerjakan kelom geulis secara utuh langsung dipasarkan ke konsumen. Sementara itu, pola konsumsi para pengrajin kelom geulis lebih menekankan pada pemenuhan kebutuhan primer. Bila pendapatan mereka berlebih, baru dilakukan upaya investasi. AbstractThis study of Kelom Geulis Craftsmen Economic System in Gobras, Tasikmalaya, West Java Province was conducted to answer the research problem; What is the production patterns, distribution, and consumption of KelomGeulis craftsmen, as well as cultural aspects in it. Kelom geulis was studied because it is one of the craftsmen from Tasikmalaya which still surviving with all its uniqueness.  The study uses descriptive qualitative research methods. Data collection techniquethat is used was literature study, observation, and interviewto a number of informants. The results showed that the pattern of production of the craftsmen can be divided into four patterns. First is artisan. Artisans focus on making Kelom Geulis bodasan; second, craftsmen focus on the process of taking Kelom Geulis Bodasan being into Kelom Geulis Satengah; Third they focus on the process of ngasakeun craftsmen; and fourth, the artist who makes the process of making Kelom Geulis from start to the completion.  The distribution pattern: first, the production of craftsmen ofkelom geulis bodasan distributed to artisans kelom geulis semi-finished; secondly, the production of craftsmen kelom geulis satengah is distributed to artisans who deal with the finishing process or ngasakeun; Third, the production of the craftsmen who worked full for kelom geulis directly marketed to consumers. Meanwhile, the consumption patterns craftsmen of kelom geulis more emphasis on meeting the primary needs. If the excess of their income increase, the new investment will be done.

scholarly journals GARAP DAN STRUKTUR TARI ANOMAN CAKIL SUSUNAN DIDIK BAMBANG WAHYUDI

2020 ◽  
Vol 19 (2) ◽  
pp. 142-151
Author(s):  
Nur Aini ◽  
Soemaryatmi Soemaryatmi
Keyword(s):  
Qualitative Research ◽  
Structural Analysis ◽  
Data Processing ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
External Factors ◽  
Literature Study ◽  
Internal Factors ◽  
Structural Problem ◽  
The Creation

Anoman Cakil dance was created in 1986 at the request of the ASKI Dance Department. External factors are a major factor in the creation of Anoman Cakil dance which is supported by internal factors. This thesis, titled Anoman Cakil dance, composed by Didik Bambang Wahyudi, focuses on the study of dance work and the structural analysis of Anoman Cakil dance. Issues to be explained in this study are (1) How  to work on  Anoman  Cakil dance  by Didik Bambang  Wahyudi  (2) How  to present the structure of Anoman Cakil dance.This research uses qualitative research methods, data obtained through literature study, interviews and observations. The results of data processing are then presented descriptively. To answer this problem, this study uses the concept of cultivation as a knife for analysis, namely the  concept of cultivation  by Rahayu Supanggah. The structural analysis of Sumandiyo Hadi was used as a theory to examine the structural problem of Anoman Cakil's dance presentation. The elements of cultivation work in the form of material work on, work on, working on facilities, working on furniture and determinant work on. Application of cultivation in dance in the form of the background of the creation of dance, Didik Bambang wahyudi as cultivators and Anoman cakil dance as material and means of working on.Anoman Cakil dance including wireng pethilan dance with stories originating from the Ramayana Epic, presented by two dancers in pairs, with figures Anoman and Cakil. And, victory on the Cakil figure. Anoman Cakil dance consists of three parts in the form of Forward Beksan Structure, the Beksan section which consists of the  then  spread  hand  arm  and  keris  shell.  Beksan  retreat  is  the  last  part  of  the Anoman Cakil dance presentation structure. Dramatic flow of Anoman Cakil dance is classified as multiple conical dramatic grooves with a small climax before heading to the main climax. Keywords: Wireng, pethilan, Anoman, Work on, Structural.

scholarly journals Motif Pembangunan Masjid Cheng Ho Surabaya

2021 ◽  
Vol 32 (2) ◽  
pp. 367-382
Author(s):  
Suko Susilo ◽  
Eva Putriya Hasanah ◽  
Nur Syam
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Research Methods ◽  
Direct Observation ◽  
Qualitative Research Methods ◽  
Research Model ◽  
The Past ◽  
Sense Of Security ◽  
Chinese Muslims ◽  
Past Experiences

This article aims to understand in depth the motives for the construction of the Cheng Ho Mosque. This article uses qualitative research methods and data collection techniques, documentation, and direct observation by using a cross-disciplinary research model. There are two motives found, namely the motive of reason and motive of purpose. The motive behind the construction of this mosque is the fear and trauma related to sentiment towards the Chinese ethnic caused by the past experiences of the Chinese ethnic. While on the motive of the goal, the researcher found that the meaning of the goal is that PITI wants to get a lot of support to get a sense of security. The existence of the Cheng Ho mosque has become a significant icon that can introduce the presence of Chinese Muslims.

scholarly journals PERANCANGAN CREATIVE JOURNAL SEBAGAI MATERI PENDUKUNG DREAM SETTING CANVAS

2019 ◽  
Vol 4 (2) ◽  
pp. 141
Author(s):  
Ellen Agustine Saputra
Keyword(s):  
Qualitative Research ◽  
Young People ◽  
Data Collection ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
Target Audience ◽  
Literature Study ◽  
Non Profit ◽  
Research Results ◽  
Definition Of

<strong>Abstract</strong><br />Creative Journal Design as the Dream Setting Canvas Supporting Media. Dream Setting Canvas is a dream achievement media for young people’s dream achievement, which has been applied to several empowerment programs in several non-profit organizations such as Wahana Visi Indonesia and East Bali Poverty Project. In its application, Dream Setting Canvas has weaknesses, of which the target audience has difficulty in analyzing dreams, strategies, and time without assistance. Moreover, without understanding the true essence of analyzing dreams, strategies and time, this method is not completely effective in helping young people achieve and realize their dreams. This research used qualitative research methods. Data collection used literature study, exploration, interviews with interviewees as well as distributes surveys both offline and online. The research results showed that the creative journals design could support<br />the target audience to understand the topic and definition of each block in the Dream Setting Canvas.<br /><div> </div><div> </div><div> </div><div> </div><strong>Abstrak</strong><br />Perancangan Creative Journal sebagai Media Pendukung Dream Setting Canvas. Dream Setting Canvas merupakan media pencapaian mimpi anak muda yang sudah diterapkan pada beberapa program empowerment di beberapa organisasi non-Profit seperti Wahana Visi Indonesia dan East Bali Poverty Project. Pada penerapannya, Dream Setting Canvas memiliki kelemahan, di mana target audiens kesusahan dalam menganalisis mimpi, strategi, serta waktu tanpa pendampingan. Selain itu, tanpa<br />memahami esensi sebenarnya dalam menganalisis mimpi, strategi serta waktu, metode ini tidak sepenuhnya efektif dalam membantu anak muda mencapai dan merealisasikan mimpinya. Penelitian ini menggunakan metode penelitian kualitatif. Pengumpulan data menggunakan studi literatur, eksplorasi, wawancara dengan narasumber serta membagikan survei baik secara offline maupun online. Hasil penelitian menunjukkan<br />bahwa perancangan creative journal dapat mendukung target audiens untuk memahami topik dan definisi setiap blok pada Dream Setting Canvas

scholarly journals NILAI ESTETIK TARI SRIMPI PANDHELORI DI PURA MANGKUNEGARAN

2018 ◽  
Vol 17 (1) ◽  
Author(s):  
S Sriyadi ◽  
Wahyu Santoso Prabowo
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
Literature Study ◽  
Aesthetic Value ◽  
Value Analysis ◽  
Aesthetic Properties ◽  
Life Values ◽  
The Senses

Penelitian Nilai Estetik Tari Srimpi Pandhelori di Pura Mangkunegaran bertujuan untuk mendeskripsikan koreografi dan nilai estetik tari Srimpi Pandhelori. Analisis koreografi Srimpi Pandhelori menggunakan konsep koreografi Sumandiyo Hadi. Analisis nilai estetik menggunakan konsep nilai estetik menurut The Liang Gie, yang didukung dengan konsep ciri-ciri sifat benda estetik oleh Monroe Beardsley, dan konsep pengungkapan nilai-nilai kehidupan dalam karya seni oleh De Witt H. Paker. Penulisan skripsi ini menggunakan metode penelitian kualitatif, dengan pendekatan estetik. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi pustaka. Hasil penelitian menunjukan bahwa tari Srimpi Pandhelori memiliki nilai estetik karena dari sudut pandang inderawi memiliki nilai bentuk dan dari isi mampu mengungkapkan nilai-nilai kehidupan.Kata kunci: Srimpi Pandhelori, koreografi, nilai estetik.AbstractResearch Value Aesthetic Srimpi Pandhelori Dance in Pura Mangkunegaran aims to describe the choreography and aesthetic value of Srimpi Pandhelori dance. Srimpi Pandhelori choreography analysis uses Sumandiyo Hadi’s choreography concept. Aesthetic value analysis uses the concept of aesthetic value according to The Liang Gie, supported by the concept of aesthetic properties by Monroe Beardsley, and the concept of life values in artwork by De Witt H. Paker. Writing this thesis using qualitative research methods, with an aesthetic approach. Data collection techniques used were observation, interview, and literature study. The results showed that the Srimpi Pandhelori dance has an aesthetic value because from the viewpoint of the senses have the value of the form and the content is able to express the values of life.Keywords: Srimpi Pandhelori, choreography, aesthetic value.

scholarly journals Sinkretisme budaya dan agama: Tradisi Selamatan dan Pagelaran Wayang Pesarean Gunung Kawi

2021 ◽  
Vol 1 (2) ◽  
pp. 135-141
Author(s):  
Tasya Kartika Chandra ◽  
Nur Hadi
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Data Processing ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
Local Culture ◽  
Muslim Community ◽  
Purposive Sampling ◽  
Data Collection Methods ◽  
Collection Methods

One of the diversity that Indonesia has is in terms of local culture. This culture can be in the form of tangible and intangible culture. One of the intangible cultures is the tradition Selamatan by most of the Javanese Muslim community, one of which is in Wonosari Village, Malang. Selamatan is held to fulfill someone's nadzar or for the purpose of connecting humans and the god to ask for salvation in life and the next life. In addition to Selamatan, there is also a puppet tradition that is held to tell various kinds of stories according to the request of the respondent and for the purpose of ruwatan. The purpose of this study was to determine the syncretism of culture and religion in the tradition of Selamatan and wayang performances. Where syncretism can be seen in the food served, the scripts and mantras that are read, as well as the stories on the puppets that are delivered. The sample used was purposive sampling and data collection methods were observation and interviews. This study uses qualitative research methods and data processing uses Miles and Huberman's analysis. Dalam keanekaragaman yang dimiliki Indonesia salah satunya yaitu dalam hal kebudayaan lokal. Kebudayaan ini dapat berupa budaya benda dan tak benda. Salah satu budaya tak benda adalah tradisi selamatan yang dilakukan oleh sebagian besar masyarakat Islam suku Jawa, salah satunya di Desa Wonosari, Malang. Selamatan ini diadakan untuk memenuhi nadzar dari seseorang atau untuk tujuan penghubung antara manusia dengan sang pencipta untuk memohon keselamatan dalam hidup dan kehidupan selanjutnya. Selain selamatan juga ada tradisi pewayangan yang digelar untuk menceritakan berbagai macam cerita sesuai permintaan penanggap dan untuk tujuan ruwatan. Tujuan penelitian ini adalah untuk mengetahui mengenai sinkretisme budaya dan agama dalam tradisi selamatan dan pagelaran wayang. Dimana sinkretisme terlihat pada makanan yang disajikan, skrip dan mantra yang dibacakan, serta cerita pada pewayangan yang dibawakan. Sampel yang digunakan adalah purposive sampling dan metode pengumpulan data adalah observasi dan wawancara. Penelitian ini menggunakan metode penelitian kualitatif dan pengolahan data menggunakan analisis Miles dan Huberman.

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