scholarly journals WADAH PERTUNJUKAN SENI DI BEKASI

Author(s):  
Vicosta Christy ◽  
Tatang Hendra Pangestu

Bekasi is referred to commuter city. A commuter is someone who travels to a city to work and returns to his hometown every day, usually from a place that is quite far from where he works. There is nothing interesting to invite travelers to this city. The city is home to millions of residents who mostly work in the capital city of Jakarta. The reason is because Jakarta is already overcrowded and the price of a residential unit in Jakarta has escalated. Bekasi society has high mobility. They departed from morning and returned when it was dark. The house is only used as a rest. There is no cultural trend in Bekasi as well as a shared space for residents to communicate with each other and express interest in their talents. There needs to be a forum to embrace the polarity of the city with nature to coexist in order to produce a more attractive environment and accommodate the city of Bekasi as an educational recreation area, combining the value of sociability and relaxation. The third place becomes a role that can contribute to the overall lifestyle of the community. For this reason, people need to realize that the third space is an undisputable asset. The concept of this third space is quite unique for the process of developing a place, because the third space breaks through a generation with a much better deal than the characteristics of other places. This project uses the trans programming method for the program in the project and the building typology method which will analyze several aspects of the performing arts buildings from the past to the present. The main concept of this project prioritizes the flexibility of space so that it can be used for several different activities. AbstrakKota Bekasi sering disebut dengan kota komuter. Komuter adalah seseorang yang bepergian ke suatu kota untuk bekerja dan kembali ke kota tempat tinggalnya setiap hari, biasanya dari tempat tinggal yang cukup jauh dari tempat bekerjanya. Tidak ada hal yang menarik untuk mengajak para pelancong ke kota ini. Kota ini adalah rumah bagi jutaan penduduk yang sebagian besar bekerja di ibukota Jakarta. Alasannya mudah, karena Jakarta sudah sesak dan harga satu unit tempat tinggal di Jakarta sudah meroket. Masyarakat Bekasi memiliki mobilitas yang tinggi. Mereka berangkat dari pagi dan kembali saat hari sudah gelap. Rumah hanya dijadikan untuk beristirahat saja. Tidak terdapat tren kebudayaan di Bekasi sekaligus ruang bersama untuk warga saling berkomunikasi dan menuangkan minat bakatnya. Perlu adanya sebuah wadah untuk merangkul polaritas kota dengan alam untuk hidup berdampingan supaya menghasilkan lingkungan yang lebih menarik dan mengakomodasi kota Bekasi menjadi tempat rekreasi edukatif, menggabungkan nilai sosiabilitas dan relaksasi. Ruang ketiga menjadi peran yang bisa berkontribusi dengan keseluruhan gaya hidup masyarakat. Untuk itu masyarakat perlu menyadari bahwa, ruang ketiga menjadi aset yang tidak dapat diperdebatkan. Konsep ruang ketiga ini cukup unik untuk proses perkembangan sebuah tempat, karena ruang ketiga menerobos sebuah generasi dengan kesepakatan yang jauh lebih baik daripada karakteristik tempat lain.  Proyek ini menggunakan metode trans programming untuk program di dalam proyek dan metode tipologi bangunan dimana akan menganalisa beberapa aspek pada bangunan - bangunan ruang pertunjukan dari terdahulu hingga kekinian. Konsep utama bangunan ini mengutamakan fleksibilitas ruang sehingga bisa digunakan untuk beberapa kegiatan yang berbeda.

Author(s):  
Fille Tamalazare Yuma ◽  
Maria Veronica Gandha

In the modern era, the loss of third place in the city center, such as the city of Jakarta, has resulted in increasingly mushrooming shopping centers and increasing market gimmicks. This causes the level of social interaction between fellow humans decreases so that exclusivity is formed in each individual. In meeting social needs in that era, a social forum is needed as a place for communities to eliminate exclusivity and restore human nature which is basically a social creature that needs to interact. From this, architecture talks about ways to meet the needs of the community in the third place as a means of community existence. The presence of Art Space is intended to present communities where individuals can fuse and increase social interaction. Art Space raised the topic of art which is one of the characteristics of the Senen Kelurahan, Senen District, Central Jakarta. Art will be used as a medium and a tool to interact and communicate with each other. Making an entertainment center for art that is inclusive so that it can be enjoyed by all groups of people both artists, connoisseurs of art or the general public. The choice of performing arts is based on the high public interest in the Senen Village. The design of Art Space is designed with site analysis method so that the building pays attention to the surrounding context so as to strengthen the contextual concept. Combining typologies adapted from the habits or approaches of the needs of the surrounding community. Bluring boundaries between private closeness and public opensess. It is expected that Art Space can attract people to visit so that it presents social interaction. Keywords: Art Space; Social Interaction; Third Place Abstrak Pada era yang serba modern hilangnya third place pada pusat kota seperti kota Jakarta mengakibatkan pusat perbelanjaan semakin menjamur dan market gimmick yang terus meningkat. Hal tersebut menyebabkan tingkat interaksi sosial antara sesama manusia menurun sehingga terbentuklah eksklusifitas pada setiap individu. Dalam pemenuhan kebutuhan sosial di era tersebut, maka dibutuhkan wadah sosial sebagai wadah komunitas-komunitas untuk menghilangkan ekslusifitas dan mengembalikan hakekat manusia yang pada dasarnya adalah mahluk sosial yang perlu berinteraksi. Dari hal tersebut, arsitektur berbicara tentang cara untuk memenuhi kebutuhan komunitas pada third place sebagai sarana eksistensi masyarakat. Kehadiran Art Space dimaksudkan untuk menghadirkan komunitas-komunitas  di mana individu dapat melebur dan meningkatkan interaksi sosial. Art Space  mengangkat topik seni yang merupakan salah satu karakteristik kawasan Kelurahan Senen, Kecamatan Senen, Jakarta Pusat. Seni akan digunakan sebagai media dan alat untuk berinteraksi serta berkomunikasi antara sesama manusia. Menjadikan pusat hiburan seni yang inklusif sehingga dapat dinikmati oleh seluruh golongan masyarakat baik seniman, penikmat seni atau khalayak umum. Pemilihan jenis seni pertunjukan didasarkan oleh tingginya animo masyarakat pada Kelurahan Senen. Perancangan Art Space didesain dengan metode site analysis agar bangunan memperhatikan konteks sekitar sehingga memperkuat konsep kontekstual. Mengkombinasikan tipologi yang diadaptasi dari kebiasaan atau pendekatan kebutuhan masyarakat sekitar. Meleburkan batasan diantara private closeness dan public opensess. Diharapkan Art Space dapat menarik masyarakat untuk berkunjung sehingga menghadirkan interaksi sosial.


Author(s):  
Devi Septiani ◽  
Tony Winata

Reduced public open space due to competition in urban areas has resulted in reduced community gathering activities (third place). Many big cities in Indonesia are aggressively building new parks or revitalizing old parks, like in the city of Jakarta. This is because the population density reaches 15,663 people / km2. The population continues to grow from 4.5 million people (1970) to double that, which is 9.6 million in 2010, while now it has reached 10.4 million people and is estimated to be 11-15 million by 2020-2030. As a result, almost all of the surface of the city has been devoured by buildings and changed the function of its designation Kelapa Gading sub-district with an area of 161.21 ha, this district has several shopping centers whose area exceeds the existing green space, namely, an area of 996,215 m2, through the results of observational studies that have been carried out then a proposed project that can meet the needs of the ivory coconut community for a healthy lifestyle with limited land as a means of sports that can accommodate various groups of people. Not only as a sports facility, but as a recreational facility and container that can accommodate interactions in the ivory coconut community. By looking at the parameters that exist in designing the third space, this design is adjusted to the ivory community's need for public space as the third space. AbstrakBerkurangnya ruang terbuka publik akibat persaingan lahan di perkotaan mengakibatkan berkurangnya aktivitas berkumpul bagi masyarakat (third place). Banyak kota – kota besar di Indonesia yang gencar untuk membangun taman baru atau merevitalisasi taman lama, seperti di Kota Jakarta. Hal ini dikarenakan tingkat kepadatan penduduk yang mencapai 15.663 jiwa/km2. Populasi terus bertambah dari 4.5 juta jiwa (1970) hingga menjadi dua kali lipatnya, yaitu 9.6 juta pada tahun 2010, sedangkan sekarang telah mencapai 10.4 juta orang dan diperkirakan untuk menjadi 11 – 15 juta pada tahun 2020 – 2030 mendatang. Akibatnya hampir seluruh permukaan kota telah habis dimakan bangunan dan berubah fungsi peruntukannya Kecamatan Kelapa gading dengan luasan wilayah 161,21 ha, kecamatan ini memiliki beberapa pusat perbelanjaan yang luasnya melebihi RTH yang ada yaitu, seluas 996.215 m2, melalui hasil studi observasi yang telah dilakukan maka diusulkan proyek yang dapat memenuhi kebutuhan masyarakat kelapa gading akan gaya hidup yang sehat dengan lahan yang terbatas sebagai sarana olahraga yang dapat menampung berbagai kalangan maasyarakat. Tidak hanya sebagai sarana olahraga, tetapi sebagai sarana rekreasi dan wadah yang dapat menampung terjadinya interaksi dalam masyarakat kelapa gading. Dengan melihat parameter yang ada dalam mendesain ruang ketiga maka rancangan ini disesuaikan dengan kebutuhan masyarakat kelapa gading akan ruang publik sebagai ruang ketiga.


2018 ◽  
Vol 9 (4) ◽  
pp. 89-98
Author(s):  
Mauricio Carvache-Franco ◽  
Wilmer Carvache-Franco ◽  
José Luis Proaño Moreira ◽  
Rafael Arce Bastidas ◽  
Orly Carvache-Franco

Abstract In the city of Guayaquil of Ecuador is located the Samanes National Recreation Area. This protected area is very visited for its diverse ecotourism activities that are carried out in this site. The empirical work was developed in situ, using a questionnaire and applying the Factorial Analysis as multivariate techniques tries to identify the different segments of the demand. The results show that there are three clusters of visitors: the first group is made up of “multiple motivational tourists”, with high motivation in all variables such as enjoying the environment and pure air, playing sports and enjoying public recreation spaces. The second group is made up of “indifferent tourists”, who present average scores on the motivational variables, as enjoying the environment and pure air, enjoying the public recreational spaces and performing sports. The third group is the largest and are known as the “Ecoturists”, who have high motivations in variables such as enjoying the environment and pure air, enjoy the public recreation spaces, sports and activities in nature and low motivations in the other variables. Carrying out segmentation studies in ecotourism in a recreation area, contributes with important information so that the public institutions in charge of the administration of these protected areas and the providers involved could supply products according to each segment of the demand.


Author(s):  
Herawati M

This study aims to use information technology, uncertainty or moderation duties and interactions between task uncertainty with the use of information technology to end user computing satisfaction. In this study used 70 respondents who actively use computers and working with several companies banking on the city of Padang. The data used are the primary data obtained through questionnaires. The study used three types of variables, the first is the independent variable, namely the utilization of information technology, both moderating variables, namely the uncertainty of the task, the third is the dependent variable is satisfaction of end user computing. The stages of hypothesis testing is done by using a regression model of moderating and statistical t-test. Based on the results of testing the first hypothesis (HI) was found to significantly influence the utilization of information technology to the satisfaction of end user computing. The second hypothesis (H2) testing results found that task uncertainty did not significantly influence the end user computing satisfaction. The third hypothesis (H3) testing found that the interaction or moderation between the use of technology with task uncertainty no significant effect on end user computing satisfaction.


Author(s):  
Howell A. Lloyd

Bodin arrived in Toulouse c.1550, a brief account of the economy, social composition, and governmental institutions of which opens the chapter. There follow comments on its cultural life and identification of its leading citizenry, with remarks on the treatment of alleged religious dissidents by the city itself, and especially on discordant intellectual influences at work in the University, most notably the Law Faculty and the modes of teaching there. The chapter’s second part reviews Bodin’s translation and edition of the Greek poem Cynegetica by Oppian ‘of Cilicia’, assessing the quality of his editorial work, the extent to which allegations of plagiarism levelled against him were valid, and the nature and merits of his translation. The third section recounts contemporary wrangling over educational provision in Toulouse and examines the Oratio in which Bodin argued the case for humanist-style educational provision by means of a reconstituted college there.


Author(s):  
John Joseph Norris ◽  
Richard D. Sawyer

This chapter summarizes the advancement of duoethnography throughout its fifteen-year history, employing examples from a variety of topics in education and social justice to provide a wide range of approaches that one may take when conducting a duoethnography. A checklist articulates what its cofounders consider the core elements of duoethnographies, additional features that may or may not be employed and how some studies purporting to be duoethnographies may not be so. The chapter indicates connections between duoethnography and a number of methodological concepts including the third space, the problematics of representation, feminist inquiry, and critical theory using published examples by several duoethnographers.


Sign in / Sign up

Export Citation Format

Share Document