scholarly journals EKSISTENSI TARI BARIS IDIH-IDIH DI DESA PAKRAMAN PATAS, DESA TARO, KECAMATAN TEGALLALANG, KABUPATEN GIANYAR

2017 ◽  
Vol 1 (1) ◽  
pp. 19
Author(s):  
Ni Nyoman Muliartini
Keyword(s):  
Social Meaning ◽  
Functional Theory ◽  
Time Line ◽  
Existing Problems ◽  
Religious Ceremony ◽  
Complementary Function ◽  
History Of ◽  
Implementation Time ◽  
The Village ◽  
Sacred Dance

<p>Hinduism is the oldest religion whose existence follows the region it occupies. In the daily life of the Hindu community in every village Pakraman carry out yadnya activities. Each yadnya implementation there are complementary elements that must have one of them is the dance. As found in the village of Pakraman Patas, the Baris Idih-Idih dance which is used as a complement to Ngepitu Nadi ceremony at Pura Puseh Bale Agung Desa Pakraman Patas. The problems found in this research are: 1) How is the Baris Idih-Idih dance process in Pakraman Patas Village, Taro Village, Tegalalang Sub-district, Gianyar Regency 2) What is the Baris Idih-Idih dance function in Pakraman Village Patas Taro Village, Tegalalang District, Gianyar, 3) What is the meaning of Baris Idih-Idih dance in Desa Pakraman Patas Taro Village, Tegalalang District, Gianyar Regency.</p><p>               In research related to Baris Idih-Idih dance, to examine existing problems using two theories are: 1) Symbol Theory is used to discuss the process and meaning contained in the dance of Idih-Idih Line. 2) Structural Functional Theory is used to discuss the functions contained in the dance line Idih-Idih. The technique used by researchers in collecting data is Observation technique</p><p>               Based on the result of research, the process of Baris Idih-Idih dance in Pakraman Patas Village is as follows: 1) History of Idih-Idih Line dance, 2) Classified Idih-Idih, 3) Implementation Time Line Idih-Idih, 4) Idih-Idih, 5) Baris Idih-Idih Adjusting Line Companion, 6) Idih-Idih Line Dancers dancers, 7) Line-Idih Processes. Idi-ihih Baris dance Function: 1) Religious Function, serves to invoke the grace of God to be given the abundant natural results. 2) Complementary Function Ceremony, Baris Idih-Idih dance is a wali dance that is used complement in ceremony Ngepitu, 3) Function As the Expression of Gratitude to God, dance line Idih-Idih serves as an expression of gratitude to God for all the gifts that have been given. The Meaning of Baris Idih-Idih dance is: 1) The Meaning of Theology, Idi-Idih Baris dance is a sacred dance which is closely related to the religious ceremony at Puseh Bale Agung Temple Pakraman Patas Village which is payable at this ceremony is Dewi Sri as the goddess of fertility, 2) Symbolic Meaning, Idih-Idih Baris dance is a symbol to request the descent of bhatara-bhatari in order to always give blessings and prosperity for society in Pakraman Patas Village, 3) Social Meaning, educate people to help each other in order to coexist harmoniously among the society.</p>

scholarly journals Traditions Of Child Raising In Uzbek Rural Family

2021 ◽  
Vol 03 (06) ◽  
pp. 81-94
Author(s):  
Ubaydullaeva B.M. ◽  
◽  
◽  
Keyword(s):  
Economic History ◽  
Sociology Of Education ◽  
Functional Theory ◽  
Child Socialization ◽  
The People ◽  
Depth Interview ◽  
The Family ◽  
Major Stage ◽  
History Of ◽  
The Village

The study of the issue of child socialization is one of the current problems of ethnology. Because through the upbringing of children, one can learn a lot about the lifestyle, spiritual outlook, psychological image and socio-economic history of the people. This article aims to study the features of child socialization in a modern Uzbek village on the example of a village. The information in the article was collected during the author's expeditions to the village of Mindon in 2012-2014. Research methods: direct observation, in-depth interview-based interviews and questionnaires. Theoretically, it was based on T. Parsons' structural functional theory on the study of socialization [26, p.58.]. In this theory, the family is shown as the first major stage of socialization. The study shows that the traditional method of upbringing in the family depends on the lifestyle of the people and is based on the experience of the people in child psychology, taking into account the mental and physical aspects of the mother from pregnancy to childbirth and adulthood. The data presented in the study can be used to study the culture, ethnography, spiritual and moral characteristics of the Uzbek people and to theoretically enrich such areas as ethnopsychology, ethnopedagogy, gender socialization, sociology of education.

scholarly journals TARI SAKRAL TUGLENG-TUGLENG DALAM UPACARA NGUSABA SAMBAH DI DESA PAKRAMAN KASTALA KECAMATAN BEBANDEM KABUPATEN KARANGSEM (Prespektif Pendidikan Agama Hindu)

2018 ◽  
Vol 2 (1) ◽  
pp. 96
Author(s):  
Ni Wayan Novi Savitri ◽  
I Ketut Mardika ◽  
I Made Luwih
Keyword(s):  
Religious Education ◽  
Value Theory ◽  
Functional Theory ◽  
The Public ◽  
Modern Period ◽  
The People ◽  
Research Interview ◽  
The Village ◽  
Sacred Dance ◽  
The Universe

<p>The sacred dance found in the Ngusaba Sambah ceremony in the village of Pakraman Kastala, Bebandem district of karangasem district is the sacred dance of Tugleng-tugleng. Tugleng-tugleng sacred dance is a tradition that must be implemented every Ngusaba Sambah in the village of Pakraman Kastala, Bebandem district, Karangasem district has been completed. Until now with the present (modern) period is still maintained as a tradition from generation to generation. This dance aims to request the safety of the village of pakraman kastala and is a complement of the ceremony as a form of gratitude to God Almighty to clean the mala (Bhuta Kala) after the completion of Usaba Sambah ceremony.</p><p>The issues discussed are 1) How is the procession of implementing Tugleng-tugleng sacred Dance? 2). What is the function of the sacred dance of Tugleng-tugleng, and what kind of Hindu religious education is contained in the sacred dance of Tugleng-tugleng at the Ngusaba Sambah ceremony in the village of Pakraman Kastala? The general objective of this research is to provide an understanding of Tugleng-tugleng sacred dance at Ngusaba Sambah in Desa Pakraman Kastala to the public in general and society. Knowing the procession of implementation, function, and know the value of Hindu religious education contained in the Tugleng-Tugleng Sacred Dance in Desa Pakraman Kastala.</p><p>This research uses phenomenology theory, structural functional theory, and value theory. In collecting data using several techniques that is by observation to place of research, interview to society which is assumed to know and study of library. The Tugleng-tugleng Sacred Dance consists of the stages, ie Nyineb Ida Betara Puseh, absent krama and megibungan, collecting and animating firewood, metabuh, and Tugleng-tugleng Dance Procession.</p><p>The function of the Tugleng-Tugleng Sacred Dance for the people of Pakraman Kastala village in general is as a form of Sraddha Bhakti and the gratitude of society to the creator. In addition, to clean themselves from elements of Mala (Bhuta Kala) attached to each krama. Tugleng-Tugleng Sacred Dance is an implementation of Tri Hita Karana's teaching that is: Tatwa value. The value of Susila based on Tri Kaya Parisudha are: Kayika, Wacika, and Manacika. And the Value of Ceremony (Ritual) in Tugleng-tugleng Sacred Dance, As already known that the universe and its contents were created by Ida Sang Hyang Widhi through yadnya</p>

scholarly journals PEMUJAAN DEWI MANIK MERTA SARI DI PURA TAMAN SARI DESA PAKRAMAN PAYANGANDESA KABUPATEN GIANYAR (PERSPEKTIF TEOLOGI HINDU)

2018 ◽  
Vol 2 (1) ◽  
pp. 325
Author(s):  
Kadek Ade Jaya Putra ◽  
Pande Wayan Renawati ◽  
I Made Adi Brahman
Keyword(s):  
Religious Tradition ◽  
Secondary Data ◽  
Primary Data ◽  
Functional Theory ◽  
Hindu Religion ◽  
History Of ◽  
The Many ◽  
Religious Theory ◽  
The Village ◽  
Descriptive Method

<p><em>Bali is a province in Indonesia that has a variety of uniqueness, one of which is the majority of people who follow the Hindu religion. Hinduism in Bali has Temple as a holy place to implement yadnya which aims to get closer to God Almighty of the many temples, there is a unique temple located in the village of Pakraman Payangandesa Gianyar. Taman Sari Temple is believed to be local people staying manifestation of God who as Dewi Manik Merta Sari. The worship of Dewi Manik Merta Sari Bead Goddess is a religious tradition that has a special uniqueness in Pakraman Payangandesa Village. Research on the existence, function and meaning of worship Dewi Manik Merta Sari in Taman Sari temple. The type of data used in this study is primary data sourced from the field and secondary data sourced from literature review, documents, articles, and lontar. Data were collected from the process of observation, interview, documentation study. To analyze the data in can use descriptive method and use several stages namely: data reduction, data display, and data verification. Then the data is presented with a qualitative discrete. Theories used include, religious theory, structural functional theory, symbol theory, and theory of existence</em></p><p><em>The existence of Dewi Manik Merta Sari, which is located at Taman Sari temple is related to the history of Temple and the history of Pakraman Payangandesa Village. Dewi Manik Merta Sari is symbolized in the form of a statue or pralingga which is handled in palinggih Gedong Arca temple and ceremonial worship on buda wage klawu along with tradition in Taman Sari temple. Function of the Dewi Manik Merta Sari Goddess worship is the religious, fertility, and social. Worship of Dewi Manik Merta Sari Beads Goddess there are three meanings are explained namely: the meaning of theology, ethics, togetherness, and symbolic.</em></p><p><em> </em></p>

scholarly journals Sang Hyang Sambah dalam Ngusabha Sambah di Desa Pakraman Pesedahan, Manggis, Karangasem (Kajian Bentuk Fungsi dan Makna)

2020 ◽  
Vol 9 (1) ◽  
pp. 87
Author(s):  
Ida Bagus Putu Eka Suadnyana
Keyword(s):  
Plant Material ◽  
Cognitive Theory ◽  
Research Problem ◽  
Social Function ◽  
Value Theory ◽  
Functional Theory ◽  
Qualitative Design ◽  
Belief In God ◽  
Religious Ceremony ◽  
The Village

<p><em>The use of Sang Hyang Sambah in Ngusabha Sambah ceremony in the village of Pakraman Pesedahan is very unique, as one of the means that support the implementation of religious ceremony based on the five basic forms of practice namely: iksa, sakti, village, kala, and tattwa so there are various forms and functions of upakara variety. Sang Hyang Sambah in Ngusabha Sambah ceremony in the village of Pakraman Pesedahan in addition to having its own characteristics, also contains value for the community supporters so that its use is maintained until now. Theories used to solve this research problem are structural functional theory, value theory and cognitive theory. This research is in the form of qualitative design. Based on the analysis, obtained the conclusion as the result of research, as follows: (1) Sang Hyang Sambah is one of the means in Ngusabha Sambah ceremony in the village of Pakraman Pesedahan. Sang Hyang Sambah shaped pelinggih made of plant material and made before the ceremony Ngusabha Sambah. (2) Sang Hyang Sambah in the process of Ngusabha Sambah ceremony has a ceremonial function as a form of sacrifice that is a religious function as  a tool to cultivate belief in God, and social function to enhance a sense of togetherness. (3) The meaning that is contained in Sang Hyang Sambah in Ngusabha Sambah ceremony among others tattwa seen in people’s belief in Ida Sang Hyang Widhi Wasa, ethics is reflected in the attitude.</em><em></em></p>

scholarly journals CHARACTERISTICS OF CHILD SOCIALIZATION IN UZBEK FAMILY IN MINDON VILLAGE

2021 ◽  
Vol 02 (03) ◽  
pp. 61-75
Author(s):  
Ubaydullayeva B.M. ◽  
Keyword(s):  
Economic History ◽  
Sociology Of Education ◽  
Functional Theory ◽  
Child Socialization ◽  
The People ◽  
Depth Interview ◽  
The Family ◽  
Major Stage ◽  
History Of ◽  
The Village

The study of child socialization is one of the current problems of ethnology. Because through the upbringing of a child, one can learn a lot about the lifestyle, spiritual outlook, psychological image and socio-economic history of the people. This article aims to study the features of child socialization in a modern Uzbek village on the example of a village. The information in the article was collected during the author's expeditions to the village of Mindon in 2012-2014. Research methods: direct observation, in-depth interview-based interviews and questionnaires. Theoretically, it was based on T. Parsons' structural functional theory on the study of socialization [26, p.58]. In this theory, the family is shown as the first major stage of socialization. The study shows that the traditional method of upbringing in the family depends on the lifestyle of the people and is based on the experience of the people in child psychology, taking into account the mental and physical aspects of the mother from pregnancy to childbirth and adolescence. The data presented in the study can be used to study the culture, ethnography, spiritual and moral characteristics of the Uzbek people and to theoretically enrich such areas as ethnopsychology, ethnopedagogy, gender socialization, sociology of education.

scholarly journals Tari Baris Babuang pada Upacara Pegingsiran Jro Pingit di Desa Pengotan

HUMANIS ◽  
2021 ◽  
Vol 25 (1) ◽  
pp. 111
Author(s):  
I Wayan Hartawan ◽  
I Nyoman Dhana ◽  
I Nyoman Sama
Keyword(s):  
Qualitative Methods ◽  
Public Trust ◽  
Research Subject ◽  
Functional Theory ◽  
The Arts ◽  
Natural Beauty ◽  
Foreign Countries ◽  
William Robertson ◽  
The Village ◽  
Sacred Dance

Bali is one of the islands that is very well known to foreign countries. Besides being famous for its natural beauty it is also known by the nickname of the Thousand Temples. It is known that the Balinese are usually inseparable from the sacred arts which are believed to complement the ceremony. Meanwhile in the village of Pengotan has a sacred dance that is the Baris Babuang dance. Baris Babuang is one element of universal culture that is part of the arts. Baris Babuang dance is danced by carrying banana fronds which can also be called the papah biu war. This research focuses on two things, namely the Babuang Baris Dance Function at the Pegingsiran Jro Pingit ceremony in Pengotan Village and the Meaning of the Babuang Baris Dance at the Pegingsiran Jro Pingit ceremony in Pengotan Village. The purpose and objective of this research is to find out the function and meaning of the implementation of the Babuang Baris Dance at the Jro Pingit ceremony. Then the authors use the Functional Theory of B. Malinowski and the ceremonial theory of William Robertson Smith to help strip the results of the research. This study uses qualitative methods to describe an event or phenomenon that occurs in a research subject such as behavior, perception, motivational action holistically and analyzed by collecting data that has previously been recorded besides audio visual recording, then recorded again in the recapitulation sheet then processed in the form of scientific writing. The results of this study state that, the function of Babuang Row Dance in relation to public trust, functions as a reinforcement of solidarity between citizens and the meaning of Babuang Row Dance to invoke safety, the meaning of kinship meaning the symbol of harmonization.  

scholarly journals PEMENTASAN TARI REJANG GAYUNG DALAM UPACARA NGUSABHA NINI DI DESA PAKRAMAN PILAN KECAMATAN PAYANGAN KABUPATEN GIANYAR (Kajian Filosofis)

2018 ◽  
Vol 2 (1) ◽  
pp. 385
Author(s):  
Ni Luh Supadmi ◽  
Ni Made Ramiati ◽  
I Made Wika
Keyword(s):  
Final Stage ◽  
Religious Tradition ◽  
Social Function ◽  
Cultural Preservation ◽  
Dance Performance ◽  
Religious Ceremony ◽  
Three Stages ◽  
The Village ◽  
Sacred Dance ◽  
Aesthetic Meaning

<p><em>In Bali, especially Hindus in carrying out their religious teachings are implemented by performing religious ceremonies. The religious ceremony in Hinduism is called Yadnya which means sacrifice. Hindus in conducting religious ceremonies are never separated from the existence of artistic elements such as music (gamelan) and dance performances, especially Wali Dance or (sacred dance). Like the staging of Rejang Gayung Dance in Ngusabha Nini ceremony which is part of the religious ceremony that is Yadnya God. The performance of Dance of Rejang Gayung in Ngusabha Nini Ceremony is conducted by Pakraman Pilan Village, Payangan District, Bangli Regency. Dance Performance Rejang Gayung is a religious tradition that has a uniqueness in the village Pakraman Pilan.The staging of Rejang Gayung Dance is held once a year by the village prince (Jero Kebayan, Jero Kebau, and jero kesinggukan) which is female, the movement is very plain / simple, wearing local traditional Hindu kebaya dress, white cloth, yellow scarf and at its time accompanied by gamelan, performed at the ceremony of Ngusabha Nini. The process of pemujaanya with three stages: the first stage, int stage and the final stage. The function of staging Dance Rejang Gayung namely: function relegius, social function, and cultural preservation function. The meaning contained in the performance of Rejang Gayung Dance is: philosophical meaning, meaning harmony and aesthetic meaning.</em></p>

scholarly journals TRADISI KENDURI DALAM MASYARAKAT JAWA PADA PERAYAAN HARI RAYA GALUNGAN DI DESA PURWOSARI KECAMATAN TEGALDLIMO KABUPATEN BANYUWANGI (Kajian Teologi Hindu)

2017 ◽  
Vol 1 (2) ◽  
pp. 489
Author(s):  
Rina Dewi Susanti
Keyword(s):  
Descriptive Analysis ◽  
Problem Formulation ◽  
Functional Theory ◽  
Existing Problems ◽  
The People ◽  
Religious Other ◽  
Religious Theory ◽  
Village Elders ◽  
The Village

<p><em>           Purwoasri is one of the villages in Banyuwangi Regency. Most of the people are Hindus, but not a few adherents of Islam. Javanese culture has existed since prehistoric times, the arrival of Hinduism on the island of Java gave birth to the Javanese Hindu culture that every activity can not be separated with the tradition of Kenduri. Kenduri is basically a tradition of praying together that is attended by neighbors and led by traditional leaders, who follow the tradition of kenduri inipun also not only people who are Hindus, but religious other than Hindupun also included in pelaksaannya, but harmony is very awake in society This purwoasri though they are different religions but very respect for each other. Based on the background of existing problems, then in this study presents three formulation of the problem as follows (1) How the process of kenduri tradition in Javanese society at the celebration of galungan holiday in Purwoasri Village, Tegaldlimo Sub-district, Banyuwangi Regency, (2) What is the function of kenduri tradition in Javanese society at the ceremony of the galungan holiday in Purwoasri Village, Tegaldlimo Sub-district, Banyuwangi Regency, (3) What theological meaning is contained in the tradition of kenduri in Javanese society at the celebration of Galungan Festival in Purwoasri Village, Tegaldlimo Sub-district, Banyuwangi Regency. The purpose of this research is to know (1) The implementation of the tradition of kenduri (2) The function contained in the tradition of kenduri (3) The theological meaning contained in the tradition of kenduri. Theory used to analyze the problem formulation is the theory (1) Religious theory to dissect deep discussion on Javanese religious beliefs (2) structural functional theory to dissect the quality of beliefs of society or aspects of sradha and devotion in the field of religion (3) Theory of symbol to analyze the theological value contained in the tradition of kenduri. With the descriptive analysis, the results of the research (1) The process of implementing the kenduri tradition, which includes: the preparation stage of kenduri tradition begins with the making of offerings, kenduri tradition which begins with the prayer readings by the village elders then followed by the participants of the kenduri then continued with the blessing or banten (2) The function of tradition of kenduri namely social function and religious function (3) The meaning of traditional theology of kenduri includes the meaning of ethics and the meaning of balance.</em></p>

From Missionary Translation to Local Theological Inquiry: A Narrative History of the Lisu Bible

2019 ◽  
Vol 25 (2) ◽  
pp. 202-219
Author(s):  
Aminta Arrington
Keyword(s):  
Minority Group ◽  
Local Leadership ◽  
Bible Translation ◽  
Narrative History ◽  
History Of ◽  
Christian Practices ◽  
Village Elders ◽  
The Village ◽  
The Waves ◽  
Bible Reading

The Lisu are a largely Christian minority group in south-west China who, as an oral culture, express their faith more through a set of Christian practices done as a group and less through bible reading as individuals. Even so, the Lisu practice of Christianity specifically, and Lisu culture more generally, was profoundly impacted by the written scriptures. During the initial evangelisation of the Lisu by the China Inland Mission, missionaries created a written script for the Lisu language. Churches were constructed and organised, which led to the creation of bible schools and the work of bible translation. In the waves of government persecution after 1949, Lisu New Testaments were hidden away up in the mountains by Lisu Christians. After 1980, the Lisu reclaimed their faith by listening to the village elders tell the Old Story around the fires and reopening the churches that had been closed for twenty-two years. And they reclaimed their bible by retrieving the scriptures from the hills and copying them in the evening by the light of a torch. The Lisu bible has its own narrative history, consisting of script creating, translating, migrating, and copying by hand. At times it was largely influenced by the mission narrative, but at other times, the Lisu bible itself was the lead character in the story. Ultimately, the story of the Lisu bible reflects the Lisu Christian story of moving from missionary beginnings to local leadership and, ultimately, to local theological inquiry.

From the History of the Public Library in the Village Tagai of Simbirsk District in Simbirsk Province

2010 ◽  
pp. 102-106
Author(s):  
Valentina M. Patutkina
Keyword(s):  
Public Library ◽  
Library History ◽  
The Public ◽  
Ulyanovsk Region ◽  
History Of ◽  
In The Beginning ◽  
The Village

The article is dedicated to unknown page in the library history of Ulyanovsk region. The author writes about the role of Trusteeship on people temperance in opening of libraries. The history of public library organized in the beginning of XX century in the Tagai village of Simbirsk district in Simbirsk province is renewed.

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