scholarly journals PEMILIHAN LOKASI PABRIK GULA GUNUNGSARI OLEH HANDELSVEREENIGING AMSTERDAM (HVA): ANALISIS KERUANGAN SALAH SATU "SISTER FACTORY" PABRIK GULA JATIROTO

2020 ◽  
Vol 6 (2) ◽  
pp. 113-124
Author(s):  
Abednego Andhana Prakosajaya ◽  
Hot Marangkup Tumpal Sianipar ◽  
Ayu Nur Widiyastuti
Keyword(s):  
Literature Review ◽  
Venture Capital ◽  
20Th Century ◽  
Sugar Industry ◽  
Inductive Reasoning ◽  
Sugar Factory ◽  
East Indies ◽  
Dutch East Indies ◽  
Selection Of

Pabrik Gula Gunungsari merupakan pabrik gula yang didirikan oleh Handels Vereeniging Amsterdam atau HVA pada awal abad ke-20 Masehi. Pabrik gula yang dimaksudkan untuk menjadi sister factory atau pabrik pendukung dari Pabrik Gula Jatiroto ini merupakan bagian dari rangkaian rencana percobaan HVA dalam merevolusi industri gula di Hindia Belanda. Penelitian bertujuan untuk menganalisis apakah terdapat kesalahan dalam bidang perencanaan pemilihan lokasi pembangunan pabrik gula yang berkaitan dengan berhentinya operasi pabrik gula ini. Metode penelitian bersifat deskriptif dengan penalaran induktif. Data yang dianalisis secara spasial diperoleh dari hasil survei arkeologi di Pabrik Gula Gunungsari dan kajian pustaka. Hasil penelitian menunjukkan bahwa ketergantungan yang sangat tinggi akan besarnya modal usaha serta anggapan dapat terpenuhinya target yang terlalu ambisius menyebabkan pemilihan lokasi pembangunan pabrik menjadi suatu hal yang merugikan bagi HVA sendiri. Gunungsari Sugar Factory had been established by Handels Vereeniging Amsterdam or HVA in the early of 20th century. The factory which was intended to be a sister of the Jatiroto Sugar Factory was part of a series of HVA trial plans to revolutionize the sugar industry in the Dutch East Indies. This paper aims to analyze whether there is a failure when selecting the location of the factory related to the cessation of its own operation. This method used is descriptive with inductive reasoning. The data analized in spatial were obtained from the survey conducted at the Gunungsari Sugar Factory and literature review. The results show that high dependence on the amount of venture capital, and the assumption that ambitious targets can be achieved, have made the selection of a factory construction location become a major weakness for HVA.

scholarly journals “Europa in de Tropen”, The Colonial Tourism and Urban Culture in Bandung

2020 ◽  
Vol 2 (2) ◽  
pp. 15-23
Author(s):  
Rahmia Nurwulandari ◽  
Kemas Ridwan Kurniawan
Keyword(s):  
20Th Century ◽  
Urban Culture ◽  
Capital City ◽  
Urban Architecture ◽  
East Indies ◽  
Mass Tourism ◽  
History Of ◽  
Dutch East Indies ◽  
In The Beginning ◽  
The City

Bandung experienced a rapid urban development after 1918, when the city was prepared to be the new Dutch East Indies’ capital city, replacing Batavia. In the era of economic liberalization, Bandung also became one of the tourist destinations that has promoted by the businessmen. This paper is a study on how mass tourism as the new urban culture in the beginning of 20th century had a contribution to urban planning in Bandung. The timeline was after the establishment of train as a modern transportation in Bandung (1884) until the end of the Dutch Colonialism in Dutch East Indies (1942). Through the Georg Simmel's theory of sociology and the city, I tried to analyze the the tourism activity and its relations to the 20th century urban architecture in Bandung, West Java. I use the method that was introduced by Iain Borden and friends in The Unknown City to understand tourism and urban history of Bandung through the spatial practice, city representation and experiences. 

scholarly journals Islamic Policy of the Dutch East Indies Colonial Government in Madura in the First Quarter of the 20th Century

2021 ◽  
Vol 4 (1) ◽  
pp. p1
Author(s):  
Iswahyudi Iswahyudi
Keyword(s):  
20Th Century ◽  
Government Policy ◽  
East Indies ◽  
Political Policy ◽  
Political Sector ◽  
Dutch East Indies ◽  
Cultural Sector ◽  
Colonial Government ◽  
Relationship Of ◽  
Regional Languages

At first the Dutch East Indies government policy towards Islam was wrong, because Islam in the Dutch East Indies was considered a strict religion like the hierarchical priesthood and the pope in Christianity where there was a high relationship of loyalty to the Turkish caliph, so that Islam was considered a formidable enemy. Starting with the implementation of a massive policy by the Dutch East Indies government to suppress Muslims, for example, one of them was in terms of limiting and heavier the regulations for the implementation of the pilgrimage, but in reality, regardless of the obstacles, the frequency of going on hajj was still high. Awareness of the mistakes in political policy towards Islam, the figure of Cristian Snouck Hurgronje, one of the supporters of ethical currents in the Netherlands, appeared, submitting a letter to the minister of the colonies on June 2, 1889 to participate in solving problems in the Dutch East Indies. In this case Snouk Hurgronje was the main advisor and was assisted by advisers consisting of one for Arab affairs and two experts in regional languages ​​in the Dutch East Indies. Based on Snouck Hurgronje's advice, the Dutch colonial government distinguished between Islam in the meaning of worship and Islam as a social, social and political force. This policy towards Islam is divided into three categories, namely the socio-religious field, the socio-cultural sector, and the socio-political sector.

scholarly journals PERKEMBANGAN WACANA IDENTITAS ARSITEKTUR DALAM JURNAL-JURNAL ARSITEKTUR DI AWAL ABAD XX DI HINDIA BELANDA

2018 ◽  
Vol 9 (2) ◽  
pp. 299-306
Author(s):  
Mahatmanto
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Technology Development ◽  
Turn Of The Century ◽  
Nation State ◽  
Flowering Period ◽  
The West ◽  
East Indies ◽  
Dutch East Indies ◽  
The 19Th Century

The transition of the 19th century to the 20th century known as the flowering period of the printed mass media in the West and the colonies. Similarly, in the Dutch East Indies, in the turn of the century, many publications are created, written and read by the architects who come to enjoy this print technology development in order to always be able to follow the progress in the Netherlands. At the turn of the century it was known four publications that circulated among architects in the Indies. Ideologies and interests with each of them carrying, mixing, and developed the ideas of architecture are increasingly different from the original. This process is in line with the development of the ideas of nationalism in a society that demands the assertion of identity in the form of nation-state nation Indonesia. This study surveyed the development of the contents of the four publications related to architecture in the Dutch East Indies, which is the method of Discourse Analysis, found patterns of discourse that lies behind the development of architectural identity discourse in the aftermath of Indonesia's independence.

scholarly journals Women of Three Nations in Indonesian Resurrection: a Feminist Approach on “Jejak Langkah - Rumah Kaca”

2018 ◽  
Vol 1 (2) ◽  
Author(s):  
Joko Susilo ◽  
Niko Fediyanto ◽  
Muhammad Junaedi
Keyword(s):  
Feminist Theory ◽  
20Th Century ◽  
European Community ◽  
Final Part ◽  
Human Consciousness ◽  
Female Characters ◽  
East Indies ◽  
Pramoedya Ananta Toer ◽  
Dutch East Indies

"Jejak Langkah - Rumah Kaca" is the final part in the tetralogy of Pulau Buru by Pramoedya Ananta Toer. The story is about the beginning of the nations unity movement in Indonesia. Started with human consciousness of Indonesia about equality of rights, it then build the power to compete, competing with the European community. It was the beginning of the 20th century that was called as the beginning of the rise of the Indonesian. This article discusses about three female characters in the story " Jejak Langkah - Rumah Kaca", namely Ang san Mei, Princes van Kasiruta, and Siti Soendari. They came from three different nations, namely Tionghoa, Ambon and Java. The characters are analyzed using Feminist theory. The result shows the appearance in power of behavior and thinking of the three female characters from different nationalities and religions to arouse nationalism in the society. The character of each different character confuses the Gubermen (Government of the Dutch East Indies).

scholarly journals WACANA KEMADJOEAN DI KELOMPOK ETNIS SUNDA AWAL ABAD 20

INFORMASI ◽  
2016 ◽  
Vol 45 (2) ◽  
pp. 171
Author(s):  
Holy Rafika Dhona
Keyword(s):  
Discourse Analysis ◽  
Social Movement ◽  
Ethnic Group ◽  
20Th Century ◽  
Early 20Th Century ◽  
East Indies ◽  
Dutch East Indies ◽  
Cultural Communities

AbstractKemadjoean (progress) was a key term for all social movement in the early 20th century Dutch East Indies. This article argued that the discourse of progress has no single meaning throughout the Dutch East Indies, but instead, it was practiced differently by people from different cultural communities. This article focuses on how the discourse of progress was negotiated by the Sundanese ethnic group. Using Foucauldian discourse analysis on the texts of Papaes Nonoman Newspaper (1914-1917), this studi found that, besides being interpreted as “an attempt to become Dutch”, the notion of progress was understood by the Sundanese specifically as a way to liberate Sundanese culture from the domination of Javanese culture.AbstrakKemadjoean menjadi istilah kunci bagi semua gerakan sosial pribumi Hindia Belanda di awal abad 20. Tulisan ini meyakini bahwa wacana kemajuan dipraktikkan berbeda dalam tiap komunitas kultural. Tulisan ini membahas bagaimana kemajuan dipahami, didiskusikan dan dinegosiasikan oleh kelompok etnis Sunda pada dekade awal abad 20. Menggunakan analisis wacana Foucauldian pada teks Surat Kabar Papaes Nonoman (1914-1917), penelitian ini menemukan bahwa selain kemajuan dipahami sebagai ‘usaha menjadi Belanda’-sebagaimana umumnya terjadi di Hindia Belanda, kemajuan secara khusus dipahami oleh etnis Sunda sebagai pembebasan budaya Sunda dari dominasi budaya etnis Jawa.

scholarly journals The Rhetoric of Paintings: Balinese Painters, Dutch Colonists and the Question of Gender Relationships in 19th and Early 20th Century Bali

2021 ◽  
Vol 11 (1) ◽  
pp. 238
Author(s):  
Peter Worsley
Keyword(s):  
20Th Century ◽  
The Other ◽  
Early 20Th Century ◽  
East Indies ◽  
Colonial Society ◽  
Present Essay ◽  
Tijdschrift Voor ◽  
Dutch East Indies ◽  
The One ◽  
Dutch Colonial

The present essay is about the interpretation of paintings and how an interest which Balinese painters display in gender relationships in the context of illustrations of ritual in their narrative works on the one hand, contrasts with strong expressions of Dutch disapproval of the despotic nature of the rule of Balinese kings and consequentially the unjust treatment of women in Balinese society on the other. With this in mind, the present paper first considers the representation of gender relationships in a number of Balinese paintings from the nineteenth and early twentieth centuries and then turns to a discussion of the understanding of Balinese gender relationships of two members of Dutch colonial society in the Dutch East Indies, one a senior bureaucrat, Graaf C.W.S van Hogendorp and the other the protestant missionary R. van Eck. I discuss a play by Graaf C.W.S van Hogendorp, ‘Pièce de Circonstance sur la conquête de Bali 1846’, written to celebrate the victory of the Dutch army over the Kingdom of Buleleng in 1846 and an article about ‘Het Lot der Vrouw op Bali’ (‘The lot of the Balinese woman’), published in the journal Tijdschrift voor Indische Taal-, Land-, en Volkenkunde in 1872 by the protestant missionary R. van Eck.

scholarly journals Uang Kepeng Trumon sebagai Salah Satu Instrumen Administrasi Kolonial Awal Abad ke-19

2021 ◽  
Vol 15 (1) ◽  
pp. 1-21
Author(s):  
Wisber Wiryanto
Keyword(s):  
Literature Review ◽  
Qualitative Methods ◽  
19Th Century ◽  
The State ◽  
Early 19Th Century ◽  
East Indies ◽  
Dutch East Indies ◽  
Malacca Strait ◽  
Descriptive Qualitative

Who makes kepeng coins in the early 19th century into the debate. This study aims to know who minted the kepeng coins of Trumon as a colonial administrative instrument in the early-19th century. The study uses descriptive qualitative methods and literature review, by collecting data on kepeng coins from collectors; and information about these issues from relevant references. The result of this study indicated, the English Merchant authorities circulated the kepeng coins of Trumon have minted in England factory. Thus, the kepeng coins of Trumon as a colonial administrative instrument of the British for the purpose to get a profit in trade and win over in competition face The Dutch East Indies government, so the trading areas in Sumatra and both sides of the Malacca Strait were controlled in the interest of the state. AbstrakSiapa yang mencetak uang kepeng di awal abad ke-19, kini diperdebatkan. Tujuan kajian untuk mengetahui siapa yang mencetak uang kepeng negeri Trumon sebagai salah satu instrumen administrasi kolonial awal abad ke-19. Kajian menggunakan metode studi literatur dengan cara mengumpulkan data uang kepeng dari kolektor; dan informasi litaratur dari referensi yang relevan. Selanjutnya dibahas menggunakan analisis deskriptif kualitatif dan perbandingan. Hasil kajian menunjukkan otoritas dagang-partikelir Inggris mengadakan uang kepeng negeri Trumon melalui pabrik percetakan uang di Inggris. Pengadaan uang kepeng tersebut sebagai salah satu instrumen administrasi kolonial Inggris awal abad ke-19 yang bertujuan untuk meraih keuntungan perdagangan dan kemenangan persaingan menghadapi kolonial Hindia-Belanda, sehingga wilayah perdagangan baik di Sumatra maupun di kedua sisi selat Malaka dikuasainya untuk kepentingan negeri induk. 

scholarly journals Perkembangan Manado Masa Kolonial (1789-1945)

Tumotowa ◽  
2020 ◽  
pp. 51-62
Author(s):  
Dr. Irfanuddin Wahid Marzuki, S.S, M.A
Keyword(s):  
River Mouth ◽  
Colonial Period ◽  
City Area ◽  
East Indies ◽  
Spatial Management ◽  
Old City ◽  
Dutch East Indies ◽  
The City ◽  
Selection Of

Manado has been the capital of the region since the colonial period, starting from the VOC, the Dutch East Indies, until now. Nowadays, the development made the old city area of Manado have no longer trace. Few people know this area because there are no archeological remains in the old city of Manado. The purpose of writing to find out the background of the selection of the location of the city of Manado and the development of the colonial city. The method used in this study is urban archeology. The results showed the geographical condition of the Manado coast which was flat, near the river mouth and there were no settlements before it became a consideration for Europeans making settlements. The forerunner of the city of Manado began with Loji, fortresses, ports, and developed into an administrative city. The development of administrative status improves the facilities and spatial management of the city of Manado.

scholarly journals Tata Ruang dan Perkembangan Kompleks Pabrik Gula Tanjung Tirto Tahun 1920-1944, Kabupaten Sleman

PANALUNGTIK ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 139-154
Author(s):  
Oktavian Ardana Putra ◽  
Niken Wirasanti
Keyword(s):  
Field Observations ◽  
Sugar Factory ◽  
East Indies ◽  
Dutch East Indies ◽  
Research Studies

The Tanjung Tirto sugar factory was one of 18 sugar factories that had been established in Yogyakarta during the Dutch East Indies administration. This factory was built in 1874 and was destroyed in the 1940s. The layout and development of the sugar factory from 1920-1940 were discussed in this study. Based on field observations, the emplacement of the factory buildings was not complete and only left a few housing buildings for the former factory employees. In addition, reconstruction through an old map is a way to find out the location and development of this factory. This study is important considering the lack of sugar factories in Yogyakarta which are the object of archeological research studies.

scholarly journals REPRESENTASI KOLONIALISME DALAM TJERITA NJI PAINA KARYA H. KOMMER

Aksara ◽  
2017 ◽  
Vol 29 (2) ◽  
pp. 155
Author(s):  
Diah Meutia Harum
Keyword(s):  
Short Story ◽  
Postcolonial Theory ◽  
Edward Said ◽  
Binary Opposition ◽  
Colonial Era ◽  
Sugar Factory ◽  
East Indies ◽  
Colonial Society ◽  
Dutch East Indies ◽  
Colonial Government

                                                The study describes the life in colonial era using the theory of postcolonialism. This theory is used to reveal the facts of the story in a short story titled Tjerita Nji Paina by H. Kommer about representation and treatment of natives by colonialist society in those days. The short story of Tjerita Nji Paina brings the theme of domination and hegemony against indigenous and women. H. Kommer was one of the writers of the Dutch East Indies who often criticize the Dutch colonial government, especially against sugar businessmen. His works voiced opposition to the sugar businessman who oppressed the indigenous workers from that period. This research try to reveal the image of colonialism through the description of the figures contained in this story by using the theory of characterization. There are three figures described in this study. Each character represents superior and inferior binary opposition in colonial society in the Indies at that time. Furthermore, postcolonial theory from Edward Said used to reveal hegemony and domination of the natives by the Dutch colonials. From the theory used to the Tjerita Nji Paina text it is seen that hegemony and dominance got the legitimacy from the Dutch rulers who deceived the character Niti as subordinates at the sugar factory to hand over his daughters to become “nyai” or concubine to the character of Mr. Briot, his superior at the sugar factory. AbstrakPenelitian yang menggambarkan kehidupan di era kolonialial ini menggunakan teori poskolonialisme. Teori ini digunakan untuk mengungkapkan fakta cerita dalam cerita pendek berjudul Tjerita Nji Paina karya H. Kommer tentang representasi dan perlakuan terhadap pribumi oleh masyarakat kolonialis di masa itu. Cerpen Tjerita Nji Paina membawakan tema dominasi dan hegemoni terhadap pribumi dan terhadap perempuan. H. Kommer adalah salah satu penulis di zaman Hindia Belanda yang sering mengkritik pemerintah pendudukan Belanda, khususnya terhadap kaum pengusaha gula. Karya-karyanya menyuarakan perlawanan terhadap pengusaha gula yang menindas pekerja pribumi di masa itu  Penelitian ini mencoba mengungkap gambaran kolonialisme itu melalui deskripsi tokoh-tokoh yang terdapat dalam cerita ini dengan menggunakan teori penokohan. Ada tiga tokoh yang akan dideskripsikan dalam penelitian ini. Setiap tokoh merepresentasikan oposisi biner superior dan inferior dalam masyarakat kolonial di Hindia Belanda pada masa itu. Selanjutnya, digunakan teori poskolonial oleh Edward Said untuk melihat hegemoni dan dominasi terhadap kaum pribumi oleh kolonial Belanda. Dari teori yang digunakan terhadap teks Tjerita Nji Paina terlihat bahwa hegemoni dan dominasi mendapat legitimasi dari penguasa Belanda yang memperdaya tokoh Niti sebagai bawahan di pabrik gula untuk menyerahkan anak gadisnya menjadi nyai atau gundik dari tokoh Tuan Briot, atasannya di pabrik.   

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