scholarly journals PEMANFAATAN TINGGALAN KOLONIAL DI PULAU NEIRA, KEPULAUAN BANDA, KABUPATEN MALUKU TENGAH SEBAGAI UPAYA PRESERVASI CAGAR BUDAYA

2021 ◽  
Vol 34 (1) ◽  
pp. 51
Author(s):  
Karyamantha Surbakti
Keyword(s):  
Cultural Heritage ◽  
Ethnic Groups ◽  
Archaeological Remains ◽  
Heritage Preservation ◽  
Cultural Activities ◽  
The Past

This article written to explain about heritage preservation in Banda, especially how to made some management and utilization of cultural heritage in Banda Island. Banda actually is an important locality related to past civilization, where in this area there are many traces of colonial buildings that must be preserved in order to treat the historiographical pieces that exist in one of Indonesia regions. In the past, Neira Island was the center of trade and cultural activities for the various ethnic groups. This research aims to look at the various archaeological remains in Banda Neira and what kind of management form that use have been carried out by various stakeholders there. Are they use management and utilization based on significance value and conservation perspective. The methods applied in this research are surveys and interviews. The result showed that Neira which has aquite number of archaeological remains in the form of colonial buildings, has now changed its use to government offices, mini museums, and etc. The management of cultural heritage in Neira shows a situation where the function and use of colonial buildings has not been managed optimally. In other words, management that ignores significance value and not to tendention for conservation and preserved authentic value of archaeological remains, will ruined as cultural heritage meaning. Artikel ini ditulis untuk melihat bagaimana pengelolaan dan pemanfaatan warisan budaya yang ada di Pulau Banda. Pulau Banda sendiri menjadi lokalitas penting berkaitan dengan peradaban silam, dimana di wilayah ini banyak terdapat jejak tinggalan bangunan kolonial yang harus dipreservasi guna merawat kepingan historiografi yang ada di salah satu wilayah Indonesia. Pulau Neira di masa lalu menjadi pusat aktivitas perdagangan dan kultural dari berbagai suku bangsa yang pernah singgah di wilayah ini. Penelitian ini bertujuan melihat pelbagai tinggalan arkeologis di Banda Neira dan menilik bentuk pemanfaatan dan pengelolaan yang sudah dilakukan oleh berbagai pemangku kepentingan di sana. Apakah pengelolaan dan pemanfaatan jejak tinggalan arkeologis disana sudah berbasis nilai penting dan berwawasan pelestarian. Metode yang diterapkan dalam penelitian ini adalah survei dan wawancara. Hasil penelitian menunjukkan bahwa Neira yang memiliki cukup banyak tinggalan arkeologis berupa bangunan kolonial, kini penggunaanya telah beralih fungsi menjadi kantor pemerintahan, museum mini, dan sebagainya. Pengelolaan warisan budaya di Neira menunjukkan situasi dimana alih fungsi pemanfaatan bangunan kolonial, belum dikelola secara maksimal. Dengan kata lain pengelolaan yang tidak mengindahkan manajemen berbasis nilai penting dan bertendensi pelestarian akan mengakibatkan tergerusnya nilai otentik dari tinggalan-tinggalan arkeologis tersebut sebagai cikal bakal cagar budaya. Kata kunci: Nilai penting; pelestarian; warisan budaya; manajemen sumberdaya budaya.

scholarly journals Ambivalent Heritage: The Im/Possibility of Museumifying the Overseas Chinese in South China

Modern China ◽  
2019 ◽  
Vol 46 (6) ◽  
pp. 559-584 ◽  
Author(s):  
Cangbai Wang
Keyword(s):  
Cultural Heritage ◽  
South China ◽  
Overseas Chinese ◽  
Heritage Preservation ◽  
The Past ◽  
Insight Into ◽  
National Local

The past two decades have witnessed an “overseas Chinese museum fever” across China. By commemorating heroic figures and treasuring the contributions of the overseas Chinese to the motherland, the representation of overseas Chinese in state-led museums has played an important role in promoting a “transnational nationalism” among domestic and international audiences. Using “ambivalent heritage” as a framing device and through a case study of the Chen Cihong Residence, this article discusses an underresearched aspect of museumifying the overseas Chinese, that is, issues that are unsettled and difficult to stage. By foregrounding the conflicting interpretations and uses of the Chen Cihong Residence as an ancestral house, a museum, and a tourist spot, this article raises important questions regarding the dis/continuities of national, local, and individual identities in heritagizing transnational Chinese mobilities. Additionally, it calls for a diasporic perspective on the study of cultural heritage and proposes a new insight into heritage preservation.

scholarly journals Karachay-Balkarian as an object of the world of "things"

2021 ◽  
pp. 147-155
Author(s):  
Галина Викторовна Сёмина
Keyword(s):  
Cultural Heritage ◽  
Ethnic Groups ◽  
The Other ◽  
North Caucasus ◽  
The Past ◽  
The North ◽  
The People ◽  
Globalizing World ◽  
The World ◽  
Homo Faber

В статье автор исходит из понимания феномена культуры (как в искусстве, так и в философии) как культуры, способной жить и развиваться только в одновременном диалоге с другими культурами, который В.С. Библер назвал «культурологическим парадоксом». В процессе проведенного исследования выстроено понимание того, что культура есть мир «вещей», основанный на диалоге их создателей не только с людьми настоящего, но и с последующими поколениями, так как рассказывают потомкам о мировоззрении прошедшей эпохи, о ценностях культуры предков, о мировидении создателей произведений. Автор считает этот аспект достаточно важным и значимым для решения проблем по дальнейшему сохранению культурного наследия народов Северного Кавказа в глобализирующемся мире, стремящемся к всеобщей унификации и нивелирующим тем самым самобытность культур этносов. Культурфилософский анализ предметов как «вещей» способствует выявлению их смыслов, несущих на себе печать человека как homo faber, как созерцателя и как пользователя, которому не только открыто их предназначение, но и без которого в принципе невозможно их существование. В качестве примера рассмотрены узорные карачаево-балкарские ковры - кийизы. Проведена сравнительная параллель между возможными интерпретациями орнаментальных мотивов жыйгыч кийизов - узких полосок, покрывавших полки в патриархальных жилищах этих этносов, и предполагаемым диалогом с Другим. Материал дает основание сделать вывод о том, что эти ковры-занавеси «читаются» по типу «культурного текста» - неких закодированных таким образом посланий предков. In the paper, the author proceeds from the understanding of the phenomenon of culture (both in art and in philosophy), as a culture capable of living and developing only in a simultaneous dialogue with other cultures, which V.S. Bibler called "a cultural paradox". In the process of the study, the understanding is built that culture is a world of "things", basing on the dialogue of their creators not only with the people of the present, but also with subsequent generations. They tell descendants about the worldview of the past era, about the values of ancestral culture, about the worldview of the creators of works. The author considers this aspect important and significant enough to solve the problems of further preserving the cultural heritage of the peoples of the North Caucasus in a globalizing world, striving for universal unification and thereby leveling the identity of ethnic cultures. Cultural-philosophical analysis of objects as "things" helps to identify their meanings, bearing the stamp of a human being, as a homo faber, as a contemplator and as a user, to whom not only their purpose is open, but also without which, in principle, their existence is impossible. The patterned Karachay-Balkarian rugs - kiyizes - are considered as an example. A comparative parallel was drawn between possible interpretations of the ornamental motifs of the zhyigych kiyizes -narrow strips covering shelves in the patriarchal dwellings of these ethnic groups, and the alleged dialogue with the Other. The material gives reason to conclude that these curtain rugs are "read" according to the type of "cultural text" which is a kind of coded message from the ancestors.

scholarly journals Participatory Evaluation of Cultural Heritage Based Programming to Empower Communities: A Quantitative Analysis

2020 ◽  
Vol 9 (1) ◽  
pp. 65
Author(s):  
Laura Kelly Clark ◽  
Tyler B. Smith ◽  
Samantha R. Seals
Keyword(s):  
Statistical Analysis ◽  
Quantitative Analysis ◽  
Cultural Heritage ◽  
Citizen Science ◽  
Participatory Evaluation ◽  
Public Archaeology ◽  
Heritage Preservation ◽  
Outreach Programs ◽  
The Past ◽  
Cultural Heritage Preservation

A survey conducted at six Florida regions examines participants’ perceptions of public archaeology outreach programs on cultural heritage preservation. The findings for participants’ perceptions showed that the Florida Public Archaeology Network is reaching the organizational goal in creating appreciation and awareness for cultural heritage. Statistical analysis demonstrated a correlation between the programs being educational and changing participants’ perceptions in archaeology, and participants’ perceptions being changed and creating a love for cultural heritage and archaeology. These responses will information how public archaeology programs are impacting Florida’s cultural heritage through citizen science programs focused on preserving the past.

scholarly journals Kuahí: the indians of the Lower Oiapoque and their museum

2013 ◽  
Vol 10 (1) ◽  
pp. 387-423 ◽  
Author(s):  
Lux Vidal
Keyword(s):  
Cultural Heritage ◽  
Ethnic Groups ◽  
Indigenous Peoples ◽  
Rio De Janeiro ◽  
Active Participation ◽  
Government Agencies ◽  
Far North ◽  
The Past ◽  
French Guyana ◽  
Indigenous Organizations

In recent decades we have witnessed a proliferation of museums, including indigenous museums, with an emphasis on regionalization and active participation of the collectivities in which they are inserted. This article involves the implementation of the Museum of the Indigenous Peoples of Oiapoque, which was a request made by the four ethnic groups that inhabit the region - the Palikur, Galibi Kali'na, Karipuna and Galibi Marworno - to the governor of Amapá in 1998. Since then, projects and actions have been realized for the revival and strengthening of the cultural heritage of these peoples that inhabit the far north of Brazil, on the border with French Guyana. We present these actions, their consequences and the articulation among partnerships (with indigenous organizations, government agencies and NGOs), which led to the development and operation of a regional museological institution that is dedicated to housing, preserving and promoting the cultural archives of these peoples, and to training indigenous museology technicians, teachers and researchers. Finally we address the importance of the different collections about these indigenous peoples that have been formed over the past two decades and report of the exhibitions mounted at the Kuahí Museum in Oiapoque and at the Museum of the Indian in Rio de Janeiro, emphasizing the specificity of each.

scholarly journals Tinggalan Arca di Pura Puseh Desa Bale Agung Bukian, Payangan, Gianyar

HUMANIS ◽  
2018 ◽  
pp. 21
Author(s):  
Ida Ayu Made Karmila Dewi ◽  
A.A Gde Aryana ◽  
Coleta Palupi Titasari
Keyword(s):  
Comparative Analysis ◽  
Cultural Heritage ◽  
Second Phase ◽  
Archaeological Remains ◽  
Heritage Preservation ◽  
The People ◽  
Characteristic Features ◽  
And Function ◽  
Cultural Heritage Preservation

The statue is an archaeological remains which was built by people to fulfill certain needs in purpose. The archaeological remains in Bali are still in use and purified by its society by storing inside a temple, one of them is in Pura Puseh Desa Bale Agung Bukian, Payangan, Gianyar. This research has been done before by the Cultural Heritage Preservation Office, however it is just for conservation purpose and yet into deeper analysis. This research has an approach to acknowledge form, timeline, and function of an art statue remains in Pura Puseh Desa Bale Agung Bukian, Payangan, Gianyar. In this research, I used some theories such as form and functionality theory. I used some methods to solve these issues such as in first phase to collect data are observation, interview, and reviewing literature. The second phase are processing a data by analyzing data such as qualitative, iconographic, and comparative analysis. Based on the the analysis result, it can be concluded that the form of the statue remains in Pura Puseh Desa Bale Agung Bukian are 4 pieces of bhatara manifestation statues, 24 pieces of bhatari statues, and 10 pieces of fragments. The remains in Pura Puseh Desa Bale Agung Bukian can be put into Bali Madya style, because they had the same characteristic features with the Bali Madya’s statues group in Pucak Penulisan Temple, bhatari statue in Penataran Sasih Temple, bhatara statue in Sibi Agung Kesian Temple, and a couple of statues in Subak Taulan Kerobokan Temple. Until now, the remains in Pura Puseh Desa Bale Agung Bukian in Payangan, Gianyar are still being utilized by temple’s penyungsung as a place to worship. People and temple’s penyungsung considered that the remains had a magical religious power which the praying ceremony and piodalan was held in certain days. The remain which was stored in pelinggih believed by the people of Bukian village as a place to pray protection, safety, and fertility for agriculture and livestock of Bukian society.

Making the Past Relevant

2015 ◽  
Vol 3 (3) ◽  
pp. 208-222 ◽  
Author(s):  
Rebecca E. Bria ◽  
Elizabeth K. Cruzado Carranza
Keyword(s):  
Oral History ◽  
Rural Community ◽  
Archaeological Site ◽  
Effective Strategy ◽  
Archaeological Remains ◽  
Heritage Preservation ◽  
The Past ◽  
Local Stakeholders

AbstractThis paper outlines several outreach initiatives that the Proyecto de Investigación Arqueológico Regional Ancash (PIARA) established to address the challenges of heritage preservation at the prehistoric archaeological site and rural community of Hualcayán, located in rural highland Ancash, Peru. We discuss three projects—a heritage festival, a textile enterprise, and an oral history project—that were designed and executed through a collaboration between PIARA and the Hualcayán community. We find that these “co-creative” projects encourage local stakeholders to discover and define for themselves the value of both their ancient and modern heritage. Reflecting on the outcomes from these projects, we discuss the co-creative approach as an effective strategy for improving the preservation of archaeological remains and enhancing the livelihood of the modern community.

scholarly journals Globalization and Localization of Heritage Preservation in Taiwan – an Analysis Perspective under the Cultural Heritage Preservation Act

2015 ◽  
Vol XL-5/W7 ◽  
pp. 65-72 ◽  
Author(s):  
C.-C. Chen ◽  
C.-C. Fu
Keyword(s):  
Cultural Heritage ◽  
Cultural Diversity ◽  
Community Participation ◽  
Local Governments ◽  
Adaptive Reuse ◽  
Intangible Cultural Heritage ◽  
Heritage Preservation ◽  
The Past ◽  
Innovative System ◽  
Cultural Heritage Preservation

The key contribution to the legislation of heritage preservation in Taiwan primarily derived from the historical monument movements in the 1970s. Specific legislation results include the establishment of Council for Cultural Affairs and the implementation of the Cultural Heritage Preservation Act in 1982. Although the Cultural Heritage Preservation Act is the first subjective cultural act, its lack of structure during the initial commencement stages made it un-conducive to heritage preservation and thus unable to meet the people’s expectations. Therefore, throughout the 33 years after the implementation of the Cultural Heritage Preservation Act, the Act has been amended 6 times. These amendments reflect the degree of importance that the society has attached to heritage preservation, and the innovative system also showcases the progress in preservation concepts and methods. These innovative orientations, such as emphasizing on the authenticity and integrity of heritage preservation, intangible cultural heritage, and cultural diversity, conform to the international preservation trends. They are also local trends such as encouraging community participation, adaptive-reuse, or enhancing the local governments’ powers to implement local cultural governance. This is particularly true for the fifth comprehensive revision in 2005, which has symbolic significance because its contents epitomized the heritage preservation work while moving Taiwan’s heritage preservation system towards globalization and localization. Therefore, we analyzed the Cultural Heritage Preservation Act amendment and revision processes over the past 33 years to highlight the innovations in Taiwan’s cultural heritage work and illustrate their globalization and localization features. Finally, we proposed recommendations for Taiwan’s preservation work in the future as the Cultural Heritage Preservation Act is about to undergo its seventh amendment in 2015.

Fusion Cuisine and Bedouin Handcraft: the Transformative Power of Heritage Preservation in Saudi Arabia

2015 ◽  
Vol 37 (2) ◽  
pp. 89-96 ◽  
Author(s):  
Heather Radke ◽  
Maha Al-Senan
Keyword(s):  
Saudi Arabia ◽  
Cultural Heritage ◽  
Heritage Preservation ◽  
Transformative Power ◽  
The Past ◽  
Cultural Heritage Preservation

In the past decade, Saudi Arabia has begun investing resources in cultural heritage preservation. In this interview, Maha Al-Senan, the director of the Saudi Heritage Preservation Society, discusses this shift and reflects on how heritage preservation has the power to influence identity and power in the kingdom.

scholarly journals The formation of klironomical thinking in the system of the social outlook

2018 ◽  
Keyword(s):  
Cultural Heritage ◽  
Special Kind ◽  
Heritage Preservation ◽  
New Science ◽  
The Past ◽  
The Social ◽  
The Future ◽  
Cultural Heritage Preservation

Abstract: The article, based on the first two chapters of the monograph on cleronomy, a new science on the preservation of cultural heritage, is an analysis of the evolution of the formation of a special kind of worldview in humans and society, based on cleronomic thinking, i.e., the idea of preserving the past for the future. Keywords: outlook, klironomy, klironomical thinking, historical and cultural heritage, preservation of cultural heritage

Creative economy: Towards cultural heritage capitalization

2017 ◽  
pp. 100-116 ◽  
Author(s):  
T. Abankina
Keyword(s):  
Cultural Heritage ◽  
Creative Industries ◽  
Creative Economy ◽  
Heritage Preservation ◽  
Creative Potential ◽  
Strategic Development ◽  
Post Industrial ◽  
Cultural Heritage Preservation

The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.

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